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Alfred Tennyson’ın Idylls of the King and Other Poems Kitabı ve Julia Margaret Cameron’ın Fotoğrafları Üzerine Göstergebilimsel Bir Okuma

Yıl 2024, Cilt: 18 Sayı: 2, 224 - 236, 31.12.2024
https://doi.org/10.47777/cankujhss.1496337

Öz

Alfred Tennyson’un Idylls of the King and Other Poems adlı kitabı, şiir ile Julia Margaret Cameron’un fotoğraflarını bir araya getirmektedir. Cameron arkadaşlarının ve aile üyelerini, ortaçağ giysileri içinde bir araya getirerek, poz vermelerini istemiş ve Tennyson’un epik şiirleri için fotoğraflamıştır. Sonra onları daha büyük ve sanatsal bir baskıda bir araya getirerek şiirin etkisini fotoğraflarla arttırmayı amaçlamıştır. Zamanla, aile üyelerinin ve arkadaşlarının portreleri, yalnızca Tennyson’un şiirlerinin illüstrasyonu olmanın ötesine geçmiştir. Cameron’un fotoğrafları, fotoğraf baskısı tekniklerinin o dönemdeki zorluklarına karşın, Tennyson’un şiirlerindeki temaların ve karakterlerin anlamlarını daha da öteye taşımıştır. Bu çalışma, fotoğraf sanatının şiire olan katkısını, göstergebilimsel açıdan analiz etmekte ve tartışmaktadır.

Kaynakça

  • Barthes, R. (1986). Elements of semiology (11th printing). Hill and Wang.
  • Berger, J. (2008). Ways of seeing. Penguin Design Series. Penguin.
  • Bloom, H. (Ed.) (2010). Alfred, Lord Tennyson. Bloom’s classic critical views. Bloom’s Literary Criticism.
  • Bloom, H. (2019). Introduction. Bloom, H. (Ed.) (2010). Alfred, Lord Tennyson. Bloom’s classic critical views. Bloom’s Literary Criticism. xi-xx.
  • Bowles, N. (2007). “Tennyson’s ‘Idylls of the king’ and Anglican authority”. Christianity and literature, Summer 2007, Vol. 56, No. 4. 6573-594.
  • Buckler, W. E. (1980). “A precarious turning: Tennyson’s redemption of literature and life from medievalism”, Browning institute studies, Vol. 8, 85-102.
  • Chandler, D. (2007). Semiotics: The basics (2nd edition). Routledge.
  • Cooke, S. (2021). The Moxon Tennyson: A landmark in Victorian illustration. Ohio University Press.
  • Cox, J. & Colin F. (2003). Julia Margaret Cameron: The complete photographs. Getty Publications.
  • Çelikkol, A. (2007). “Dionysian music, patriotic sentiment, and Tennyson’s ‘Idylls of the king’”, Victorian poetry, Fall, Vol. 45, No. 3, 239-256.
  • Diebold, W. J. (2012). “Medievalism”, Studies in iconography, vol. 33, Special issue medieval art history today - critical terms, 247-256.
  • Doré, G. (1995). Doré’s illustrations for “Idylls of the king”. Dover Publications.
  • Er Han, M. (2023). “Portrait photography and appropriation”, Contemporary issues of communication. Vol. 2, Issue: 1. 18-32. https://dergipark.org.tr/en/pub/conicom/issue/76602/1271965.
  • Fludernik, M. (2006). An introduction to narratology. Translated from the German by Patricia Häusler-Greenfield and Monika Fludernik. Routledge.
  • Linley, M. (1992). “Sexuality and nationality in Tennyson’s ‘Idylls of the king’”. Victorian poetry, Autumn - Winter 1992, Vol. 30, No. 3/4, Centennial of Alfred, Lord Tennyson: 1809-1982. 365-386.
  • Mathews, D. (2011). “From medieval to medievalism: a new semantic history”, The review of English studies, November 2011, Volume. 62, No. 257, 695-715.
  • McGuire, I. (1992). “Epistemology and empire in ‘Idylls of the king’”, Victorian Poetry, Autumn - Winter 1992, Vol. 30, No. 3/4, Centennial of Alfred, Lord Tennyson: 1809-1982. 387-400.
  • Millard, C. W. (1973). “Julia Margaret Cameron and Tennyson’s ‘Idylls of the King’”. Harvard literary bulletin XXI. (2), April 1973: 187-201. https://nrs.harvard.edu/URN-3:HUL.INSTREPOS:37363998.
  • Moy, O. L. (2014). “King Arthur and chiasmus in Tennyson’s ‘Idylls of the king’”. Tennyson research bulletin, Vol. 10, No. 3 (November 2014). 266-279.
  • Ormond, L. (1993). Alfred Tennyson: A literary life. MacMillam Press.
  • Ricks, Christopher. (1999). “Preface”. In Christopher Ricks (ed.). The Oxford book of English verse. Oxford University Press. pp. xxxiii-xxxix.
  • Scheinker, A. (1997). “Appropriation of play in a Victorian album: Idylls of the King and Other Poems illustrated by Julia Margaret Cameron”. Athanor, Vol. 15. Pp. 34-37.
  • Taylor, B. (1980). “Browning and Victorian medievalism”, Browning institute studies, Vol. 8 (1980). 57-71.
  • Tennyson, A. (1896). Idylls of the king in twelve volumes. Ed. by William J. Rolfe. The Riverside Press Cambridge.

A Semiological Reading of Alfred Tennyson’s Idylls of the King and Other Poems and Julia Margaret Cameron’s Photographic Illustrations

Yıl 2024, Cilt: 18 Sayı: 2, 224 - 236, 31.12.2024
https://doi.org/10.47777/cankujhss.1496337

Öz

Alfred Tennyson’s Idylls of the King and Other Poems connects poetry with photographic illustrations by Julia Margaret Cameron. The book is one of the pioneering examples of illustrated poetry. Cameron had her friends and family members dressed in medieval clothes to pose for her and photographed them for Tennyson’s epic. However, when she willingly accepted Tennyson’s request to illustrate his poetry book with photographs, she did not envisage how her photographs would look reduced in scale in a poetry book. Then she had them reprinted in a deluxe edition to increase the effect of poetry through her photographic illustrations. In time, her portraits of family and friends reached a level of not only illustrating Tennyson’s poems but also passing over the influence of poetry. Cameron’s photographs, despite the technological difficulties of her age in printing photography, reflected the themes and characters of Tennyson’s poems to carry their meanings further.

Kaynakça

  • Barthes, R. (1986). Elements of semiology (11th printing). Hill and Wang.
  • Berger, J. (2008). Ways of seeing. Penguin Design Series. Penguin.
  • Bloom, H. (Ed.) (2010). Alfred, Lord Tennyson. Bloom’s classic critical views. Bloom’s Literary Criticism.
  • Bloom, H. (2019). Introduction. Bloom, H. (Ed.) (2010). Alfred, Lord Tennyson. Bloom’s classic critical views. Bloom’s Literary Criticism. xi-xx.
  • Bowles, N. (2007). “Tennyson’s ‘Idylls of the king’ and Anglican authority”. Christianity and literature, Summer 2007, Vol. 56, No. 4. 6573-594.
  • Buckler, W. E. (1980). “A precarious turning: Tennyson’s redemption of literature and life from medievalism”, Browning institute studies, Vol. 8, 85-102.
  • Chandler, D. (2007). Semiotics: The basics (2nd edition). Routledge.
  • Cooke, S. (2021). The Moxon Tennyson: A landmark in Victorian illustration. Ohio University Press.
  • Cox, J. & Colin F. (2003). Julia Margaret Cameron: The complete photographs. Getty Publications.
  • Çelikkol, A. (2007). “Dionysian music, patriotic sentiment, and Tennyson’s ‘Idylls of the king’”, Victorian poetry, Fall, Vol. 45, No. 3, 239-256.
  • Diebold, W. J. (2012). “Medievalism”, Studies in iconography, vol. 33, Special issue medieval art history today - critical terms, 247-256.
  • Doré, G. (1995). Doré’s illustrations for “Idylls of the king”. Dover Publications.
  • Er Han, M. (2023). “Portrait photography and appropriation”, Contemporary issues of communication. Vol. 2, Issue: 1. 18-32. https://dergipark.org.tr/en/pub/conicom/issue/76602/1271965.
  • Fludernik, M. (2006). An introduction to narratology. Translated from the German by Patricia Häusler-Greenfield and Monika Fludernik. Routledge.
  • Linley, M. (1992). “Sexuality and nationality in Tennyson’s ‘Idylls of the king’”. Victorian poetry, Autumn - Winter 1992, Vol. 30, No. 3/4, Centennial of Alfred, Lord Tennyson: 1809-1982. 365-386.
  • Mathews, D. (2011). “From medieval to medievalism: a new semantic history”, The review of English studies, November 2011, Volume. 62, No. 257, 695-715.
  • McGuire, I. (1992). “Epistemology and empire in ‘Idylls of the king’”, Victorian Poetry, Autumn - Winter 1992, Vol. 30, No. 3/4, Centennial of Alfred, Lord Tennyson: 1809-1982. 387-400.
  • Millard, C. W. (1973). “Julia Margaret Cameron and Tennyson’s ‘Idylls of the King’”. Harvard literary bulletin XXI. (2), April 1973: 187-201. https://nrs.harvard.edu/URN-3:HUL.INSTREPOS:37363998.
  • Moy, O. L. (2014). “King Arthur and chiasmus in Tennyson’s ‘Idylls of the king’”. Tennyson research bulletin, Vol. 10, No. 3 (November 2014). 266-279.
  • Ormond, L. (1993). Alfred Tennyson: A literary life. MacMillam Press.
  • Ricks, Christopher. (1999). “Preface”. In Christopher Ricks (ed.). The Oxford book of English verse. Oxford University Press. pp. xxxiii-xxxix.
  • Scheinker, A. (1997). “Appropriation of play in a Victorian album: Idylls of the King and Other Poems illustrated by Julia Margaret Cameron”. Athanor, Vol. 15. Pp. 34-37.
  • Taylor, B. (1980). “Browning and Victorian medievalism”, Browning institute studies, Vol. 8 (1980). 57-71.
  • Tennyson, A. (1896). Idylls of the king in twelve volumes. Ed. by William J. Rolfe. The Riverside Press Cambridge.
Toplam 24 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular İngiliz ve İrlanda Dili, Edebiyatı ve Kültürü
Bölüm Makaleler
Yazarlar

Mehmet Ali Çelikel 0000-0003-0402-9858

Yayımlanma Tarihi 31 Aralık 2024
Gönderilme Tarihi 5 Haziran 2024
Kabul Tarihi 13 Ekim 2024
Yayımlandığı Sayı Yıl 2024 Cilt: 18 Sayı: 2

Kaynak Göster

APA Çelikel, M. A. (2024). A Semiological Reading of Alfred Tennyson’s Idylls of the King and Other Poems and Julia Margaret Cameron’s Photographic Illustrations. Cankaya University Journal of Humanities and Social Sciences, 18(2), 224-236. https://doi.org/10.47777/cankujhss.1496337

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