Araştırma Makalesi

Re-Visiting T.S. Eliot’s Poetry through Henri Lefebvre’s Rhythmanalysis

Cilt: 20 Sayı: 1 26 Mart 2022
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Re-Visiting T.S. Eliot’s Poetry through Henri Lefebvre’s Rhythmanalysis

Öz

This paper explores the elements of rhythm in the social space in T.S. Eliot’s early poems and The Waste Land. One of the leading literary figures of the modernist era, Eliot dealt with the representation of the alienated individual within the boundary of the upper-middle class which can be followed especially in “The Lovesong of J. Alfred Prufrock.” Regarding the theoretical context of the study, Henri Lefebvre’s rhythmanalysis theory is applied to reveal how Eliot observed, understood and listened to the rhythms of city life. While observing people within the culture of the city, Eliot listened to the mechanisms present in this space. However, his concern of space and sound did not follow a single route, yet led to a wide, universal level. Thus, this paper intends to display Eliot’s perception of rhythm in his poems from the perspective of Lefebvre’s rhythmanalysis.

Anahtar Kelimeler

Kaynakça

  1. Bresson, R. (1977). Notes on cinematography. New York: Urizen Books.
  2. Bush, R. (1983). T.S. Eliot: A study in character and style. New York: Oxford U. P.
  3. Chancellor, P. (1969). “The music of ‘The Waste Land.’” Comparative literature studies. 6.(1) 21-32.
  4. Chen, Yi. (2017). Practising rhythmanalysis: Theories and methodologies. London: Rowman and Littlefield International.
  5. Dayan, P. (2019). “How musical is Henri Lefebvre’s rhythmanalysis?” Rhythms now: Henri Lefebvre’s rhythmanalysis revisited. Eds. Steen Ledet Christiansen and Mirjam Gebauer. Aalborg University Press. Internet resource. 17-31.
  6. Elden, S. (2004). “Rhythmanalysis: An Introduction.” Rhythmanalysis: Space, Times and Everyday Life. London: Continuum. vii-xv.
  7. Eliot, T. S. (1948). Selected Essays. London: Faber and Faber.
  8. Eliot, T. S. (1963). Collected poems, 1909-1962. New York: Harcourt, Brace & World.

Ayrıntılar

Birincil Dil

İngilizce

Konular

-

Bölüm

Araştırma Makalesi

Yayımlanma Tarihi

26 Mart 2022

Gönderilme Tarihi

10 Ocak 2022

Kabul Tarihi

28 Ocak 2022

Yayımlandığı Sayı

Yıl 2022 Cilt: 20 Sayı: 1

Kaynak Göster

APA
Çakar, E. (2022). Re-Visiting T.S. Eliot’s Poetry through Henri Lefebvre’s Rhythmanalysis. Manisa Celal Bayar Üniversitesi Sosyal Bilimler Dergisi, 20(1), 298-309. https://doi.org/10.18026/cbayarsos.1055857
AMA
1.Çakar E. Re-Visiting T.S. Eliot’s Poetry through Henri Lefebvre’s Rhythmanalysis. Manisa Celal Bayar Üniversitesi Sosyal Bilimler Dergisi. 2022;20(1):298-309. doi:10.18026/cbayarsos.1055857
Chicago
Çakar, Emre. 2022. “Re-Visiting T.S. Eliot’s Poetry through Henri Lefebvre’s Rhythmanalysis”. Manisa Celal Bayar Üniversitesi Sosyal Bilimler Dergisi 20 (1): 298-309. https://doi.org/10.18026/cbayarsos.1055857.
EndNote
Çakar E (01 Mart 2022) Re-Visiting T.S. Eliot’s Poetry through Henri Lefebvre’s Rhythmanalysis. Manisa Celal Bayar Üniversitesi Sosyal Bilimler Dergisi 20 1 298–309.
IEEE
[1]E. Çakar, “Re-Visiting T.S. Eliot’s Poetry through Henri Lefebvre’s Rhythmanalysis”, Manisa Celal Bayar Üniversitesi Sosyal Bilimler Dergisi, c. 20, sy 1, ss. 298–309, Mar. 2022, doi: 10.18026/cbayarsos.1055857.
ISNAD
Çakar, Emre. “Re-Visiting T.S. Eliot’s Poetry through Henri Lefebvre’s Rhythmanalysis”. Manisa Celal Bayar Üniversitesi Sosyal Bilimler Dergisi 20/1 (01 Mart 2022): 298-309. https://doi.org/10.18026/cbayarsos.1055857.
JAMA
1.Çakar E. Re-Visiting T.S. Eliot’s Poetry through Henri Lefebvre’s Rhythmanalysis. Manisa Celal Bayar Üniversitesi Sosyal Bilimler Dergisi. 2022;20:298–309.
MLA
Çakar, Emre. “Re-Visiting T.S. Eliot’s Poetry through Henri Lefebvre’s Rhythmanalysis”. Manisa Celal Bayar Üniversitesi Sosyal Bilimler Dergisi, c. 20, sy 1, Mart 2022, ss. 298-09, doi:10.18026/cbayarsos.1055857.
Vancouver
1.Emre Çakar. Re-Visiting T.S. Eliot’s Poetry through Henri Lefebvre’s Rhythmanalysis. Manisa Celal Bayar Üniversitesi Sosyal Bilimler Dergisi. 01 Mart 2022;20(1):298-309. doi:10.18026/cbayarsos.1055857