Araştırma Makalesi
BibTex RIS Kaynak Göster

An Unwilling Transformation: “The Frog Prince” as a Revisionist Story

Yıl 2022, 30. Yıl Özel Sayısı, 141 - 149, 28.07.2022
https://doi.org/10.18026/cbayarsos.1094630

Öz

In “The Frog Prince”, published in The New Yorker in 2014, Robert Coover uses the Brothers Grimm’s namesake tale as a backdrop to interrogate and subvert fairy tale conventions specifically with a focus on gender roles. The story dwells on the experiences of its eponymous protagonist not as a prince who is transformed into a frog through evil magic but as a naïve frog which is transformed into a human being against his will. Opening with an anonymous woman’s kiss, Coover’s story probes concepts such as individualism, self, identity, happiness, and belonging through the relationship of the couple. This study reads Robert Coover’s “The Frog Prince” as a revisionist story. It explores Coover’s story as a text which problematizes and revises fairy tales as far-fetched, idealized, and ideological narratives that fail to represent the individual and the individual experience.

Kaynakça

  • Bass, T. A. (1982). An encounter with Robert Coover. The Antioch Review, 40(3), 287-302.
  • Brothers Grimm. (2013). Grimms’ fairy tales. London: Harper Collins.
  • Coover, R. (2014, January 27). The frog prince. The New Yorker. Retrieved from https://www.newyorker.com/magazine/2014/01/27/the-frog-prince
  • Coover, R. (2018, January 25). Robert Coover: by the book. The New York Times. Retrieved from https://www.nytimes.com/2018/01/25/books/review/robert-coover-by-the-book.html
  • Evenson, B. K. (2003). Understanding Robert Coover. Columbia: University of South Carolina Press.
  • Gado, F. (1973). Conversations on writers and writing. New York: Union College Press.
  • Hume, K. (2003). The metaphysics of bondage. The Modern Language Review, 98(4), 827-841.
  • Oates, J. C. (1997). In olden times: when wishing was having… classic and contemporary fairy tales. The Kenyon Review, 19(3), 98-110.
  • Pekşen, S. (2012). Children’s literature as a tool for gender appropriation. Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi, 52(2), 151-166.
  • Williams, C. (2010). Who’s wicked now? The stepmother as fairy-tale heroine. Marvels&Tales, 24(2), 255-271.
  • Wineapple, B. (1979). Robert Coover’s playing fields. The Iowa Review, 10(3), 66-74.
  • Zipes, J. (1991). Fairy tales and the art of subversion. New York: Routledge.
  • Zipes, J. (2007). When dreams come true: classical fairy tales and their tradition. New York: Routledge.

Gönülsüz Bir Dönüşüm: Revizyonist Bir Hikâye Olarak “The Frog Prince”

Yıl 2022, 30. Yıl Özel Sayısı, 141 - 149, 28.07.2022
https://doi.org/10.18026/cbayarsos.1094630

Öz

Robert Coover, 2014 yılında The New Yorker’da yayınlanan “The Frog Prince” isimli hikayesinde Grimm Kardeşlerin aynı isimli masalını özellikle toplumsal cinsiyet rolleri odağında masal geleneklerini sorgulamak ve dönüştürmek için zemin olarak kullanır. Hikâye, kötücül bir büyü ile kurbağaya dönüşen prens yerine kendi rızası dışında prense dönüştürülen naif bir kurbağa olan ana karakterin deneyimlerine odaklanır. Kurbağanın isimsiz bir kadın tarafından öpülmesi ile açılan hikâye, bireysellik, benlik, kimlik, mutluluk ve aidiyet gibi kavramları çiftin ilişkisi üzerinden irdeler. Bu çalışma, Robert Coover’ın “The Frog Prince” isimli eserini revizyonist bir hikâye olarak okur. Coover’ın hikâyesini, masalları bireyi ve bireysel deneyimleri yansıtmayan, gerçeklikten uzak, idealize edilmiş ve ideolojik anlatılar olarak sorunsallaştıran ve dönüştüren bir metin olarak inceler.

Kaynakça

  • Bass, T. A. (1982). An encounter with Robert Coover. The Antioch Review, 40(3), 287-302.
  • Brothers Grimm. (2013). Grimms’ fairy tales. London: Harper Collins.
  • Coover, R. (2014, January 27). The frog prince. The New Yorker. Retrieved from https://www.newyorker.com/magazine/2014/01/27/the-frog-prince
  • Coover, R. (2018, January 25). Robert Coover: by the book. The New York Times. Retrieved from https://www.nytimes.com/2018/01/25/books/review/robert-coover-by-the-book.html
  • Evenson, B. K. (2003). Understanding Robert Coover. Columbia: University of South Carolina Press.
  • Gado, F. (1973). Conversations on writers and writing. New York: Union College Press.
  • Hume, K. (2003). The metaphysics of bondage. The Modern Language Review, 98(4), 827-841.
  • Oates, J. C. (1997). In olden times: when wishing was having… classic and contemporary fairy tales. The Kenyon Review, 19(3), 98-110.
  • Pekşen, S. (2012). Children’s literature as a tool for gender appropriation. Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi, 52(2), 151-166.
  • Williams, C. (2010). Who’s wicked now? The stepmother as fairy-tale heroine. Marvels&Tales, 24(2), 255-271.
  • Wineapple, B. (1979). Robert Coover’s playing fields. The Iowa Review, 10(3), 66-74.
  • Zipes, J. (1991). Fairy tales and the art of subversion. New York: Routledge.
  • Zipes, J. (2007). When dreams come true: classical fairy tales and their tradition. New York: Routledge.
Toplam 13 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Bölüm Makaleler
Yazarlar

Mürüvvet Mira Pınar Dolaykaya 0000-0001-8047-1504

Yayımlanma Tarihi 28 Temmuz 2022
Yayımlandığı Sayı Yıl 2022 30. Yıl Özel Sayısı

Kaynak Göster

APA Pınar Dolaykaya, M. M. (2022). An Unwilling Transformation: “The Frog Prince” as a Revisionist Story. Manisa Celal Bayar Üniversitesi Sosyal Bilimler Dergisi, 20(Özel Sayı), 141-149. https://doi.org/10.18026/cbayarsos.1094630