Araştırma Makalesi

Subtitle Translation as Imagological Mediation: Creative Subtitling and National Self-Images in Korean Historical Dramas

Sayı: 12 26 Ekim 2026
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Subtitle Translation as Imagological Mediation: Creative Subtitling and National Self-Images in Korean Historical Dramas

Öz

This article discusses creative subtitling as a site of imagological mediation in South Korean historical dramas. Studying the official English subtitles of Empress Ki, Under the Queen’s Umbrella, and Knight Flower, we aim to explore how creative subtitling participates in the circulation of Korean national self-images in these series. The study adopts a text-oriented imagological reading and examines culture-specific references, explanatory annotations, royal and administrative titles, historical geography, gendered morality, everyday cultural practices, and visible multimodal interventions through the selected paratextual captions inviting creative translation strategies from the three dramas under scrutiny. We argue creative subtitling combines retention, explicitation, localization, and visual emphasis to preserve culturally embedded meanings while making them accessible to international audiences. Our findings show that in the selected dramas, such captions function as active agents of cultural transmission, enabling Korean historical narratives to remain culturally specific, globally intelligible, and open to imagological reinterpretation.

Anahtar Kelimeler

Kaynakça

  1. Beller, M., & Leerssen, J. (Eds.). (2007). Imagology: The Cultural Construction and Literary Representation of National Characters: A Critical Survey. Rodopi.
  2. Bok-rae, K. (2015). Past, Present and Future of Hallyu (Korean Wave). American International Journal of Contemporary Research, 5(5), 154-160.
  3. Dallı, H. (2023). Pivot Subtitling: Reasons and Results in the Korean-Turkish Context. Unpublished Master’s Thesis, İstanbul: Boğaziçi University.
  4. Díaz Cintas, J., & Remael, A. (2007). Audiovisual Translation: Subtitling. St. Jerome Publishing.
  5. Díaz Cintas, J. (2009). Introduction – Audiovisual Translation: An Overview of its Potential. In J. Díaz Cintas (Ed.), New Trends in Audiovisual Translation (pp. 1-18). Multilingual Matters.
  6. Díaz Cintas, J., & Remael, A. (2020). Subtitling: Concepts and Practices. Routledge. https://doi.org/10.4324/9781315674278
  7. Ďurovičová, N. (2009). Vector, Flow, Zone: Towards a History of Cinematic Translation. In N. Ďurovičová & K. Newman (Eds.), World Cinemas, Transnational Perspectives (pp. 90-120). Routledge.
  8. Dyserinck, H. (1966). Zum Problem der ‘images’ und ‘mirages’ und ihrer Untersuchung im Rahmen der Vergleichenden Literaturwissenschaft. Arcadia, 1, 107-120.

Ayrıntılar

Birincil Dil

İngilizce

Konular

Dil Çalışmaları (Diğer)

Bölüm

Araştırma Makalesi

Yayımlanma Tarihi

26 Ekim 2026

Gönderilme Tarihi

9 Temmuz 2026

Kabul Tarihi

18 Ekim 2026

Yayımlandığı Sayı

Yıl 2026 Sayı: 12

Kaynak Göster

APA
Dalbudak, Ş., Kocaevli-Rezgui, G., & Kırca, M. (2026). Subtitle Translation as Imagological Mediation: Creative Subtitling and National Self-Images in Korean Historical Dramas. Disiplinler Arası Dil Araştırmaları, 12, 348-365. https://doi.org/10.48147/dada.1990990
AMA
1.Dalbudak Ş, Kocaevli-Rezgui G, Kırca M. Subtitle Translation as Imagological Mediation: Creative Subtitling and National Self-Images in Korean Historical Dramas. DADA. 2026;(12):348-365. doi:10.48147/dada.1990990
Chicago
Dalbudak, Şerife, Gülşen Kocaevli-Rezgui, ve Mustafa Kırca. 2026. “Subtitle Translation as Imagological Mediation: Creative Subtitling and National Self-Images in Korean Historical Dramas”. Disiplinler Arası Dil Araştırmaları, sy 12: 348-65. https://doi.org/10.48147/dada.1990990.
EndNote
Dalbudak Ş, Kocaevli-Rezgui G, Kırca M (26 Ekim 2026) Subtitle Translation as Imagological Mediation: Creative Subtitling and National Self-Images in Korean Historical Dramas. Disiplinler Arası Dil Araştırmaları 12 348–365.
IEEE
[1]Ş. Dalbudak, G. Kocaevli-Rezgui, ve M. Kırca, “Subtitle Translation as Imagological Mediation: Creative Subtitling and National Self-Images in Korean Historical Dramas”, DADA, sy 12, ss. 348–365, Eki. 2026, doi: 10.48147/dada.1990990.
ISNAD
Dalbudak, Şerife - Kocaevli-Rezgui, Gülşen - Kırca, Mustafa. “Subtitle Translation as Imagological Mediation: Creative Subtitling and National Self-Images in Korean Historical Dramas”. Disiplinler Arası Dil Araştırmaları. 12 (26 Ekim 2026): 348-365. https://doi.org/10.48147/dada.1990990.
JAMA
1.Dalbudak Ş, Kocaevli-Rezgui G, Kırca M. Subtitle Translation as Imagological Mediation: Creative Subtitling and National Self-Images in Korean Historical Dramas. DADA. 2026;:348–365.
MLA
Dalbudak, Şerife, vd. “Subtitle Translation as Imagological Mediation: Creative Subtitling and National Self-Images in Korean Historical Dramas”. Disiplinler Arası Dil Araştırmaları, sy 12, Ekim 2026, ss. 348-65, doi:10.48147/dada.1990990.
Vancouver
1.Şerife Dalbudak, Gülşen Kocaevli-Rezgui, Mustafa Kırca. Subtitle Translation as Imagological Mediation: Creative Subtitling and National Self-Images in Korean Historical Dramas. DADA. 26 Ekim 2026;(12):348-65. doi:10.48147/dada.1990990