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“I AM THE LINK BETWEEN THE SHORES WASHED BY THE CARIBBEAN SEA”: CIRCUMCARIBBEAN CONNECTIONS AND THE RE-VISIONING THE MULTICULTURAL U.S. SOUTH IN ERNA BRODBER’S LOUISIANA

Yıl 2021, Cilt: 23 Sayı: 1, 57 - 78, 31.03.2021
https://doi.org/10.16953/deusosbil.699754

Öz

The U.S. South has been acknowledged to be a microcosm of global souths shaped by multicultural communities and transformed into a global space through border crossings, liminality, and transnational turns, which inevitably led to incredible changes in the field of southern literature. New studies and global movements have given way to multiculturalism that recognizes the Caribbean, Asian, Hispanic, African, and indigenous presence in the South. Multiculturalism ends the black/white and North/ South binaries leaving the age of southern exceptionalism in the past. Through its protagonist Ella Townsend’s anthropological study, Erna Brodber’s novel Louisiana (1994) aims to discover the commonalities between the U.S. South and the circumCaribbean and thus create a syncretic southern space that embraces transnational identities and multicultural community. Louisiana as a setting presents hybrid and liminal spaces that depict commonalities between the U.S. South and the Caribbean. This paper’s theoretical concept is based on Homi Bhabha’s critical concepts of hybridity and liminality explained in his collection of essays on Colonial Theory, The Location of Culture. Within this context, this paper aims to discuss the relationship between the U.S South and the Caribbean and how these relations define cultural hybridity and identity formation in Louisiana.

Destekleyen Kurum

Selcuk University BAP

Proje Numarası

19701017

Kaynakça

  • Abraham, Keshia. (2004).“Erna Brodber by Keshia Abraham” BOMB Magazine (Winter 2004). http://bombmagazine.org/article/2622/erna-brodber
  • Adams, J. (2007). “Introduction: Circum-Caribbean Performance, Language, History.” ‘in Just Below the South: Intercultural Performance In the Caribbean and the U.S. South (2007), 1-24.
  • Appadurai, A. (1996). Modernity at Large: Cultural Dimensions of Globalization. Minneapolis, MN: University of Minnesota Press.
  • Brown, A. J.B. (1999). Crossing Borders through Folklore: African American Women’s Fiction and Art. Columbia: University of Missouri Press.
  • Brodber, E. (2009). Louisiana: A Novel. Jackson: UP of Mississippi.
  • Burns, L. (200). Becoming-postcolonial, becoming- Caribbean: Édouard Glissant and the Poetics of Creolization. Textual Practice, 23 (1), 99-117.
  • Deleuze, G. and Felix Guattari. (2004). A Thousand Plateaus. London: Continuum.
  • Drake, S. (2006). Gendering Diasporic Migration in Erna Brodber’s Louisiana. MaComere, 8 , 112-135.
  • Gilroy, P. (1993). The Black Atlantic: Modernity and Double Consciousness. Cambridge: Harvard UP.
  • Glissant, E. (1989). Caribbean Discourse: Selected Essays. Charlottesville: UP of Virginia.
  • Gray, R. (2002). Inventing Communities, Imagining Places: Some Thoughts on Southern Self-fashioning. in Suzanne W. Jones and Sharon Monteith.(eds), South to a New Place: Region, Literature, Culture, (pp.xiii-1): Baton Rouge: Louisiana State UP.
  • Hall, S. (1989). Cultural Identity and Diaspora. In Framework: The Journal of Cinema and Media, 39 (pp.222-237). Wayne State University.
  • Handley, G. B. (2004). A New World Poetics of Oblivion. Ed. Jon Smith and Deborah Cohn. in Look Away: The U.S. in New World Studies. Durham: Duke University Press.
  • Hinrichsen, L. (2015). Possessing the Past: Trauma, Imagination, and Memory in Post- Plantation Southern Literature. Baton Rouge: Louisiana State University Press.
  • Hobson, F., and Barbara Ladd. (2016). The Oxford Handbook of The Literature of the U.S. South. Oxford University Press.
  • Lowe, J. W. (2008). Louisiana Culture from the Colonial Era to Katrina. Baton Rouge: Louisiana State University Press. ------------- (2016).Calypso Magnolia: The Crosscurrents of Caribbean and Southern Literature. University of North Carolina Press.
  • Monteith, S. (2007). Southern Like Us? The Global South. 1 (1), 66-74.
  • Perdigao, L. K. (2007). “I got over": Memory Mourning and Aesthetics in Erna Brodber's Louisiana.in Come Weep with Me; Loss and Mourning in the Writings of Caribbean Women Writers (pp.74-91) Newcastle, UK; Cambridge Scholars.
  • Roach, J. (1996). Cities of the Dead: Circum-Atlantic Performance. New York: Columbia University Press.
  • Roberts, J. E.(2006). Reading Erna Brodber: Uniting Black Diaspora through Folk Culture and Religion. Newport, CT: Praeger Publishing.
  • Russell, N. E. “We have something to teach the world:” Interview with Erna Brodber. http://inthefray.org/images/stories/mpn/issues/200105/imagine/brodber2/brodber2-page2.html
  • Sanz, I. (2009). Early Groundings for a Circum-Caribbean Integrationist Thought. Caribbean Quarterly, 55 (1), 1-14.
  • Teuton, S. K. (2008). Red Land, Red Power: Grounding Knowledge in the American Indian Novel. Durham: Duke University Press.
  • Tiffin, H. (1993). Cold Hearts and (Foreign) Tongues: Recitation and Reclamation of the Female Body in the Works of Erna Brodber and Jamaica Kincaid.Callaloo, 16 (4), 909- 921.
  • Toland-Dix, S. (2007). This is the Horse. Will you Ride? Zora Neale Hurston, Erna Brodber, and Rituals of Spirit Possession. Eds. Jessica Adams, Michael P. Bibler, and Cécile Accilien in Just Below South Intercultural Performance in the Caribbean and the U.S. South, (191-210). Charlottesville: U of Virginia Press.
  • Wardi, A. J. (2003). Death and the Arc of Mourning in African American Literature. Gainesville: University Press of Florida.

“I AM THE LINK BETWEEN THE SHORES WASHED BY THE CARIBBEAN SEA”: ERNA BRODBER’İN LOUISIANA ADLI ROMANINDA KARAYİPLER BAĞLANTISI VE ÇOK KÜLTÜRLÜ AMERİKAN GÜNEYİNİN YENİDEN YAPILANDIRILMASI

Yıl 2021, Cilt: 23 Sayı: 1, 57 - 78, 31.03.2021
https://doi.org/10.16953/deusosbil.699754

Öz

Amerika’nın güney eyaletlerini yansıtan küresel güney kavramı mikro kozmik düzeyde çok kültürlü topluluklar tarafından şekillendirilmiştir. Bu kültürel çeşitliğin fiziki sınırları ortadan kaldırdığı ve dolayısıyla bölge insanını ve edebiyatını derinden etkilediği yadsınamaz bir gerçektir. Yeni çalışmalar ve küresel hareketler güneyde Karayip adalarında gelen halklar Asyalı, Afrikalı, Latin kökenli ırkların ve kültürlerin varlığını kabul eden çok kültürlülüğe yol açmıştır. Çok kültürlülük bölgede devam eden kuzey/güney siyah/beyaz gibi dikatomileri ve güneyin istisnai bir bölge olduğu yönündeki görüşleri sonlandırmaktadır. Erna Brodber’s Louisiana (1994) adlı romanı, ana kahraman Ella Townsend`in antropolojik çalışması aracılığıyla, Amerika’nın güney eyaletleriyle Karayipler arasında var olan bu ortaklıkları irdelemektedir. Roman mekân olarak Louisiana eyaletini seçmek suretiyle bu ortaklıkları en iyi ve hibrid bir şekilde sunmaktadır. Çalışma kuramsal okumasına Homi Bhahba’nın The Location of Culture adlı eserinde Postkolonyal kuramında yer alan Hibridite ve eşiktelik kavramlarına dayandırmaktadır. Bu çalışmanın amacı Amerika’nın güney eyaletleri ile Global güney arasında nasıl bir bağlantı ve etkileşim olduğunu ve bu ilişkilerin diaspora haklarının hibrid kültürlerini ve kültürel kimlik tanımlamalarını olan etkilerini Louisiana üzerinde irdelemeyi amaçlamaktadır.

Proje Numarası

19701017

Kaynakça

  • Abraham, Keshia. (2004).“Erna Brodber by Keshia Abraham” BOMB Magazine (Winter 2004). http://bombmagazine.org/article/2622/erna-brodber
  • Adams, J. (2007). “Introduction: Circum-Caribbean Performance, Language, History.” ‘in Just Below the South: Intercultural Performance In the Caribbean and the U.S. South (2007), 1-24.
  • Appadurai, A. (1996). Modernity at Large: Cultural Dimensions of Globalization. Minneapolis, MN: University of Minnesota Press.
  • Brown, A. J.B. (1999). Crossing Borders through Folklore: African American Women’s Fiction and Art. Columbia: University of Missouri Press.
  • Brodber, E. (2009). Louisiana: A Novel. Jackson: UP of Mississippi.
  • Burns, L. (200). Becoming-postcolonial, becoming- Caribbean: Édouard Glissant and the Poetics of Creolization. Textual Practice, 23 (1), 99-117.
  • Deleuze, G. and Felix Guattari. (2004). A Thousand Plateaus. London: Continuum.
  • Drake, S. (2006). Gendering Diasporic Migration in Erna Brodber’s Louisiana. MaComere, 8 , 112-135.
  • Gilroy, P. (1993). The Black Atlantic: Modernity and Double Consciousness. Cambridge: Harvard UP.
  • Glissant, E. (1989). Caribbean Discourse: Selected Essays. Charlottesville: UP of Virginia.
  • Gray, R. (2002). Inventing Communities, Imagining Places: Some Thoughts on Southern Self-fashioning. in Suzanne W. Jones and Sharon Monteith.(eds), South to a New Place: Region, Literature, Culture, (pp.xiii-1): Baton Rouge: Louisiana State UP.
  • Hall, S. (1989). Cultural Identity and Diaspora. In Framework: The Journal of Cinema and Media, 39 (pp.222-237). Wayne State University.
  • Handley, G. B. (2004). A New World Poetics of Oblivion. Ed. Jon Smith and Deborah Cohn. in Look Away: The U.S. in New World Studies. Durham: Duke University Press.
  • Hinrichsen, L. (2015). Possessing the Past: Trauma, Imagination, and Memory in Post- Plantation Southern Literature. Baton Rouge: Louisiana State University Press.
  • Hobson, F., and Barbara Ladd. (2016). The Oxford Handbook of The Literature of the U.S. South. Oxford University Press.
  • Lowe, J. W. (2008). Louisiana Culture from the Colonial Era to Katrina. Baton Rouge: Louisiana State University Press. ------------- (2016).Calypso Magnolia: The Crosscurrents of Caribbean and Southern Literature. University of North Carolina Press.
  • Monteith, S. (2007). Southern Like Us? The Global South. 1 (1), 66-74.
  • Perdigao, L. K. (2007). “I got over": Memory Mourning and Aesthetics in Erna Brodber's Louisiana.in Come Weep with Me; Loss and Mourning in the Writings of Caribbean Women Writers (pp.74-91) Newcastle, UK; Cambridge Scholars.
  • Roach, J. (1996). Cities of the Dead: Circum-Atlantic Performance. New York: Columbia University Press.
  • Roberts, J. E.(2006). Reading Erna Brodber: Uniting Black Diaspora through Folk Culture and Religion. Newport, CT: Praeger Publishing.
  • Russell, N. E. “We have something to teach the world:” Interview with Erna Brodber. http://inthefray.org/images/stories/mpn/issues/200105/imagine/brodber2/brodber2-page2.html
  • Sanz, I. (2009). Early Groundings for a Circum-Caribbean Integrationist Thought. Caribbean Quarterly, 55 (1), 1-14.
  • Teuton, S. K. (2008). Red Land, Red Power: Grounding Knowledge in the American Indian Novel. Durham: Duke University Press.
  • Tiffin, H. (1993). Cold Hearts and (Foreign) Tongues: Recitation and Reclamation of the Female Body in the Works of Erna Brodber and Jamaica Kincaid.Callaloo, 16 (4), 909- 921.
  • Toland-Dix, S. (2007). This is the Horse. Will you Ride? Zora Neale Hurston, Erna Brodber, and Rituals of Spirit Possession. Eds. Jessica Adams, Michael P. Bibler, and Cécile Accilien in Just Below South Intercultural Performance in the Caribbean and the U.S. South, (191-210). Charlottesville: U of Virginia Press.
  • Wardi, A. J. (2003). Death and the Arc of Mourning in African American Literature. Gainesville: University Press of Florida.
Toplam 26 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Bölüm Makaleler
Yazarlar

Hüseyin Altındiş 0000-0002-2318-3052

Proje Numarası 19701017
Yayımlanma Tarihi 31 Mart 2021
Gönderilme Tarihi 6 Mart 2020
Yayımlandığı Sayı Yıl 2021 Cilt: 23 Sayı: 1

Kaynak Göster

APA Altındiş, H. (2021). “I AM THE LINK BETWEEN THE SHORES WASHED BY THE CARIBBEAN SEA”: CIRCUMCARIBBEAN CONNECTIONS AND THE RE-VISIONING THE MULTICULTURAL U.S. SOUTH IN ERNA BRODBER’S LOUISIANA. Dokuz Eylül Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 23(1), 57-78. https://doi.org/10.16953/deusosbil.699754