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BİR KARŞITLIKLAR ALANI OLARAK CHARLOTTE SMITH’İN “KIYI BAŞI” ŞİİRİ

Yıl 2021, Cilt: 23 Sayı: 2, 569 - 585, 30.06.2021
https://doi.org/10.16953/deusosbil.816079

Öz

Bu çalışma Smith’in “Beachy Head” (Kıyı Başı) adlı şiirini tarihsel zaman, mitik zaman, Doğa, kültür gibi baskın karşıt güçler ekseninde incelemektedir. Şiirin uzun ve anlatıma dayalı yapısı, şairin kendi zamanının sorunları konusundaki ideolojik tavrını göstermesine olanak sağlar ve neoklasik değerleri temsil edenlerin dışlayıcı tavrını da örnekler. Bu bakımdan çalışma, karşıtlıkların metin içindeki görevini ve metnin muhtemel anlamları üzerindeki etkisini açıklamaya çalışır. Şiirdeki gerilim ve Yüce kavramı hem doğal dünyadaki hem de içsel yaşamdaki döngüleri anlamak maksadıyla şiir kişisinin doğayı ve çevresini gözlemlemesi şeklindedir. Buna ek olarak, zaman ve mekân kavramları da şiir kişisi için alternatif zamansal ve mekânsal deneyimlere yol açar. Bu durumda metin, kişinin kültürel olana dahil olup kaybettiği iç rahatlatıcı geçmiş deneyimlerinin yanı sıra insanlığın kanlı tarihiyle de yüzleşeceği bir alana dönüşür. Çalışma, metinde kurulan ve bu kurulanın yapısının söküldüğü farklı karşıtlıklar vasıtasıyla “Beachy Head” adlı yerin hem bedensel hem de düşsel bir yolculuk olanağı sunarak doğal ve coğrafi niteliklerinin ötesine geçtiği sonucuna varır.

Kaynakça

  • Bernstein, S. (2007). “Nature seem’d to lose her course:” Crisis historiography and historiographic crisis in Charlotte Smiths the Emigrants. L. Felber (Ed.), In Clio’s Daughters: British Women Making History 1790-1899. (pp. 29-42). New Jersey: U of Delaware P.
  • Bode, C. (2008). The subject of Beachy Head. J. Labbe (Ed.), In Charlotte Smith in British Romanticism. (pp. 57-69). London: Pickering& Chatto.
  • Burke, E. (1823). A philosophical enquiry into the origin of our ideas of the Sublime and Beautiful with an introductory discourse concerning taste and several other additions. London: Thomas M’Lean, Haymarket.
  • Cognevich, C. (2020). Inside voice: Charlotte Smith, Silence, and the sonnet of insensibility. Essays in Romanticism, 27 (1), 1-22.
  • Coleridge, S. T. (1847). Aids to Reflection. New York: Stanford& Swords.
  • Curran, S. (1994). Charlotte Smith and British Romanticism. South Central Review, 11 (2), 66-78.
  • Fletcher, L. (2001). Charlotte Smith: A critical biography. New York: Palgrave Macmillan.
  • Garnai, A. (2009). Revolutionary imaginings in the 1790s: Charlotte Smith, Mary Robinson, Elizabeth Inchbald. Hampshire and New York: Palgrave Macmillan.
  • Girten, K. M. (2013). Charlotte Smith’s tactile poetics. The Eighteenth Century, 54 (2), Special Issue: Sensational Subjects, 215-230.
  • Goodman, K. (2014). Conjectures on Beachy Head: Charlotte Smith’s geological poetics and the grounds of the present. ELH, 81 (3), 983-1006.
  • Holt, K. M. (2014). Charlotte Smith’s Beachy Head: Science and the dual affliction of minute sympathy. ABO: Interactive Journal for Women in the Arts, 1640-1830, 4 (1), 1-14.
  • Labbe, J. M. (2011). Writing Romanticism: Charlotte Smith and William Wordsworth, 1784-1807. Hampshire and New York: Palgrave Macmillan.
  • Morrison, S. (2015). The Literature of Waste: Material Ecopoetics and Ethical Matter. New York: Palgrave Macmillan.
  • Paterson, A. (2019). Tracing the Earth: Narratives of personal and geological history in Charlotte Smith’s Beachy Head. Romanticism, 25 (1), 22-31.
  • Pratt, K. (2001). Charlotte Smith’s melancholia on the page and stage. Studies in English Literature, 1500-1900, 41 (3), 563-581.
  • Roberts, B. (2019). Charlotte Smith and the sonnet: Form, place and tradition in the late eighteenth century. Liverpool: Liverpool UP.
  • Ruwe, D. (1999). Charlotte Smith’s sublime: Feminine poetics, botany, and Beachy Head. Essays in Romanticism, 7 (1), 117-132.
  • Sert, G. (2018). Charlotte Turner Smith: A harbinger of romantic poetry? (Unpublished PhD Dissertation). Middle East Technical University, The Graduate School of Social Sciences, Ankara.
  • Smith, C. (2005). Beachy Head. J. Reidhead (Ed.), In The Norton Anthology: English Literature, Volume 2. (pp. 47-66). New York and London: Norton.
  • Tayebi, K. (2004). Undermining the eighteenth-century pastoral: Rewriting the poet’s relationship to nature in Charlotte Smith’s poetry. European Romantic Review, 15 (1), 131-150.
  • Zimmerman, S. (1991). Charlotte Smith’s letters and the practice of self-presentation. The Princeton University Library Chronicle, 53 (1), 50-77.

CHARLOTTE SMITH’S “BEACHY HEAD” AS A SPACE OF CONTRASTS

Yıl 2021, Cilt: 23 Sayı: 2, 569 - 585, 30.06.2021
https://doi.org/10.16953/deusosbil.816079

Öz

This study concerns itself with the analysis of “Beachy Head” by Smith from the respect of prevalent contradicting forces such as Nature and culture or the historical time and the mythical past in the poem. The long narrative structure of the poem enables to present different voices reflecting the poet’s ideological stance towards the contemporary issues in her time and exemplifies the excluding attitude of the ones representing the Neoclassical values. The study, in this regard, tries to clarify the functionality of the contrasts in the poem and their influence on the possible meanings of the text. The tension and the Sublime in the poem appear in the way that the speaker observes Nature and her surroundings in order to grasp the circulations in the natural world and her private sphere. Accordingly, the concepts of time and place lead to alternative spatial and temporal experiences for the poetic persona. Then, the text also turns into a space in which the persona confronts not only the bloody history of humanity but also the consoling past experiences she has lost by integrating into the cultural world. The study concludes that “Beachy Head” goes beyond its geographical and natural qualities by offering both a corporeal journey and visionary progress for the poetic persona through certain dichotomies constructed and deconstructed throughout the text.

Kaynakça

  • Bernstein, S. (2007). “Nature seem’d to lose her course:” Crisis historiography and historiographic crisis in Charlotte Smiths the Emigrants. L. Felber (Ed.), In Clio’s Daughters: British Women Making History 1790-1899. (pp. 29-42). New Jersey: U of Delaware P.
  • Bode, C. (2008). The subject of Beachy Head. J. Labbe (Ed.), In Charlotte Smith in British Romanticism. (pp. 57-69). London: Pickering& Chatto.
  • Burke, E. (1823). A philosophical enquiry into the origin of our ideas of the Sublime and Beautiful with an introductory discourse concerning taste and several other additions. London: Thomas M’Lean, Haymarket.
  • Cognevich, C. (2020). Inside voice: Charlotte Smith, Silence, and the sonnet of insensibility. Essays in Romanticism, 27 (1), 1-22.
  • Coleridge, S. T. (1847). Aids to Reflection. New York: Stanford& Swords.
  • Curran, S. (1994). Charlotte Smith and British Romanticism. South Central Review, 11 (2), 66-78.
  • Fletcher, L. (2001). Charlotte Smith: A critical biography. New York: Palgrave Macmillan.
  • Garnai, A. (2009). Revolutionary imaginings in the 1790s: Charlotte Smith, Mary Robinson, Elizabeth Inchbald. Hampshire and New York: Palgrave Macmillan.
  • Girten, K. M. (2013). Charlotte Smith’s tactile poetics. The Eighteenth Century, 54 (2), Special Issue: Sensational Subjects, 215-230.
  • Goodman, K. (2014). Conjectures on Beachy Head: Charlotte Smith’s geological poetics and the grounds of the present. ELH, 81 (3), 983-1006.
  • Holt, K. M. (2014). Charlotte Smith’s Beachy Head: Science and the dual affliction of minute sympathy. ABO: Interactive Journal for Women in the Arts, 1640-1830, 4 (1), 1-14.
  • Labbe, J. M. (2011). Writing Romanticism: Charlotte Smith and William Wordsworth, 1784-1807. Hampshire and New York: Palgrave Macmillan.
  • Morrison, S. (2015). The Literature of Waste: Material Ecopoetics and Ethical Matter. New York: Palgrave Macmillan.
  • Paterson, A. (2019). Tracing the Earth: Narratives of personal and geological history in Charlotte Smith’s Beachy Head. Romanticism, 25 (1), 22-31.
  • Pratt, K. (2001). Charlotte Smith’s melancholia on the page and stage. Studies in English Literature, 1500-1900, 41 (3), 563-581.
  • Roberts, B. (2019). Charlotte Smith and the sonnet: Form, place and tradition in the late eighteenth century. Liverpool: Liverpool UP.
  • Ruwe, D. (1999). Charlotte Smith’s sublime: Feminine poetics, botany, and Beachy Head. Essays in Romanticism, 7 (1), 117-132.
  • Sert, G. (2018). Charlotte Turner Smith: A harbinger of romantic poetry? (Unpublished PhD Dissertation). Middle East Technical University, The Graduate School of Social Sciences, Ankara.
  • Smith, C. (2005). Beachy Head. J. Reidhead (Ed.), In The Norton Anthology: English Literature, Volume 2. (pp. 47-66). New York and London: Norton.
  • Tayebi, K. (2004). Undermining the eighteenth-century pastoral: Rewriting the poet’s relationship to nature in Charlotte Smith’s poetry. European Romantic Review, 15 (1), 131-150.
  • Zimmerman, S. (1991). Charlotte Smith’s letters and the practice of self-presentation. The Princeton University Library Chronicle, 53 (1), 50-77.
Toplam 21 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Bölüm Makaleler
Yazarlar

Şafak Altunsoy 0000-0002-5573-1121

Yayımlanma Tarihi 30 Haziran 2021
Gönderilme Tarihi 25 Ekim 2020
Yayımlandığı Sayı Yıl 2021 Cilt: 23 Sayı: 2

Kaynak Göster

APA Altunsoy, Ş. (2021). CHARLOTTE SMITH’S “BEACHY HEAD” AS A SPACE OF CONTRASTS. Dokuz Eylül Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 23(2), 569-585. https://doi.org/10.16953/deusosbil.816079