Sanat ve Edebiyat
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چگور، سازی در گذر زمان

Yıl 2024, Cilt: 1 Sayı: 20, 44 - 59, 26.03.2024
https://izlik.org/JA68KB45TL

Öz

Abstract
Without exaggeration, one of the symbols that make up the culture of nations is literature and music (local songs) which are rooted in the customs of a nation. Folk music or local/regional music is a form of traditional music that is passed down from generation to generation. The chogur instrument is less known in the music of regions of iran, which is sometimes confused with this instrument due to its similarity with the Qupoz of Azerbaijan. An instrument from the tanbur family, which became popular among authentic Iranian musicians about 100 years ago, and was first made by Armenian artists from the Chenaghchi village of Saveh city. This instrument is one of the instruments of the Turkic regions of the central region of Iran, which is mostly played among the Turkic tribes of the central province.
Despite the differences and similarities it has with Azerbaijan's qupoz instrument, chogur is called Ashiqi instrument. In this article, Aashiq and Aashiqi's narration are discussed, the poems and Aashiq of the region are discussed, and for a better understanding of this issue, after the introduction of the Chegur instrument, its differences with the Qupuz instrument are also examined.
Key words: Chogur, Ashiq, Ashiqi music

Chogur, in the passage of time

Yıl 2024, Cilt: 1 Sayı: 20, 44 - 59, 26.03.2024
https://izlik.org/JA68KB45TL

Öz

Abstract
Without exaggeration, one of the symbols that make up the culture of nations is literature and music (local songs) which are rooted in the customs of a nation. Folk music or local/regional music is a form of traditional music that is passed down from generation to generation. The chogur instrument is less known in the music of regions of iran, which is sometimes confused with this instrument due to its similarity with the Qupoz of Azerbaijan. An instrument from the tanbur family, which became popular among authentic Iranian musicians about 100 years ago, and was first made by Armenian artists from the Chenaghchi village of Saveh city. This instrument is one of the instruments of the Turkic regions of the central region of Iran, which is mostly played among the Turkic tribes of the central province.
Despite the differences and similarities it has with Azerbaijan's qupoz instrument, chogur is called Ashiqi instrument. In this article, Aashiq and Aashiqi's narration are discussed, the poems and Aashiq of the region are discussed, and for a better understanding of this issue, after the introduction of the Chegur instrument, its differences with the Qupuz instrument are also examined.
Key words: Chogur, Ashiq, Ashiqi music

چگور، سازی در گذر زمان

Yıl 2024, Cilt: 1 Sayı: 20, 44 - 59, 26.03.2024
https://izlik.org/JA68KB45TL

Öz

Abstract
Without exaggeration, one of the symbols that make up the culture of nations is literature and music (local songs) which are rooted in the customs of a nation. Folk music or local/regional music is a form of traditional music that is passed down from generation to generation. The chogur instrument is less known in the music of regions of iran, which is sometimes confused with this instrument due to its similarity with the Qupoz of Azerbaijan. An instrument from the tanbur family, which became popular among authentic Iranian musicians about 100 years ago, and was first made by Armenian artists from the Chenaghchi village of Saveh city. This instrument is one of the instruments of the Turkic regions of the central region of Iran, which is mostly played among the Turkic tribes of the central province.
Despite the differences and similarities it has with Azerbaijan's qupoz instrument, chogur is called Ashiqi instrument. In this article, Aashiq and Aashiqi's narration are discussed, the poems and Aashiq of the region are discussed, and for a better understanding of this issue, after the introduction of the Chegur instrument, its differences with the Qupuz instrument are also examined.
Key words: Chogur, Ashiq, Ashiqi music

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Ayrıntılar

Birincil Dil Farsça
Konular Fars Dili, Edebiyatı ve Kültürü
Bölüm Sanat ve Edebiyat
Yazarlar

Samira Nouri 0009-0002-0871-6241

Gönderilme Tarihi 24 Şubat 2024
Kabul Tarihi 23 Mart 2024
Yayımlanma Tarihi 26 Mart 2024
IZ https://izlik.org/JA68KB45TL
Yayımlandığı Sayı Yıl 2024 Cilt: 1 Sayı: 20

Kaynak Göster

APA Nouri, S. (2024). چگور، سازی در گذر زمان. Doğu Esintileri, 1(20), 44-59. https://izlik.org/JA68KB45TL
AMA 1.Nouri S. چگور، سازی در گذر زمان. Doğu Esintileri. 2024;1(20):44-59. https://izlik.org/JA68KB45TL
Chicago Nouri, Samira. 2024. “چگور، سازی در گذر زمان”. Doğu Esintileri 1 (20): 44-59. https://izlik.org/JA68KB45TL.
EndNote Nouri S (01 Mart 2024) چگور، سازی در گذر زمان. Doğu Esintileri 1 20 44–59.
IEEE [1]S. Nouri, “چگور، سازی در گذر زمان”, Doğu Esintileri, c. 1, sy 20, ss. 44–59, Mar. 2024, [çevrimiçi]. Erişim adresi: https://izlik.org/JA68KB45TL
ISNAD Nouri, Samira. “چگور، سازی در گذر زمان”. Doğu Esintileri 1/20 (01 Mart 2024): 44-59. https://izlik.org/JA68KB45TL.
JAMA 1.Nouri S. چگور، سازی در گذر زمان. Doğu Esintileri. 2024;1:44–59.
MLA Nouri, Samira. “چگور، سازی در گذر زمان”. Doğu Esintileri, c. 1, sy 20, Mart 2024, ss. 44-59, https://izlik.org/JA68KB45TL.
Vancouver 1.Samira Nouri. چگور، سازی در گذر زمان. Doğu Esintileri [Internet]. 01 Mart 2024;1(20):44-59. Erişim adresi: https://izlik.org/JA68KB45TL

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