MUSIC PERCEPTION AS A TOPIC OF COGNITIVE PSYCHOLOGY
Öz
Anahtar Kelimeler
Kaynakça
- AILLEO, R. (1994). Music and language: parallels and contrasts. In R. AIELLO & J.A. SLOBODA, (Eds), Musical Perceptions. Oxford University Press, New York.
- BHARUCHA, I.J. (1987). Music cognition and perceptual facilitation: a connectionist framework. Music Perception, 5, 1-30.
- BHARUCHA, J.J., KRUMHANSL, C. (1983). The representation of harmonic structure in music: hierarchies of stability as a function of context. Cognition, 13,62-102.
- BROADBENT, D.E., LADEFOGED, P. (1959). Auditory perception of temporal order. Journal of the Acoustical Society of America, 31, 1539-1540.
- BURNS, E.M. (1999). Intervals, scales, and tuning. In D. DEUTCH, (Ed.), The Psychology of Music. (pp. 215- 216). Academic Press, San Diego.
- BUTLER, D. (1992). The Musician's guide to perception and cognition. Schirmer Books, New York.
- CARTERETTE, E.C., KENDALL, R.A. (1999). Comparative music perception and cognition. D. DEUTCH, (Ed.), The Psyhology of Music. Academic Press, San Diego.
- CROSS, I., (1985). Music and change: on the establishment of rules. In P. HOWELL, I. CROSS, & R. WEST (Eds.) Musical structure and cognition (pp.1-19). Academic Press.
Ayrıntılar
Birincil Dil
İngilizce
Konular
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Bölüm
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Yazarlar
Aslı Aslan
Bu kişi benim
Yayımlanma Tarihi
1 Temmuz 2007
Gönderilme Tarihi
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Kabul Tarihi
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Yayımlandığı Sayı
Yıl 2007 Cilt: 8 Sayı: 2