Araştırma Makalesi
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Animasyonun 12 Temel Prensibi ve Dokuz Yaşlı Adam

Yıl 2025, Cilt: 1 Sayı: 9, 129 - 147, 16.03.2025

Öz

Çizgi filmin sıra dışı tarihinde hem bir animatör hem de şirket olarak Walt Disney’in olumlu etkisi tartışılmaz bir gerçektir. 1928 yılında Steamboat Willie ile başlayan bu sürecin, Walt Disney’in 1966 yılındaki beklenmedik ölümünden sonra da devam ettiğini söylemek mümkündür. Çizgi film ve animasyon, usta-çırak ilişkisine dayanan bir sanat formudur ve Disney, istihdam ettiği animatörler sayesinde hem başarılı işler çıkarmış hem de şirketi bir eğitim kurumu haline de getirmiştir. Dokuz Yaşlı Adam, Walt Disney Studios’un anahtar animatörlerinden oluşan bir tür yönetim kuruludur. Kurul ismi Walter Ellias Disney tarafından verilmiştir ancak üyelerin hiç birisi yaşlı değildir. Verilen bu isim, Disney’in ilham aldığı bir hicivden ibarettir. Kurul üyeleri tüm dünyada ses getiren Disney uzun metraj çizgi filmlerinde görev yapmıştır. Hepsinin ortak özelliği, Walt Disney’in ani ölümünden sonra bile şirketten ayrılmamış olmaları ve emekliliklerine kadar çalışmalarıdır. 1930’larda başlayıp 1960’lara kadar devam eden animasyonun altın çağı olarak adlandırılan bu süreçte, animasyona yön veren bu anahtar animatör ekibinin hayatta kalan son iki üyesi olan Ollie Johnston ve Frank Thomas, 1981 yılında kaleme aldıkları kitaplarında, “Animasyonun Prensipleri” olgusunu ilk defa akademik bir dille yayımlamışlardır. Bu ilkeler, Dokuz Yaşlı Adam’ın edindikleri tecrübenin bir ürünüdür ve günümüz animatörlerinin yolunu aydınlatan bir meşale niteliğindedir. Animasyonun 12 temel prensibi sayesinde bir animasyon, gerçek hayata daha yakın, ilgi çekici, cazibeli ve fizik kurallarına uygun bir biçimde canlandırılabilir. Araştırma sürecinde Dokuz Yaşlı Adam’ın her bir üyesi ayrı başlıklar altında ele alınmış, animasyonun prensipleri yazar açıklamaları ile belirtilmiş ve sonuç olarak tüm bu olguların çizgi film ve animasyonun günümüz uygulamalarına yön veren bir nitelikte olduğu sonucuna ulaşılmıştır.

Kaynakça

  • Angı, Ç. E. (2021). “Examining the Relation Between Form Information and Movement in Music Education: The Skeleton Dance”, Cypriot Journal of Educational Science. 16 (2), 641-658. https://doi.org/10.18844/cjes.v16i2.5641.
  • Barrier, J.M. (2007). The Animated Man: a Life of Walt Disney, University of California Press, Berkeley and Los Angeles, California.
  • Canemaker, J. (2001). Walt Disney’s Nine Old Men and the Art of Animation, Disney Enterprises.
  • Cmrečak, J. (2018). Development of Animation in Disney’s Short Films and How it Affected His First Two Feature-length Films, [Unpublished doctoral dissertation], Zadar University, Hrvatska.
  • Deja, A. (2016). The Nine Old Men-Lessons, Techniques and Inspiration From Disney’s Great Animators, CRC Press, Taylor & Francis Group.
  • Disney, R. E. (1997). Walts Disney’s Bambi the Sketch Book Series. Disney Editions, ISBN-10: 0786863021.
  • Fisher, T. (2019). What’s Most Fun: A Framework to Protect Creativity in the Age of Instagram. [Unpublished masters dissertation], OCAD University, Toronto.
  • Gadassik, A. (2015), Assembling Movement: Scientific Motion Analysis and Studio Animation Practice, JSTOR, Vol. 37, No. 3 (Fall 2015), pp. 269-297.
  • Gowanlock, J. (2020). Animating Management: Nonlinear Simulation and Management Theory at Pixar. Animation: an Interdisciplinary Journal, Vol. 15(1), pp. 61–76.
  • Kalmakurki, M. (2018). Snow White and the Seven Dwarfs, Cinderella and Sleeping Beauty: The Components of Costume Design in Disney’s Early Hand-Drawn Animated Feature Films. Animation: An Interdisciplinary Journal, Vol. 13(1), pp. 7–19.
  • Khalid, F. (2021). They Drew as They Pleased: the Hidden Art of Disney’s Mid-Century Era; the 1950s and 1960s. Journal of Popular Film and Television, 49:1, pp. 67-68.
  • Lönroth, L. (2021). ‘I Don’t Have a Skull... or Bones’: Minor Characters in Disney Animation. Animation: an Interdisciplinary Journal, Vol. 16. pp. 36–50.
  • Ohmer, S. (1993). That Rags to Riches Stuff': Disney's Cinderella and the Cultural Space of Animation. Film History, Vol. 5, No. 2, pp. 231-249.
  • Opalach, A. & Maddock, S. (1994). Disney Effects Using Implicit Surfaces. Proc. 5th Eurographics Workshop on Animation and Simulation. pp. 1-8.
  • Peri, D. (2008). Working with Walt: Interviews with DisneyArtists, University Press of Mississippi.
  • Pierce, T. J. (2016). Wow, We've Got Something Here: Ward Kimball and the Making of "Snow White". New England Review, Vol. 37, No. 1, pp. 123-136.
  • Pierce, T. J. (2019). The Life and Times of Ward Kimball: Maverick of Disney Animation. The University of Mississippi. ISBN 978-1496820969.
  • Sarbeni, I. (2020). Brutal Effects of Online Game in Animator Perspective. Proceedings of the 3rd International Conference on Arts and Design Education (ICADE 2020), pp. 61-65.
  • Suffolk U. (2003). NESADSU Alumni Profile, Advancement and Alumni Newsletters. No. 4, Spring, Suffolk University Press.
  • Susanin, T. S. (2011). Walt Before Mickey: Disney’s Early Years, 1919–1928. The University Press of Mississippi Press.
  • Thomas, F & Johnston, O. (1981). The Illusion of Life: Disney Animation. Disney Editions; NY, USA.
  • Timmer, T. (2017, 02 Ağustos). “The First of the Nine: Les Clark”, Erişim Adresi: https://www.waltdisney.org/blog/first-nine-les-clark Erişim Tarihi: 12 Aralık 2024.
  • Yakut, İ. (2014). Yorumlayıcı Paradigma Yaklaşımı Kavramlarıyla Sinema Sanatı Üretimine Bakış. Ulakbilge. Cilt 2, Sayı 4, pp. 15-29.
  • D23. (2024, 12 Aralık). “Les Clark”, Erişim Linki: https://d23.com/walt-disney-legend/les-clark/ Erişim Tarihi: 21 Aralık 2024.
  • http 1. (2025, 03 Ocak) “Method of Producing Moving-Picture Cartoons” Erişim linki: https://patents.google.com/patent/US1242674A/en.
  • waltdisney.org. (2011). Disney Artists' Holiday Wishes: Highlighting John Lounsbery. Erişim linki: https://www.waltdisney.org/blog/disney-artists-holiday-wishes-highlighting-john-lounsbery, Erişim Tarihi: 03.01.2025.
  • Görsel 1: Dokuz Yaşlı Adam. Erişim Tarihi: 20 Ocak 2025, Erişim Linki:https://d23.com/a-toz/nineoldmen/#:~:text=They%20were%20Frank%20Thomas%2C%20Ollie,%2C%20Eric%20Larson%2C%20Milt%20Kahl.

The 12 Basic Principles of Animation and the Nine Old Men

Yıl 2025, Cilt: 1 Sayı: 9, 129 - 147, 16.03.2025

Öz

Both as an animator and as a company, the positive impact of Walt Disney, on the extraordinary history of cartoons is an indisputable fact. It is possible to say that this process, which started with Steamboat Willie in 1928, continued after Walt Disney's unexpected death in 1966. Cartoons and animation are art forms based on the master-apprentice relationship, and Disney not only produced successful works thanks to the animators he employed, but also turned the company into an educational institution. The Nine Old Men are a board of directors made up of key animators from the Walt Disney Studio. The board was named by Walter Ellias Disney, but none of the members are old or elder. This name is a satire inspired by Disney. Board members have worked on Disney feature-length cartoons that are famous all over the world. What they all have in common is that they did not leave the company even after Walt Disney's sudden death and worked until their retirement. During this period, which began in the 1930s and continued until the 1960s and is called the golden age of animation, Ollie Johnston and Frank Thomas, the last two surviving members of this key animator team that shaped animation, published the concept of "Principles of Animation" in an academic language for the first time in their book written in 1981. These principles are a product of the experience of the Nine Old Men and are a torch that illuminates the dark path of today's animators. Thanks to the 12 basic principles of animation, an animation can be animated in a way that is closer to real life, more interesting, attractive and in accordance with the laws of physics. During the research process, each member of the Nine Old Men was discussed under separate headings, the principles of animation were stated with author explanations, and as a result, it was concluded that all these facts have a quality that directs today's applications of cartoons and animation.

Kaynakça

  • Angı, Ç. E. (2021). “Examining the Relation Between Form Information and Movement in Music Education: The Skeleton Dance”, Cypriot Journal of Educational Science. 16 (2), 641-658. https://doi.org/10.18844/cjes.v16i2.5641.
  • Barrier, J.M. (2007). The Animated Man: a Life of Walt Disney, University of California Press, Berkeley and Los Angeles, California.
  • Canemaker, J. (2001). Walt Disney’s Nine Old Men and the Art of Animation, Disney Enterprises.
  • Cmrečak, J. (2018). Development of Animation in Disney’s Short Films and How it Affected His First Two Feature-length Films, [Unpublished doctoral dissertation], Zadar University, Hrvatska.
  • Deja, A. (2016). The Nine Old Men-Lessons, Techniques and Inspiration From Disney’s Great Animators, CRC Press, Taylor & Francis Group.
  • Disney, R. E. (1997). Walts Disney’s Bambi the Sketch Book Series. Disney Editions, ISBN-10: 0786863021.
  • Fisher, T. (2019). What’s Most Fun: A Framework to Protect Creativity in the Age of Instagram. [Unpublished masters dissertation], OCAD University, Toronto.
  • Gadassik, A. (2015), Assembling Movement: Scientific Motion Analysis and Studio Animation Practice, JSTOR, Vol. 37, No. 3 (Fall 2015), pp. 269-297.
  • Gowanlock, J. (2020). Animating Management: Nonlinear Simulation and Management Theory at Pixar. Animation: an Interdisciplinary Journal, Vol. 15(1), pp. 61–76.
  • Kalmakurki, M. (2018). Snow White and the Seven Dwarfs, Cinderella and Sleeping Beauty: The Components of Costume Design in Disney’s Early Hand-Drawn Animated Feature Films. Animation: An Interdisciplinary Journal, Vol. 13(1), pp. 7–19.
  • Khalid, F. (2021). They Drew as They Pleased: the Hidden Art of Disney’s Mid-Century Era; the 1950s and 1960s. Journal of Popular Film and Television, 49:1, pp. 67-68.
  • Lönroth, L. (2021). ‘I Don’t Have a Skull... or Bones’: Minor Characters in Disney Animation. Animation: an Interdisciplinary Journal, Vol. 16. pp. 36–50.
  • Ohmer, S. (1993). That Rags to Riches Stuff': Disney's Cinderella and the Cultural Space of Animation. Film History, Vol. 5, No. 2, pp. 231-249.
  • Opalach, A. & Maddock, S. (1994). Disney Effects Using Implicit Surfaces. Proc. 5th Eurographics Workshop on Animation and Simulation. pp. 1-8.
  • Peri, D. (2008). Working with Walt: Interviews with DisneyArtists, University Press of Mississippi.
  • Pierce, T. J. (2016). Wow, We've Got Something Here: Ward Kimball and the Making of "Snow White". New England Review, Vol. 37, No. 1, pp. 123-136.
  • Pierce, T. J. (2019). The Life and Times of Ward Kimball: Maverick of Disney Animation. The University of Mississippi. ISBN 978-1496820969.
  • Sarbeni, I. (2020). Brutal Effects of Online Game in Animator Perspective. Proceedings of the 3rd International Conference on Arts and Design Education (ICADE 2020), pp. 61-65.
  • Suffolk U. (2003). NESADSU Alumni Profile, Advancement and Alumni Newsletters. No. 4, Spring, Suffolk University Press.
  • Susanin, T. S. (2011). Walt Before Mickey: Disney’s Early Years, 1919–1928. The University Press of Mississippi Press.
  • Thomas, F & Johnston, O. (1981). The Illusion of Life: Disney Animation. Disney Editions; NY, USA.
  • Timmer, T. (2017, 02 Ağustos). “The First of the Nine: Les Clark”, Erişim Adresi: https://www.waltdisney.org/blog/first-nine-les-clark Erişim Tarihi: 12 Aralık 2024.
  • Yakut, İ. (2014). Yorumlayıcı Paradigma Yaklaşımı Kavramlarıyla Sinema Sanatı Üretimine Bakış. Ulakbilge. Cilt 2, Sayı 4, pp. 15-29.
  • D23. (2024, 12 Aralık). “Les Clark”, Erişim Linki: https://d23.com/walt-disney-legend/les-clark/ Erişim Tarihi: 21 Aralık 2024.
  • http 1. (2025, 03 Ocak) “Method of Producing Moving-Picture Cartoons” Erişim linki: https://patents.google.com/patent/US1242674A/en.
  • waltdisney.org. (2011). Disney Artists' Holiday Wishes: Highlighting John Lounsbery. Erişim linki: https://www.waltdisney.org/blog/disney-artists-holiday-wishes-highlighting-john-lounsbery, Erişim Tarihi: 03.01.2025.
  • Görsel 1: Dokuz Yaşlı Adam. Erişim Tarihi: 20 Ocak 2025, Erişim Linki:https://d23.com/a-toz/nineoldmen/#:~:text=They%20were%20Frank%20Thomas%2C%20Ollie,%2C%20Eric%20Larson%2C%20Milt%20Kahl.
Toplam 27 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Konular Canlandırma-Animasyon, Güzel Sanatlar
Bölüm Araştırma Makalesi
Yazarlar

Hami Onur Bingöl 0000-0003-1522-6419

Yayımlanma Tarihi 16 Mart 2025
Gönderilme Tarihi 18 Şubat 2025
Kabul Tarihi 7 Mart 2025
Yayımlandığı Sayı Yıl 2025 Cilt: 1 Sayı: 9

Kaynak Göster

APA Bingöl, H. O. (2025). Animasyonun 12 Temel Prensibi ve Dokuz Yaşlı Adam. D-Sanat, 1(9), 129-147.