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THE PARADOX OF FREE WOMEN IN DORIS LESSING'S “THE GOLDEN NOTEBOOK”

Yıl 2021, Cilt: 61 Sayı: 1, 454 - 471, 24.06.2021
https://doi.org/10.33171/dtcfjournal.2021.61.1.18

Öz

Although Doris Lessing's “The Golden Notebook” is regarded as a feminist novel by many
scholars, it is also mostly criticised due to the overt male domination upon various female
characters. Moving away from the feminist purpose by focusing on the experiences and
struggles of these different women characters, Lessing emphasises the significance of
peeling off all the socially constructed labels and recognising the distinctive true identity
particular to each woman. Following this focus, the author also creates an analogy
between the content and the form of the novel by reflecting the chaos in the mind of the
women characters to the chaotic form which is divided into parts. Hereby, it can be aptly
argued that by building a chaotic atmosphere around the women characters who deem
themselves free, Lessing problematises the concept of free women in this particular novel.
This paper sets out to analyse how Lessing illustrates the paradox of free women in “The
Golden Notebook” through the chaotic content and form.

Kaynakça

  • Arslan, Seval. “The Mother-Daughter Relationship and the Mother’s Writing Process in Women’s Writing of the 20th and 21st Century.” Diss. İstanbul U, 2016. YOK Archive. Web. 10 Dec. 2018.
  • Barnes, Sophia. “‘So Why Write Novels?’ The Golden Notebook, Mikhail Bakhtin, and the Politics of Authorship.” Doris Lessing’s The Golden Notebook After Fifty. Eds. Alice Ridout, Roberta Rubenstein and Sandra Singer. New York: Palgrave Macmillan, 2015. 135-152.
  • Cairnie, Julie. “‘Across the Frontiers’: Reading Africa in The Golden Notebook.” Doris Lessing’s The Golden Notebook After Fifty. Eds. Alice Ridout, Roberta Rubenstein and Sandra Singer. New York: Palgrave Macmillan, 2015. 13-32.
  • Carey, John L. “Art and Reality in ‘The Golden Notebook.’” Contemporary Literature 14.4 (Autumn 1973): 437-456.JSTOR. Web. 10 Dec. 2018.
  • “Doris Lessing’s Golden Notebook, 50 Years On.” The Guardian. N.p. 6 Apr. 2012. Web. 8 Dec. 2018.
  • Fuoroli, Caryn. “Doris Lessing’s ‘Game’: Referential Language and Fictional Form.” Twentieth Century Literature 27.2 (Summer 1981): 146-165. JSTOR. Web. 10 Dec. 2018.
  • Klein, Carole. Doris Lessing: A Biography. New York: Carroll& Graf P, 2000.
  • Lessing, Doris. Preface. The Golden Notebook. New York: Harper Collins, 2008.
  • Lessing, Doris. The Golden Notebook. New York: Ballantine, 1962.
  • Maslen, Elizabeth. Doris Lessing. Devon: Northcote House P, 2014.
  • Moan Rowe, Margaret. Women Novelists: Doris Lessing. London: Macmillan, 1994.
  • Mulkeen, Anne M. “Twentieth-Century Realism: The ‘Grid’ Structure of The Golden Notebook.” Studies in the Novel 4.2 (Summer 1972): 262-274. JSTOR. Web. 26 Apr. 2021.
  • Ridout, Alice, Roberta Rubenstein and Sandra Singer, eds. Doris Lessing’s The Golden Notebook After Fifty. New York: Palgrave Macmillan, 2015.
  • Rubenstein, Roberta. “The Golden Notebook, Disguised Autobiography, and Roman à Clef.” Doris Lessing’s The Golden Notebook After Fifty. Eds. Alice Ridout, Roberta Rubenstein and Sandra Singer. New York: Palgrave Macmillan, 2015. 99-114.
  • Schlueter, Paul. “The Golden Notebook.” Bloom’s Modern Classical Views: Doris Lessing. Ed. Harold Bloom. Philadelphia: Chelsea House P, 2003. 27-60.
  • Sternberg Perrakis, Phyllis. “Doris Lessing’s The Golden Notebook: Separation and Symbiosis.” American Imago 38.4 (Winter 1981): 407-428. JSTOR. Web. 26 Apr. 2021.
  • Whittaker, Ruth. Modern Novelists: Doris Lessing. New York: St. Martins P, 1988.
  • Wilson, Elizabeth. “Yesterday’s Heroines: On Rereading Lessing and de Beauvoir.” Notebooks/memoirs/archives: Reading and Rereading Doris Lessing. Ed. Jenny Taylor. London: Routledge, 1982. 57-73. Google Books. Web. 8 Dec. 2018.

THE PARADOX OF FREE WOMEN IN DORIS LESSING'S “THE GOLDEN NOTEBOOK”

Yıl 2021, Cilt: 61 Sayı: 1, 454 - 471, 24.06.2021
https://doi.org/10.33171/dtcfjournal.2021.61.1.18

Öz

Although Doris Lessing's “The Golden Notebook” is regarded as a feminist novel by many
scholars, it is also mostly criticised due to the overt male domination upon various female
characters. Moving away from the feminist purpose by focusing on the experiences and
struggles of these different women characters, Lessing emphasises the significance of
peeling off all the socially constructed labels and recognising the distinctive true identity
particular to each woman. Following this focus, the author also creates an analogy
between the content and the form of the novel by reflecting the chaos in the mind of the
women characters to the chaotic form which is divided into parts. Hereby, it can be aptly
argued that by building a chaotic atmosphere around the women characters who deem
themselves free, Lessing problematises the concept of free women in this particular novel.
This paper sets out to analyse how Lessing illustrates the paradox of free women in “The
Golden Notebook” through the chaotic content and form.

Kaynakça

  • Arslan, Seval. “The Mother-Daughter Relationship and the Mother’s Writing Process in Women’s Writing of the 20th and 21st Century.” Diss. İstanbul U, 2016. YOK Archive. Web. 10 Dec. 2018.
  • Barnes, Sophia. “‘So Why Write Novels?’ The Golden Notebook, Mikhail Bakhtin, and the Politics of Authorship.” Doris Lessing’s The Golden Notebook After Fifty. Eds. Alice Ridout, Roberta Rubenstein and Sandra Singer. New York: Palgrave Macmillan, 2015. 135-152.
  • Cairnie, Julie. “‘Across the Frontiers’: Reading Africa in The Golden Notebook.” Doris Lessing’s The Golden Notebook After Fifty. Eds. Alice Ridout, Roberta Rubenstein and Sandra Singer. New York: Palgrave Macmillan, 2015. 13-32.
  • Carey, John L. “Art and Reality in ‘The Golden Notebook.’” Contemporary Literature 14.4 (Autumn 1973): 437-456.JSTOR. Web. 10 Dec. 2018.
  • “Doris Lessing’s Golden Notebook, 50 Years On.” The Guardian. N.p. 6 Apr. 2012. Web. 8 Dec. 2018.
  • Fuoroli, Caryn. “Doris Lessing’s ‘Game’: Referential Language and Fictional Form.” Twentieth Century Literature 27.2 (Summer 1981): 146-165. JSTOR. Web. 10 Dec. 2018.
  • Klein, Carole. Doris Lessing: A Biography. New York: Carroll& Graf P, 2000.
  • Lessing, Doris. Preface. The Golden Notebook. New York: Harper Collins, 2008.
  • Lessing, Doris. The Golden Notebook. New York: Ballantine, 1962.
  • Maslen, Elizabeth. Doris Lessing. Devon: Northcote House P, 2014.
  • Moan Rowe, Margaret. Women Novelists: Doris Lessing. London: Macmillan, 1994.
  • Mulkeen, Anne M. “Twentieth-Century Realism: The ‘Grid’ Structure of The Golden Notebook.” Studies in the Novel 4.2 (Summer 1972): 262-274. JSTOR. Web. 26 Apr. 2021.
  • Ridout, Alice, Roberta Rubenstein and Sandra Singer, eds. Doris Lessing’s The Golden Notebook After Fifty. New York: Palgrave Macmillan, 2015.
  • Rubenstein, Roberta. “The Golden Notebook, Disguised Autobiography, and Roman à Clef.” Doris Lessing’s The Golden Notebook After Fifty. Eds. Alice Ridout, Roberta Rubenstein and Sandra Singer. New York: Palgrave Macmillan, 2015. 99-114.
  • Schlueter, Paul. “The Golden Notebook.” Bloom’s Modern Classical Views: Doris Lessing. Ed. Harold Bloom. Philadelphia: Chelsea House P, 2003. 27-60.
  • Sternberg Perrakis, Phyllis. “Doris Lessing’s The Golden Notebook: Separation and Symbiosis.” American Imago 38.4 (Winter 1981): 407-428. JSTOR. Web. 26 Apr. 2021.
  • Whittaker, Ruth. Modern Novelists: Doris Lessing. New York: St. Martins P, 1988.
  • Wilson, Elizabeth. “Yesterday’s Heroines: On Rereading Lessing and de Beauvoir.” Notebooks/memoirs/archives: Reading and Rereading Doris Lessing. Ed. Jenny Taylor. London: Routledge, 1982. 57-73. Google Books. Web. 8 Dec. 2018.
Toplam 18 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Sanat ve Edebiyat
Bölüm Araştırma Makaleleri
Yazarlar

Emine Akkülah Doğan 0000-0002-7540-1015

Yayımlanma Tarihi 24 Haziran 2021
Gönderilme Tarihi 2 Mart 2021
Yayımlandığı Sayı Yıl 2021 Cilt: 61 Sayı: 1

Kaynak Göster

APA Akkülah Doğan, E. (2021). THE PARADOX OF FREE WOMEN IN DORIS LESSING’S “THE GOLDEN NOTEBOOK”. Ankara Üniversitesi Dil Ve Tarih-Coğrafya Fakültesi Dergisi, 61(1), 454-471. https://doi.org/10.33171/dtcfjournal.2021.61.1.18

Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi

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