Öz
The aim of this article is to study the bildungsroman traits in King Horn. In this context, bildungsroman characteristics will be applied to the romance. The article is important because its subject is not studied in Turkey and it depicts the novel traits in poetry.
Anahtar Kelimeler
King Horn bildungsroman romance Middle English Medieval Literature Development Christianity Chivalric Ideal
Kaynakça
- ANONYMOUS. (1984). King Horn (Critical Edition). Ed. Allen Rosemund, New York: Garland Medieval Texts.
- BEER, Gillan. (1987). The Romance:Critical Idiom Series. London: Methuen.
- BENNETT, J.A.W. (1986). Middle English Literature. Oxford: Cleaendon Press.
- BENSON, Larry. (1976). «Thematic Structure in King Horn». Malory’s Morte D’Artur. 73-80
- CRANE, Susan. (1986). Insular Romance,Politics, Faith and Culture in Anglo-Norman and Middle English Literatur. Berkeley: UCLA Press.
- DANNEBAUM, Susan. (1981). «Fairer Bi One Ribbe/Thane En: Man That Libble» (King Horn). Notes and Queries. 116-117.
- DAY, Martin S. (1963). History of English Literatur. New York: Doubleday.
- ECO. Umberto. (1984). Looking for a Logic of Culture. Lisse: Peter de Ridder Press.
- ECO. Umberto. (1976). A Theory of Semiotics. Bloomington: Indiana University Press.
- FRENCH, Walter. (1940). Essays on King Horn. Ithaca: Cornell University Press.
- GANIM, John. Style and Consciousness in the Middle English Narrative. Princeton: Princeton University Press.
- HEARN, Matthew. (1993). «Twins of Infidelity: The Double Antagonists of King Horn». Medieval Perspectives 8. 78-86.,
- HURT, James R. (1970). «The Texts of King Horn». Journal of the Folklore Institute. 49-59.
- HYNES-BERRY, Mary. (1975). «Cohesion in King Horn and Sir Orfeo». Speculum, 50, 652-670.
- JAMISON, Varol. (1991). «A Description of the Medieval Romance Based upon King Horn». Quondam-et-Futurus 1.2, 44-58.
- MCLAUGLIN, John (1975). «The Return Song in Medieval Romance and Ballad: King Horn and King Orfeo». Journal of American Folklore 88. 304-307
- MEHL, Dieter, (1968). Middle English Romances of the Thirteenth and Fourteenth Centuries.London: Routledge and Kegan Paul
- NIMCHINSKY, Howard. (1968). «Orfeo, Guillaume and Horn». Romance Philology 22, 1-14
- O’BRIEN, Timothy. (1982). «Word Play in the Allegory of King Horn» Allegorica 7. 110-122.
- OVID, P. (1977). Heroides and Amores. Trans. G. Showerman. London: Gould
- PURDON, Liam. (1985). «King Horn and the Medieval Trope of Christ the Lover Knight». Proceedings of the PMK Conference at Villanova 10, 137-147.
- QUINN, Williams A and Audley S. Hall. (1982). Jongleur: A Modified Theory of Oral Improvisation, Washington: University of America Press.
- SPEED, Diane. (1990). «The Saracens of King Horn» Neuphilologische Mitteilungen. 81, 403-408.
Öz
Bu makalenin amacı, King Horn’daki bildungsroman özelliklerini incelemektir. Bu bağlamda, bildungsroman özellikleri romansa uygulanacaktır. Makale, konusu Türkiye’de işlenmediğinden ve İngiliz edebiyatında şiirde, roman özelliklerini yansıttığından önemlidir.
Anahtar Kelimeler
King Horn Bildungsroman Romans Ortaçağ İngilizcesi Ortaçağ Edebiyatı Gelişim Hristiyanlık Şövalyelik Ülküsü
Kaynakça
- ANONYMOUS. (1984). King Horn (Critical Edition). Ed. Allen Rosemund, New York: Garland Medieval Texts.
- BEER, Gillan. (1987). The Romance:Critical Idiom Series. London: Methuen.
- BENNETT, J.A.W. (1986). Middle English Literature. Oxford: Cleaendon Press.
- BENSON, Larry. (1976). «Thematic Structure in King Horn». Malory’s Morte D’Artur. 73-80
- CRANE, Susan. (1986). Insular Romance,Politics, Faith and Culture in Anglo-Norman and Middle English Literatur. Berkeley: UCLA Press.
- DANNEBAUM, Susan. (1981). «Fairer Bi One Ribbe/Thane En: Man That Libble» (King Horn). Notes and Queries. 116-117.
- DAY, Martin S. (1963). History of English Literatur. New York: Doubleday.
- ECO. Umberto. (1984). Looking for a Logic of Culture. Lisse: Peter de Ridder Press.
- ECO. Umberto. (1976). A Theory of Semiotics. Bloomington: Indiana University Press.
- FRENCH, Walter. (1940). Essays on King Horn. Ithaca: Cornell University Press.
- GANIM, John. Style and Consciousness in the Middle English Narrative. Princeton: Princeton University Press.
- HEARN, Matthew. (1993). «Twins of Infidelity: The Double Antagonists of King Horn». Medieval Perspectives 8. 78-86.,
- HURT, James R. (1970). «The Texts of King Horn». Journal of the Folklore Institute. 49-59.
- HYNES-BERRY, Mary. (1975). «Cohesion in King Horn and Sir Orfeo». Speculum, 50, 652-670.
- JAMISON, Varol. (1991). «A Description of the Medieval Romance Based upon King Horn». Quondam-et-Futurus 1.2, 44-58.
- MCLAUGLIN, John (1975). «The Return Song in Medieval Romance and Ballad: King Horn and King Orfeo». Journal of American Folklore 88. 304-307
- MEHL, Dieter, (1968). Middle English Romances of the Thirteenth and Fourteenth Centuries.London: Routledge and Kegan Paul
- NIMCHINSKY, Howard. (1968). «Orfeo, Guillaume and Horn». Romance Philology 22, 1-14
- O’BRIEN, Timothy. (1982). «Word Play in the Allegory of King Horn» Allegorica 7. 110-122.
- OVID, P. (1977). Heroides and Amores. Trans. G. Showerman. London: Gould
- PURDON, Liam. (1985). «King Horn and the Medieval Trope of Christ the Lover Knight». Proceedings of the PMK Conference at Villanova 10, 137-147.
- QUINN, Williams A and Audley S. Hall. (1982). Jongleur: A Modified Theory of Oral Improvisation, Washington: University of America Press.
- SPEED, Diane. (1990). «The Saracens of King Horn» Neuphilologische Mitteilungen. 81, 403-408.
Ayrıntılar
| Birincil Dil | İngilizce |
|---|---|
| Bölüm | Araştırma Makalesi |
| Yazarlar | |
| Yayımlanma Tarihi | 1 Ocak 2004 |
| Yayımlandığı Sayı | Yıl 2004 Cilt: 44 Sayı: 2 |
Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi - dtcfdergisi@ankara.edu.tr
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