Minimalist Sanatta Bir Ressam ve Besteci: Stella ve Glass

Yıl 2007, Cilt: 47 Sayı: 1, 31 - 42, 01.01.2007

Ahu Köksal

Öz

1960’lı yıllarda, resimde Soyut Dışavurumculuk, müzikte Avrupa avant-garde akımları etkisini sürdürürken; Stella resmin, Glass ise müziğin çehresini değiştiren akımlarda önemli bir rol oynamıştır. Stella’nın, Black Paintings, Benjamin Moore Paintings, Irregular Polygon gibi serî resim çalışmalarında bir birimi tekrar etmesi, az sayıda materyalle bir form ve resmi tuvalin dışına iten bir etki yaratması; Glass’ın, Music in Similar Motion, Two Pages, Music in Fifths gibi eserlerinde birim tekrarlarıyla elde ettiği vecd etkisine paralel görülmektedir. Her iki sanatçı da farklı materyallerle, benzer teknikler kullanarak benzer etkiye ulaşmışlardır.

Anahtar Kelimeler

Minimalizm, Resimde Minimalizm, Müzikte Minimalizm, Frank Stella, Philip Glass, Resimde Birim Tekrarı, Müzikte Birim Tekrarı, Trans

One Painter and One Composer in Minimalist Art: Stella and Glass

Öz

In 1960’s, while Abstract Expressionism in painting and European avantgarde movement in music was dominant, Stella played an important role in changing the face of painting, as Glass did in music.Stella’s repeating a unit in a series of paintings like Black Paintings, Benjamin Moore Paintings, Irregular Polygon, creating a form with very few materials and an effect carrying the picture out of the canvas seems parallel with Glass’ creating a trance effect by means of a unit repetation like in Music in Similar Motion, Two Pages, Music in Fifths. Both artists, using different materials, reached similar effects by the use of similar techniques.

Anahtar Kelimeler

Minimalism, Minimalism in Art, Minimalism in Music, Frank Stella, Philip Glass, Repeated Units in Paintings, Repeated Units in Music, Trance

Kaynakça

• AVGIKOS, Jan. (2003). “Harran II”. http://www.guggenheimcollection.org/ site/artist work d 148 1.html
• GLASER, Bruce., STELLA, Frank., JUDD, Donald. (1966,1997). “Frank Stella and Donald Judd/Questions to Stella and Judd by Bruce Glaser”. Theories and Documents of Contemporary Art, A Sourcebook of Artists’ Writings. (Ed. Kristine Stiles ve Peter Selz). University of California Press, 117-124.
• GLENN, Constance W.. (2006). “Frank Stella”. Grove Art Online. Oxford University Press.
• GRIFFITHS, Paul. (1989). Modern Music, The avant garde since 1945. U.S.A.
• STELLA, Frank. (1960,1977). “The Pratt Lecture”. Theories and Documents of Contemporary Art, A Sourcebook of Artists’ Writings. (Ed. Kristine Stiles ve Peter Selz). University of California Press, 113-114.
• STRICKLAND, Edward. (2006). “Philip Glass”. Grove Music Online. Oxford University Press.
• WANT, Christopher. (2006) . “Minimalism”. Grove Art Online. Oxford University Press.
• WOLFSON, Nancy. (2006). “Ring of Art; Frank Stella, One of the Most Renowed Artists of the Late Twentieth Century, Has Been Using Cigar Smoke as an Inspiration”. http://www.cigaraficionado.com/Cigar/CA Features/CA Feature Basic Temlate/0,234 4,605,00.html