BibTex RIS Kaynak Göster

Theatre for Reconciliation: David Hare’s “Via Dolorosa”

Yıl 2008, Cilt: 48 Sayı: 2, 79 - 94, 01.01.2008

Öz

Via Dolorosa, a monologue about the Middle East written and performed by David Hare, is the result of the playwright’s 1997 visit to Israel and the Palestinian lands. This study, on one hand, discusses Hare’s response to Israeli-Palestinian situation and on the other hand, redefines the relationships between the reconciliatory power of art, culture and language. The play not only aims to express some specific, unpartisan truths about the world’s most stubborn conflict but also reinforces one’s faith in theatre as a means of communication. The play declares that theatre can break news, can act as a medium for reconciliation, and that it can be a suitable forum for autobiographical reflection. The play will be interpreted in three areas in general: British Orientalist tradition, documentary drama and travel writing.

Kaynakça

  • BAR-Y, Eitan. (2007, May). “‘I'm just a pen’: Travel, performance, and orientalism in David Theatre Journal. Maryland: Johns Hopkins University 259-277.
  • Hare's Via Dolorosa and Acting Up”. Press 59 (2):
  • BILLINGTON, M. (1998, 9 September). The Guardian.
  • BLACK, I. (12 September 1998). “Review of Via Dolorosa”. The Guardian.
  • BOIREAU, N. (2003). “Rerouting Radicalism with David Hare”. European Journal of English Studies. London: Routledge. 7 (1), 25-37.
  • BROWN, G. (1998, 13 September). Mail on Sunday.
  • CHOMSKY, N. (1983). The Fateful Triangle: The United Staes, Israel and the Palestinians. Cambridge: South End Press.
  • CLAPP, S. (1998, 13 September). Observer.
  • ELNAGGAR, M. (2002). “Autobiographical Fantasia”. Alif: Journal of Comparative Poetics. 169-197.
  • HAGERTY, B. (1998, 13 September). News of the World.
  • HARE, D. (1998). Via Dolorosa and When Shall We Live. London: Faber and Faber
  • HARE, D.(2002, 13 July). “An Act of Faith”. The Guardian Weekend.
  • HARE, D. (2002, 2 February). “Why fabulate?”. The Guardian Saturday, 1- 9
  • HARE, D. (2003). The Permanent Way. London: Faber and Faber.
  • HARE, D. (2005). Obedience, Struggle & Revolt: Lectures on Theatre. London: Faber and Faber.
  • HARE, D. (2005). Stuff Happens. London: Faber and Faber.
  • ARAGAY, Mireia. (2004, June). “The State of British Theatre Now: An Interview with Michael Billington”. Publications of Spanish Ministry of Science and Technology, 89-100.
  • ATLANTIS. Barcelona:
  • HEMMING, S. (2002, 22 July ). “Hare's voice in the wilderness”. Financial Times. London, 1
  • HOMDEN, C. (1995). The Plays of David Hare. Cambridge: Cambridge University Press
  • JAMESON, F. (1988). Modernism and Imperialism. Dublin: Field Day.
  • JONGH, N. (1998, 9 September). Evening Standard.
  • JUDT, T. (2003). “Israel: The Alternative”. The New York Review of Books. 50 (16), http://www.nybooks.com/articles/16671
  • LEVY, P. (2002, 26 July). “London’s Summer Stages are in Full Swing”. Wall Street Journal. Europe: Brussels, 6
  • REINELT, J G. (2005, May). “Stuff Happens”. Theatre Journal. Maryland: Johns Hopkins University Press (57: 2), 303-306.
  • RIDDELL, M. (2003, 17 February). “NS interview: David Hare”. New Statesman. London. (16: 744), 34.
  • SAID, E. (1992). The Question of Palestine. New York: Vintage Books.
  • SAID, E. (1993). Culture and Imperialism. London: Chatto and Windus.
  • SAID, E. (2001). Power, Politics and Culture: Interviews with Edward Said. Gauri Viswanathan. ed. New York: Pantheon Books.
  • SMITH, N. (1998, 16 September). What’s On.
  • TILLEY, V. (2005). The One-State Solution: A Breakthrough for Peace in the Israeli- Palestinian Deadlock. Ann Arbor: University of Michigan Press.
  • WARDLE, I. (1998, 13 September). Sunday Telegraph.
  • WATSON, J. (2000, December). “A Way of Sorrow”. The Month. London. (33: 12), 485-88.
  • WEBER, M.. (2001, Winter). “David Hare’s Via Dolorosa”. New England Review. Middlebury: 22:1
  • WESKER, A. (2002,18 July). “Open Letter” http://www.arnoldwesker.com/openletters/davidhare.htm
  • WOLF, M. (1998, September). Via Dolorosa. Variety Review Database. New York.
  • YOUNG, T. (2002, 27 July). “Voyage of Discovery”. The Spectator. London. (289). 47-50.
  • ZEIFFMAN, H. (1994). David Hare: A Casebook. New York: Garland.

Uzlaşma ve Tiyatro: David Hare’in “Via Dolorosa” Oyunu

Yıl 2008, Cilt: 48 Sayı: 2, 79 - 94, 01.01.2008

Öz

Via Dolorosa, İngiliz tiyatro yazarı David Hare’in, 1997 yılında Israil ve Filistin topraklarına yaptığı gezi sonucunda yazılmıştır. Bu çalışma, bir taraftan Hare’in İsrail-Filistin sorunu hakkındaki görüşlerini ortaya koyarken, diğer bir taraftan sanatın barıştırma gücü ile dil ve kültür arasındaki ilişkiyi inceler. Oyun, dünyanın en direngen sorunu hakkında sadece bazı tarafsız geçekleri yansıtmaz, ayrıca tiyatronun bir iletişim aracı olduğu inancını kuvvetlendirir. Oyun, tiyatronun haber getirebileceğini, bir barışma aracı olabileceğini ve otobiyografik yansıtmalar için uygun bir platform oluşturabileceğini gösterir. Bu çalışmada, oyun, genel olarak birbirleriyle ilşkili şu üç alanda yorumlanacaktır: İngiliz Orientalist geleneği, seyahat edebiyatı ve belgesel tiyatro.

Kaynakça

  • BAR-Y, Eitan. (2007, May). “‘I'm just a pen’: Travel, performance, and orientalism in David Theatre Journal. Maryland: Johns Hopkins University 259-277.
  • Hare's Via Dolorosa and Acting Up”. Press 59 (2):
  • BILLINGTON, M. (1998, 9 September). The Guardian.
  • BLACK, I. (12 September 1998). “Review of Via Dolorosa”. The Guardian.
  • BOIREAU, N. (2003). “Rerouting Radicalism with David Hare”. European Journal of English Studies. London: Routledge. 7 (1), 25-37.
  • BROWN, G. (1998, 13 September). Mail on Sunday.
  • CHOMSKY, N. (1983). The Fateful Triangle: The United Staes, Israel and the Palestinians. Cambridge: South End Press.
  • CLAPP, S. (1998, 13 September). Observer.
  • ELNAGGAR, M. (2002). “Autobiographical Fantasia”. Alif: Journal of Comparative Poetics. 169-197.
  • HAGERTY, B. (1998, 13 September). News of the World.
  • HARE, D. (1998). Via Dolorosa and When Shall We Live. London: Faber and Faber
  • HARE, D.(2002, 13 July). “An Act of Faith”. The Guardian Weekend.
  • HARE, D. (2002, 2 February). “Why fabulate?”. The Guardian Saturday, 1- 9
  • HARE, D. (2003). The Permanent Way. London: Faber and Faber.
  • HARE, D. (2005). Obedience, Struggle & Revolt: Lectures on Theatre. London: Faber and Faber.
  • HARE, D. (2005). Stuff Happens. London: Faber and Faber.
  • ARAGAY, Mireia. (2004, June). “The State of British Theatre Now: An Interview with Michael Billington”. Publications of Spanish Ministry of Science and Technology, 89-100.
  • ATLANTIS. Barcelona:
  • HEMMING, S. (2002, 22 July ). “Hare's voice in the wilderness”. Financial Times. London, 1
  • HOMDEN, C. (1995). The Plays of David Hare. Cambridge: Cambridge University Press
  • JAMESON, F. (1988). Modernism and Imperialism. Dublin: Field Day.
  • JONGH, N. (1998, 9 September). Evening Standard.
  • JUDT, T. (2003). “Israel: The Alternative”. The New York Review of Books. 50 (16), http://www.nybooks.com/articles/16671
  • LEVY, P. (2002, 26 July). “London’s Summer Stages are in Full Swing”. Wall Street Journal. Europe: Brussels, 6
  • REINELT, J G. (2005, May). “Stuff Happens”. Theatre Journal. Maryland: Johns Hopkins University Press (57: 2), 303-306.
  • RIDDELL, M. (2003, 17 February). “NS interview: David Hare”. New Statesman. London. (16: 744), 34.
  • SAID, E. (1992). The Question of Palestine. New York: Vintage Books.
  • SAID, E. (1993). Culture and Imperialism. London: Chatto and Windus.
  • SAID, E. (2001). Power, Politics and Culture: Interviews with Edward Said. Gauri Viswanathan. ed. New York: Pantheon Books.
  • SMITH, N. (1998, 16 September). What’s On.
  • TILLEY, V. (2005). The One-State Solution: A Breakthrough for Peace in the Israeli- Palestinian Deadlock. Ann Arbor: University of Michigan Press.
  • WARDLE, I. (1998, 13 September). Sunday Telegraph.
  • WATSON, J. (2000, December). “A Way of Sorrow”. The Month. London. (33: 12), 485-88.
  • WEBER, M.. (2001, Winter). “David Hare’s Via Dolorosa”. New England Review. Middlebury: 22:1
  • WESKER, A. (2002,18 July). “Open Letter” http://www.arnoldwesker.com/openletters/davidhare.htm
  • WOLF, M. (1998, September). Via Dolorosa. Variety Review Database. New York.
  • YOUNG, T. (2002, 27 July). “Voyage of Discovery”. The Spectator. London. (289). 47-50.
  • ZEIFFMAN, H. (1994). David Hare: A Casebook. New York: Garland.
Toplam 38 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Bölüm Araştırma Makalesi
Yazarlar

Dilek İnan Bu kişi benim

Yayımlanma Tarihi 1 Ocak 2008
Yayımlandığı Sayı Yıl 2008 Cilt: 48 Sayı: 2

Kaynak Göster

APA İnan, D. (2008). Uzlaşma ve Tiyatro: David Hare’in “Via Dolorosa” Oyunu. Ankara Üniversitesi Dil Ve Tarih-Coğrafya Fakültesi Dergisi, 48(2), 79-94.

Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi - dtcfdergisi@ankara.edu.tr

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