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SÜFRAJ HAREKETİNİN İNGİLİZ TİYATROSUNDAKİ YANKILARINA BİR ÖRNEK: ELIZABETH ROBINS VE VOTES FOR WOMEN! 1907

Yıl 2019, Cilt: 59 Sayı: 1, 100 - 124, 01.01.2019

Öz

İngiltere'de 20. yüzyıl başlarında ortaya çıkan ve süfraj hareketi olarak bilinen kadınların oy hakkı davası, kadınların toplumsal ve siyasal hayatta erkeklerle eşit haklara sahip olabilmek adına vermiş oldukları bir mücadeledir. Süfrajetler olarak adlandırılan oy hakkı davası savunucusu kadınlar davalarına dikkat çekebilmek uğruna stratejik amaçlı şiddete başvurmuşlar ve o zamandan beri ağırlıklı olarak bu yönleriyle anılmışlardır. Ne var ki, stratejik de olsa şiddetle özdeşleştirilmiş olan süfraj savunucusu kadınların 20. yüzyıl başlarında İngiliz tiyatrosuna daha önce benzeri görülmemiş şekilde bir 'kadın tiyatrosu' olgusunu kazandırdıkları ve bu sayede 'süfraj tiyatrosu' olarak isimlendirilen yeni bir tiyatro türünün de oluşmasını sağladıkları gerçeği çoğunlukla göz ardı edilmiştir. Bu noktadan hareketle, bu çalışmanın amacı İngiltere'nin birinci dalga feminist tiyatrosu olarak kabul edilen Süfraj tiyatrosunu ele almak ve örnekleme amacıyla İngiliz tiyatrosunda Süfraj hareketinin yankılarının duyulmasını sağlayan Elizabeth Robins'in öncü süfraj oyunu Votes for Women! 1907 üzerine bir inceleme sunmaktır.

Kaynakça

  • “Anderson, Elizabeth Garrett.” Victorian Britain: An Encyclopedia. Ed. Sally Mitchell. Londra: Routledge, 1988.
  • Brennan, Clare. “Votes for Women Review: Vintage Suffrage Play with Topical Weight.” Rev. of Votes for Women , Elizabeth Robins. The Observer. Guardian News and Media. 18 Mart 2018. Web. 10 Ocak 2019.
  • Cameron, Rebecca. “‘A Somber Passion Strengthens Her Voice’: The Stage as Public Platform in British Women’s Suffrage Drama.” Comparative Drama 50. 4 (2016): 293-316.
  • Carlson, Susan. “Portable Politics: Creating New Space for Suffrage-ing Women.” New Theatre Quarterly 17. 4 (2016): 334-346.
  • --. “Suffrage Theatre: Community and Political Activism.” A Companion to Modern British and Irish Drama: 1880-2005. Ed. Mary Luckhurst. Oxford: Blackwell, 2006. 99-109.
  • Cockin, Katharine. “Women’s Suffrage Drama.” The Women’s Suffrage Movement: New Feminist Perspectives. Ed. Maroula Joannou ve June Pervis. Manchester: Manchester UP, 1998. 127-139.
  • de Gay, Jane. “Naming Names: An Overview of Women in Theatre 1500-1900.” The Routledge Reader in Gender and Performance. Ed. Lizbeth Goodman, 25-28. New York: Routledge, 1998.
  • DuBois, Ellen Carol. Feminism and Suffrage: The Emergence of an Independent Women’s Movement. Ithaca: Cornell UP, 1978.
  • Ellis, Samantha. “Votes for Women , Royal Court, April 1907.” Rev. of Votes for Women , Elizabeth Robins. Guardian. Guardian. 19 Mart 2003. Web. 20 Ekim 2018.
  • Eltis, Sos. “Women’s Suffrage and Theatricality”. Politics, Performance and Popular Culture: Theatre and Society in Nineteenth-Century Britain". Ed. Peter Yeandle, Katherine Newey ve Jeffrey Richards. Manchester: Manchester UP, 2016. 111-128.
  • --. “The Fallen Woman in Edwardian Feminist Drama: Suffrage, Sex and the Single Girl”. English Literature in Transition, 1880-1920 50. 1 (2007): 27-49.
  • Farfan, Penny. Women, Modernism and Performance. Cambridge: Cambridge UP, 2004.
  • --. “From Hedda Gabler to Votes for Women: Elizabeth Robins’s Early Feminist
  • Critique of Ibsen.” Theatre Journal 48. 1 (1996): 59-78. JSTOR. Web. 12 Ekim 2018.
  • Fitzsimmons, Linda ve Viv Garnder, ed. New Woman Plays. Londra: Methuen, 1991.
  • Gates, Joanne E. Elizabeth Robins, 1862-1952 : Actress, Novelist, Feminist. Alabama: University of Alabama, 1994.
  • --. “Elizabeth Robins and the 1891 Production of Hedda Gabler.” Modern Drama 28. 4 (1985): 611-619.
  • Goodman, Lizbeth. Contemporary Feminist Theatres: To Each Her Own. New York: Routledge, 1993.
  • Gömceli, Nursen. Timberlake Wertenbaker and Contemporary British Feminist Drama. Palo Alto: Academica Press, 2010.
  • Grey, Daniel J. R. “‘Agonised Weeping’: Representing Femininity, Emotion and Infanticide in Edwardian Newspapers.” Media History 21. 4 (2015): 468-480.
  • Higginbotham, Ann R. “‘Sin of the Age’: Infanticide and Illegitimacy in Victorian London.” Victorian Studies 32. 3 (1989): 319-337.
  • Holledge, Julie M. Women’s Theatre Women’s Rights. Yayımlanmamış Doktora Tezi. Bristol Üniversitesi, Bristol, 1985.
  • Joannou, Maroula. “‘Hilda, Harnessed to a Purpose’: Elizabeth Robins, Ibsen, and the Vote.” Comparative Drama 44. 2 (2010): 179-200. Project MUSE. Web. 12 Ekim 2018.
  • John, Angela V. Elizabeth Robins 1862-1952: Staging a Life. Londra: Routledge, 1995.
  • Marcus, Jane. “Introduction.” The Convert (1907), Elizabeth Robins. New York: The Feminist Press, 1980. 1-16.
  • Paxton, Naomi, ed. The Methuen Drama Book of Suffrage Plays. Londra: Methuen, 2013.
  • Powell, Kerry. “New Woman, New Plays, and Shaw in the 1890s.” Ed. Christopher Innes. The Cambridge Companion to George Bernard Shaw. Toronto: York University Press, 1998. 76-100.
  • --. ed. “‘Oscar Wilde: An Appreciation’: An Unpublished Memoir by Elizabeth Robins.” Nineteenth Century Theatre 21. 2 (1993): 101-113.
  • Robins, Elizabeth. Ibsen and the Actress. New York: Haskell House Publishers, 1973.
  • --. Votes for Women Woking ve Londra: Gresham Press, 1909.
  • Schroeder, Patricia. The Feminist Possibilities of Dramatic Realism. Madison: Farleigh Dickinson UP, 1996.
  • Smith, Harold L. The British Women’s Suffrage Campaign, 1866-1928. 2. Baskı. New York: Routledge, 2010.
  • Stowell, Sheila. A Stage of their Own. Ann Arbor: University of Michigan Press, 1992.
  • “Suffrage Plays.” Texas State Library and Archives Commission. Texas Devlet Kütüphanesi ve Arşivleri Komisyonu, 2018. Web. 20 Aralık 2018.
  • Tilghman, Caroline. “Staging Suffrage: Women, Politics, and the Edwardian Theater.” Comparative Drama 45. 4 (2011): 339-360. Project MUSE. Web. 8 Ekim 2018.
  • “Votes for Women.” New Vic Theatre. New Vic Theatre, t. y. Web. 10 Ocak 2019.
  • Wandor, Michelene. Carry on, Understudies: Theatre and Sexual Politics. New York: Routledge, 1986.

AN EXAMPLE FOR THE ECHOES OF THE SUFFRAGE MOVEMENT IN BRITISH THEATRE: ELIZABETH ROBINS AND VOTES FOR WOMEN! 1907

Yıl 2019, Cilt: 59 Sayı: 1, 100 - 124, 01.01.2019

Öz

Women's fight for the right to vote, which started in England in the early 20th century and is known as the suffrage movement, was a struggle they took up for having equal rights with men in social and political life. Called the suffragettes, the women advocating for women's right to vote had strategically resorted to violence in order to be able to draw attention to their cause and since then they have predominantly been mentioned in relation to this aspect. However, the fact that these female supporters of the suffrage cause associated with violence had earned British theatre in the beginning of the 20th century a conception of women's theatre in a way unprecedented before, and thus had given way to the development of a new form of theatre labelled 'suffrage theatre', has largely been overlooked. Starting out with this viewpoint, the aim of the present study is to explore suffrage theatre, which is accepted as Britain's 'first wave of feminist theatre'. As an illustration, an analysis of Votes for Women! 1907 , Elizabeth Robins' pioneering suffrage play, which made the echoes of the suffrage movement heard in British theatre, will be presented.

Kaynakça

  • “Anderson, Elizabeth Garrett.” Victorian Britain: An Encyclopedia. Ed. Sally Mitchell. Londra: Routledge, 1988.
  • Brennan, Clare. “Votes for Women Review: Vintage Suffrage Play with Topical Weight.” Rev. of Votes for Women , Elizabeth Robins. The Observer. Guardian News and Media. 18 Mart 2018. Web. 10 Ocak 2019.
  • Cameron, Rebecca. “‘A Somber Passion Strengthens Her Voice’: The Stage as Public Platform in British Women’s Suffrage Drama.” Comparative Drama 50. 4 (2016): 293-316.
  • Carlson, Susan. “Portable Politics: Creating New Space for Suffrage-ing Women.” New Theatre Quarterly 17. 4 (2016): 334-346.
  • --. “Suffrage Theatre: Community and Political Activism.” A Companion to Modern British and Irish Drama: 1880-2005. Ed. Mary Luckhurst. Oxford: Blackwell, 2006. 99-109.
  • Cockin, Katharine. “Women’s Suffrage Drama.” The Women’s Suffrage Movement: New Feminist Perspectives. Ed. Maroula Joannou ve June Pervis. Manchester: Manchester UP, 1998. 127-139.
  • de Gay, Jane. “Naming Names: An Overview of Women in Theatre 1500-1900.” The Routledge Reader in Gender and Performance. Ed. Lizbeth Goodman, 25-28. New York: Routledge, 1998.
  • DuBois, Ellen Carol. Feminism and Suffrage: The Emergence of an Independent Women’s Movement. Ithaca: Cornell UP, 1978.
  • Ellis, Samantha. “Votes for Women , Royal Court, April 1907.” Rev. of Votes for Women , Elizabeth Robins. Guardian. Guardian. 19 Mart 2003. Web. 20 Ekim 2018.
  • Eltis, Sos. “Women’s Suffrage and Theatricality”. Politics, Performance and Popular Culture: Theatre and Society in Nineteenth-Century Britain". Ed. Peter Yeandle, Katherine Newey ve Jeffrey Richards. Manchester: Manchester UP, 2016. 111-128.
  • --. “The Fallen Woman in Edwardian Feminist Drama: Suffrage, Sex and the Single Girl”. English Literature in Transition, 1880-1920 50. 1 (2007): 27-49.
  • Farfan, Penny. Women, Modernism and Performance. Cambridge: Cambridge UP, 2004.
  • --. “From Hedda Gabler to Votes for Women: Elizabeth Robins’s Early Feminist
  • Critique of Ibsen.” Theatre Journal 48. 1 (1996): 59-78. JSTOR. Web. 12 Ekim 2018.
  • Fitzsimmons, Linda ve Viv Garnder, ed. New Woman Plays. Londra: Methuen, 1991.
  • Gates, Joanne E. Elizabeth Robins, 1862-1952 : Actress, Novelist, Feminist. Alabama: University of Alabama, 1994.
  • --. “Elizabeth Robins and the 1891 Production of Hedda Gabler.” Modern Drama 28. 4 (1985): 611-619.
  • Goodman, Lizbeth. Contemporary Feminist Theatres: To Each Her Own. New York: Routledge, 1993.
  • Gömceli, Nursen. Timberlake Wertenbaker and Contemporary British Feminist Drama. Palo Alto: Academica Press, 2010.
  • Grey, Daniel J. R. “‘Agonised Weeping’: Representing Femininity, Emotion and Infanticide in Edwardian Newspapers.” Media History 21. 4 (2015): 468-480.
  • Higginbotham, Ann R. “‘Sin of the Age’: Infanticide and Illegitimacy in Victorian London.” Victorian Studies 32. 3 (1989): 319-337.
  • Holledge, Julie M. Women’s Theatre Women’s Rights. Yayımlanmamış Doktora Tezi. Bristol Üniversitesi, Bristol, 1985.
  • Joannou, Maroula. “‘Hilda, Harnessed to a Purpose’: Elizabeth Robins, Ibsen, and the Vote.” Comparative Drama 44. 2 (2010): 179-200. Project MUSE. Web. 12 Ekim 2018.
  • John, Angela V. Elizabeth Robins 1862-1952: Staging a Life. Londra: Routledge, 1995.
  • Marcus, Jane. “Introduction.” The Convert (1907), Elizabeth Robins. New York: The Feminist Press, 1980. 1-16.
  • Paxton, Naomi, ed. The Methuen Drama Book of Suffrage Plays. Londra: Methuen, 2013.
  • Powell, Kerry. “New Woman, New Plays, and Shaw in the 1890s.” Ed. Christopher Innes. The Cambridge Companion to George Bernard Shaw. Toronto: York University Press, 1998. 76-100.
  • --. ed. “‘Oscar Wilde: An Appreciation’: An Unpublished Memoir by Elizabeth Robins.” Nineteenth Century Theatre 21. 2 (1993): 101-113.
  • Robins, Elizabeth. Ibsen and the Actress. New York: Haskell House Publishers, 1973.
  • --. Votes for Women Woking ve Londra: Gresham Press, 1909.
  • Schroeder, Patricia. The Feminist Possibilities of Dramatic Realism. Madison: Farleigh Dickinson UP, 1996.
  • Smith, Harold L. The British Women’s Suffrage Campaign, 1866-1928. 2. Baskı. New York: Routledge, 2010.
  • Stowell, Sheila. A Stage of their Own. Ann Arbor: University of Michigan Press, 1992.
  • “Suffrage Plays.” Texas State Library and Archives Commission. Texas Devlet Kütüphanesi ve Arşivleri Komisyonu, 2018. Web. 20 Aralık 2018.
  • Tilghman, Caroline. “Staging Suffrage: Women, Politics, and the Edwardian Theater.” Comparative Drama 45. 4 (2011): 339-360. Project MUSE. Web. 8 Ekim 2018.
  • “Votes for Women.” New Vic Theatre. New Vic Theatre, t. y. Web. 10 Ocak 2019.
  • Wandor, Michelene. Carry on, Understudies: Theatre and Sexual Politics. New York: Routledge, 1986.
Toplam 37 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Bölüm Araştırma Makalesi
Yazarlar

Nursen Gömceli Bu kişi benim

Yayımlanma Tarihi 1 Ocak 2019
Yayımlandığı Sayı Yıl 2019 Cilt: 59 Sayı: 1

Kaynak Göster

APA Gömceli, N. (2019). SÜFRAJ HAREKETİNİN İNGİLİZ TİYATROSUNDAKİ YANKILARINA BİR ÖRNEK: ELIZABETH ROBINS VE VOTES FOR WOMEN! 1907. Ankara Üniversitesi Dil Ve Tarih-Coğrafya Fakültesi Dergisi, 59(1), 100-124.

Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi - dtcfdergisi@ankara.edu.tr

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