Araştırma Makalesi
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Camille Claudel and Yayoi Kusama in the Context of Digital Art

Yıl 2024, Cilt: 2 Sayı: 2, 119 - 131, 28.11.2024

Mehmet Akif Özdal , Şükran Bulut

Öz

This research examines the careers of two female artists who lived in different time periods and cultures, Yayoi Kusama and Camille Claudel, and examines the reflections of these artists' artistic expressions in the digital art world. The research reveals how the works of these two artists are transformed by modern interpretations using digital art techniques and tools as well as traditional art methods and how they interact with new media arts.
In the context of this relationship, the research was limited to the literature and studies examined by adopting comparative analysis and logical reasoning techniques from qualitative research methods.
The findings show how the works of Yayoi Kusama and Camille Claudel were transformed through digital art tools and transferred to new generations, while art plays an important role as a tool of both individual and social expression, and digital technologies enable it to reach wider audiences by increasing the universality and inclusiveness of art. The results showed how Claudel and Kusama's artistic expressions were reinterpreted with digital tools.

Anahtar Kelimeler

Art Digital Art Artistic Expression Technology Woman

Kaynakça

  • Ariot, C., Bertran, C., Fava-Piz, C., Joubin, F., & Pelletier, C. M. (2023). Camille Claudel. Getty Publications.
  • Ariot, J., Daulny, G., & Brignole, E. (2023). Women Sculptors in the 19th Century: Struggles and Triumphs. Art History Quarterly, 55, s. 55.
  • Ayral-Clause, O. (2019). Camille Claudel: a life. Plunkett Lake Press.
  • Ballegaard, C. M. (2019). The Mirror Staged.
  • Bell, D. (2010). The beautiful stars at night: the glittering artistic world Yayoi Kusama. New Zealand Journal of Asian Studies, 12(2), 81-106.
  • Bell, D. (2017). Rethinking Yayoi Kusama: Neuroaesthetics, Asobi, and the Creative Practice. International Journal of Arts Theory & History, 12(3).
  • Bell, D. (2018). Locating and Relocating Cultural Engagements in a Transnational Age. IAFOR Journal of Arts & Humanities, 5(1).
  • Borda, J. (2009). Portrait of a Woman Artist: The cinematic construction of Camille Claudel as a tragic heroine. Feminist Media Studies, 9(2), 227-242.
  • Braitner, L. (2021). Ambivalent Identity: Kusama Yayoi’s Intersectional Body Art of the 1960s. Vienna Journal of East Asian Studies, 13(1), 34-58.
  • Briggs, P. (2002). Study guide for Camille Claudel.
  • Callahan, S. R. (2015). Beyond Rodin: Revisiting the Legacy of Camille Claudel.
  • Caldarola, E. (2020). On Experiencing Installation Art: Symposium: Installation Art. The Journal of Aesthetics and Art Criticism, 78(3), 339-343.
  • Chadwick, W. (2018). Significant others: creativity & intimate partnership. Thames & Hudson.
  • Cooper, B. (2008). Camille Claudel: trajectory of a psychosis. Medical Humanities, 34(1), 25-29.
  • Corrales, B. (2015). # Spectacular: art in the experience age. Arizona State University.
  • Dailey, M. (2016). Yayoi Kusama: Art As an Escape (Doctoral dissertation, BA Dissertation. SOAS University of London. Available at: https://www. academia. edu/31981284/YAYOI_KUSAMA_ART_AS_AN_ESCAPE (Accessed 28 November 2021)).
  • Demere, C. H. (2014). The Viewing Self: A Reflection on Mirrors as Medium from the 1960s to the Present.
  • Doherty, A. (2012). Digital Tableaux of Cinematic Cultural Memory in the French Heritage Film: Un long dimanche de fiançailles. Australian Journal of French Studies, 49(2), 196.
  • Doherty, A. (2020). Stardom and historical thinking in Isabelle Adjani’s French heritage film Camille Claudel. French Screen Studies, 20(1), 23-41.
  • Foster, G. A. (2010). Self-Stylization and Performativity in the Work of Yoko Ono, Yayoi Kusama and Mariko Mori. Quarterly Review of Film and Video, 27(4), 267-275.
  • Fowler, A. M. (2022). Yayoi Kusama's Cosmic Nature: Connecting Sculpture and Space at the New York Botanical Garden (Doctoral dissertation, University of Oregon).
  • Greig, A. (2009). Tracing the invisible (Doctoral dissertation, UNSW Sydney).
  • Hatsfelt, N. R. (2002). Uncommon Clay: Moving Through the Collaborative Creation of the role of Camille Claudel in the Asylum (Master's thesis, The Ohio State University).
  • Holzer, M. (2016). Investigating the human condition through the sculpted figure: exploring the artworks of Jane Alexander, Camille Claudel, Rook Floro, and William Kentridge (Doctoral dissertation, Stellenbosch: Stellenbosch University).
  • Jucquoıs-Delpıerre, M. O. N. I. Q. U. E. Born On 30th February. Fılm Or Dance Performance, Transmedıalıty And Intermedıalıty As Interpretatıve Enrıchment. Úvodem (Jan Schneider)/7, 177.
  • Kasai, A. (2016). Nothing Matters: Answering the Question 'where's the Art?'Through Ma and Gen (Doctoral dissertation, Oxford Brookes University).
  • Katz, M. B. (2022). The Kusama Retrospective and the Future of The Tel Aviv Museum of Art. Images, 15(1), 42-66.
  • Kearney, B. (2018). Camille Claudel as modern di Butades. MuseMedusa, 6.
  • Koerner, N. P. (2017). Embodied Time: Chronotope Formations in Works by Julius von Bismarck, Yayoi Kusama, Olafur Eliasson, and Walter de Maria. In Architecture and Control (pp. 26-45). Brill.
  • Laurberg, M. (2021). Yayoi Kusama as a Migrant Artist: An Artistic Trajectory as a Model for Understanding Postwar Art. In New Histories of Art in the Global Postwar Era (pp. 82-95). Routledge.
  • Liu, H. (2020). Director’s Message. Innovations.
  • Martin, I. A Single Particle Among Billions: Yayoi Kusama and the Power of the Minute.
  • Masten, A. F. (1992). Model into artist: The changing face of art historical biography. Women's Studies: An Interdisciplinary Journal, 21(1), 17-41.
  • Meskimmon, M. (2012). Women making art: History, subjectivity, aesthetics. Routledge.
  • Mitchell, C. (1989). INTELLECTUALITY AND SEXUALITY: CAMILLE CLAUDEL, THE FIN DE SIECLE SCULPTRESS. Art History, 12(4).
  • Nakajima, I. (2006). Yayoi Kusama between abstraction and pathology. Psychoanalysis and the image: Transdisciplinary perspectives, 127-160.
  • Pachciarek, P. (2014). Mindfulness art of Yayoi Kusama. Art of the Orient, 3, 171-192.
  • Pepper, K. (2012). Camille/Rodin. Queen's Quarterly, 119(3), 430-440.
  • Rogers, A. G. (2007). Camille Claudel and Auguste Rodin: Toward a Lacanian Poetics.
  • Sas, M. (2022). Feeling media: potentiality and the afterlife of art. Duke University Press.
  • Soccini, A. M., & Marras, A. M. (2017, November). Towards a standard approach for the design of a both physical and virtual museum. In 2021 IEEE International Conference on Artificial Intelligence and Virtual Reality (AIVR) (pp. 106-108). IEEE.
  • SooJin, L. (2014). The Art of Artists' Personae: Yayoi Kusama, Yoko Ono, and Mariko Mori (Doctoral dissertation, University of Illinois at Chicago).
  • Stengle, J. M. (2014). Camille Claudel: The struggle for artistic identity. University of Missouri-Kansas City.
  • Thomas, M. (2020). Life's form and formlessness: translating Yayoi Kusama's infinity net.
  • Wilson, S. (2017). Gender, Genius, and the Artist's Double Bind: The Letters of Camille Claudel, 1880–1910. Modern Language Review, 112(2), 362-380.
  • Witherell, L. R. (2006). Claudel & Rodin Fateful Encounter or La rencontre de deux destins: a one point perspective (2006). Paul Claudel Papers, 4(1).
  • Yamamura, M. (2015). Yayoi Kusama: inventing the singular. Cambridge, MA: MIT Press.
  • Zhang, Y. (2017). Drama, story, production, interaction: a design approach towards interactive installations.
  • Zhang, Y. (2023). Bridging Realities: Navigating Between Physical and Virtual Installation Art (Master's thesis, Duke University).
  • Görsel Kaynaklar
  • Görsel.1 ‘’ Yayoi Kusama, You, Me and the Balloons Sergisi (2023) ‘’, https://www.kitaptansanattan.com/dunyanin-en-buyuk-yayoi-kusama-sergisi-ingilterede-aciliyor/, Erişim Tarihi: 10.05.2024.
  • Görsel.2 ‘’ Camille Claudel, The Age of Maturity, 1893-1900, [S.1380] Photo : © ADAGP, Paris, (2012) ’’, https://www.musee-rodin.fr/en/resources/rodin-and-artists/camille-claudel, Erişim Tarihi: 10.05.2024.
  • Görsel.3 ‘’ Yayoi Kusama, Infinity Mirror Rooms (2021) ‘’, https://www.tate.org.uk/whats-on/tate-modern/yayoi-kusama-infinity-mirror-rooms, Erişim Tarihi: 10.05.2024.
  • Görsel.4 ‘’ Camille Claudel, Masque de Camille, vers 1884, plâtre, © Musée Rodin (Adam Rzepka), [S.1742] (1884) ‘’, https://www.musee-rodin.fr/en/resources/rodin-and-artists/camille-claudel, Erişim Tarihi: 10.05.2024.
  • Görsel.5 ‘’ Yayoi Kusama, Installation View Of ‘EVERY DAY I PRAY FOR LOVE’ Image © Designboom (2019) ‘’, https://www.designboom.com/art/yayoi-kusama-every-day-i-pray-for-love-david-zwirner-11-12-2019/, Erişim Tarihi: 10.05.2024.
  • Görsel.6 ‘’ Camille Claudel, Vertumnus and Pomona (1905) ‘’, https://www.musee-rodin.fr/en/musee/collections/oeuvres/vertumnus-and-pomona#group_1450-1, Erişim Tarihi: 10.05.2024.
  • Görsel.7 ‘’ Yayoi Kusama, Cosmic Nature (2020) ‘’, https://www.amazon.com.tr/Kusama-Cosmic-Nature/dp/0847868397, Erişim Tarihi: 10.05.2024.
  • Görsel.8 ‘’ Camille Claudel, La petite Châtelaine (1892) ‘’, https://www.musee-rodin.fr/en/musee/collections/oeuvres/petite-chatelaine, Erişim Tarihi: 10.05.2024.

Dijital Sanat Bağlamında Camille Claudel ve Yayoi Kusama

Yıl 2024, Cilt: 2 Sayı: 2, 119 - 131, 28.11.2024

Mehmet Akif Özdal , Şükran Bulut

Öz

Bu araştırma, Yayoi Kusama ve Camille Claudel gibi farklı zaman dilimlerinde ve kültürlerde yaşamış iki kadın sanatçının kariyerlerini ele almakta ve bu sanatçıların sanatsal ifadelerinin dijital sanat dünyasındaki yansımalarını incelemektedir. Araştırma, geleneksel sanat yöntemlerinin yanı sıra dijital sanat teknikleri ve araçları kullanılarak yapılan modern yorumlarla bu iki sanatçının eserlerinin nasıl dönüştüğünü ve yeni medya sanatlarıyla nasıl etkileşime girdiğini ortaya koymaktadır.
Bu ilişki bağlamında araştırma, Nitel araştırma yöntemlerinden karşılaştırmalı analiz ve mantıksal akıl yürütme teknikleri benimsenerek, incelenen literatür ve çalışmalarla sınırlandırılmıştır.
Bulgular, Yayoi Kusama ve Camille Claudel'in eserlerinin, dijital sanat araçları aracılığıyla nasıl dönüştürüldüğünü ve yeni nesillere aktarılırken, sanatın hem bireysel hem de sosyal ifade aracı olarak önemli rol oynadığını ve dijital teknolojilerin, sanatın evrenselliğini ve kapsayıcılığını artırarak daha geniş kitlelere ulaşmasını sağladığını. Sonuçlar ise Claudel ve Kusama'nın sanatsal ifadelerinin dijital araçlarla nasıl yeniden yorumlandığını göstermiştir.

Anahtar Kelimeler

Sanat Dijital Sanat Sanatsal İfade Teknoloji Kadın

Kaynakça

  • Ariot, C., Bertran, C., Fava-Piz, C., Joubin, F., & Pelletier, C. M. (2023). Camille Claudel. Getty Publications.
  • Ariot, J., Daulny, G., & Brignole, E. (2023). Women Sculptors in the 19th Century: Struggles and Triumphs. Art History Quarterly, 55, s. 55.
  • Ayral-Clause, O. (2019). Camille Claudel: a life. Plunkett Lake Press.
  • Ballegaard, C. M. (2019). The Mirror Staged.
  • Bell, D. (2010). The beautiful stars at night: the glittering artistic world Yayoi Kusama. New Zealand Journal of Asian Studies, 12(2), 81-106.
  • Bell, D. (2017). Rethinking Yayoi Kusama: Neuroaesthetics, Asobi, and the Creative Practice. International Journal of Arts Theory & History, 12(3).
  • Bell, D. (2018). Locating and Relocating Cultural Engagements in a Transnational Age. IAFOR Journal of Arts & Humanities, 5(1).
  • Borda, J. (2009). Portrait of a Woman Artist: The cinematic construction of Camille Claudel as a tragic heroine. Feminist Media Studies, 9(2), 227-242.
  • Braitner, L. (2021). Ambivalent Identity: Kusama Yayoi’s Intersectional Body Art of the 1960s. Vienna Journal of East Asian Studies, 13(1), 34-58.
  • Briggs, P. (2002). Study guide for Camille Claudel.
  • Callahan, S. R. (2015). Beyond Rodin: Revisiting the Legacy of Camille Claudel.
  • Caldarola, E. (2020). On Experiencing Installation Art: Symposium: Installation Art. The Journal of Aesthetics and Art Criticism, 78(3), 339-343.
  • Chadwick, W. (2018). Significant others: creativity & intimate partnership. Thames & Hudson.
  • Cooper, B. (2008). Camille Claudel: trajectory of a psychosis. Medical Humanities, 34(1), 25-29.
  • Corrales, B. (2015). # Spectacular: art in the experience age. Arizona State University.
  • Dailey, M. (2016). Yayoi Kusama: Art As an Escape (Doctoral dissertation, BA Dissertation. SOAS University of London. Available at: https://www. academia. edu/31981284/YAYOI_KUSAMA_ART_AS_AN_ESCAPE (Accessed 28 November 2021)).
  • Demere, C. H. (2014). The Viewing Self: A Reflection on Mirrors as Medium from the 1960s to the Present.
  • Doherty, A. (2012). Digital Tableaux of Cinematic Cultural Memory in the French Heritage Film: Un long dimanche de fiançailles. Australian Journal of French Studies, 49(2), 196.
  • Doherty, A. (2020). Stardom and historical thinking in Isabelle Adjani’s French heritage film Camille Claudel. French Screen Studies, 20(1), 23-41.
  • Foster, G. A. (2010). Self-Stylization and Performativity in the Work of Yoko Ono, Yayoi Kusama and Mariko Mori. Quarterly Review of Film and Video, 27(4), 267-275.
  • Fowler, A. M. (2022). Yayoi Kusama's Cosmic Nature: Connecting Sculpture and Space at the New York Botanical Garden (Doctoral dissertation, University of Oregon).
  • Greig, A. (2009). Tracing the invisible (Doctoral dissertation, UNSW Sydney).
  • Hatsfelt, N. R. (2002). Uncommon Clay: Moving Through the Collaborative Creation of the role of Camille Claudel in the Asylum (Master's thesis, The Ohio State University).
  • Holzer, M. (2016). Investigating the human condition through the sculpted figure: exploring the artworks of Jane Alexander, Camille Claudel, Rook Floro, and William Kentridge (Doctoral dissertation, Stellenbosch: Stellenbosch University).
  • Jucquoıs-Delpıerre, M. O. N. I. Q. U. E. Born On 30th February. Fılm Or Dance Performance, Transmedıalıty And Intermedıalıty As Interpretatıve Enrıchment. Úvodem (Jan Schneider)/7, 177.
  • Kasai, A. (2016). Nothing Matters: Answering the Question 'where's the Art?'Through Ma and Gen (Doctoral dissertation, Oxford Brookes University).
  • Katz, M. B. (2022). The Kusama Retrospective and the Future of The Tel Aviv Museum of Art. Images, 15(1), 42-66.
  • Kearney, B. (2018). Camille Claudel as modern di Butades. MuseMedusa, 6.
  • Koerner, N. P. (2017). Embodied Time: Chronotope Formations in Works by Julius von Bismarck, Yayoi Kusama, Olafur Eliasson, and Walter de Maria. In Architecture and Control (pp. 26-45). Brill.
  • Laurberg, M. (2021). Yayoi Kusama as a Migrant Artist: An Artistic Trajectory as a Model for Understanding Postwar Art. In New Histories of Art in the Global Postwar Era (pp. 82-95). Routledge.
  • Liu, H. (2020). Director’s Message. Innovations.
  • Martin, I. A Single Particle Among Billions: Yayoi Kusama and the Power of the Minute.
  • Masten, A. F. (1992). Model into artist: The changing face of art historical biography. Women's Studies: An Interdisciplinary Journal, 21(1), 17-41.
  • Meskimmon, M. (2012). Women making art: History, subjectivity, aesthetics. Routledge.
  • Mitchell, C. (1989). INTELLECTUALITY AND SEXUALITY: CAMILLE CLAUDEL, THE FIN DE SIECLE SCULPTRESS. Art History, 12(4).
  • Nakajima, I. (2006). Yayoi Kusama between abstraction and pathology. Psychoanalysis and the image: Transdisciplinary perspectives, 127-160.
  • Pachciarek, P. (2014). Mindfulness art of Yayoi Kusama. Art of the Orient, 3, 171-192.
  • Pepper, K. (2012). Camille/Rodin. Queen's Quarterly, 119(3), 430-440.
  • Rogers, A. G. (2007). Camille Claudel and Auguste Rodin: Toward a Lacanian Poetics.
  • Sas, M. (2022). Feeling media: potentiality and the afterlife of art. Duke University Press.
  • Soccini, A. M., & Marras, A. M. (2017, November). Towards a standard approach for the design of a both physical and virtual museum. In 2021 IEEE International Conference on Artificial Intelligence and Virtual Reality (AIVR) (pp. 106-108). IEEE.
  • SooJin, L. (2014). The Art of Artists' Personae: Yayoi Kusama, Yoko Ono, and Mariko Mori (Doctoral dissertation, University of Illinois at Chicago).
  • Stengle, J. M. (2014). Camille Claudel: The struggle for artistic identity. University of Missouri-Kansas City.
  • Thomas, M. (2020). Life's form and formlessness: translating Yayoi Kusama's infinity net.
  • Wilson, S. (2017). Gender, Genius, and the Artist's Double Bind: The Letters of Camille Claudel, 1880–1910. Modern Language Review, 112(2), 362-380.
  • Witherell, L. R. (2006). Claudel & Rodin Fateful Encounter or La rencontre de deux destins: a one point perspective (2006). Paul Claudel Papers, 4(1).
  • Yamamura, M. (2015). Yayoi Kusama: inventing the singular. Cambridge, MA: MIT Press.
  • Zhang, Y. (2017). Drama, story, production, interaction: a design approach towards interactive installations.
  • Zhang, Y. (2023). Bridging Realities: Navigating Between Physical and Virtual Installation Art (Master's thesis, Duke University).
  • Görsel Kaynaklar
  • Görsel.1 ‘’ Yayoi Kusama, You, Me and the Balloons Sergisi (2023) ‘’, https://www.kitaptansanattan.com/dunyanin-en-buyuk-yayoi-kusama-sergisi-ingilterede-aciliyor/, Erişim Tarihi: 10.05.2024.
  • Görsel.2 ‘’ Camille Claudel, The Age of Maturity, 1893-1900, [S.1380] Photo : © ADAGP, Paris, (2012) ’’, https://www.musee-rodin.fr/en/resources/rodin-and-artists/camille-claudel, Erişim Tarihi: 10.05.2024.
  • Görsel.3 ‘’ Yayoi Kusama, Infinity Mirror Rooms (2021) ‘’, https://www.tate.org.uk/whats-on/tate-modern/yayoi-kusama-infinity-mirror-rooms, Erişim Tarihi: 10.05.2024.
  • Görsel.4 ‘’ Camille Claudel, Masque de Camille, vers 1884, plâtre, © Musée Rodin (Adam Rzepka), [S.1742] (1884) ‘’, https://www.musee-rodin.fr/en/resources/rodin-and-artists/camille-claudel, Erişim Tarihi: 10.05.2024.
  • Görsel.5 ‘’ Yayoi Kusama, Installation View Of ‘EVERY DAY I PRAY FOR LOVE’ Image © Designboom (2019) ‘’, https://www.designboom.com/art/yayoi-kusama-every-day-i-pray-for-love-david-zwirner-11-12-2019/, Erişim Tarihi: 10.05.2024.
  • Görsel.6 ‘’ Camille Claudel, Vertumnus and Pomona (1905) ‘’, https://www.musee-rodin.fr/en/musee/collections/oeuvres/vertumnus-and-pomona#group_1450-1, Erişim Tarihi: 10.05.2024.
  • Görsel.7 ‘’ Yayoi Kusama, Cosmic Nature (2020) ‘’, https://www.amazon.com.tr/Kusama-Cosmic-Nature/dp/0847868397, Erişim Tarihi: 10.05.2024.
  • Görsel.8 ‘’ Camille Claudel, La petite Châtelaine (1892) ‘’, https://www.musee-rodin.fr/en/musee/collections/oeuvres/petite-chatelaine, Erişim Tarihi: 10.05.2024.
Toplam 58 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Konular Plastik Sanatlar (Diğer)
Bölüm Araştırma Makalesi
Yazarlar

Mehmet Akif Özdal 0000-0003-3148-8988

Şükran Bulut 0000-0001-8220-686X

Yayımlanma Tarihi 28 Kasım 2024
Gönderilme Tarihi 22 Mayıs 2024
Kabul Tarihi 18 Kasım 2024
Yayımlandığı Sayı Yıl 2024 Cilt: 2 Sayı: 2

Kaynak Göster

APA Özdal, M. A., & Bulut, Ş. (2024). Dijital Sanat Bağlamında Camille Claudel ve Yayoi Kusama. ERKİN (Ondokuz Mayıs Üniversitesi Güzel Sanatlar Fakültesi Uluslararası Sanat Ve Tasarım Araştırmaları Dergisi), 2(2), 119-131.
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