Öz
From December 16 to 18, 1965, the Central Committee of the East Ger- man communist party devoted a special session to the ideological welfare of the country’s youth. The committee intended to set the ideological agenda, and to underscore the importance of protecting young people from the per- nicious influences of western youth culture, in particular, the increasingly pervasive phenonemon of rock and pop music. The East German leaders identified gowing rowdiness in schools, drunkenness on the streets, rising in- cidents of criminal activity, including physical asaults and rape, and equally disturbing a noticeble rise in ideological disaffection among the youth. Horst Sindermann, responsible for press and radio, emphasized this latter point with a concrete example.
Kaynakça
- Wallach, Jeremy and LeVine, Alexandra. (2011). “I Want You to Support Local Metal: A Theory of Metal Scene Formation”, Popular Music History, 6.1(6.2), 116–34.
- Wallach, Jeremy, Berger, Harris M. and Greene, Paul D. (2011). “Affective Over- drive, Scene Dynamics, and Identity in the Global Metal Scene”, Metal Rules the Globe: Heavy Metal Music around the World. Ed. by Jeremy Wallach, Harris M. Berger and Paul D. Greene. Durham, NC: Duke University Press, 34–59.
- Walser, Robert. (1993). Running with the Devil: Power, Gender and Madness in Heavy Metal Music. Middletown: Wesleyan University Press.
- Weinstein, Deena. (2000). Heavy Metal: The Music and Its Culture. Cambridge, MA: Da Capo. __ (2011). “The Globalization of Metal”, Metal Rules the Globe: Heavy Metal Music Around the World. Ed. by Jeremy Wallach, Harris M. Berger, and Paul D. Greene. Durham, NC: Duke University Press, 34–59.
- Wicke, Peter. (1998). “Rock Around Socialism. Jugend und ihre Musik in einer gescheiterten Gesellschaft „/ Rock around socialism. Youth and Music in a failed society. Handbuch Jugend und Musik / Handbook Youth and Music. Ed. by Dieter Baacke. Opladen: Lesek+Budrich, 293–305.
- Zaddach, Wolf-Georg. (2015). 30 Jahre Ride The Lightning: So klingt unsere Tribute-CD‘. Zur diskursiven Praxis des Erinnerns in der Kulturwelt Heavy und Extreme Metal / '30 years Ride The Lightning. This is the sound of our tribute CD.' About the discoursive praxis of remembering in heavy and ex- treme metal. Jahrbuch des Deutschen Volksliedarchivs, 59/2014, 227-242.
- Zaddach, Wolf-Georg. (2016). „Metal Militia Behind the Iron Curtain: Scene Formation in 1980s East Germany“, Metal Music Studies 3/2016, 357-376. Zaddach, Wolf-Georg. (2017). “Heavy Metal in Germany”, Bloomsbury Ency- clopedia of Popular Music of the World. Vol. XI. Ed. by Paolo Prato & David Horn. New York: Bloomsbury, 358-361.
- Zaddach, Wolf-Georg. (2018). Heavy Metal in the GDR. Scene, People,Practices. Bielefeld: transcript.
Öz
From December 16 to 18, 1965, the Central Committee of the East Ger- man communist party devoted a special session to the ideological welfare of the country’s youth. The committee intended to set the ideological agenda, and to underscore the importance of protecting young people from the per- nicious influences of western youth culture, in particular, the increasingly pervasive phenonemon of rock and pop music. The East German leaders identified gowing rowdiness in schools, drunkenness on the streets, rising in- cidents of criminal activity, including physical asaults and rape, and equally disturbing a noticeble rise in ideological disaffection among the youth. Horst Sindermann, responsible for press and radio, emphasized this latter point with a concrete example.
Kaynakça
- Wallach, Jeremy and LeVine, Alexandra. (2011). “I Want You to Support Local Metal: A Theory of Metal Scene Formation”, Popular Music History, 6.1(6.2), 116–34.
- Wallach, Jeremy, Berger, Harris M. and Greene, Paul D. (2011). “Affective Over- drive, Scene Dynamics, and Identity in the Global Metal Scene”, Metal Rules the Globe: Heavy Metal Music around the World. Ed. by Jeremy Wallach, Harris M. Berger and Paul D. Greene. Durham, NC: Duke University Press, 34–59.
- Walser, Robert. (1993). Running with the Devil: Power, Gender and Madness in Heavy Metal Music. Middletown: Wesleyan University Press.
- Weinstein, Deena. (2000). Heavy Metal: The Music and Its Culture. Cambridge, MA: Da Capo. __ (2011). “The Globalization of Metal”, Metal Rules the Globe: Heavy Metal Music Around the World. Ed. by Jeremy Wallach, Harris M. Berger, and Paul D. Greene. Durham, NC: Duke University Press, 34–59.
- Wicke, Peter. (1998). “Rock Around Socialism. Jugend und ihre Musik in einer gescheiterten Gesellschaft „/ Rock around socialism. Youth and Music in a failed society. Handbuch Jugend und Musik / Handbook Youth and Music. Ed. by Dieter Baacke. Opladen: Lesek+Budrich, 293–305.
- Zaddach, Wolf-Georg. (2015). 30 Jahre Ride The Lightning: So klingt unsere Tribute-CD‘. Zur diskursiven Praxis des Erinnerns in der Kulturwelt Heavy und Extreme Metal / '30 years Ride The Lightning. This is the sound of our tribute CD.' About the discoursive praxis of remembering in heavy and ex- treme metal. Jahrbuch des Deutschen Volksliedarchivs, 59/2014, 227-242.
- Zaddach, Wolf-Georg. (2016). „Metal Militia Behind the Iron Curtain: Scene Formation in 1980s East Germany“, Metal Music Studies 3/2016, 357-376. Zaddach, Wolf-Georg. (2017). “Heavy Metal in Germany”, Bloomsbury Ency- clopedia of Popular Music of the World. Vol. XI. Ed. by Paolo Prato & David Horn. New York: Bloomsbury, 358-361.
- Zaddach, Wolf-Georg. (2018). Heavy Metal in the GDR. Scene, People,Practices. Bielefeld: transcript.
Ayrıntılar
| Birincil Dil | İngilizce |
|---|---|
| Bölüm | Araştırma Makaleleri |
| Yazarlar | |
| Yayımlanma Tarihi | 30 Eylül 2018 |
| Gönderilme Tarihi | 1 Haziran 2018 |
| Yayımlandığı Sayı | Yıl 2018 Sayı: 2 |
