Öz
Abstract
Re-evaluating Bimusicality in and for the 21st Century: An Immigrant’s Perspective Mehmet Ali Sanlıkol*
After laying out the complexities of the globalism that surrounds us in the 21st century, this paper attempts to offer some reflections considering the experiences of immigrants against the background of thinking on the sub- ject of bimusicality in ethnomusicology.
Özet
Bu bildiri, 21. yüzyılda bizi çevreleyen küreselleşmenin ihtiva ettiği karma- şıklıkları irdeleyip etnomüzikoloji disiplininde çift müziklilik konusu üze- rine yapılmış çalışmalar ışığında göçmenlerin tecrübelerini değerlendirerek çeşitli fikir ve düşünceler öne sürecektir.
Anahtar Kelimeler
Bimusicality immigrant'perspective ethnomusicology musicking
Kaynakça
- Referans1 J. (2007). Ethnomusicology, intermusability, and performance practice. In H. Stobart (Ed.), The new (ethno)musicologies (pp. 121–138). Lanham, Maryland:Scarecrow Press.
- Referans2 S. (2007). Local bimusicality among London’s freelance musicians. Ethnomusicology, 51(1), 85–105.
- Referans 3 S. (2010). What time is it there? Cambridge: Polity Press.
- Referans 4 M. (1960). The challenge of bi-musicality. Ethnomusicology, 4(2), 55–59.
- Referans 5I. (2009). The Master and his Emissary: The Divided Brain and the making of the Western World. New Haven and London: Yale University Press.
- Referans 6 A. (2004). Age, Accent, and Experience in Second Language Acquisition: An Integrated Approach to Critical Period Inquiry. Clevedon, Buffalo, Toronto, Sydney: Multilingual Matters.
- Titon, J. (1995). Bi-musicality as metaphor. The Journal of American Folklore, 108 (429), 287–297.
- Tokita, A. (2014). Bi-musicality in modern Japanese culture. International Journal of Bilingualism, Vol. 18(2), 159–174.
Öz
Abstract
Re-evaluating Bimusicality in and for the 21st Century: An Immigrant’s Perspective Mehmet Ali Sanlıkol*
After laying out the complexities of the globalism that surrounds us in the 21st century, this paper attempts to offer some reflections considering the experiences of immigrants against the background of thinking on the sub- ject of bimusicality in ethnomusicology.
Özet
Bu bildiri, 21. yüzyılda bizi çevreleyen küreselleşmenin ihtiva ettiği karma- şıklıkları irdeleyip etnomüzikoloji disiplininde çift müziklilik konusu üze- rine yapılmış çalışmalar ışığında göçmenlerin tecrübelerini değerlendirerek çeşitli fikir ve düşünceler öne sürecektir.
Anahtar Kelimeler
çiftmüziklilik göçmenin bakış açısı müzikleme etnomüzikoloji
Kaynakça
- Referans1 J. (2007). Ethnomusicology, intermusability, and performance practice. In H. Stobart (Ed.), The new (ethno)musicologies (pp. 121–138). Lanham, Maryland:Scarecrow Press.
- Referans2 S. (2007). Local bimusicality among London’s freelance musicians. Ethnomusicology, 51(1), 85–105.
- Referans 3 S. (2010). What time is it there? Cambridge: Polity Press.
- Referans 4 M. (1960). The challenge of bi-musicality. Ethnomusicology, 4(2), 55–59.
- Referans 5I. (2009). The Master and his Emissary: The Divided Brain and the making of the Western World. New Haven and London: Yale University Press.
- Referans 6 A. (2004). Age, Accent, and Experience in Second Language Acquisition: An Integrated Approach to Critical Period Inquiry. Clevedon, Buffalo, Toronto, Sydney: Multilingual Matters.
- Titon, J. (1995). Bi-musicality as metaphor. The Journal of American Folklore, 108 (429), 287–297.
- Tokita, A. (2014). Bi-musicality in modern Japanese culture. International Journal of Bilingualism, Vol. 18(2), 159–174.
Ayrıntılar
| Birincil Dil | İngilizce |
|---|---|
| Konular | Kültürel çalışmalar, Müzik |
| Bölüm | Araştırma Makaleleri |
| Yazarlar | |
| Yayımlanma Tarihi | 30 Haziran 2020 |
| Gönderilme Tarihi | 15 Mart 2020 |
| Yayımlandığı Sayı | Yıl 2020 Cilt: 3 Sayı: 1 |
