Roxelane Imaginée : Étude Sur L’image Contemporaine D’une Sultane

Özlem Kasap

doi:10.22559/folklor.1012

Roxelane Imaginée : Étude Sur L’image Contemporaine D’une Sultane

Öz

As important figures of the Ottoman history since the 16th century Suleiman the Magnificent and his wife Roxelane, have become fundamental referents feeding societal imagery. This study focuses on the analysis of the ‘imagery’ of Roxelane; a woman who was able to hold power and attain a place in societal imagery in an age and setting where the role of women was extremely limited. A strong female archetype, a ‘ruler’ in an Empire where women did not rule and wield power, is created in the works studied through this imagery. The imagery associated with ‘strong females’ like Catherine de Médicis, Mary Tudor and Elizabeth Tudor who ruled their respective countries in the 16th century, has gained a distinctive place in social memory. The imagery has found a wide audience, especially in its manifestation in fiction. The following study uses J.J. Wunenburger’s definitions of imagery to examine the imagery of Roxelane and the ways in which it is recreated and re-used for differing functions in societal memory in two contemporary literary works.

Anahtar Kelimeler

Roxelane,imagery,societal imagery

Kaynakça

Aktulum, K. (2014). Folklorı̇k ı̇mgelem. Bir toplumsal imgeler rezervuarı olarak imgelemin epistemolojik temellerine giriş (L’imaginaire folklorique, introduction aux fondements épistémologiques de l’imaginaire, en tant qu’un réservoir des images sociales). Milli Folklor, S. 101, ss. 277-290.
Kasap, Ö. (2006). Soliman le magnifique et ses proches : de l’histoire à la fiction. Thèse de doctorat non publiée.
Lewis, R. (2006). Oryantalizmi yeniden düşünmek - kadınlar, seyahat ve Osmanlı haremi (Rethinking Orientalism: Women, travel and the Ottoman harem) (B. Uygun - Aytemiz, Ş. Başlı, Çev.) İstanbul:Kapı.
Mernissi, F. (2001). Le harem et l’occident. Paris: Albin Michel.
Saïd, E. (1980). L’orientalisme – l’orient créé par l’occident. Paris: Seuil.
Saint Pierre, I. (2004). La magnifique. Paris: Le Livre de Poche.
Ulağlı, S. (2007). L’image de l’orient turc dans la littérature française, les idées, les stéréotypes et les stratégies. Istanbul : Isis.
Wunenburger, J-J. (1997). La philosophie des images. Paris: Universitaires de France.

Ayrıntılar

Birincil Dil

İngilizce

Konular

Sanat ve Edebiyat

Bölüm

Araştırma Makalesi

Yazarlar

Özlem Kasap ^*
0000-0003-4649-5689
Türkiye

Yayımlanma Tarihi

5 Şubat 2020

Gönderilme Tarihi

14 Mart 2019

Kabul Tarihi

5 Ocak 2020

Yayımlandığı Sayı

Yıl 2020 Cilt: 26 Sayı: 101

DOI

https://doi.org/10.22559/folklor.1012

IZ

https://izlik.org/JA23HT89WM

Kaynak Göster

RIS / Bibtex

APA

Kasap, Ö. (2020). Roxelane Imaginée : Étude Sur L’image Contemporaine D’une Sultane. Folklor/Edebiyat, 26(101), 211-221. https://doi.org/10.22559/folklor.1012

AMA

1.Kasap Ö. Roxelane Imaginée : Étude Sur L’image Contemporaine D’une Sultane. folk/ed. 2020;26(101):211-221. doi:10.22559/folklor.1012

Chicago

Kasap, Özlem. 2020. “Roxelane Imaginée : Étude Sur L’image Contemporaine D’une Sultane”. Folklor/Edebiyat 26 (101): 211-21. https://doi.org/10.22559/folklor.1012.

EndNote

Kasap Ö (01 Şubat 2020) Roxelane Imaginée : Étude Sur L’image Contemporaine D’une Sultane. Folklor/Edebiyat 26 101 211–221.

IEEE

[1]Ö. Kasap, “Roxelane Imaginée : Étude Sur L’image Contemporaine D’une Sultane”, folk/ed, c. 26, sy 101, ss. 211–221, Şub. 2020, doi: 10.22559/folklor.1012.

ISNAD

Kasap, Özlem. “Roxelane Imaginée : Étude Sur L’image Contemporaine D’une Sultane”. Folklor/Edebiyat 26/101 (01 Şubat 2020): 211-221. https://doi.org/10.22559/folklor.1012.

JAMA

1.Kasap Ö. Roxelane Imaginée : Étude Sur L’image Contemporaine D’une Sultane. folk/ed. 2020;26:211–221.

MLA

Kasap, Özlem. “Roxelane Imaginée : Étude Sur L’image Contemporaine D’une Sultane”. Folklor/Edebiyat, c. 26, sy 101, Şubat 2020, ss. 211-2, doi:10.22559/folklor.1012.

Vancouver

1.Özlem Kasap. Roxelane Imaginée : Étude Sur L’image Contemporaine D’une Sultane. folk/ed. 01 Şubat 2020;26(101):211-2. doi:10.22559/folklor.1012