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An Intertextual Seam Beyond the Norm: Subversion of the Reality-Fiction Dichotomy and Alternative Time-Space Possibilities in Velvet Goldmine

Yıl 2024, , 71 - 106, 08.07.2024
https://doi.org/10.26650/Filmvisio.2024.0004

Öz

This study examines how Todd Haynes’s Velvet Goldmine (1998) allows for a re-reading of the history of AIDS and homosexuality by excluding bodies, temporalities, and spatialities from being assigned to any fixed identity. This study focuses on the relationship between fictional reality and the film’s intertextual links with the historical period from Oscar Wilde’s birth in 1854 to the present day. The intertextual links between some pioneering figures from the real-life 1970s glam-rock music scene and some fictional characters from the prominent subcultural queer literary and film history are also included in the study. Velvet Goldmine achieves inevitable transitions between real-life characters and other fictional characters by undermining the stabilised categories and the constructed monolithic identities imposed on bodies, temporalities and spatialities, thereby making the monolithic identities and categories impossible to maintain their stances. In this respect, the study argues that the film makes space for new alternative narratives of the body, temporality, and spatiality that can establish transversal networks in the legitimate and official history; and in doing so, these narratives can undermine the linearity of the monolithic historical reality in favour of more diverse and morally inclusive assemblages and multiple potentials.

Kaynakça

  • Bennett, C. (2010). Flaming the fans: Shame and the aesthetics of queer fandom in Todd Haynes’s Velvet Goldmine. Cinema Journal, 49(2), 17-39. https://doi.org/10.1353/cj.0.0189 google scholar
  • Bishop, J. D. (2000). Is self-identifying image advertising ethical? Business Ethics Quarterly, 10(2), 371-398. https:// doi.org/10.2307/3857882 google scholar
  • Butler, J. (2014a). Cinsiyet Belası: Feminizm ve kimliğin altüst edilmesi (B. Ertür, Çev.). Metis Yayınları. google scholar
  • Butler, J. (2014b). Bela bedenler (C. Çakırlar & Z. Talay, Çev.). Pinhan Yayıncılık. google scholar
  • Bullock, M. (2002). Treasures of the earth and screen: Todd Haynes’s film Velvet Goldmine. Discourse, 24(3), 3-26. https://www.jstor.org/stable/41389653 google scholar
  • Chasin, A. (2000). Interpenetrations: A cultural study of the relationship between they gay/lesbian niche market and the gay/lesbian political movement. Cultural Critique, 44, 145-168. https://www.jstor.org/stable/1354605 google scholar
  • Charlesworth, H. L. (2018). Performance, performativity, profit: The authenticity of queer sexualities in glam-rock in Velvet Goldmine and Hedwig and the Angry Inch. https://doi.org/10.17613/M6SQ8QH4W google scholar
  • Çakırlar, C. (2011). Cinephilic Bodies: Todd Haynes’s cinema of queer pastiche. Kült: Istanbul Bilgi University Cultural Studies Journal, 1(1), 162-200. https://discovery.ucl.ac.uk/id/eprint/1308859/ google scholar
  • Darby, H. (2013). I’m glad I’m not me: Subjective dissolution, schizoanalysis and post-structuralist ethics in the films of Todd Haynes. Film-Philosophy, 17(1), 330-347. https://www.euppublishing.com/doi/pdfplus/10.3366/film.2013.0019 google scholar
  • D’cruz, G. (2015). He’s not there: Velvet Goldmine and the spectres of David Bowie. In T. Cinque et al. (Eds.), Enchanting David Bowie: Space/time/body/memory (pp. 259-274). Bloomsbury Academic. google scholar
  • Dezeuze, A. (2008). Assemblage, bricolage, and the practice of everyday life. Art Journal, 67(1), 31-37. https://doi. org/10.1080/00043249.2008.10791292 google scholar
  • Dickinson, P. (2005). Oscar Wilde: Reading the life after the life. Biography, 28(3), 414-432. https://dx.doi. org/10.1353/bio.2005.0060 google scholar
  • Dyer, R. (2007). Pastiche. Routledge. google scholar
  • Flannery, D. (2017). Absence, resistance and visitable pasts: David Bowie, Todd Haynes, Henry James. Continuum, 31(4), 542-551. https://doi.org/10.1080/10304312.2017.1334384 google scholar
  • Foucault, M. (2015). Cinselliğin tarihi (H. U. Tanrıöver, Çev.). Ayrıntı Yayınları. google scholar
  • Gill, R. (2012). Youth in techno global world: Predicaments and choices. Sociological Bulletin, 61(1), 129-143. https://doi.org/10.1177/0038022920120106 google scholar
  • Halberstam, J. (2005). In a queer time and place: Transgender bodies, subcultural lives. New York University Press. google scholar
  • Halberstam, J. (2013). Çuvallamanın queer sanatı (I. Tabur, Çev). Sel Yayıncılık. google scholar
  • Halperin, D. M. (1995). Saint Foucault: Towards a gay hagiography. Oxford University Press. google scholar
  • Hart, K. P. R. (2003). Auteur/bricoleur/provocateur: Gregg Araki and postpunk style in the doom generation. Journal of Film and Video, 55(1), 30-38. https://www.jstor.org/stable/20688402 google scholar
  • Haynes, T. (Yönetmen). (1998). Velvet Goldmine [Film]. Killer Films, Channel Four Films. google scholar
  • Haynes, T. (Yönetmen). (2007). I’m Not There [Film]. Killer Films. google scholar
  • Hebdige, D. (2004). Altkültür: Tarzın anlamı (S. Nişancı, Çev.). Babil Yayınları. google scholar
  • Hennessy, R. (1994-1995). Queer visibility in commodity culture. Cultural Critique, 29, 31-76. https://www.jstor. org/stable/1354421 google scholar
  • Jagose, A. (2015). Queer teori: Bir giriş (A. Toprak, Çev.). NotaBene Yayınları. google scholar
  • Johnson, C. (2012). Bricoleur and bricolage: From metaphor to universal concept. Paragraph, 35(3), 355-372. https://www.jstor.org/stable/43263846 google scholar
  • Kristeva, J. (1985). Revolution in poetic language (M. Waller, Trans.). Columbia University Press. google scholar
  • Leyla, J. (2012). “Something that is dangerous and arousing and transgressive”: An interview with Todd Haynes. In J. Leyla (Ed.), Todd Haynes: Interviews (pp. 201-226). Wayne State University Press. google scholar
  • Marcovitch, H. (2017). The judas kiss, gross, indecency, Velvet Goldmine: The postmodern masks of Oscar Wilde. In A. M. Magid (Ed.), Quintessential Wilde: His worldly place, his penetrating philosophy and his influential aestheticism (pp. 134-154). Cambridge Scholars Publishing. google scholar
  • Mayer, S. (2015). Uncommon Sensuality: New queer feminist film/theory. In L. Mulvey, & A. B. Rogers (Eds.), google scholar
  • Diversity, difference and multiplicity in comtemporary film studies (pp. 86-96). Amsterdam University Press. google scholar
  • Munoz, J. E. (2009). Cruising utopia: The then and there of queer futurity. New York University Press. google scholar
  • Rich, B. R. (2013). New queer cinema: The director’s cut. Duke University Press. google scholar
  • Skover, D. M., & Testy K. Y. (2002). LesBiGay identity as commodity. California Law Review, 90(1), 223-255. https://doi.org/10.2307/3481310 google scholar

Norm Ötesine Metinlerarası İlmek Atmak: Velvet Goldmine’da Gerçeklik-Kurgu Dikotomisinin Altüst Edilişi ve Alternatif Zaman-Mekân Olanakları

Yıl 2024, , 71 - 106, 08.07.2024
https://doi.org/10.26650/Filmvisio.2024.0004

Öz

Bu çalışma, Todd Haynes’in Velvet Goldmine (1998) isimli filminin beden, zaman ve mekâna tektipleştirici herhangi bir kimlik atamasını imkânsızlaştırarak AIDS’i ve eşcinsellik tarihini yeniden okumayı nasıl mümkün kıldığını araştırmaktadır. Bu doğrultuda, çalışma filmin kurgusal gerçekliğinin Oscar Wilde’ın 1854’teki doğumundan günümüze kadar geçen tarihsel süreçle kurduğu metinlerarası bağlantılara odaklanmaktadır. Altkültürel queer edebiyat ve sinema tarihinin öne çıkan bazı kurgusal karakterleri ile 1970’lerin gerçek hayat düzlemindeki glamrock müzik sahnesinden bazı öncü isimler arasındaki metinlerarası bağlantılar da çalışmaya dahil edilmiştir. Velvet Goldmine, beden, zaman ve mekân üzerindeki sabit kimlik kategorilerini aşındırarak gerçek hayat düzlemindeki kişilerle edebiyat ve sinemadaki kurgusal karakterler arasında geçişliliğe olanak vermekte, böylece de kimlik ve kategorilerin tektipleştirilmesini imkânsız hale getirmektedir. Bu bağlamda çalışma, filmin meşrû ve resmî tarih içinde bazı çapraz ağlar kurabilen ve bunu yaparken de bu tarihsel gerçeklik içindeki tektipleştirici doğrusallığı altüst edebilen beden, zamansallık ve mekânsallığa ilişkin çeşitli ve kapsayıcı bir aradalıkları önceliklendiren yeni alternatif anlatılara alan açtığını ileri sürmektedir.

Kaynakça

  • Bennett, C. (2010). Flaming the fans: Shame and the aesthetics of queer fandom in Todd Haynes’s Velvet Goldmine. Cinema Journal, 49(2), 17-39. https://doi.org/10.1353/cj.0.0189 google scholar
  • Bishop, J. D. (2000). Is self-identifying image advertising ethical? Business Ethics Quarterly, 10(2), 371-398. https:// doi.org/10.2307/3857882 google scholar
  • Butler, J. (2014a). Cinsiyet Belası: Feminizm ve kimliğin altüst edilmesi (B. Ertür, Çev.). Metis Yayınları. google scholar
  • Butler, J. (2014b). Bela bedenler (C. Çakırlar & Z. Talay, Çev.). Pinhan Yayıncılık. google scholar
  • Bullock, M. (2002). Treasures of the earth and screen: Todd Haynes’s film Velvet Goldmine. Discourse, 24(3), 3-26. https://www.jstor.org/stable/41389653 google scholar
  • Chasin, A. (2000). Interpenetrations: A cultural study of the relationship between they gay/lesbian niche market and the gay/lesbian political movement. Cultural Critique, 44, 145-168. https://www.jstor.org/stable/1354605 google scholar
  • Charlesworth, H. L. (2018). Performance, performativity, profit: The authenticity of queer sexualities in glam-rock in Velvet Goldmine and Hedwig and the Angry Inch. https://doi.org/10.17613/M6SQ8QH4W google scholar
  • Çakırlar, C. (2011). Cinephilic Bodies: Todd Haynes’s cinema of queer pastiche. Kült: Istanbul Bilgi University Cultural Studies Journal, 1(1), 162-200. https://discovery.ucl.ac.uk/id/eprint/1308859/ google scholar
  • Darby, H. (2013). I’m glad I’m not me: Subjective dissolution, schizoanalysis and post-structuralist ethics in the films of Todd Haynes. Film-Philosophy, 17(1), 330-347. https://www.euppublishing.com/doi/pdfplus/10.3366/film.2013.0019 google scholar
  • D’cruz, G. (2015). He’s not there: Velvet Goldmine and the spectres of David Bowie. In T. Cinque et al. (Eds.), Enchanting David Bowie: Space/time/body/memory (pp. 259-274). Bloomsbury Academic. google scholar
  • Dezeuze, A. (2008). Assemblage, bricolage, and the practice of everyday life. Art Journal, 67(1), 31-37. https://doi. org/10.1080/00043249.2008.10791292 google scholar
  • Dickinson, P. (2005). Oscar Wilde: Reading the life after the life. Biography, 28(3), 414-432. https://dx.doi. org/10.1353/bio.2005.0060 google scholar
  • Dyer, R. (2007). Pastiche. Routledge. google scholar
  • Flannery, D. (2017). Absence, resistance and visitable pasts: David Bowie, Todd Haynes, Henry James. Continuum, 31(4), 542-551. https://doi.org/10.1080/10304312.2017.1334384 google scholar
  • Foucault, M. (2015). Cinselliğin tarihi (H. U. Tanrıöver, Çev.). Ayrıntı Yayınları. google scholar
  • Gill, R. (2012). Youth in techno global world: Predicaments and choices. Sociological Bulletin, 61(1), 129-143. https://doi.org/10.1177/0038022920120106 google scholar
  • Halberstam, J. (2005). In a queer time and place: Transgender bodies, subcultural lives. New York University Press. google scholar
  • Halberstam, J. (2013). Çuvallamanın queer sanatı (I. Tabur, Çev). Sel Yayıncılık. google scholar
  • Halperin, D. M. (1995). Saint Foucault: Towards a gay hagiography. Oxford University Press. google scholar
  • Hart, K. P. R. (2003). Auteur/bricoleur/provocateur: Gregg Araki and postpunk style in the doom generation. Journal of Film and Video, 55(1), 30-38. https://www.jstor.org/stable/20688402 google scholar
  • Haynes, T. (Yönetmen). (1998). Velvet Goldmine [Film]. Killer Films, Channel Four Films. google scholar
  • Haynes, T. (Yönetmen). (2007). I’m Not There [Film]. Killer Films. google scholar
  • Hebdige, D. (2004). Altkültür: Tarzın anlamı (S. Nişancı, Çev.). Babil Yayınları. google scholar
  • Hennessy, R. (1994-1995). Queer visibility in commodity culture. Cultural Critique, 29, 31-76. https://www.jstor. org/stable/1354421 google scholar
  • Jagose, A. (2015). Queer teori: Bir giriş (A. Toprak, Çev.). NotaBene Yayınları. google scholar
  • Johnson, C. (2012). Bricoleur and bricolage: From metaphor to universal concept. Paragraph, 35(3), 355-372. https://www.jstor.org/stable/43263846 google scholar
  • Kristeva, J. (1985). Revolution in poetic language (M. Waller, Trans.). Columbia University Press. google scholar
  • Leyla, J. (2012). “Something that is dangerous and arousing and transgressive”: An interview with Todd Haynes. In J. Leyla (Ed.), Todd Haynes: Interviews (pp. 201-226). Wayne State University Press. google scholar
  • Marcovitch, H. (2017). The judas kiss, gross, indecency, Velvet Goldmine: The postmodern masks of Oscar Wilde. In A. M. Magid (Ed.), Quintessential Wilde: His worldly place, his penetrating philosophy and his influential aestheticism (pp. 134-154). Cambridge Scholars Publishing. google scholar
  • Mayer, S. (2015). Uncommon Sensuality: New queer feminist film/theory. In L. Mulvey, & A. B. Rogers (Eds.), google scholar
  • Diversity, difference and multiplicity in comtemporary film studies (pp. 86-96). Amsterdam University Press. google scholar
  • Munoz, J. E. (2009). Cruising utopia: The then and there of queer futurity. New York University Press. google scholar
  • Rich, B. R. (2013). New queer cinema: The director’s cut. Duke University Press. google scholar
  • Skover, D. M., & Testy K. Y. (2002). LesBiGay identity as commodity. California Law Review, 90(1), 223-255. https://doi.org/10.2307/3481310 google scholar
Toplam 34 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Konular İletişim ve Medya Çalışmaları (Diğer)
Bölüm Araştırma Makaleleri
Yazarlar

Eda Yetim 0000-0002-1930-3031

Yayımlanma Tarihi 8 Temmuz 2024
Gönderilme Tarihi 29 Mart 2024
Kabul Tarihi 1 Haziran 2024
Yayımlandığı Sayı Yıl 2024

Kaynak Göster

APA Yetim, E. (2024). Norm Ötesine Metinlerarası İlmek Atmak: Velvet Goldmine’da Gerçeklik-Kurgu Dikotomisinin Altüst Edilişi ve Alternatif Zaman-Mekân Olanakları. Filmvisio(3), 71-106. https://doi.org/10.26650/Filmvisio.2024.0004