Araştırma Makalesi
BibTex RIS Kaynak Göster

Surveying the Afterlives of Shakespeare’s Poetry in Arden Shakespeare’s On Shakespeare’s Sonnets

Yıl 2021, Cilt: 38 Sayı: 2, 370 - 379, 15.12.2021
https://doi.org/10.32600/huefd.849753

Öz

The Arden Shakespeare published a poetry collection titled On Shakespeare’s Sonnets in 2016 in which several contemporary poets have responded to one Shakespearean sonnet of their choice. Most of the themes in the sonnets such as the transience of earthly life, the endurance of love, and the procreation of beauty are retained in their modern versions. However, recent approaches to these themes do not follow the sonnet tradition due to the poets’ adherence to modern topics, as seen in the poems of Douglas Dunn, Jackie Kay, and Andrew Motion, and an emphasis on realism instead of the romanticised exaggerations in the sonnet genre, as observed in the poems by Alan Jenkins, Carol Ann Duffy, and Elaine Feinstein. In some of these poems, love for the beloved, for instance, is treated alternatively as a temporary feeling that cannot endure the passing of time. The platonic ideal of love for the beloved is reconstituted with a mother’s compassion for her son. The idea of the procreation of beauty is replaced with an adoration of the regenerative power of nature. In some others, the influence of the contemporary context is evident with indications of urban images such as traffic, technology, and shopping malls. Through such examples, this paper aims to discuss some of the rewritten versions of Shakespeare’s sonnets to explore the idea that recontextualisation and subversion of the source text are central to the practice of Shakespearean adaptation despite the initial tenet of the production of this particular collection, which is to celebrate Shakespeare’s literary heritage.

Kaynakça

  • Cope, W. (2016). Sonnet. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 19). London: Bloomsbury.
  • Crawforth, H., and Scott-Baumann, E. Preface. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (pp. xiii-xvii). London: Bloomsbury.
  • Desmet, C. (2013). Introduction. In Christy Desmet and Robert Sawyer (Eds.), Shakespeare and Appropriation (pp. 1-15). London: Routledge.
  • Drakakis, J. (1985). Introduction. In John Drakakis (Ed.), Alternative Shakespeares vol. 1 (pp. 1-26). London and New York: Methuen.
  • Duffy, C. A. (2016). CXVI. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 62). London: Bloomsbury.
  • Dunn, D. (2016). Senex on Market Street. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 51). London: Bloomsbury.
  • Erickson, P. (1991). Rewriting Shakespeare, Rewriting ourselves. Berkeley, Los Angeles and Oxford: California UP.
  • Feinstein, E. (2016). Betrayal. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 63). London: Bloomsbury.
  • Fortier, M. (1996). Shakespeare as ‘minor theater’: Deleuze and Guattari and the aims of adaptation. Mosaic, 29 (1), 1-18.
  • Holderness, G. (1988). Preface: All this. In Graham Holderness (Ed.), The Shakespeare myth (pp. xi-2). Manchester: Manchester UP.
  • Holderness, G. (1992). Shakespeare recycled. New York: Harvester Wheatsheaf.
  • Kay, J. (2016). Thirty-Five. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 5). London: Bloomsbury.
  • Jenkins, A. (2016). Salvage. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 51). London: Bloomsbury.
  • Kavanagh, P. J. (2016). Dream. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 15). London: Bloomsbury.
  • Kidnie, M. J. (2008.) Shakespeare and the problem of adaptation. London and New York: Routledge.
  • Lane, D. (2010). Contemporary British drama. Edinburgh: Edinburg UP.
  • McGough, R. (2016). What poverty my muse brings forth (A Cento.) In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 1). London: Bloomsbury.
  • Motion, A. (2016). Rhapsodies. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 7). London: Bloomsbury.
  • Sanders, J. (2015). Adaptation and Appropriation. London: Routledge.
  • Shakespeare Lives. (2016). Retrieved 27 Dec. 2020 from https://www.shakespearelives.org/programme/
  • Shakespeare, W. (n.d.). Sonnet 60. Retrieved 25 Dec. 2020 from http://www.shakespeare-online.com/sonnets/60.html
  • Shakespeare, W. (2016). Sonnet 1. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 2). London: Bloomsbury.
  • Shakespeare, W. (2016). Sonnet 11. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 4). London: Bloomsbury.
  • Shakespeare, W. (2016). Sonnet 22. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 18). London: Bloomsbury.
  • Shakespeare, W. (2016). Sonnet 38. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 26). London: Bloomsbury.
  • Shakespeare, W. (2016). Sonnet 80. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 50). London: Bloomsbury.
  • Shakespeare, W. (2016). Sonnet 116. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 60). London: Bloomsbury.

Arden Shakespeare'in On Shakespeare's Sonnets Eseri'nde Shakespeare'in Şiirlerinin Sonraki Hayatlarına Genel Bakış

Yıl 2021, Cilt: 38 Sayı: 2, 370 - 379, 15.12.2021
https://doi.org/10.32600/huefd.849753

Öz

Arden Shakespeare Yayınları 2016 yılında bazı çağdaş şairlerin kendi seçtikleri bir Shakespeare sonesini yeniden yazarak katkıda bulundukları On Shakespeare’s Sonnets başlıklı bir şiir koleksiyonu yayımlamıştır. Sone geleneğinde gözlemlenen yaygın temalar olan bu dünyanın geçiciliği, aşkın kalıcılığı, güzelliğin türetilmesi gibi birçok konu bu yeni şiir versiyonlarında da kullanılmıştır. Ancak, Douglas Dunn, Jackie Kay ve Andrew Motion gibi çağdaş şairlerin modern konulara bağlılığının ve Alan Jenkins, Carol Ann Duffy ve Elaine Feinstein gibi şairlerin adaptasyonlarının sonelerde görülen romantik ve abartılı söylem yerine benzer temalara realist yaklaşımlarının gösterdiği üzere, bu çağdaş şiir adaptasyonları sone geleneğinden oldukça farklıdır. Örneğin, bu şiirlerden bazılarında sevgiliye duyulan ölümsüz aşk, zamana karşı direnemeyen geçici bir duygu olarak ele alınır. Platonik aşk ideali, bir annenin oğluna duyduğu sevgi ile yer değiştirir. Güzelliğin yeni kuşaklarla devam ettirilmesi teması, doğanın yenileyici gücüne olan hayranlık fikriyle yer değiştirir. Bazı örneklerde çağdaş yaşamın kaçınılmaz etkisi, trafik, teknoloji ve alışveriş merkezleri gibi şehirlilikle ilgili sembollerle hatırlatılır. Arden Shakespeare’in bu yayınla güttüğü amacın Shakespeare’in edebî mirasını kutlamak olduğu bilinmektedir. Bu makalenin amacı ise bu koleksiyondaki Shakespeare sonelerinin yeniden yazım örneklerinden bazılarını incelemek ve kaynak eserleri yeni bir bağlamda değerlendirmenin ve onlara yıkıcı bir biçimde yaklaşmanın Shakespeare adaptasyonlarında esas olduğunu tartışmaktır.

Kaynakça

  • Cope, W. (2016). Sonnet. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 19). London: Bloomsbury.
  • Crawforth, H., and Scott-Baumann, E. Preface. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (pp. xiii-xvii). London: Bloomsbury.
  • Desmet, C. (2013). Introduction. In Christy Desmet and Robert Sawyer (Eds.), Shakespeare and Appropriation (pp. 1-15). London: Routledge.
  • Drakakis, J. (1985). Introduction. In John Drakakis (Ed.), Alternative Shakespeares vol. 1 (pp. 1-26). London and New York: Methuen.
  • Duffy, C. A. (2016). CXVI. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 62). London: Bloomsbury.
  • Dunn, D. (2016). Senex on Market Street. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 51). London: Bloomsbury.
  • Erickson, P. (1991). Rewriting Shakespeare, Rewriting ourselves. Berkeley, Los Angeles and Oxford: California UP.
  • Feinstein, E. (2016). Betrayal. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 63). London: Bloomsbury.
  • Fortier, M. (1996). Shakespeare as ‘minor theater’: Deleuze and Guattari and the aims of adaptation. Mosaic, 29 (1), 1-18.
  • Holderness, G. (1988). Preface: All this. In Graham Holderness (Ed.), The Shakespeare myth (pp. xi-2). Manchester: Manchester UP.
  • Holderness, G. (1992). Shakespeare recycled. New York: Harvester Wheatsheaf.
  • Kay, J. (2016). Thirty-Five. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 5). London: Bloomsbury.
  • Jenkins, A. (2016). Salvage. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 51). London: Bloomsbury.
  • Kavanagh, P. J. (2016). Dream. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 15). London: Bloomsbury.
  • Kidnie, M. J. (2008.) Shakespeare and the problem of adaptation. London and New York: Routledge.
  • Lane, D. (2010). Contemporary British drama. Edinburgh: Edinburg UP.
  • McGough, R. (2016). What poverty my muse brings forth (A Cento.) In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 1). London: Bloomsbury.
  • Motion, A. (2016). Rhapsodies. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 7). London: Bloomsbury.
  • Sanders, J. (2015). Adaptation and Appropriation. London: Routledge.
  • Shakespeare Lives. (2016). Retrieved 27 Dec. 2020 from https://www.shakespearelives.org/programme/
  • Shakespeare, W. (n.d.). Sonnet 60. Retrieved 25 Dec. 2020 from http://www.shakespeare-online.com/sonnets/60.html
  • Shakespeare, W. (2016). Sonnet 1. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 2). London: Bloomsbury.
  • Shakespeare, W. (2016). Sonnet 11. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 4). London: Bloomsbury.
  • Shakespeare, W. (2016). Sonnet 22. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 18). London: Bloomsbury.
  • Shakespeare, W. (2016). Sonnet 38. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 26). London: Bloomsbury.
  • Shakespeare, W. (2016). Sonnet 80. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 50). London: Bloomsbury.
  • Shakespeare, W. (2016). Sonnet 116. In Hannah Crawforth and Elizabeth Scott-Baumann (Eds.), On Shakespeare’s Sonnets: A Poet’s Celebration (p. 60). London: Bloomsbury.
Toplam 27 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Edebi Çalışmalar, Sanat ve Edebiyat
Bölüm Makaleler
Yazarlar

Özlem Özmen Akdoğan 0000-0003-3432-8621

Yayımlanma Tarihi 15 Aralık 2021
Gönderilme Tarihi 29 Aralık 2020
Kabul Tarihi 11 Nisan 2021
Yayımlandığı Sayı Yıl 2021 Cilt: 38 Sayı: 2

Kaynak Göster

APA Özmen Akdoğan, Ö. (2021). Surveying the Afterlives of Shakespeare’s Poetry in Arden Shakespeare’s On Shakespeare’s Sonnets. Hacettepe Üniversitesi Edebiyat Fakültesi Dergisi, 38(2), 370-379. https://doi.org/10.32600/huefd.849753


Creative Commons License
Bu eser Creative Commons Atıf 4.0 Uluslararası Lisansı ile lisanslanmıştır.