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Ülkü ya da Zorunluluk: Ulster’ın Oğullarının Somme’a Doğru İlerlemesini Görün Oyununda İrlandalıların Savaşı

Yıl 2022, Cilt: 39 Sayı: 2, 481 - 494, 30.12.2022
https://doi.org/10.32600/huefd.1058278

Öz

Frank McGuinnes’in Ulster’ın Oğullarının Somme’a Doğru İlerlemesini Görün (1985) adlı oyunu Birinci Dünya Savaşı sırasında 1916 yılında gerçekleşen Somme Savaşı’nda Birlikçi ve Protestan olan Ulsterlı sekiz askerin verdiği mücadeleyi anlatmaktadır. Bu makalenin amacı, İrlandalı Milliyetçi McGuinness’in, savaş ve kahramanlık konularında seyirciyi/okuyucuyu Birlikçi bakış açısıyla bakmaya teşvik ettiğini göstermektir. Britanya’yı desteklemek ve hem Britanya’yı hem İrlanda’yı onurlandırmak savaşa giren Ulsterlı askerler, savaşın dehşetine tanık olduktan ve arkadaşlarını kaybetme ihtimalini gördükten sonra ülkülerinden vazgeçerler. Çiftler halinde sunulan karakterler birbirlerine güvenirler ve Somme’da ölüme kardeşlik duygusuyla yürürler. Britanya ve İrlanda için savaşmak kahramanlık göstergesi olmaktan çıkar, aldatıcı olur; askerler, birbirlerini kurtarmak için kendi canlarını tehlikeye atarak ve birbirlerini zor durumlarda destekleyerek kahramanlık gösterirler. Bu bağlamda, McGuinness’in ‘aldatıcı kahramanlık’ olgusunu askeriyenin yapısını bozmak için kullandığı ve aynı zamanda Birlikçi Protestanlar ve Milliyetçi Katolikler arasında politik ve dini kimlikleri üzerinden yapılan ayrıma da gönderme olarak, ölüm karşısında ulusal, politik, dini ve kültürel farklılıkların anlamını yitirdiği savunulacaktır. McGuinness, sadece İrlandalı askerlerin Birinci Dünya Savaşı’na katılmasını değil aynı zamanda Ulsterlı askerlerin Britanya’ya olan bağlılığını da sorgular, bu nedenle, bu makalede Güney İrlanda’nın İrlanda Cumhuriyeti’ni kurmasına, Kuzey İrlanda’nın ise Britanya’nın parçası olarak kalmasına sebep olan İrlanda içinde yaşanan anlaşmazlıklar konusunda tarihi ve politik art alan bilgisi verilecektir.

Kaynakça

  • Boyce, G. D. (1991). Nationalism in Ireland. London and New York, N.Y.: Routledge.
  • Boyce, G. D. (1994). Ireland and the First World War. History Ireland, 2 (3), 48-53. Retrieved from https://www.jstor.org/stable/27724192
  • Bruce, S. (1994). The Edge of Union: The Ulster Loyalist Political Vision. Oxford: Oxford UP.
  • Cadden, M. (2007). Homosexualizing the Troubles: A short query into two Derry airs by Frank McGuinness. The Princeton University Library Chronicle, 68 (1-2), 560-571. Retrieved from https://www.jstor.org/stable/10.25290/prinunivlibrchro.68.1-2.0560
  • Crumnie, Tyler. (2014). Notes from dramaturg. [PDF file]. Playbill: Pict Classic Theatre. Retrieved from https://www.picttheatre.org/wp-content/uploads/2015/04/Ulster-Program-Final-2-Reduced.pdf
  • Curry, A. (2015). The Battle of Agincourt: Sources and interpretations. Suffolk: The Boydel Press.
  • Dean, J. F. (1999). Self-dramatization in the plays of Frank McGuinness. New Hibernia Review, 3 (1), 97-110. Retrieved from https://www.jstor.org/stable/20646284
  • Etherton, M. (1989). Contemporary Irish dramatists. Houndmills: Macmillan.
  • Gleitman, C. (2004). Reconstructing history in the Irish history play. In S. Richards (Ed.), The Cambridge Companion to Twentieth-Century Irish Drama (pp. 218-231). Cambridge: Cambridge UP.
  • Grene, N. (2002). The politics of Irish drama: Plays in context from Boucicault to Friel. Cambridge: Cambridge UP.
  • Guiley, R. E. (2001). Crispin and Crispinian (third-fourth centuries). The Encyclopedia of Saints (pp. 83-84). New York: Facts on File.
  • Herron, T. (2004). Dead men talking: Frank McGuinness’s Observe the sons of Ulster marching towards the Somme. Ireland-Ireland, 39 (1-2), 136-162. doi: 10.1353/eir.2004.0004
  • Hill, J. (2009). Art imitating war? Observe the sons of Ulster marching towards the Somme and its place in history. Études irlandaises, 34 (1), 1-16. Retrieved from http://journals.openedition.org/etudesirlandaises/1084 Illes, J. (2011). Crispin and Crispinian, saints. The Encyclopedia of Mystics, Saints & Sages (pp. 529-531). New York, N.Y.: HarperOne.
  • Keegan, J. (2000). The First World War. Toronto: Vintage Canada.
  • Kiberd, D. (2005). Frank McGuinness and the sons of Ulster. The Yearbook of English Studies, 35, 279-297. Retrieved from https://www.jstor.org/stable/3509339
  • Lojek, H. H. (2004). Contexts for Frank McGuinness’s drama. Washington, D.C.: The Catholic University of America Press.
  • Lojek, H. H. (2006). Troubling perspectives: Northern Ireland, the ‘Troubles’ and drama. In M. Luckhurst (Ed.), A Companion to Modern British and Irish Drama: 1880-2005 (pp. 329-341). Oxford: Blackwell.
  • Jordan, E. (2010). Frank McGuinness. In M. Middeke & P. P. Schnierer (Eds.), The Methuen Drama Guide to Contemporary Irish Playwrights (pp. 234-251). London: Methuen Drama.
  • McGuinness, F. (1996). Observe the sons of Ulster marching towards the Somme. In Contemporary Classics: Frank McGuinness Plays (pp. 91-199). London: Faber and Faber.
  • McGuinness, F. (Interviewee). (1998). Interview with Frank McGuinness. Studies: An Irish Quarterly Review, 87 (347), 269-273. Retrieved from https://www.jstor.org/stable/30091920 Middlebrook, M. (1971). Introduction. In M. Middlebrook (Ed.), The First Day on the Somme: 1 July 1916 (pp. xv-xviii). London: Penguin.
  • Moellenberg, Chuck. (2014). Letter from the board president. [PDF file]. Playbill: Pict Classic Theatre. Retrieved from https://www.picttheatre.org/wp-content/uploads/2015/04/Ulster-Program-Final-2-Reduced.pdf
  • Murray, C. (1997). Twentieth Century Irish drama: Mirror up to nation. Manchester: Manchester UP.
  • Pine, E. (2010). The tyranny of memory: Remembering the Great War in Frank Guinness’s Observe the sons of Ulster marching towards the Somme. Irish University Interview, 40 (1), 59-68. Retrieved from https://www.jstor.org/stable/20720432
  • Roche, A. (1995). Contemporary Irish drama: From Beckett to McGuinness. New York: St.Martin’s. Shakespeare, W. (1968). King Henry V. In J. D. Wilson (Ed.), The Cambridge Dover Wilson Shakespeare (pp. 1-111). Cambridge: Cambridge UP.
  • Tonge, J. (1998). Northern Ireland: conflict and change. London: Prentice Hall.

Ideal or Burden: The War of the Irish in Observe the Sons of Ulster Marching Towards the Somme

Yıl 2022, Cilt: 39 Sayı: 2, 481 - 494, 30.12.2022
https://doi.org/10.32600/huefd.1058278

Öz

Frank McGuinness’ Observe the Sons of Ulster Marching Towards the Somme (1985) presents the struggle of the eight Ulstermen, the Unionists and Protestants, at the Battle of the Somme in 1916 during the First World War. The aim of this paper is to demonstrate that McGuinness, an Irish nationalist, makes the audience/reader see the issues of war and heroism from the Unionist perspective. The Ulstermen who enlist in the military to support Britain in the war and honour both Britain and Ireland abandon their ideals as they witness the horrors of war and recognise the possibility of losing their comrades. The characters in pairs depend on each other, and have a strong sense of brotherhood during their march to death at the Somme. In a sense, fighting for Britain and Ireland is no longer an act of heroism, which becomes illusionary, but they show heroism as they risk their lives to save each other and support one another in difficult circumstances. Hence, it will be argued that McGuinness uses the ‘illusion of heroism’ to deconstruct the military, and show that the national, political, religious and cultural differences lose meaning in the face death, which is a reference to the separation between Unionist Protestants and Nationalist Catholics with regard to political and religious affiliation. In this respect, the historical and political background information on the conflicts within Ireland which lead the Southern part to become the Republic of Ireland and the Northern part to remain as a part of Britain will be given as McGuinness questions not only the recruitment of Irish soldiers to fight in the First World War but also the Ulstermen’s devotion to Britain.

Kaynakça

  • Boyce, G. D. (1991). Nationalism in Ireland. London and New York, N.Y.: Routledge.
  • Boyce, G. D. (1994). Ireland and the First World War. History Ireland, 2 (3), 48-53. Retrieved from https://www.jstor.org/stable/27724192
  • Bruce, S. (1994). The Edge of Union: The Ulster Loyalist Political Vision. Oxford: Oxford UP.
  • Cadden, M. (2007). Homosexualizing the Troubles: A short query into two Derry airs by Frank McGuinness. The Princeton University Library Chronicle, 68 (1-2), 560-571. Retrieved from https://www.jstor.org/stable/10.25290/prinunivlibrchro.68.1-2.0560
  • Crumnie, Tyler. (2014). Notes from dramaturg. [PDF file]. Playbill: Pict Classic Theatre. Retrieved from https://www.picttheatre.org/wp-content/uploads/2015/04/Ulster-Program-Final-2-Reduced.pdf
  • Curry, A. (2015). The Battle of Agincourt: Sources and interpretations. Suffolk: The Boydel Press.
  • Dean, J. F. (1999). Self-dramatization in the plays of Frank McGuinness. New Hibernia Review, 3 (1), 97-110. Retrieved from https://www.jstor.org/stable/20646284
  • Etherton, M. (1989). Contemporary Irish dramatists. Houndmills: Macmillan.
  • Gleitman, C. (2004). Reconstructing history in the Irish history play. In S. Richards (Ed.), The Cambridge Companion to Twentieth-Century Irish Drama (pp. 218-231). Cambridge: Cambridge UP.
  • Grene, N. (2002). The politics of Irish drama: Plays in context from Boucicault to Friel. Cambridge: Cambridge UP.
  • Guiley, R. E. (2001). Crispin and Crispinian (third-fourth centuries). The Encyclopedia of Saints (pp. 83-84). New York: Facts on File.
  • Herron, T. (2004). Dead men talking: Frank McGuinness’s Observe the sons of Ulster marching towards the Somme. Ireland-Ireland, 39 (1-2), 136-162. doi: 10.1353/eir.2004.0004
  • Hill, J. (2009). Art imitating war? Observe the sons of Ulster marching towards the Somme and its place in history. Études irlandaises, 34 (1), 1-16. Retrieved from http://journals.openedition.org/etudesirlandaises/1084 Illes, J. (2011). Crispin and Crispinian, saints. The Encyclopedia of Mystics, Saints & Sages (pp. 529-531). New York, N.Y.: HarperOne.
  • Keegan, J. (2000). The First World War. Toronto: Vintage Canada.
  • Kiberd, D. (2005). Frank McGuinness and the sons of Ulster. The Yearbook of English Studies, 35, 279-297. Retrieved from https://www.jstor.org/stable/3509339
  • Lojek, H. H. (2004). Contexts for Frank McGuinness’s drama. Washington, D.C.: The Catholic University of America Press.
  • Lojek, H. H. (2006). Troubling perspectives: Northern Ireland, the ‘Troubles’ and drama. In M. Luckhurst (Ed.), A Companion to Modern British and Irish Drama: 1880-2005 (pp. 329-341). Oxford: Blackwell.
  • Jordan, E. (2010). Frank McGuinness. In M. Middeke & P. P. Schnierer (Eds.), The Methuen Drama Guide to Contemporary Irish Playwrights (pp. 234-251). London: Methuen Drama.
  • McGuinness, F. (1996). Observe the sons of Ulster marching towards the Somme. In Contemporary Classics: Frank McGuinness Plays (pp. 91-199). London: Faber and Faber.
  • McGuinness, F. (Interviewee). (1998). Interview with Frank McGuinness. Studies: An Irish Quarterly Review, 87 (347), 269-273. Retrieved from https://www.jstor.org/stable/30091920 Middlebrook, M. (1971). Introduction. In M. Middlebrook (Ed.), The First Day on the Somme: 1 July 1916 (pp. xv-xviii). London: Penguin.
  • Moellenberg, Chuck. (2014). Letter from the board president. [PDF file]. Playbill: Pict Classic Theatre. Retrieved from https://www.picttheatre.org/wp-content/uploads/2015/04/Ulster-Program-Final-2-Reduced.pdf
  • Murray, C. (1997). Twentieth Century Irish drama: Mirror up to nation. Manchester: Manchester UP.
  • Pine, E. (2010). The tyranny of memory: Remembering the Great War in Frank Guinness’s Observe the sons of Ulster marching towards the Somme. Irish University Interview, 40 (1), 59-68. Retrieved from https://www.jstor.org/stable/20720432
  • Roche, A. (1995). Contemporary Irish drama: From Beckett to McGuinness. New York: St.Martin’s. Shakespeare, W. (1968). King Henry V. In J. D. Wilson (Ed.), The Cambridge Dover Wilson Shakespeare (pp. 1-111). Cambridge: Cambridge UP.
  • Tonge, J. (1998). Northern Ireland: conflict and change. London: Prentice Hall.
Toplam 25 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Sanat ve Edebiyat
Bölüm Makaleler
Yazarlar

Emine Seda Çağlayan Mazanoğlu 0000-0002-9595-4899

Erken Görünüm Tarihi 30 Kasım 2022
Yayımlanma Tarihi 30 Aralık 2022
Gönderilme Tarihi 15 Ocak 2022
Kabul Tarihi 8 Şubat 2022
Yayımlandığı Sayı Yıl 2022 Cilt: 39 Sayı: 2

Kaynak Göster

APA Çağlayan Mazanoğlu, E. S. (2022). Ideal or Burden: The War of the Irish in Observe the Sons of Ulster Marching Towards the Somme. Hacettepe Üniversitesi Edebiyat Fakültesi Dergisi, 39(2), 481-494. https://doi.org/10.32600/huefd.1058278


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