Iris Murdoch's Structuralism: Disbelief in Language
Abstract
Iris Murdoch published Under the Net among the structuralist discussions about meaning and language. As Murdoch was a philosopher, she published philosophical writings as well as literary works. Murdoch distrusted language, her main characters in Under the Net thus attend to the same concept. While her protagonist James Donaghue plagiarises from Hugo Belfounder in order to compose his book The Silencer, Hugo believes that it is silence instead of language where meaning is conveyed. James silences Hugo for he erases Hugo’s identity during the process of the composition of The Silencer as the speaker of the text. However, it is at the same time because of his approach to language that Hugo keeps silent in order to be meaningful. Besides being silenced by James, Hugo intentionally silences himself. This study, therefore, explores the traces of Murdoch’s involvement in the structuralist questions of meaning and language in her debut novel.
Keywords
Kaynakça
- Antonaccio, Maria. (2004). “Iris Murdoch’s Secular Theology of Culture.” Literature and Theology, 18 (3), 271-291.
- Barry, Peter. (1995). Beginning Theory: An Introduction to Literary and Cultural Theory. Manchester: Manchester UP.
- Bellamy, Michael O. and Iris Murdoch. (1977). “An Interview with Iris Murdoch.” Contemporary Literature, 18 (2), 129-140.
- Bove, Cheryl K. (1993). Understanding Iris Murdoch. Columbia: U of South Carolina P.
- Conradi, Peter J. (1990). Iris Murdoch: the Saint and the Artist. London: Macmillan.
- Dipple, Elizabeth. (1982). Iris Murdoch: Work for the Spirit. London: Methuen & Co. Ltd.
- Gordon, David J. (1995). Iris Murdoch’s Fables of Unselfing. Columbia: U of Missouri P.
- Hague, Angela. (1984). Iris Murdoch’s Comic Vision. London: Associated UP.
Ayrıntılar
Birincil Dil
İngilizce
Konular
-
Bölüm
Araştırma Makalesi
Yazarlar
Barış Mete
*
0000-0001-7471-5058
Türkiye
Yayımlanma Tarihi
15 Ekim 2019
Gönderilme Tarihi
10 Haziran 2019
Kabul Tarihi
5 Ağustos 2019
Yayımlandığı Sayı
Yıl 2019 Cilt: 7 Sayı: 14
Cited By
THE INTERACTION BETWEEN THE FAMILIAR AND THE EERIE: THE REPRESENTATION OF FREUD’S UNCANNY IN BECKETT’S ENDGAME
Uluslararası Dil Edebiyat ve Kültür Araştırmaları Dergisi
https://doi.org/10.37999/udekad.1502394






