THE MOSQUES AS AN AESTHETİC FACTOR FROM ANATOLİA to THE BALKANS AND THE ECONOMİC DİMENSİON of İNTERİOR ARRANGEMENTS

Yıl 2017, Özel Sayı - ICEBSS 2017, 346 - 362, 10.11.2017

Nurettin Gülaçtı Arzu Emel Altınkılıç

Öz

Seljuks XII. In the 19th century, they started to build the first tiles architectural structures in Anatolia (Aslanapa, s.101, 1989). In the historical process, the ever-increasing ceramic production, application and usage areas are developing (Cobanli, Okur, s.64, 2006). In today's Turkey, produced in the ceramic sector and exported to different countries of the world, except for the exports of floor and wall, especially produced in Kutahya and exported to tiles, many different architectural works are adorned. It is also important to have  Mosques. In this research, ceramics and tiles were exported as universes. As a limitation, the soil products and exports of the Kutahya ceramics industry were dealt with in 2016. Among the findings of the research, it is seen that the export of the tile sector abroad is developing every year. It is thought that decorative handicrafts made abroad will lead to recognition of our traditional handicrafts in the world and thus to increase domestic production. The use of architecture and aesthetics in one of the aims of this research is to make the new civil and religious architectural structures attractive with visuality, aesthetics and interior decoration. It is thought that Istanbul Sultan Ahmet Mosque (Blue Mosque) is a good example in this direction.  The literature review was carried out within the scope of this research. The literature review was carried out within the scope of this research. It is envisaged that the re-evaluation of interior design as an aesthetic element in these  mosques will increase the mental and physical effect.

Anahtar Kelimeler

Ceramic, Tile, Architecture, Tourism, Restoration

Kaynakça

• Altınkılıç, Arzu Emel, “Anadolu Selçuklu Seramik Duvar Kaplamaları ve Pano Uygulamaları”, Dokuz Eylül Üniversitesi Güzel Sanatlar Fakültesi Seramik Ana Sanat Dalı Lisans Tezi, İzmir, 2009
• Akıncıtürk, Nilüfer, “Geçmişten-Günümüze Yapıda Toprak Malzeme Kullanımı”, III. Uluslararası Eskişehir Pişmiş Toprak Sempozyumu, Bildiriler Kitabı, Eskişehir, 2003
• Aslanapa, Oktay, “Anadolu’da Türk Sanatı”, Türk Sanatı, Remzi Kitap Evi, 2.Basım, İstanbul, 1989
• Çakıcı, Fatma Zehra, Er Akan, Aslı, “Osmanlı Cami Mimarisinin Balkan Ülkelerindeki Yansımaları” İnternational Conferance Innovation Management and Industrial Engineering, IMIE Osaka- Japan, 8,9 Ağustos 2017
• Çobanlı, Zehra, Okur, Ezgi, “Seramik Yüzey-Mekân İlişkisi ve Anadolu Üniversitesi Güzel sanatlar Fakültesi Seramik Bölümü Eğitim Programındaki Yeri”, Anadolu Sanat, Anadolu Üniversitesi Güzel sanatlar Fakültesi, Süreli Sanat ve Kültür Dergisi, sayı:17, Eskişehir, 2006