BibTex RIS Kaynak Göster
Yıl 2017, Cilt: 2 Sayı: 1, 51 - 63, 01.03.2017

Öz

Kaynakça

  • Bakema J. 1962, “Team 10 at Abbaye Royaumont,”, in Smithson 1991, p. 80.
  • Bakema J. 1974, “Il mezzo cinematografico: migliore visualizzazione, migliore comprensione, migliore partecipazione” in Gubitosi, Izzo 1974, p. 50.
  • Burgos F., Garrido G. 2004, El Lissitzky. Wolkenbügel 1924-1925 (Madrid: Editorial Rueda).
  • Burckhardt L. 1996, “Strollological Observations on Perception of the Environment and the Tasks Facing Our
  • Generation”, in Fezer, Schmitz 2012, p. 239.
  • Carter P. 1964, “L. Mies van der Rohe. Architecture is not a Martini Cocktail”, interview with L. Mies van der Rohe, in 20th Century, republished in Casabella, no. 741 (2006), p. 106.
  • Curtis W. J. R. 1998, “The unique and the universal: A historian’s perspective on recent architecture”, in El Croquis, no. 88-89, p. 9.
  • Dirk van den Heuvel, “Towards an Open Society: The unfinished work of Jaap Bakema,” in VV.AA. 2014c, p. 3.
  • El Lissitzky 1920-1921, “Il Proun,” in Quilici 1978, p. 105.
  • El Lissitzky 1929-1930, “Russland. La ricostruzione dell’architettura nell’Unione Sovietica,” in V. Quilici 1978, pp. 311.
  • Fezer J., Schmitz M. 2012, Lucius Burckardt Writings. Rethinking Man-made Environments, (Vienna - New York: SpringerWienNewYork).
  • Gubitosi C., Izzo A. (eds.) 1974, Van Den Broek/Bakema (Rome: Officina Edizioni).
  • Ito T. 1997, “Tarzans in the Media Forest,” in 2G, no. 2, pp. 126-129.
  • Koolhaas R. 2001, “Junk space,” in Domus, no. 833, p. 36.
  • Koolhaas R. 2014, catalogue of the Swiss pavilion (Zurich: Swiss Arts Council Pro Helvetia), p. 14.
  • Ladovsky N. 1926, “Fondamenti per l’elaborazione di una teoria dell’architettura” [Fundamentals of
  • Architectural Theory] in Quilici 1978, p. 246.
  • Lévy P. 1996, L’intelligenza collettiva. Per un’antropologia del cyberspazio, (Milan: Feltrinelli).
  • Mello P. 2008, Ito Digitale, Nuovi media, nuovo reale [Digital Ito: New Media and New Real], (Rome: Edilstampa).
  • Mello P. 2015a, “Dall'Unité d'Habitation in Marseille (1947-'52) al Market Hall di Rotterdam (2004-2014),” in Ananke, vol. 75, pp. 71-74.
  • Mello P. 2015b, “Contestazione radical e global tools nella città della Storia” [Radical Contestation and Global
  • Tools in the Historical City], in Intersezioni. Rivista di storia delle idee, no. 2, pp. 309-323. Price 1978, London Inter-action Centre, in Domus, no. 581, p. 21.
  • Quilici V. 1978, L’architettura del costruttivismo (Rome-Bari: Laterza).
  • Quilici V. 1980, “La lezione del costruttivismo” [The lesson of Constructivism], in Casabella no. 463-464, p. 54.
  • Smithson A. 1991, Team 10 Meetings, 1953-1984 (New York: Rizzoli).
  • Van den Heuvel D. 2014, “Towards an Open Society: The unfinished work of Jaap Bakema,” in VV.AA. 2014, p.
  • VV.AA. 2006, Toyo Ito: The New “Real” in Architecture, exhibition catalogue, (Tokyo: Toyo Ito Exhibition Executive Committee).
  • VV.AA. 2014a, Fundamentals, catalogue of the 14th International Architecture Exhibition (Venice: Marsilio).
  • VV.AA. 2014b, Fair Enough, catalogue of the Russian Pavilion, 2014 Architecture Biennale
  • (http://issuu.com/fairenoughshow/docs/fairenough_magazine). VV.AA. 2014c, Open: A Bakema Celebration, the Dutch contribution to the 2014 Architecture Biennale
  • (Brussels, Die Keure). Wigley M. 2004, “Anti-edifici e anti-architetti” [Anti-buildings and anti-Architects], in Domus, no. 866, p. 16.

​THE QUESTION OF THE “MODERN” IN ARCHITECTURE A HISTORIC OPEN DEBATE

Yıl 2017, Cilt: 2 Sayı: 1, 51 - 63, 01.03.2017

Öz

Taking its cue from the theme of “Absorbing Modernity” assigned to the countries participating in the 14th International Architecture Exhibition, the aim of this essay is to trace out a path of reflection on Modernism and on what makes its lesson still vivid today. What are the most meaningful moments of a longsighted critical processing of the values transmitted by modernity? A historical-critical examination has brought out a common thread linking the work of outstanding personalities, for instance El Lissitzky in the early twentieth century or Cedric Price in the 1960s, in terms of key themes of modernity like an emphasis on social values and the sense of democracy in design, up to the current situation in which we find ourselves faced with an attention to the social that overflows to the point of resetting the official character of architecture in favor of its progressive fusion with events, whether real or virtual

Kaynakça

  • Bakema J. 1962, “Team 10 at Abbaye Royaumont,”, in Smithson 1991, p. 80.
  • Bakema J. 1974, “Il mezzo cinematografico: migliore visualizzazione, migliore comprensione, migliore partecipazione” in Gubitosi, Izzo 1974, p. 50.
  • Burgos F., Garrido G. 2004, El Lissitzky. Wolkenbügel 1924-1925 (Madrid: Editorial Rueda).
  • Burckhardt L. 1996, “Strollological Observations on Perception of the Environment and the Tasks Facing Our
  • Generation”, in Fezer, Schmitz 2012, p. 239.
  • Carter P. 1964, “L. Mies van der Rohe. Architecture is not a Martini Cocktail”, interview with L. Mies van der Rohe, in 20th Century, republished in Casabella, no. 741 (2006), p. 106.
  • Curtis W. J. R. 1998, “The unique and the universal: A historian’s perspective on recent architecture”, in El Croquis, no. 88-89, p. 9.
  • Dirk van den Heuvel, “Towards an Open Society: The unfinished work of Jaap Bakema,” in VV.AA. 2014c, p. 3.
  • El Lissitzky 1920-1921, “Il Proun,” in Quilici 1978, p. 105.
  • El Lissitzky 1929-1930, “Russland. La ricostruzione dell’architettura nell’Unione Sovietica,” in V. Quilici 1978, pp. 311.
  • Fezer J., Schmitz M. 2012, Lucius Burckardt Writings. Rethinking Man-made Environments, (Vienna - New York: SpringerWienNewYork).
  • Gubitosi C., Izzo A. (eds.) 1974, Van Den Broek/Bakema (Rome: Officina Edizioni).
  • Ito T. 1997, “Tarzans in the Media Forest,” in 2G, no. 2, pp. 126-129.
  • Koolhaas R. 2001, “Junk space,” in Domus, no. 833, p. 36.
  • Koolhaas R. 2014, catalogue of the Swiss pavilion (Zurich: Swiss Arts Council Pro Helvetia), p. 14.
  • Ladovsky N. 1926, “Fondamenti per l’elaborazione di una teoria dell’architettura” [Fundamentals of
  • Architectural Theory] in Quilici 1978, p. 246.
  • Lévy P. 1996, L’intelligenza collettiva. Per un’antropologia del cyberspazio, (Milan: Feltrinelli).
  • Mello P. 2008, Ito Digitale, Nuovi media, nuovo reale [Digital Ito: New Media and New Real], (Rome: Edilstampa).
  • Mello P. 2015a, “Dall'Unité d'Habitation in Marseille (1947-'52) al Market Hall di Rotterdam (2004-2014),” in Ananke, vol. 75, pp. 71-74.
  • Mello P. 2015b, “Contestazione radical e global tools nella città della Storia” [Radical Contestation and Global
  • Tools in the Historical City], in Intersezioni. Rivista di storia delle idee, no. 2, pp. 309-323. Price 1978, London Inter-action Centre, in Domus, no. 581, p. 21.
  • Quilici V. 1978, L’architettura del costruttivismo (Rome-Bari: Laterza).
  • Quilici V. 1980, “La lezione del costruttivismo” [The lesson of Constructivism], in Casabella no. 463-464, p. 54.
  • Smithson A. 1991, Team 10 Meetings, 1953-1984 (New York: Rizzoli).
  • Van den Heuvel D. 2014, “Towards an Open Society: The unfinished work of Jaap Bakema,” in VV.AA. 2014, p.
  • VV.AA. 2006, Toyo Ito: The New “Real” in Architecture, exhibition catalogue, (Tokyo: Toyo Ito Exhibition Executive Committee).
  • VV.AA. 2014a, Fundamentals, catalogue of the 14th International Architecture Exhibition (Venice: Marsilio).
  • VV.AA. 2014b, Fair Enough, catalogue of the Russian Pavilion, 2014 Architecture Biennale
  • (http://issuu.com/fairenoughshow/docs/fairenough_magazine). VV.AA. 2014c, Open: A Bakema Celebration, the Dutch contribution to the 2014 Architecture Biennale
  • (Brussels, Die Keure). Wigley M. 2004, “Anti-edifici e anti-architetti” [Anti-buildings and anti-Architects], in Domus, no. 866, p. 16.
Toplam 31 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Bölüm Research Article
Yazarlar

Patrızıa Mello Bu kişi benim

Yayımlanma Tarihi 1 Mart 2017
Yayımlandığı Sayı Yıl 2017 Cilt: 2 Sayı: 1

Kaynak Göster

APA Mello, P. (2017). ​THE QUESTION OF THE “MODERN” IN ARCHITECTURE A HISTORIC OPEN DEBATE. International Journal of Architecture and Urban Studies, 2(1), 51-63.
AMA Mello P. ​THE QUESTION OF THE “MODERN” IN ARCHITECTURE A HISTORIC OPEN DEBATE. International Journal of Architecture and Urban Studies. Mart 2017;2(1):51-63.
Chicago Mello, Patrızıa. “​THE QUESTION OF THE ‘MODERN’ IN ARCHITECTURE A HISTORIC OPEN DEBATE”. International Journal of Architecture and Urban Studies 2, sy. 1 (Mart 2017): 51-63.
EndNote Mello P (01 Mart 2017) ​THE QUESTION OF THE “MODERN” IN ARCHITECTURE A HISTORIC OPEN DEBATE. International Journal of Architecture and Urban Studies 2 1 51–63.
IEEE P. Mello, “​THE QUESTION OF THE ‘MODERN’ IN ARCHITECTURE A HISTORIC OPEN DEBATE”, International Journal of Architecture and Urban Studies, c. 2, sy. 1, ss. 51–63, 2017.
ISNAD Mello, Patrızıa. “​THE QUESTION OF THE ‘MODERN’ IN ARCHITECTURE A HISTORIC OPEN DEBATE”. International Journal of Architecture and Urban Studies 2/1 (Mart 2017), 51-63.
JAMA Mello P. ​THE QUESTION OF THE “MODERN” IN ARCHITECTURE A HISTORIC OPEN DEBATE. International Journal of Architecture and Urban Studies. 2017;2:51–63.
MLA Mello, Patrızıa. “​THE QUESTION OF THE ‘MODERN’ IN ARCHITECTURE A HISTORIC OPEN DEBATE”. International Journal of Architecture and Urban Studies, c. 2, sy. 1, 2017, ss. 51-63.
Vancouver Mello P. ​THE QUESTION OF THE “MODERN” IN ARCHITECTURE A HISTORIC OPEN DEBATE. International Journal of Architecture and Urban Studies. 2017;2(1):51-63.