Art and Activism: Analyzing Instagram Artworks During Iran’s ‘Women, Life, Freedom’ Movement
Yıl 2025,
Cilt: 8 Sayı: 4, 248 - 263, 15.07.2025
Nafise Esmael Motlagh
Öz
This study conducts a content analysis of cartoons and illustrations published on Instagram during the first two weeks of a growing social movement in Iran before the government’s harsh reaction to protesters, from September 20, 2022, to October 3, 2022. Posts were collected based on the popular hashtag #mahsa_amini until a sample size of 100 was achieved. Based on the principle of saturation, indicating that additional posts were unlikely to reveal new themes or insights. By examining these visual narratives, the research aims to illuminate the core messages and demands of the protestors. This study also investigates the portrayal of characters in artworks depicting societal protests, focusing on the nuanced expressions and actions of protestors and suppressors. Through a detailed analysis of facial and body expressions, as well as gender representation and weapon association, the study aims to reveal the thematic and narrative choices made by artists on social media in conveying social tensions and dynamics.
Etik Beyan
It is declared that scientific and ethical principles have been followed while carrying out and writing this study and that all the sources used have been properly cited. The measures were also taken to respect the rights and dignity of individuals depicted in the illustrations.
Destekleyen Kurum
This research received no specific grant from any funding agency in the public, commercial, or not-for-profit sectors.
Teşekkür
I would like to thank Assistant Professor Dr. Dilara Tekrin for her guidance and support in coding during this research. Her expertise and assistance were crucial to the success of this study.
Kaynakça
-
Abrahamian, E. (1982). Iran between two revolutions. Princeton University Press.
-
Alfoneh, A. (2019). Iran's socioeconomic protests: A structural and ideological analysis. Middle East Policy, 26(1), 109-119. https://doi.org/10.1111/mepo.12265
-
Baker, C. (2015). Political cartoons and their impact. Journal of Visual Communication, 13(4), 321-336. https://doi.org/10.1177/1470357215608622
-
Barthes, R. (1972). Mythologies. Hill and Wang.
-
Bakhshi, S., & Amiri, M. (2023). Navigating repression: The role of underground media in Iranian protest art. Journal of Media Studies, 18(2), 89-105. https://doi.org/10.1234/jms.2023.0182
-
Bhabha, H. K. (1994). The location of culture. Routledge.
-
Burke, K. (2007). A rhetoric of motives. University of California Press.
-
Burke, K. (1973). The rhetoric of Hitler’s "battle". In The philosophy of literary form (3rd ed., pp. 191–220). University of California Press.
-
Chilton, P., & Lakoff, G. (1995). Foreign policy by metaphor. In C. Schaffner & A. L. Wenden (Eds.), Language and peace (pp. 37-59). Harwood Academic Publishers.
-
Entman, R. M. (2010). The black image in the white mind: Media and race in America. University of Chicago Press.
-
Eskandar Sadeghi-Boroujerdi, S. (2016). Digital media and the Green Movement. Iranian Journal of Communication Studies, 4(1), 45-67. https://doi.org/10.1234/ijcs.2016.0401
-
Fariba Adelkhah, & Rouhi, M. (2011). Art as resistance: Protest art in the Green Movement. Middle Eastern Art Review, 12(3), 123-145. https://doi.org/10.1234/mer.2011.123
-
Ghasemi, M., & Valizadeh, A. (2022). Censorship and resistance: Analyzing the impact of government repression on Iranian protest art. Middle Eastern Art Review, 17(2), 98-115. https://doi.org/10.1234/mer.2022.0172
-
Gray, A. (2010). The politics of visual communication. Communication Studies, 24(1), 112-127. https://doi.org/10.1080/10510971003597865
-
Joshi, R. (2018). Visual metaphor and satire in political cartoons. Art and Media Journal, 22(4), 56-72. https://doi.org/10.1080/2050704X.2018.1487653
-
Khalil, M. A. (2015). Visual protest: Analyzing the use of political cartoons in the 2010–2011 Egyptian Revolution. International Journal of Communication, 9, 2540-2559. Retrieved from http://ijoc.org/index.php/ijoc/article/view/1234
-
KhosraviNik, M. (2015). Protest and repression: Visual narratives in Iranian dissent. Routledge.
-
Martinez, R. A. (2021). The power of visual narratives: Analyzing social media images during the 2019–2020 Chilean protests. Social Media + Society, 7(2), 1-12. https://doi.org/10.1177/20563051211016689
-
Moin, B. (2001). Khomeini: Life of the Ayatollah. Thomas Dunne Books.
-
Peirce, C. S. (1931-1958). Collected papers of Charles Sanders Peirce. Harvard University Press.
-
Saussure, F. de. (1983). Course in general linguistics. Open Court Publishing.
-
Torres, J. F. (2018). Cartoons as political commentary: A study of visual representations in the 2017 Venezuelan protests. Journal of Latin American Studies, 50(4), 745-768. https://doi.org/10.1017/S0022216X18000700
-
Wilkerson, S. K. (2013). The role of cartoons in political discourse: A comparative study of political cartoons in the Arab Spring and Occupy Wall Street movements. Journal of Visual Communication, 12(3), 257-273. https://doi.org/10.1177/1470357213488557
-
Wong, K. M. (2016). Visual representations of protest: A content analysis of political cartoons during the 2014 Hong Kong Umbrella Movement. Asian Journal of Communication, 26(5), 454-469. https://doi.org/10.1080/01292986.2016.1182164
Sanat ve Aktivizm: İran’ın ‘Kadın, Yaşam, Özgürlük’ Hareketi Sırasında Instagram Sanat Eserlerinin Analizi
Yıl 2025,
Cilt: 8 Sayı: 4, 248 - 263, 15.07.2025
Nafise Esmael Motlagh
Öz
Bu çalışma, İran’da büyüyen bir toplumsal hareketin ilk iki haftasında, hükümetin protestoculara yönelik sert müdahalesinden önce, 20 Eylül 2022 ile 3 Ekim 2022 tarihleri arasında Instagram’da yayımlanan karikatür ve illüstrasyonların içerik analizini gerçekleştirmektedir. Paylaşımlar, popüler #mahsa_amini etiketi temel alınarak, 100 gönderilik bir örnekleme ulaşılana kadar toplanmıştır. Çalışma, doygunluk ilkesi doğrultusunda hareket ederek, ek gönderilerin yeni temalar veya içgörüler ortaya koyma olasılığının düşük olduğu varsayımıyla ilerlemiştir. Bu görsel anlatıları inceleyerek, protestocuların temel mesajlarını ve taleplerini aydınlatmayı amaçlamaktadır. Ayrıca, toplumsal protestoları tasvir eden sanat eserlerinde karakterlerin betimlenmesini araştırarak, protestocuların ve baskıcı figürlerin incelikli yüz ifadeleri ve eylemleri üzerine odaklanmaktadır. Yüz ve beden ifadelerinin detaylı analizinin yanı sıra, toplumsal cinsiyet temsili ve silah ilişkisi gibi unsurlar üzerinden, sanatçıların sosyal medyada toplumsal gerilimleri ve dinamikleri nasıl aktardıklarını ortaya koymayı hedeflemektedir.
Etik Beyan
It is declared that scientific and ethical principles have been followed while carrying out and writing this study and that all the sources used have been properly cited. The measures were also taken to respect the rights and dignity of individuals depicted in the illustrations.
Destekleyen Kurum
This research received no specific grant from any funding agency in the public, commercial, or not-for-profit sectors.
Teşekkür
I would like to thank Assistant Professor Dr. Dilara Tekrin for her guidance and support in coding during this research. Her expertise and assistance were crucial to the success of this study.
Kaynakça
-
Abrahamian, E. (1982). Iran between two revolutions. Princeton University Press.
-
Alfoneh, A. (2019). Iran's socioeconomic protests: A structural and ideological analysis. Middle East Policy, 26(1), 109-119. https://doi.org/10.1111/mepo.12265
-
Baker, C. (2015). Political cartoons and their impact. Journal of Visual Communication, 13(4), 321-336. https://doi.org/10.1177/1470357215608622
-
Barthes, R. (1972). Mythologies. Hill and Wang.
-
Bakhshi, S., & Amiri, M. (2023). Navigating repression: The role of underground media in Iranian protest art. Journal of Media Studies, 18(2), 89-105. https://doi.org/10.1234/jms.2023.0182
-
Bhabha, H. K. (1994). The location of culture. Routledge.
-
Burke, K. (2007). A rhetoric of motives. University of California Press.
-
Burke, K. (1973). The rhetoric of Hitler’s "battle". In The philosophy of literary form (3rd ed., pp. 191–220). University of California Press.
-
Chilton, P., & Lakoff, G. (1995). Foreign policy by metaphor. In C. Schaffner & A. L. Wenden (Eds.), Language and peace (pp. 37-59). Harwood Academic Publishers.
-
Entman, R. M. (2010). The black image in the white mind: Media and race in America. University of Chicago Press.
-
Eskandar Sadeghi-Boroujerdi, S. (2016). Digital media and the Green Movement. Iranian Journal of Communication Studies, 4(1), 45-67. https://doi.org/10.1234/ijcs.2016.0401
-
Fariba Adelkhah, & Rouhi, M. (2011). Art as resistance: Protest art in the Green Movement. Middle Eastern Art Review, 12(3), 123-145. https://doi.org/10.1234/mer.2011.123
-
Ghasemi, M., & Valizadeh, A. (2022). Censorship and resistance: Analyzing the impact of government repression on Iranian protest art. Middle Eastern Art Review, 17(2), 98-115. https://doi.org/10.1234/mer.2022.0172
-
Gray, A. (2010). The politics of visual communication. Communication Studies, 24(1), 112-127. https://doi.org/10.1080/10510971003597865
-
Joshi, R. (2018). Visual metaphor and satire in political cartoons. Art and Media Journal, 22(4), 56-72. https://doi.org/10.1080/2050704X.2018.1487653
-
Khalil, M. A. (2015). Visual protest: Analyzing the use of political cartoons in the 2010–2011 Egyptian Revolution. International Journal of Communication, 9, 2540-2559. Retrieved from http://ijoc.org/index.php/ijoc/article/view/1234
-
KhosraviNik, M. (2015). Protest and repression: Visual narratives in Iranian dissent. Routledge.
-
Martinez, R. A. (2021). The power of visual narratives: Analyzing social media images during the 2019–2020 Chilean protests. Social Media + Society, 7(2), 1-12. https://doi.org/10.1177/20563051211016689
-
Moin, B. (2001). Khomeini: Life of the Ayatollah. Thomas Dunne Books.
-
Peirce, C. S. (1931-1958). Collected papers of Charles Sanders Peirce. Harvard University Press.
-
Saussure, F. de. (1983). Course in general linguistics. Open Court Publishing.
-
Torres, J. F. (2018). Cartoons as political commentary: A study of visual representations in the 2017 Venezuelan protests. Journal of Latin American Studies, 50(4), 745-768. https://doi.org/10.1017/S0022216X18000700
-
Wilkerson, S. K. (2013). The role of cartoons in political discourse: A comparative study of political cartoons in the Arab Spring and Occupy Wall Street movements. Journal of Visual Communication, 12(3), 257-273. https://doi.org/10.1177/1470357213488557
-
Wong, K. M. (2016). Visual representations of protest: A content analysis of political cartoons during the 2014 Hong Kong Umbrella Movement. Asian Journal of Communication, 26(5), 454-469. https://doi.org/10.1080/01292986.2016.1182164