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ORGANİK VE MEKANİK: ‘ORGANİK’ MİMARLIĞIN MEKANİK OLARAK DENETLENEN YAPISAL ÇEVREYE DÖNÜŞÜMÜ ÜZERİNE BİR DEĞERLENDİRME

Yıl 2024, Cilt: 8 Sayı: 1, 157 - 182, 30.06.2024

Öz

Yirminci Yüzyılın sonlarına doğru, tabiat bilimlerinden devşirilen işlevselcilik meselesi mimarlığın tabiatla ilişkisine değin söylemlere hâkim oldu. Buna rağmen, yapısal çevrenin şiirsel biçimde inşasını talep eden organikçi kurama içkin romantik idealizm, Yirminci Yüzyılın ilk kısmında mimari avangart için güçlü bir itki olmaya devam etti. Ama Frank Lloyd Wright, Richard Neutra gibi mimarlar organik mimarlığın odağını işlevsellikten mimarinin içinde bulunduğu yere kaydırdılar ve böylece mesele bir 'çevre' meselesine dönüşmeye başladı. Sanatla güdülenen organikçilik yerini bilimle güdülenen çevreciliğe bıraktıkça, modern mimarlık romantik itkisini kaybetti. Reyner Banham, organik mimarlığın mekanik olarak denetlenen bir çevreye dönüşmesi fikrinin başlıca savunucularındandı. Lâkin, onun misyonu gerçek meşruluğunu binalarda mimarlığın çevreye etkisini denetleyen etik teknikleri zorunlu kılmayı amaçlayan çağdaş ekolojik söylemde bulacaktı.

Kaynakça

  • Angèlil, M. (1993). The Concepts of Truth and Utility at the Outset of the Modern Movement: The Construction of a Metaphysical Structure. Modulus, 22, 26-39.
  • Banham, R. (1969). Architecture of the Well-Tempered Environment. Lon-don: The Architectural Press.
  • Bötticher, C. G. W. (1992). The Principles of the Hellenic and Germanic Ways of Building with Regard to Their Application to Our Present Way of Building (1852), in J. Bloomfield et al. (Eds.), In What Style Should We Build? The German Debate on Architectural Style (trans. W. Herrmann). Santa Monica: Getty Center for the History of the Arts and the Humanities, 147-167.
  • Casonato, C. (2020). Knowing by Drawing: Anatomy, Mechanics and Arc-hitecture in Viollet-le-Duc’s Drawings. Diségno, 6, 59-70.
  • Dodds, G. (2002). Richard Neutra’s Venetian Lecture. ARQ, (6)3, 257-267.
  • Drexler, A.; Hines, T. S. (1982). The Architecture of Richard Neutra: From International Style to California Modern. New York: Museum of Modern Art.
  • Frampton, K. (1996). Studies in Tectonic Culture: The Poetics of Construc-tion in Nineteenth and Twentieth Century Architecture. Cambridge, Mass.: MIT Press.
  • Gebhard, D. (1980). Schindler. Santa Barbara: Peregrine Smith.
  • Gigante, D. (2009). Life: Organic Form and Romanticism. New Haven and London: Yale University Press.
  • Herrmann, W. (1984). Gottfried Semper: In Search of Architecture. Cambridge, Mass.: MIT Press.
  • Hines, T. S. (1982). Richard Neutra and the Search for Modern Architectu-re. New York & Oxford: Oxford University Press.
  • Jarzombek, M. (2004). Joseph August Lux: Werkbund Promoter, Historian of a Lost Modernity. The Journal of the Society of Architectural Historians, 63, 202- 219.
  • Kruft, H. W. (1994). A History of Architectural Theory: From Vitruvius to the Present (Trans. R. Taylor et al). Princeton Architectural Press.
  • Mallgrave, H. F. (2005). Modern Architectural Theory. A Historical Survey 1673- 1968. Cambridge: University Press.
  • Mallgrave, H. F.; Goodman, D. (2011). An Introduction to Architectural Theory: 1968 to the Present. West Sussex: Wiley & Blackwell.
  • Neumeyer, F. (1993). Iron and Stone. The Architecture of the Groβstadt, in H. F. Mallgrave (Ed.), Otto Wagner. Reflections on the Raiment of Modernity. Santa Monica: Getty Center for the History of the Arts and the Humanities, 1993, 115-151.
  • Neutra, R. (1951). Mystery and Realities of the Site. New York: Morgan & Morgan.
  • Neutra, R. (1951). Residences. Sao Paulo: Todtmann & Cia.
  • Neutra, R. (1989). Nature Near: Late Essays of Richard Neutra (Ed. W. Marlin). Santa Barbara, Calif.: Capra Press.
  • Pevsner, N. (1980). Ruskin and Viollet-le-Duc: Englishness and French-ness in the Appreciation of Gothic Architecture. AD Profile, 49-50.
  • Ruskin, J. (1989). The Seven Lamps of Architecture [1849]. New York: Dover Publications.
  • Rykwert, J. (1982). The Necessity of Artifice: Ideas in Architecture. New York: Rizzoli, 1982.
  • Rykwert, J. (1992). Organic and Mechanical. RES, 22, 10-18.
  • Schlegel, F. (1997). Speech on Mythology [1799], in J. Schulte-Sasse et al. (Eds. and trans.), Theory as Practice. A Critical Anthology of Early German Romantic Writings (Minneapolis, University of Minnesota Press, 1997), 182-192.
  • Schwarzer, M. (1995). German Architectural Theory and the Search for Modern Identity. Cambridge, Mass.: Cambridge University Press.
  • Semper, G. (1989). The Four Elements of Architecture [1851], in H. F. Mallgrave and W. Herrmann (Eds. and trans.), Gottfried Semper: The Four Elements of Architecture and Other Writings. Cambridge: Cambridge University Press. Semper, G. (1989). Zurich lecture of 1869: On Architectural Styles, in H. F. Mallgrave and W. Herrmann (Eds. and trans.), Gottfried Semper: The Four Elements of Architecture and Other Writings. Cambridge: Cambridge University Press.
  • Sullivan, L. H. (1979). Kindergarten Chats and Other Writings [1901-1902]. New York: Dover Publications.
  • Van Eck, C. (1994). Organicism in Nineteenth Century Architecture: An Inquiry into Its Theoretical and Philosophical Background. Amsterdam: Architectura & Natura Press.
  • Van Eck, C. (1995). Par le Style On Attaint au Sublime: The Meaning of the Term ‘Style’ in French Architectural Theory of the Late Eighteenth Cen-tury, in C. Van Eck et al. (Eds.), The Question of Style in Philosophy and the Arts. Cambridge: Cambridge University Press, 89-107.
  • Van Eck, C. (1995-6). Goethe and Alberti: Organic Unity in Nature and Architecture. The Structurist, 35-36, 20-26.
  • Viel de Saint-Maux, J. L. (1974). Lettres sur l’Architecture des Anciens et celle des Modernes [1787]. Geneva: Minkoff.
  • Viollet-le-Duc, E. E. (1987). Lectures On Architecture [1863-1872], Vol. 2 (trans. B. Bucknall). New York: Dover Publications.
  • Wright, F. L. (1998). Studies and Executed Buildings by Frank Lloyd Wright [1910]. New York: Rizzoli.
  • Wright, F. L. (1998). An American Architecture [1955] (Ed. E. Kaufmann). New York: Barnes & Noble Books.
  • Zevi, B. (1950). Towards an Organic Architecture. London: Faber & Fa-ber.
  • URL-1 Galloway, A. (2014). When Biology Inspires Architecture: An In-terview with Doris Kim Sung, 14 May 2014. ArchDaily. Accessed on April 27th, 2024. http://www.archdaily.com/?p=505016
  • URL-2 Abu Dhabi Future Energy Company, ‘Masdar City’, 09 Feb 2009. Online video clip. YouTube. Accessed on September 23rd, 2014. https://www.youtube.com/watch?v=8VUpFOm8w0
  • URL-3 Head office for insurance firm Willis Faber and Dumas Limited, Ipswich, Suffolk. Accessed on April 28th, 2024. https://www.ribapix.com/head-office-for-insurance-firm-willis-faber-and-dumas-limited-ipswich-suffolk_riba15313
  • URL-4 AD Classics: SC Johnson Wax Research Tower / Frank Lloyd Wright. Archdaily. Accessed on April 28th, 2024. https://www.archdaily.com/544911/ad-classics-sc-johnson-wax-research-tower-frank-lloyd-wright
  • URL-5 File:Guaranty (Prudential) Building, Church Street and Pearl Street, Buffalo, NY - 52674539907.jpg. Wikipedia. Accessed on April 28th, 2024. https://commons.wikimedia.org/wiki/File:Guaranty_(Prudential)_Building,_ Church_Street_and_Pearl_Street,_Buffalo,_NY_-_52674539907.jpg

ORGANIC AND ECOLOGICAL: AN ASSESSMENT OF THE TRANSFORMATION OF ‘ORGANIC’ ARCHITECTURE INTO MECHANICALLY CONTROLLED ENVIRONMENT

Yıl 2024, Cilt: 8 Sayı: 1, 157 - 182, 30.06.2024

Öz

Towards the end of the Nineteenth Century, the discourse about the relationship between architecture and nature was dominated by the influence of functionalism derived from natural sciences. Despite functionalism, the romantic idealism embedded in the organicist theory called for the poetic construction of the builtenvironment, which remained a strong impulse for the architectural avantgarde during the first half of the Twentieth Century. Architects like Frank Lloyd Wright and Richard Neutra shifted the focus of organic architecture from functionality to architectural site, whereby it became and 'environmental' issue. However, the more the artistically motivated organicism was replaced by the scientifically motivated environmentalism, the more modern architecture lost its romantic impulse. Reyner Banham was one of the main advocates for the concept of organic architecture to transform into mechanically controlled environment, but his mission found the real justification in contemporary ecological discourse that imposes on buildings ethical techniques for controlling architecture's effect on the environment.

Kaynakça

  • Angèlil, M. (1993). The Concepts of Truth and Utility at the Outset of the Modern Movement: The Construction of a Metaphysical Structure. Modulus, 22, 26-39.
  • Banham, R. (1969). Architecture of the Well-Tempered Environment. Lon-don: The Architectural Press.
  • Bötticher, C. G. W. (1992). The Principles of the Hellenic and Germanic Ways of Building with Regard to Their Application to Our Present Way of Building (1852), in J. Bloomfield et al. (Eds.), In What Style Should We Build? The German Debate on Architectural Style (trans. W. Herrmann). Santa Monica: Getty Center for the History of the Arts and the Humanities, 147-167.
  • Casonato, C. (2020). Knowing by Drawing: Anatomy, Mechanics and Arc-hitecture in Viollet-le-Duc’s Drawings. Diségno, 6, 59-70.
  • Dodds, G. (2002). Richard Neutra’s Venetian Lecture. ARQ, (6)3, 257-267.
  • Drexler, A.; Hines, T. S. (1982). The Architecture of Richard Neutra: From International Style to California Modern. New York: Museum of Modern Art.
  • Frampton, K. (1996). Studies in Tectonic Culture: The Poetics of Construc-tion in Nineteenth and Twentieth Century Architecture. Cambridge, Mass.: MIT Press.
  • Gebhard, D. (1980). Schindler. Santa Barbara: Peregrine Smith.
  • Gigante, D. (2009). Life: Organic Form and Romanticism. New Haven and London: Yale University Press.
  • Herrmann, W. (1984). Gottfried Semper: In Search of Architecture. Cambridge, Mass.: MIT Press.
  • Hines, T. S. (1982). Richard Neutra and the Search for Modern Architectu-re. New York & Oxford: Oxford University Press.
  • Jarzombek, M. (2004). Joseph August Lux: Werkbund Promoter, Historian of a Lost Modernity. The Journal of the Society of Architectural Historians, 63, 202- 219.
  • Kruft, H. W. (1994). A History of Architectural Theory: From Vitruvius to the Present (Trans. R. Taylor et al). Princeton Architectural Press.
  • Mallgrave, H. F. (2005). Modern Architectural Theory. A Historical Survey 1673- 1968. Cambridge: University Press.
  • Mallgrave, H. F.; Goodman, D. (2011). An Introduction to Architectural Theory: 1968 to the Present. West Sussex: Wiley & Blackwell.
  • Neumeyer, F. (1993). Iron and Stone. The Architecture of the Groβstadt, in H. F. Mallgrave (Ed.), Otto Wagner. Reflections on the Raiment of Modernity. Santa Monica: Getty Center for the History of the Arts and the Humanities, 1993, 115-151.
  • Neutra, R. (1951). Mystery and Realities of the Site. New York: Morgan & Morgan.
  • Neutra, R. (1951). Residences. Sao Paulo: Todtmann & Cia.
  • Neutra, R. (1989). Nature Near: Late Essays of Richard Neutra (Ed. W. Marlin). Santa Barbara, Calif.: Capra Press.
  • Pevsner, N. (1980). Ruskin and Viollet-le-Duc: Englishness and French-ness in the Appreciation of Gothic Architecture. AD Profile, 49-50.
  • Ruskin, J. (1989). The Seven Lamps of Architecture [1849]. New York: Dover Publications.
  • Rykwert, J. (1982). The Necessity of Artifice: Ideas in Architecture. New York: Rizzoli, 1982.
  • Rykwert, J. (1992). Organic and Mechanical. RES, 22, 10-18.
  • Schlegel, F. (1997). Speech on Mythology [1799], in J. Schulte-Sasse et al. (Eds. and trans.), Theory as Practice. A Critical Anthology of Early German Romantic Writings (Minneapolis, University of Minnesota Press, 1997), 182-192.
  • Schwarzer, M. (1995). German Architectural Theory and the Search for Modern Identity. Cambridge, Mass.: Cambridge University Press.
  • Semper, G. (1989). The Four Elements of Architecture [1851], in H. F. Mallgrave and W. Herrmann (Eds. and trans.), Gottfried Semper: The Four Elements of Architecture and Other Writings. Cambridge: Cambridge University Press. Semper, G. (1989). Zurich lecture of 1869: On Architectural Styles, in H. F. Mallgrave and W. Herrmann (Eds. and trans.), Gottfried Semper: The Four Elements of Architecture and Other Writings. Cambridge: Cambridge University Press.
  • Sullivan, L. H. (1979). Kindergarten Chats and Other Writings [1901-1902]. New York: Dover Publications.
  • Van Eck, C. (1994). Organicism in Nineteenth Century Architecture: An Inquiry into Its Theoretical and Philosophical Background. Amsterdam: Architectura & Natura Press.
  • Van Eck, C. (1995). Par le Style On Attaint au Sublime: The Meaning of the Term ‘Style’ in French Architectural Theory of the Late Eighteenth Cen-tury, in C. Van Eck et al. (Eds.), The Question of Style in Philosophy and the Arts. Cambridge: Cambridge University Press, 89-107.
  • Van Eck, C. (1995-6). Goethe and Alberti: Organic Unity in Nature and Architecture. The Structurist, 35-36, 20-26.
  • Viel de Saint-Maux, J. L. (1974). Lettres sur l’Architecture des Anciens et celle des Modernes [1787]. Geneva: Minkoff.
  • Viollet-le-Duc, E. E. (1987). Lectures On Architecture [1863-1872], Vol. 2 (trans. B. Bucknall). New York: Dover Publications.
  • Wright, F. L. (1998). Studies and Executed Buildings by Frank Lloyd Wright [1910]. New York: Rizzoli.
  • Wright, F. L. (1998). An American Architecture [1955] (Ed. E. Kaufmann). New York: Barnes & Noble Books.
  • Zevi, B. (1950). Towards an Organic Architecture. London: Faber & Fa-ber.
  • URL-1 Galloway, A. (2014). When Biology Inspires Architecture: An In-terview with Doris Kim Sung, 14 May 2014. ArchDaily. Accessed on April 27th, 2024. http://www.archdaily.com/?p=505016
  • URL-2 Abu Dhabi Future Energy Company, ‘Masdar City’, 09 Feb 2009. Online video clip. YouTube. Accessed on September 23rd, 2014. https://www.youtube.com/watch?v=8VUpFOm8w0
  • URL-3 Head office for insurance firm Willis Faber and Dumas Limited, Ipswich, Suffolk. Accessed on April 28th, 2024. https://www.ribapix.com/head-office-for-insurance-firm-willis-faber-and-dumas-limited-ipswich-suffolk_riba15313
  • URL-4 AD Classics: SC Johnson Wax Research Tower / Frank Lloyd Wright. Archdaily. Accessed on April 28th, 2024. https://www.archdaily.com/544911/ad-classics-sc-johnson-wax-research-tower-frank-lloyd-wright
  • URL-5 File:Guaranty (Prudential) Building, Church Street and Pearl Street, Buffalo, NY - 52674539907.jpg. Wikipedia. Accessed on April 28th, 2024. https://commons.wikimedia.org/wiki/File:Guaranty_(Prudential)_Building,_ Church_Street_and_Pearl_Street,_Buffalo,_NY_-_52674539907.jpg
Toplam 40 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Sosyoloji (Diğer)
Bölüm Araştırma Makalesi
Yazarlar

Yusuf Civelek

Yayımlanma Tarihi 30 Haziran 2024
Gönderilme Tarihi 28 Nisan 2024
Kabul Tarihi 25 Mayıs 2024
Yayımlandığı Sayı Yıl 2024 Cilt: 8 Sayı: 1

Kaynak Göster

APA Civelek, Y. (2024). ORGANIC AND ECOLOGICAL: AN ASSESSMENT OF THE TRANSFORMATION OF ‘ORGANIC’ ARCHITECTURE INTO MECHANICALLY CONTROLLED ENVIRONMENT. International Journal of Social And Humanities Sciences, 8(1), 157-182.
AMA Civelek Y. ORGANIC AND ECOLOGICAL: AN ASSESSMENT OF THE TRANSFORMATION OF ‘ORGANIC’ ARCHITECTURE INTO MECHANICALLY CONTROLLED ENVIRONMENT. IJSHS. Haziran 2024;8(1):157-182.
Chicago Civelek, Yusuf. “ORGANIC AND ECOLOGICAL: AN ASSESSMENT OF THE TRANSFORMATION OF ‘ORGANIC’ ARCHITECTURE INTO MECHANICALLY CONTROLLED ENVIRONMENT”. International Journal of Social And Humanities Sciences 8, sy. 1 (Haziran 2024): 157-82.
EndNote Civelek Y (01 Haziran 2024) ORGANIC AND ECOLOGICAL: AN ASSESSMENT OF THE TRANSFORMATION OF ‘ORGANIC’ ARCHITECTURE INTO MECHANICALLY CONTROLLED ENVIRONMENT. International Journal of Social And Humanities Sciences 8 1 157–182.
IEEE Y. Civelek, “ORGANIC AND ECOLOGICAL: AN ASSESSMENT OF THE TRANSFORMATION OF ‘ORGANIC’ ARCHITECTURE INTO MECHANICALLY CONTROLLED ENVIRONMENT”, IJSHS, c. 8, sy. 1, ss. 157–182, 2024.
ISNAD Civelek, Yusuf. “ORGANIC AND ECOLOGICAL: AN ASSESSMENT OF THE TRANSFORMATION OF ‘ORGANIC’ ARCHITECTURE INTO MECHANICALLY CONTROLLED ENVIRONMENT”. International Journal of Social And Humanities Sciences 8/1 (Haziran 2024), 157-182.
JAMA Civelek Y. ORGANIC AND ECOLOGICAL: AN ASSESSMENT OF THE TRANSFORMATION OF ‘ORGANIC’ ARCHITECTURE INTO MECHANICALLY CONTROLLED ENVIRONMENT. IJSHS. 2024;8:157–182.
MLA Civelek, Yusuf. “ORGANIC AND ECOLOGICAL: AN ASSESSMENT OF THE TRANSFORMATION OF ‘ORGANIC’ ARCHITECTURE INTO MECHANICALLY CONTROLLED ENVIRONMENT”. International Journal of Social And Humanities Sciences, c. 8, sy. 1, 2024, ss. 157-82.
Vancouver Civelek Y. ORGANIC AND ECOLOGICAL: AN ASSESSMENT OF THE TRANSFORMATION OF ‘ORGANIC’ ARCHITECTURE INTO MECHANICALLY CONTROLLED ENVIRONMENT. IJSHS. 2024;8(1):157-82.