EN
Heterotopias and Confrontations: Cinema and Literature as the Mirrors of New Visions of Turkey
Öz
Abstract
Turkish society is continuously exposed to various processes of social transformation. These transformations can be evaluated as the reflections of the internal and external changes with economic, political, social and cultural dimensions. Neoliberalism, globalization, political Islam and identity politics might be seen as the main phenomena that determine the forms of social changes in Turkey. These wide arrays of changes have unsurprisingly found their reflections in many different spheres of cultural production. New Turkish Cinema and Contemporary Literature of Turkey have been prominent ones among these spheres. For instance, unlike the Yeşilçam Cinema, The New Turkish Cinema has problematized and revealed the previously ignored subjects of Turkish cinema through creating new narratives. At this juncture, this study is aimed to examine the changing structure of Turkey by considering categories of class, gender and ethnicity under the grand concept of space. The theoretical framework is constituted by Michel Foucault’s notion of heterotopia and Richard Sennett’s notion of confrontation to extensively address the issue of space in Turkey. The study used the focus group technique to get other opinions on exemplifying cases.
Key Words: New Turkish cinema, contemporary literature of Turkey, heterotopia, confrontation, space.
Turkish society is continuously exposed to various processes of social transformation. These transformations can be evaluated as the reflections of the internal and external changes with economic, political, social and cultural dimensions. Neoliberalism, globalization, political Islam and identity politics might be seen as the main phenomena that determine the forms of social changes in Turkey. These wide arrays of changes have unsurprisingly found their reflections in many different spheres of cultural production. New Turkish Cinema and Contemporary Literature of Turkey have been prominent ones among these spheres. For instance, unlike the Yeşilçam Cinema, The New Turkish Cinema has problematized and revealed the previously ignored subjects of Turkish cinema through creating new narratives. At this juncture, this study is aimed to examine the changing structure of Turkey by considering categories of class, gender and ethnicity under the grand concept of space. The theoretical framework is constituted by Michel Foucault’s notion of heterotopia and Richard Sennett’s notion of confrontation to extensively address the issue of space in Turkey. The study used the focus group technique to get other opinions on exemplifying cases.
Key Words: New Turkish cinema, contemporary literature of Turkey, heterotopia, confrontation, space.
Anahtar Kelimeler
Kaynakça
- Adams, M. (2007). Self and Social Change. Wiltshire: Sage.
- Arat, Y. (2009). Religion, Politics and Gender Equality in Turkey. Heinrich Böll Foundation.
- Arslan, S. (n.d.). The New Cinema of Turkey. New Cinemas: Journal of Contemporary Film, 95.
- Bıçakçı, B. (2013). Sinek Isırıklarının Müellifi. İletişim Yayınları.
- Blandy, S., Sibley, D. (2010). Law, Boundaries and the Production of Space. Social & Legal Studies, 277.
- Bonazzi, A. (2002). Heterotopolgy an Geography: A Reflection. Space and Culture, 43.
- Bondi, L. (2005). Troubling Space: Making Space, Doing Space. Group Analysis, 142.
- Boratav, H. B., Fisek, G. O., & Ziya, H. E. (2014). Unpacking Masculinities in the Context of Social Change: Internal Complexities of Identities of Married Man in Turkey. Men and Masculunities, 303.
Ayrıntılar
Birincil Dil
En
Konular
-
Bölüm
-
Yayımlanma Tarihi
28 Mart 2016
Gönderilme Tarihi
28 Mart 2016
Kabul Tarihi
-
Yayımlandığı Sayı
Yıl 2015 Cilt: 2 Sayı: 2
APA
Çağlar, B., & Futtu, M. (2016). Heterotopias and Confrontations: Cinema and Literature as the Mirrors of New Visions of Turkey. Maltepe Üniversitesi İletişim Fakültesi Dergisi, 2(2), 1-21. https://izlik.org/JA94WU98CT
AMA
1.Çağlar B, Futtu M. Heterotopias and Confrontations: Cinema and Literature as the Mirrors of New Visions of Turkey. İLED. 2016;2(2):1-21. https://izlik.org/JA94WU98CT
Chicago
Çağlar, Berkant, ve Melike Futtu. 2016. “Heterotopias and Confrontations: Cinema and Literature as the Mirrors of New Visions of Turkey”. Maltepe Üniversitesi İletişim Fakültesi Dergisi 2 (2): 1-21. https://izlik.org/JA94WU98CT.
EndNote
Çağlar B, Futtu M (01 Mart 2016) Heterotopias and Confrontations: Cinema and Literature as the Mirrors of New Visions of Turkey. Maltepe Üniversitesi İletişim Fakültesi Dergisi 2 2 1–21.
IEEE
[1]B. Çağlar ve M. Futtu, “Heterotopias and Confrontations: Cinema and Literature as the Mirrors of New Visions of Turkey”, İLED, c. 2, sy 2, ss. 1–21, Mar. 2016, [çevrimiçi]. Erişim adresi: https://izlik.org/JA94WU98CT
ISNAD
Çağlar, Berkant - Futtu, Melike. “Heterotopias and Confrontations: Cinema and Literature as the Mirrors of New Visions of Turkey”. Maltepe Üniversitesi İletişim Fakültesi Dergisi 2/2 (01 Mart 2016): 1-21. https://izlik.org/JA94WU98CT.
JAMA
1.Çağlar B, Futtu M. Heterotopias and Confrontations: Cinema and Literature as the Mirrors of New Visions of Turkey. İLED. 2016;2:1–21.
MLA
Çağlar, Berkant, ve Melike Futtu. “Heterotopias and Confrontations: Cinema and Literature as the Mirrors of New Visions of Turkey”. Maltepe Üniversitesi İletişim Fakültesi Dergisi, c. 2, sy 2, Mart 2016, ss. 1-21, https://izlik.org/JA94WU98CT.
Vancouver
1.Berkant Çağlar, Melike Futtu. Heterotopias and Confrontations: Cinema and Literature as the Mirrors of New Visions of Turkey. İLED [Internet]. 01 Mart 2016;2(2):1-21. Erişim adresi: https://izlik.org/JA94WU98CT