Adorno’nun Diyalektik Meta-Eleştirisi Ve Bourdieu’nün Düşünümsel Sosyolojik Eleştirisi: Heidegger Eleştirileri Üzerinden Bir Karşılaştırma

Yıl 2022, Cilt: 12 Sayı: 1, 137 - 166, 22.03.2022

Ömer Küçük

Öz

Adorno and Bourdieu share the same interest in developing theoretical and methodological tools of a sociology of cultural forms. In this article, I argue that the main goal of both thinkers is to investigate ways to overcome internal and purely formal interpretations without falling into vulgar sociological explanations that reduce cultural forms to external social context. In line with the thesis of “priority of mediation” of his negative dialectics, Adorno develops a meta-critical style of interpretation based on establishing formal analogies between different fields which abolishes the illusion of absolute autonomy of cultural forms while acknowledging their truth contents. In his reflexive sociological critique, Bourdieu aims to reveal social and political implications of cultural forms without reducing them to external social context by building homologies between different fields. I try to reveal the common aspects of these critical methods through the Heidegger critiques of two thinkers. I also try to show that the dialectical critiques of rationality of them echo each other in aiming to reach an understanding of reason free from domination and symbolic violence by revealing the social mediations of reason that embodied in cultural fields.

Anahtar Kelimeler

Kültürel biçimler sosyolojisi, diyalektik meta-eleştiri, düşünümsel sosyolojik eleştiri, temel ontoloji, biçimci metodoloji.

Adorno’s Dialectical Metacritique and Bourdieu’s Reflexive Sociological Critique: A Comparison on The Basis of Their Critiques of Heidegger

Öz

Adorno and Bourdieu share the same interest in developing theoretical and methodological tools of a sociology of cultural forms. In this article, I argue that the main goal of both thinkers is to investigate ways to overcome internal and purely formal interpretations without falling into vulgar sociological explanations that reduce cultural forms to external social context. In line with the thesis of “priority of mediation” of his negative dialectics, Adorno develops a meta-critical style of interpretation based on establishing formal analogies between different fields which abolishes the illusion of absolute autonomy of cultural forms while acknowledging their truth contents. In his reflexive sociological critique, Bourdieu aims to reveal social and political implications of cultural forms without reducing them to external social context by building homologies between different fields. I try to reveal the common aspects of these critical methods through the Heidegger critiques of two thinkers. I also try to show that the dialectical critiques of rationality of them echo each other in aiming to reach an understanding of reason free from domination and symbolic violence by revealing the social mediations of reason that embodied in cultural fields.

Anahtar Kelimeler

Sociology of cultural forms, dialectical meta-critique, reflexive sociological critique, fundamental ontology, formalist methodology

Kaynakça

• Adorno, T. W. (2002). Aesthetic theory. R. Hullot-Kentor (Çev.). Continuum.
• Adorno, T. W. (2015a). Edebiyat yazıları. S. Yücesoy ve O. Koçak (Çev.). Metis Yayınları.
• Adorno, T. W. (2015b). Sahicilik jargonu: Alman ideolojisi üzerine 1962-1964. Ş. Öztürk (Çev.). Metis Yayınları.
• Adorno, T. W. (2016). Negatif diyalektik (1. baskı). Ş. Öztürk (Çev.). Metis Yayınları.
• Adorno, T. W. (2017). Metafizik: kavram ve sorunlar. İ. Serin (Çev.). İthaki Yayınları.