Bibliyografi

Modern Resmin Gelişiminde Vollard Sanat Galerisi ve Ambroise Vollard

Cilt: 6 Sayı: 5 23 Ekim 2017
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Vollard Art Gallery and Ambroise Vollard at Modern Painting’s Development

Öz

The aim in the study is to scrutinise the important role gallerist and art dealer Abroise Vollard played in the creation of modern art. Vollard,  came to Paris at 19 to have law education, gave up on being jurist, started art dealing and became one of the most important art dealers at 20th Century Modern Art in France. He dealt in many works of painters like Cézanne, Renoir,  Picasso at his Vollardart gallery which he opened at 1883.

Vollard is one of the names that was effective at his time on the recognition of modern painting and its artists.Most of the important names’ of modern painting roads are crossed with Ambroise Vollard and his gallery. Vollardalso prepared catalogues for some of the names he exhibited, made the editorship of books. He is name that encouraged many young artists at that time. Approaching the subject from this point of view, analyzing the beginning of art dealing and art marketwhich has an important place also in today’s art will help us understand the system of today.Art dealer who lost his life as a result of a traffic accident in 1939, left works of many artists behind. 

Anahtar Kelimeler

Art,Art Market,Art Galleries,Modern Painting

Kaynakça

  1. Assente di Panzillo, R. (2006). The Dispersal of The VollardCollection. Newyork: Cézanne to Picasso Ambroise Vollard Patron of the Avant-Garde. The Metropolitan Museum Art, Yale University Press, New Haven and London Baykam, B. (2014). “1980’lerde Türk sanatı” Artam Glaobal Art&Design Dergisi, Kasım-Aralık Sayı:30 , Dumas, A. (2006). Cézanne to Picasso Ambroise Vollard, Patron Of The Avant-Garde. Newyork: Cézanne to Picasso Ambroise Vollard Patron of the Avant-Garde.The Metropolitan Museum Art, Yale University Press, New Haven and London Druck, D. (2006). Cézanne to Picasso Vollard and Gauguin: Fictions and Facts. Newyork: Cézanne to Picasso Ambroise Vollard Patron of the Avant-Garde.The Metropolitan Museum Art, Yale University Press, New Haven and London Franck, D. (2009). Bohemler. İstanbul: Sel Yayıncılık Jensen, R. (2006). Vollard and Cézanne: An Anatomy of a Relationship”. Newyork: Cézanne to Picasso Ambroise Vollard Patron of the Avant-Garde.The Metropolitan Museum Art, Yale University Press, New Haven and London Pratt, J.P. (2006). Patron or Pirate? Vollard and the Works of Vincent van Gogh. Newyork: Cézanne to Picasso Ambroise Vollard Patron of the Avant-Garde. The Metropolitan Museum Art, Yale University Press, New Haven and London Robinow, A.R. Warman, J. (2006). Selected Chronology. Newyork: Cézanne to Picasso Ambroise Vollard Patron of the Avant-Garde.The Metropolitan Museum Art, Yale University Press, New Haven and London Tinterow, G. Miller, A.E (2006). Vollard and Picasso. Newyork: Cézanne to Picasso Ambroise Vollard Patron of the Avant-Garde.The Metropolitan Museum Art, Yale University Press, New Haven and London Vollard, A. (1978) Recolllections of a Picture Dealler, (İng Çev.) Violet Mç MacDonald (2002). Mineola, New York: Dover Publıcatıons, Inc. İnternet Kaynakça http://www.nga.gov/content/ngaweb/Collection/artistinfo.7085.html?artobj_artistId=7085&pageNumber=1) http://www.artic.edu/aic/exhibitions/picassoold/themes.html#top http://www.musee-orsay.fr/en/events/exhibitions/archives/exhibitions-archives/article/chefs-doeuvre-de-la-galerie-vollard-4258.html’ http://www.telegraph.co.uk/culture/art/7818407/Ambroise-Vollard-the-original-Charles-Saatchi.html Resimler Kaynakça Cézanne to Picasso Ambroise Vollard Patron of the Avant-Garde.2006,The Metropolitan Museum Art, Yale University Press, B, NewYork, New Haven and London

Kaynak Göster

APA
Atmaca, A. E. (2017). Modern Resmin Gelişiminde Vollard Sanat Galerisi ve Ambroise Vollard. İnsan ve Toplum Bilimleri Araştırmaları Dergisi, 6(5), 2262-2274. https://doi.org/10.15869/itobiad.322809
AMA
1.Atmaca AE. Modern Resmin Gelişiminde Vollard Sanat Galerisi ve Ambroise Vollard. itobiad. 2017;6(5):2262-2274. doi:10.15869/itobiad.322809
Chicago
Atmaca, Anıl Ertok. 2017. “Modern Resmin Gelişiminde Vollard Sanat Galerisi ve Ambroise Vollard”. İnsan ve Toplum Bilimleri Araştırmaları Dergisi 6 (5): 2262-74. https://doi.org/10.15869/itobiad.322809.
EndNote
Atmaca AE (01 Ekim 2017) Modern Resmin Gelişiminde Vollard Sanat Galerisi ve Ambroise Vollard. İnsan ve Toplum Bilimleri Araştırmaları Dergisi 6 5 2262–2274.
IEEE
[1]A. E. Atmaca, “Modern Resmin Gelişiminde Vollard Sanat Galerisi ve Ambroise Vollard”, itobiad, c. 6, sy 5, ss. 2262–2274, Eki. 2017, doi: 10.15869/itobiad.322809.
ISNAD
Atmaca, Anıl Ertok. “Modern Resmin Gelişiminde Vollard Sanat Galerisi ve Ambroise Vollard”. İnsan ve Toplum Bilimleri Araştırmaları Dergisi 6/5 (01 Ekim 2017): 2262-2274. https://doi.org/10.15869/itobiad.322809.
JAMA
1.Atmaca AE. Modern Resmin Gelişiminde Vollard Sanat Galerisi ve Ambroise Vollard. itobiad. 2017;6:2262–2274.
MLA
Atmaca, Anıl Ertok. “Modern Resmin Gelişiminde Vollard Sanat Galerisi ve Ambroise Vollard”. İnsan ve Toplum Bilimleri Araştırmaları Dergisi, c. 6, sy 5, Ekim 2017, ss. 2262-74, doi:10.15869/itobiad.322809.
Vancouver
1.Anıl Ertok Atmaca. Modern Resmin Gelişiminde Vollard Sanat Galerisi ve Ambroise Vollard. itobiad. 01 Ekim 2017;6(5):2262-74. doi:10.15869/itobiad.322809