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EPIC AND MYTH IN PICTORIAL CARPETS OF QAJAR ERA IN IRAN

Yıl 2016, Sayı: 5, 103 - 118, 01.01.2016

Öz

The history of Iranian hand-woven carpet dates back to thousands of years and throughout the time, various changes has been seen in the design and motifs. Like other applied arts, carpet has been influenced by cultural and social trends and different eras have seen various designs and weavings. The 19th century is among the times in which Iranian hand-woven carpet reached a high level of variety in its design and motifs. Some of the motifs including the pictorial carpets were first created then by the influence of social, cultural and industrial patterns. The theme of these pictorial carpets was generally taken from Iranian epic and mythological literature. The characters woven in these carpets distinctly represented oreIslam and Islamic cultural features and the whole composition of them was copied from the popular photo frames of the time and the printing industry. The aim of this paper is to introduce these 19th century carpets. The content of the pictures in these pictorial carpets clearly reveals that social, archeological and cultural factors had the greatest impacts on their formation. Pictorial Carpets, Persian carpet, Iran, Qajar dynasty

Kaynakça

  • Alavi, Abolmaali Mohammad Ebn Nemat. 1997. Bayan El Adyan, ed. Mohammadtaghi Daneshpajooh, Tehran: Majmooeye entesharate Adabi va Tarikhi (Bonyade Mogoofat e Dr.Mahmood Afshar Yazdi). Amoozgar, jaleh.2002. Tarikhe Asatirie Iran, Fifth Printing, Tehran: Samt,. Balaami,Abo Ali Mohammad ebn Mohammad. 1962. Tarikhe Balaami, trans. Tarikhe Tabari, ed. Mohammad Taghi Bahar, Complation with Mohammad Parvin Gonabadi, Vol:1, Tehran: Entesharat e Edare Kolle Negaresh e Vezarat e Farhang. Bahar,Mehrdad. 1999. Pajooheshi Dar Asatire Iran, Third edition, Tehran: Agah. Biruni, Abu Al-Rayhan. 1984. Asar Albaghiyeh, trans. Akbar Danaseresht, 30th printing, Tehran: Amirkabir. Chiristiansen, Arthur. 1998. Nomoonehaye nokhostin Ensan va nokhostin Shahriar dar Tarikhe Asatiriye Iran, trans., Jaleh amoozgar and Ahmad Tafazzoli,Tehran,Cheshmeh. Curtis, Vesta Sarkhosh.2004. Ostoorehaye Irani (Persian Mythology), trans. Abbas Mokhber,Tehran: Markaz,Forth Printing. Dadgar, L. (1989). Frash e Iran. Tehran: Sazmane Miras e Farhangi Keshvar. Gordizi, Abo Saeid Abdolhay Ebn Zahhak ebn Mahmood.2005. Zayyen Ol Akhbar, Complation with Rahim Rezazade Malek, Tehran: Anjoman e Asar va Mafakher e Farhangi. Hinnells, John R. 2004. Shenakhte Asatire Iran (Persian Mythology), Trans. Jaleh amoozgar and Ahmad Tafazzoli, Tehran: Chashmeh.
  • Pakbaz, ruin. 2004. Naggashi iran (Az Dirbaz ta emrooz), Third Printing, Tehran: Simin va Zarrin. Poordavood, Ebrahim.1998. Yasht ha (part of Holy Avesta) ,Vol.1, Tehran:Asatir. Rezaei,Abdolazim. 2002. Asl va Nasab e Dinhaye Iran e Bastan, Tehran: Dor. Sadighian,Mahindokht. 1996. Farhang e Asatiri Hamasi Iran, Vol. 1 (Pishdadian), Tehran: Pazhooheshgahe Oloome Ensani va Motaleate Farhangi, Tabari, Mohammad ebn jarir. 1996. Tarikh e Tabari, trans. Abolgasem payandeh, Vol.1, Fifth Printing, Tehran: Asatir. Tanavoli, Parviz. 1989. Ghalicheh haye Tasviri Iran, First Printing, Tehran: Soroosh. Yahaggi, Mohammadjafar.1978. Farhang e aatir va Esharate e dastani Dar Adabiat e Farsi, Tehran: Pajooheshgah e Motaleat va Tahgigat e Farhangi.

EPIC AND MYTH IN PICTORIAL CARPETS OF QAJAR ERA IN IRAN

Yıl 2016, Sayı: 5, 103 - 118, 01.01.2016

Öz

The history of Iranian hand-woven carpet dates back to thousands of years and throughout the time, various changes has been seen in the design and motifs. Like other applied arts, carpet has been influenced by cultural and social trends and different eras have seen various designs and weavings. The 19th century is among the times in which Iranian hand-woven carpet reached a high level of variety in its design and motifs. Some of the motifs including the pictorial carpets were first created then by the influence of social, cultural and industrial patterns. The theme of these pictorial carpets was generally taken from Iranian epic and mythological literature. The characters woven in these carpets distinctly represented oreIslam and Islamic cultural features and the whole composition of them was copied from the popular photo frames of the time and the printing industry. The aim of this paper is to introduce these 19th century carpets. The content of the pictures in these pictorial carpets clearly reveals that social, archeological and cultural factors had the greatest impacts on their formation.

Kaynakça

  • Alavi, Abolmaali Mohammad Ebn Nemat. 1997. Bayan El Adyan, ed. Mohammadtaghi Daneshpajooh, Tehran: Majmooeye entesharate Adabi va Tarikhi (Bonyade Mogoofat e Dr.Mahmood Afshar Yazdi). Amoozgar, jaleh.2002. Tarikhe Asatirie Iran, Fifth Printing, Tehran: Samt,. Balaami,Abo Ali Mohammad ebn Mohammad. 1962. Tarikhe Balaami, trans. Tarikhe Tabari, ed. Mohammad Taghi Bahar, Complation with Mohammad Parvin Gonabadi, Vol:1, Tehran: Entesharat e Edare Kolle Negaresh e Vezarat e Farhang. Bahar,Mehrdad. 1999. Pajooheshi Dar Asatire Iran, Third edition, Tehran: Agah. Biruni, Abu Al-Rayhan. 1984. Asar Albaghiyeh, trans. Akbar Danaseresht, 30th printing, Tehran: Amirkabir. Chiristiansen, Arthur. 1998. Nomoonehaye nokhostin Ensan va nokhostin Shahriar dar Tarikhe Asatiriye Iran, trans., Jaleh amoozgar and Ahmad Tafazzoli,Tehran,Cheshmeh. Curtis, Vesta Sarkhosh.2004. Ostoorehaye Irani (Persian Mythology), trans. Abbas Mokhber,Tehran: Markaz,Forth Printing. Dadgar, L. (1989). Frash e Iran. Tehran: Sazmane Miras e Farhangi Keshvar. Gordizi, Abo Saeid Abdolhay Ebn Zahhak ebn Mahmood.2005. Zayyen Ol Akhbar, Complation with Rahim Rezazade Malek, Tehran: Anjoman e Asar va Mafakher e Farhangi. Hinnells, John R. 2004. Shenakhte Asatire Iran (Persian Mythology), Trans. Jaleh amoozgar and Ahmad Tafazzoli, Tehran: Chashmeh.
  • Pakbaz, ruin. 2004. Naggashi iran (Az Dirbaz ta emrooz), Third Printing, Tehran: Simin va Zarrin. Poordavood, Ebrahim.1998. Yasht ha (part of Holy Avesta) ,Vol.1, Tehran:Asatir. Rezaei,Abdolazim. 2002. Asl va Nasab e Dinhaye Iran e Bastan, Tehran: Dor. Sadighian,Mahindokht. 1996. Farhang e Asatiri Hamasi Iran, Vol. 1 (Pishdadian), Tehran: Pazhooheshgahe Oloome Ensani va Motaleate Farhangi, Tabari, Mohammad ebn jarir. 1996. Tarikh e Tabari, trans. Abolgasem payandeh, Vol.1, Fifth Printing, Tehran: Asatir. Tanavoli, Parviz. 1989. Ghalicheh haye Tasviri Iran, First Printing, Tehran: Soroosh. Yahaggi, Mohammadjafar.1978. Farhang e aatir va Esharate e dastani Dar Adabiat e Farsi, Tehran: Pajooheshgah e Motaleat va Tahgigat e Farhangi.
Toplam 2 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Bölüm MAKALELER/ARTICLES
Yazarlar

Ali Vandshoarı Bu kişi benim

Ahad Nejad Ebrahımı Bu kişi benim

Yayımlanma Tarihi 1 Ocak 2016
Gönderilme Tarihi 12 Aralık 2015
Yayımlandığı Sayı Yıl 2016 Sayı: 5

Kaynak Göster

Chicago Vandshoarı, Ali, ve Ahad Nejad Ebrahımı. “EPIC AND MYTH IN PICTORIAL CARPETS OF QAJAR ERA IN IRAN”. Art-Sanat Dergisi, sy. 5 (Ocak 2016): 103-18.