Araştırma Makalesi

“I was subjected to cringe translation”: Digital Social Reading and the Reception of Translated Young Adult Fantasy Fiction

Sayı: 20 19 Temmuz 2024
PDF İndir
EN TR

“I was subjected to cringe translation”: Digital Social Reading and the Reception of Translated Young Adult Fantasy Fiction

Öz

As digital technologies continue to expand, it becomes increasingly important to explore the evolving relationship between participatory culture and translated literary works. On digital social reading platforms like Goodreads, readers play a significant role in the reception of translated literature and engagement with literature from diverse cultural backgrounds. Digital social reading platforms, like other social media, are frequently used by young people. Therefore, this study delves into the reception of the Turkish translation of the popular young adult fantasy fiction series A Court of Thorns and Roses by Sarah J. Maas, a work that offers insights into the emotional journeys of young adults within the realm of fantasy. To this end, an inductive content analysis has been carried out on the Turkish Goodreads comments on the first three books of the series. Following the analysis, it was found that while the reception of Turkish readers is similar to the general ratings, there are some discrepancies. Also, social media posts constitute a factor in the reader reception as they contain spoilers, distorting the expectations of readers. Furthermore, the characteristics of the genre can have a negative impact due to the disparities between the source and target cultures.

Anahtar Kelimeler

Kaynakça

  1. Abdal, G., & Yaman, B. (2023). Mediatorship in the clash of hegemonic and counter publics: The curious case of Heartstopper in Turkey. Translation and Interpreting Studies. 18(2), 280-300. https://doi.org/10.1075/tis.23014.abd google scholar
  2. Albrechtslund, A.-M. B. (2020). Amazon, Kindle, and Goodreads: Implications for literary consumption in the digital age. Consumption Markets & Culture, 23(6), 553-568. https://doi.org/10.1080/10253866.2019.1640216 google scholar
  3. Baş, N. (2019). Görenler Sesli Betimlenmiş Bir Filmi Nasıl Anlar? Sesli Betimleme ile İlgili Bir Alımlama Çalışması Denemesi. Çeviribilim ve Uygulamaları Dergisi, 26, 37-59. https://doi.org/10.37599/ceviri.518756 google scholar
  4. Boot, P. (2023). ‘A pretty sublime mix of WTF and OMG’. Four explorations into the practice of evaluation on online book reviewing platforms. Journal of Cultural Analytics, 7(2). https://doi.org/10.22148/001c.68086 google scholar
  5. Bourrier, K., & Thelwall, M. (2020). The Social Lives of Books: Reading Victorian Literature on Goodreads. Journal of Cultural Analytics, 5(1). https://doi.org/10.22148/001c.12049 google scholar
  6. Cadera, S. M., & Walsh, A. S. (2022). Retranslation and Reception - a Theoretical Overview. In S. M. Cadera & A. S Walsh (Ed.). Retranslation and Reception: Studies in a European Context (pp. 142-170). BRILL. https://doi.org/10.1163/9789004517875 google scholar
  7. Chan, T. L. (2010). Readers, Reading and Reception of Translated Fiction in Chinese: Novel Encounters. St. Jerome Pub. google scholar
  8. Chen, X. (2023). Interactive reception of online literary translation: The translator-readers dynamics in a discussion forum. Perspectives, 31(4), 690-704. https://doi.org/10.1080/0907676X.2022.2030375 google scholar

Ayrıntılar

Birincil Dil

İngilizce

Konular

Dil Çalışmaları (Diğer)

Bölüm

Araştırma Makalesi

Yayımlanma Tarihi

19 Temmuz 2024

Gönderilme Tarihi

10 Kasım 2023

Kabul Tarihi

25 Aralık 2023

Yayımlandığı Sayı

Yıl 2024 Sayı: 20

Kaynak Göster

APA
Taşkın, B. (2024). “I was subjected to cringe translation”: Digital Social Reading and the Reception of Translated Young Adult Fantasy Fiction. IU Journal of Translation Studies, 20, 1-12. https://doi.org/10.26650/iujts.2024.1389069
AMA
1.Taşkın B. “I was subjected to cringe translation”: Digital Social Reading and the Reception of Translated Young Adult Fantasy Fiction. IU Journal of Translation Studies. 2024;(20):1-12. doi:10.26650/iujts.2024.1389069
Chicago
Taşkın, Burcu. 2024. “‘I was subjected to cringe translation’: Digital Social Reading and the Reception of Translated Young Adult Fantasy Fiction”. IU Journal of Translation Studies, sy 20: 1-12. https://doi.org/10.26650/iujts.2024.1389069.
EndNote
Taşkın B (01 Temmuz 2024) “I was subjected to cringe translation”: Digital Social Reading and the Reception of Translated Young Adult Fantasy Fiction. IU Journal of Translation Studies 20 1–12.
IEEE
[1]B. Taşkın, “‘I was subjected to cringe translation’: Digital Social Reading and the Reception of Translated Young Adult Fantasy Fiction”, IU Journal of Translation Studies, sy 20, ss. 1–12, Tem. 2024, doi: 10.26650/iujts.2024.1389069.
ISNAD
Taşkın, Burcu. “‘I was subjected to cringe translation’: Digital Social Reading and the Reception of Translated Young Adult Fantasy Fiction”. IU Journal of Translation Studies. 20 (01 Temmuz 2024): 1-12. https://doi.org/10.26650/iujts.2024.1389069.
JAMA
1.Taşkın B. “I was subjected to cringe translation”: Digital Social Reading and the Reception of Translated Young Adult Fantasy Fiction. IU Journal of Translation Studies. 2024;:1–12.
MLA
Taşkın, Burcu. “‘I was subjected to cringe translation’: Digital Social Reading and the Reception of Translated Young Adult Fantasy Fiction”. IU Journal of Translation Studies, sy 20, Temmuz 2024, ss. 1-12, doi:10.26650/iujts.2024.1389069.
Vancouver
1.Burcu Taşkın. “I was subjected to cringe translation”: Digital Social Reading and the Reception of Translated Young Adult Fantasy Fiction. IU Journal of Translation Studies. 01 Temmuz 2024;(20):1-12. doi:10.26650/iujts.2024.1389069