THE TRUTH, THE WHOLE TRUTH': THE RELATION OF PARTS TO THE WHOLE IN THE RING AND THE BOOK
Öz
Robert Browning's The Ring and the Book (1868-9), as a work dominated by the concept of truth, derives stature from the profundity of its ultimate implications. Each of its twelve books, amounting in total to 21.000 lines of blank verse. stand with absolute conviction as factual interpretations that are in reality no more than a collection of indulgent personal opinions. As
a collective whole, these same accounts of implausible 'factuality' constitute an edifice that stands for the essentially illusive and ambiguous nature of Truth. Hence, from a presupposition of truth emerges the revelation of its nonexistence, from which dawns the possibility of a truth - achievable only by means of an accumulative pluralistic over-view. The significance that truth is
never achievable in the absolute, that at best it is knowable and then chiefly recognisable only by means of its contrast with falsehood, is a direct achievement of the poem's multi-part structure.
Anahtar Kelimeler
Kaynakça
- BROWNING, Robert, 711e Ring and the Book Penguin Books Ltd, London. 1990.
- COLMER, John. Coleridge to Catch 22: Images of Society Macmillan Press Ltd .. London. 1978
- FORSTER, E.M., AJpects of the Novel Edward Arnold Ltd. London. 1963.
- HAIR, Donald. S., Browning's Erperiments with Genre University of Toronto Press. Toronto. 1972.
- HALLIDAY, F.E .. Robert Browning : life and Works Jupiter Books, London. 1975.
- MILL, J. S., Three Essays: On Liberty Oxford University Press. Oxford, 1985.
- TRACY, Clarence. Browning's Mind and Art Oliver & Boyd, Edinburgh and London. 1968.
Ayrıntılar
Birincil Dil
İngilizce
Konular
Sanat ve Edebiyat
Bölüm
Araştırma Makalesi
Yazarlar
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Yayımlanma Tarihi
16 Ağustos 2014
Gönderilme Tarihi
16 Ağustos 2014
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Yayımlandığı Sayı
Yıl 2004 Sayı: 16