Araştırma Makalesi

From Macbeth to Dunsinane: Appropriation as Practice and Process

Cilt: 35 Sayı: Special Issue 5 Ağustos 2025
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From Macbeth to Dunsinane: Appropriation as Practice and Process

Öz

Appropriation is a creative and artistic practice in which the writer reworks, re-imagines, and rewrites a canonical source text. William Shakespeare’s plays have been an important foundation for exploring such approximations. David Greig’s Dunsinane, whose title distinctly evokes the tragedy of Macbeth and the Dunsinane castle set at the end of Macbeth, describes a contact zone. Hence, on the one hand, Dunsinane becomes a ground for enhancing the cultural relationships between Scotland and England, along with David Greig as a Scottish playwright and the English bard, on the other hand, it simultaneously addresses contemporary conflicts in the Middle East and elsewhere. Greig deconstructs Shakespeare’s Macbeth, who has been characterised as a ruthless dictator and usurper, and presents Macbeth as a successful Scottish king who has ruled Scotland for fifteen years, a view accepted by most modern historians. While Shakespeare’s tragedy proclaims that peace has been reinstated in Scotland under Malcolm’s new kingship, Greig’s witty play presents the opposite, underlying the fact that Scotland is too complicated, tribally, and regionally diverse to ever be understood by the English. The paper analyses that as a sequel to Macbeth, Dunsinane is a new work that Greig has appropriated to understand and present contemporary politics and that Dunsinane has been written out of its author’s need to correct a counter-dramatic and historical “fact”. The paper also attempts to explore Greig’s ethico-political intentions as a sensible playwright, highlighting the ways in which Dunsinane appropriates history and fiction in complex ways. While the play preserves the original framework of Macbeth, it creates a contemporary work, with military and (post)colonial discourses creating associations between eleventh century Scotland and today’s international power dynamics.

Anahtar Kelimeler

Kaynakça

  1. Aitchison, N. (1999). Macbeth: Man and Myth. Sutton. google scholar
  2. Barthes, R. (1977). Death of the Author. In Image, Music, and Text. Hill and Wang google scholar
  3. Billington, M. (2010). Dunsinane. The Guardian. 17 February 2010. https://www. theguardian.com/stage/2010/feb/17/dunsinane-review/. Accessed 4 January 2025. google scholar
  4. Desmet, C. (2014). Recognizing Shakespeare, Rethinking Fidelity: A Rhetoric and Ethics of Appropriation. In Alexa Huang & Elizabeth Rivlin (Eds.), Shakespeare and the Ethics of Appropriation (pp. 41–57). Palgrave. google scholar
  5. Fisher, M. (2011). Dunsinane. The Guardian. 19 May. https://www.theguardian. com/stage/2011/may/19/dunsinane-review/. Accessed 4 January 2025. google scholar
  6. Greig, D. (2010). Dunsinane. Faber and Faber. google scholar
  7. Greig, D. (2015). https://www.shakespearetheatre.org/blog/an-interview-with-dunsinane-playwright-david-greig/. google scholar
  8. Greig, D. (2021). https://morningstaronline.co.uk/article/c/world-bleak-and-difficult-and-i-give-weight-things-pull-us-apart. google scholar

Ayrıntılar

Birincil Dil

İngilizce

Konular

Dünya Dilleri, Edebiyatı ve Kültürü (Diğer)

Bölüm

Araştırma Makalesi

Yayımlanma Tarihi

5 Ağustos 2025

Gönderilme Tarihi

6 Ocak 2025

Kabul Tarihi

28 Nisan 2025

Yayımlandığı Sayı

Yıl 2025 Cilt: 35 Sayı: Special Issue

Kaynak Göster

APA
İnan, D. (2025). From Macbeth to Dunsinane: Appropriation as Practice and Process. Litera: Journal of Language, Literature and Culture Studies, 35(Special Issue), 16-24. https://doi.org/10.26650/LITERA2025-1614466
AMA
1.İnan D. From Macbeth to Dunsinane: Appropriation as Practice and Process. Litera: Journal of Language, Literature and Culture Studies. 2025;35(Special Issue):16-24. doi:10.26650/LITERA2025-1614466
Chicago
İnan, Dilek. 2025. “From Macbeth to Dunsinane: Appropriation as Practice and Process”. Litera: Journal of Language, Literature and Culture Studies 35 (Special Issue): 16-24. https://doi.org/10.26650/LITERA2025-1614466.
EndNote
İnan D (01 Ağustos 2025) From Macbeth to Dunsinane: Appropriation as Practice and Process. Litera: Journal of Language, Literature and Culture Studies 35 Special Issue 16–24.
IEEE
[1]D. İnan, “From Macbeth to Dunsinane: Appropriation as Practice and Process”, Litera: Journal of Language, Literature and Culture Studies, c. 35, sy Special Issue, ss. 16–24, Ağu. 2025, doi: 10.26650/LITERA2025-1614466.
ISNAD
İnan, Dilek. “From Macbeth to Dunsinane: Appropriation as Practice and Process”. Litera: Journal of Language, Literature and Culture Studies 35/Special Issue (01 Ağustos 2025): 16-24. https://doi.org/10.26650/LITERA2025-1614466.
JAMA
1.İnan D. From Macbeth to Dunsinane: Appropriation as Practice and Process. Litera: Journal of Language, Literature and Culture Studies. 2025;35:16–24.
MLA
İnan, Dilek. “From Macbeth to Dunsinane: Appropriation as Practice and Process”. Litera: Journal of Language, Literature and Culture Studies, c. 35, sy Special Issue, Ağustos 2025, ss. 16-24, doi:10.26650/LITERA2025-1614466.
Vancouver
1.Dilek İnan. From Macbeth to Dunsinane: Appropriation as Practice and Process. Litera: Journal of Language, Literature and Culture Studies. 01 Ağustos 2025;35(Special Issue):16-24. doi:10.26650/LITERA2025-1614466