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The Interview and its Intertexts: Staging Princess Diana in a Mediatized Age

Yıl 2024, Cilt: 34 Sayı: 2, 423 - 442, 24.12.2024
https://doi.org/10.26650/LITERA2024-1502312

Öz

The 1995 BBC interview with Princess Diana, on its flagship current affairs programme Panorama, is one of the most famous events in television history. It has since become infamous with the publication of the Dyson Report in 2021 and the BBC’s acknowledgement that the reporter Martin Bashir used deception to secure the interview. Recordings of the Panorama programme, and all programmes featuring Bashir, have since been erased from the BBC’s platforms. This article takes a stage drama about these events, The Interview by Jonathan Maitland, as a case study, a ‘problem play’ that requires us to rethink the usually discrete categories of adaptation, documentary drama, history play, and factual and fictional writing. The article draws on Eckart Voigts’s concept of recombinant appropriation in order to understand how the stage play borrows from previous and recurring representations of the Princess. It then uses Seda Ilter’s idea of mediatized dramaturgy to question how far The Interview explores the cultural implications of this dense intertextual network. Finally, the article argues more generally for an account of intermedial adaptation that works across both spatial and temporal dimensions. The decentred, multidirectional ‘rhizomatic’ or ‘archontic’ webs of adaptational relationships need to be complemented by multiple chronologies for us to be able to read adaptations in their cultural moment.

Kaynakça

  • Addley, E., Milmo, D., & Roth, A. (2024, March, 20). ‘Where is #katemiddleton?’: Theories on Kate’s Whereabouts Go Global’. The Guardian. Retrieved from https://www.theguardian.com/uk-news/2024/mar/20/where-is-katemiddleton-theories-kate-whereabouts-go-global. google scholar
  • Benzie, R., & Poore, B. (2023). ‘History Plays in the Twenty-First Century: New Tools for Interpreting the Contemporary Performance of the Past. Studies in Theatre and Performance, 1-22. https://doi.Org/10.1080/1 4682761.2023.2266205. google scholar
  • Berninger, M. (2002). ‘Variations of a Genre: The British History Play in the Nineties’. In A. Knapp, E. Otto, G. Stratmann, & M. Tönnes. (Eds.). British Drama of the 1990s, (pp. 37-64). Heidelberg: Universitatsverlag C. Winter. google scholar
  • Bignell, J. (2019). ‘Performing the Identity of the Medium: Adaptation and Television Historiography’. Adaptation: The Journal of Literature on Screen Studies, 12(2), 149-164. https://doi.org/10.1093/adaptation/apz017. google scholar
  • Black, S. R. (2012). ‘The Archontic Holmes: Understanding Adaptations of Arthur Conan Doyle’s Sherlock Holmes Stories in the Context of Jacques Derrida’s “Archive”’. Forum (Edinburgh), 15(15), 1-11. google scholar
  • Bottoms, S. J. (2006). ‘Putting the Document into Documentary: An Unwelcome Corrective?’. TDR: The Drama Review 50, no. 3: 56-68. muse.jhu.edu/article/201925 google scholar
  • Bryant, T. (2024). The Dramaturgy of History. Abingdon: Routledge. google scholar
  • Dessau, B. (2023). ‘Peter Smith’s Diana at Soho Theatre review: New York cabaret star’s show is lost in translation’ Evening Standard 19 July 2023. https://www.standard.co.uk/culture/theatre/peter-smith-s-diana-at-soho-theatre-review-b1095295.html google scholar
  • 17 The photograph, in turn, had been an attempt to quell rumours about the Princess after she had been absent from public engagements for longer than expected. google scholar
  • Edgar, D. (2021). ‘From Stage to Page: The Irresistible Rise of the Published Play’. Backpages 31.1 & 2, Contemporary Theatre Review, 31:1-2, 233-237. DOI: 10.1080/10486801.2021.1878715. google scholar
  • Elliott, K. (2020). Theorizing Adaptation. Oxford: Oxford University Press. google scholar
  • Ilter, S. (2021). Mediatized Dramaturgy: The Evolution of Plays in the Media Age. Bloomsbury Methuen Drama. google scholar
  • The Interview. (2023). Original Theatre. Streamed recording. https://originaltheatre.com/productions/the-interview google scholar
  • Kidnie, M. J. (2009). Shakespeare and the Problem of Adaptation. Abingdon: Routledge. google scholar
  • Lanier, D. (2014). ‘Shakespearean Rhizomatics: Adaptation, Ethics, Value.’ In A. Huang & E. Rivlin. (Eds.). Shakespeare and the Ethics of Appropriation, 21-40. New York: Palgrave. google scholar
  • Lawson, M. (2013). ‘There goes the knighthood! How The Crown blew the palace doors off’. The Guardian 14 November 2023. https://www.theguardian.com/tv-and-radio/2023/nov/14/the-crown-returns-royal-dramas-deference-accuracy-dodi-diana?CMP=Share_AndroidApp_Other. google scholar
  • Leitch, T. (2015). ‘History as Adaptation’. In Hassler-Forest, D. A, & P. Niklas. (Eds.). The Politics of Adaptation: Media Convergence and Ideology (pp. 7-15). Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. google scholar
  • ---. (2018). ‘Not Just the Facts: Adaptation, Illustration and History’. In Cutchinns, D., K. Krebs & E. Voigts (Eds.). The Routledge Companion to Adaptation, 67-79. London: Routledge. google scholar
  • Park Theatre. (2023). The Interview | Audience Reactions. https://www.youtube.com/watch?v=-BEPmd_9LnM . google scholar
  • Poore, B. (2024). The Contemporary History Play: Staging English and American Pasts. London: Bloomsbury Methuen Drama. google scholar
  • Poore, B. (2017). Sherlock Holmes from Screen to Stage: Post-Millennial Adaptations in British Theatre. London: Palgrave. google scholar
  • ‘Q&A with The Interview Writer Jonathan Maitland’. (2023). The Interview. Theatre programme. Park Theatre. google scholar
  • Raw, L., & Tutan, D. E. (2012). ‘Introduction: What Does “Adapting” History Involve?’. In L. Raw, & D. E. Tutan. (Eds.). The Adaptation of History: Essays on Ways of Telling the Past (pp. 7-23). NC: McFarland. google scholar
  • Rokem, F. (2000). Performing History: Theatrical Representations of the Past in Contemporary Theatre. Iowa City University of Iowa Press. google scholar
  • Spring, M. (2024). ‘How Kate Body-double Conspiracy Theory Spread on Social Media’. BBC News, 19 March 2024, https://www.bbc.co.uk/news/uk-68609361. google scholar
  • Strong. (2019).‘Straight to the Source? Where Adaptations, Artworks, Historical Films, and Novels Connect’. Adaptation: The Journal of Literatüre on Screen Studies, 12(2), 165-184. https://doi.org/10.1093/adaptation/apz020 google scholar
  • Voigts, E. (2017). ‘Memes and Recombinant Appropriation: Remix, Mashup, Parody’. In Thomas Leitch (Ed.). The Oxford Handbook of Adaptation Studies. Oxford Handbooks (online edn, Oxford Academic, 5 Apr. 2017). https://doi.org/10.1093/oxfordhb/9780199331000.013.16. google scholar
  • Weiser, F. (2019). ‘Contextualizing History-as-Adaptation: An Interdisciplinary Comparison of Historical Revisionism’. Adaptation: The Journal of Literature on Screen Studies, 12(2), 105-117. https://doi.org/10.1093/ adaptation/apx009 google scholar
  • Wolf, M. (2023). ‘Matt Wolf on Stage Royals’. The Interview. Theatre programme. Park Theatre. google scholar
Yıl 2024, Cilt: 34 Sayı: 2, 423 - 442, 24.12.2024
https://doi.org/10.26650/LITERA2024-1502312

Öz

Kaynakça

  • Addley, E., Milmo, D., & Roth, A. (2024, March, 20). ‘Where is #katemiddleton?’: Theories on Kate’s Whereabouts Go Global’. The Guardian. Retrieved from https://www.theguardian.com/uk-news/2024/mar/20/where-is-katemiddleton-theories-kate-whereabouts-go-global. google scholar
  • Benzie, R., & Poore, B. (2023). ‘History Plays in the Twenty-First Century: New Tools for Interpreting the Contemporary Performance of the Past. Studies in Theatre and Performance, 1-22. https://doi.Org/10.1080/1 4682761.2023.2266205. google scholar
  • Berninger, M. (2002). ‘Variations of a Genre: The British History Play in the Nineties’. In A. Knapp, E. Otto, G. Stratmann, & M. Tönnes. (Eds.). British Drama of the 1990s, (pp. 37-64). Heidelberg: Universitatsverlag C. Winter. google scholar
  • Bignell, J. (2019). ‘Performing the Identity of the Medium: Adaptation and Television Historiography’. Adaptation: The Journal of Literature on Screen Studies, 12(2), 149-164. https://doi.org/10.1093/adaptation/apz017. google scholar
  • Black, S. R. (2012). ‘The Archontic Holmes: Understanding Adaptations of Arthur Conan Doyle’s Sherlock Holmes Stories in the Context of Jacques Derrida’s “Archive”’. Forum (Edinburgh), 15(15), 1-11. google scholar
  • Bottoms, S. J. (2006). ‘Putting the Document into Documentary: An Unwelcome Corrective?’. TDR: The Drama Review 50, no. 3: 56-68. muse.jhu.edu/article/201925 google scholar
  • Bryant, T. (2024). The Dramaturgy of History. Abingdon: Routledge. google scholar
  • Dessau, B. (2023). ‘Peter Smith’s Diana at Soho Theatre review: New York cabaret star’s show is lost in translation’ Evening Standard 19 July 2023. https://www.standard.co.uk/culture/theatre/peter-smith-s-diana-at-soho-theatre-review-b1095295.html google scholar
  • 17 The photograph, in turn, had been an attempt to quell rumours about the Princess after she had been absent from public engagements for longer than expected. google scholar
  • Edgar, D. (2021). ‘From Stage to Page: The Irresistible Rise of the Published Play’. Backpages 31.1 & 2, Contemporary Theatre Review, 31:1-2, 233-237. DOI: 10.1080/10486801.2021.1878715. google scholar
  • Elliott, K. (2020). Theorizing Adaptation. Oxford: Oxford University Press. google scholar
  • Ilter, S. (2021). Mediatized Dramaturgy: The Evolution of Plays in the Media Age. Bloomsbury Methuen Drama. google scholar
  • The Interview. (2023). Original Theatre. Streamed recording. https://originaltheatre.com/productions/the-interview google scholar
  • Kidnie, M. J. (2009). Shakespeare and the Problem of Adaptation. Abingdon: Routledge. google scholar
  • Lanier, D. (2014). ‘Shakespearean Rhizomatics: Adaptation, Ethics, Value.’ In A. Huang & E. Rivlin. (Eds.). Shakespeare and the Ethics of Appropriation, 21-40. New York: Palgrave. google scholar
  • Lawson, M. (2013). ‘There goes the knighthood! How The Crown blew the palace doors off’. The Guardian 14 November 2023. https://www.theguardian.com/tv-and-radio/2023/nov/14/the-crown-returns-royal-dramas-deference-accuracy-dodi-diana?CMP=Share_AndroidApp_Other. google scholar
  • Leitch, T. (2015). ‘History as Adaptation’. In Hassler-Forest, D. A, & P. Niklas. (Eds.). The Politics of Adaptation: Media Convergence and Ideology (pp. 7-15). Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. google scholar
  • ---. (2018). ‘Not Just the Facts: Adaptation, Illustration and History’. In Cutchinns, D., K. Krebs & E. Voigts (Eds.). The Routledge Companion to Adaptation, 67-79. London: Routledge. google scholar
  • Park Theatre. (2023). The Interview | Audience Reactions. https://www.youtube.com/watch?v=-BEPmd_9LnM . google scholar
  • Poore, B. (2024). The Contemporary History Play: Staging English and American Pasts. London: Bloomsbury Methuen Drama. google scholar
  • Poore, B. (2017). Sherlock Holmes from Screen to Stage: Post-Millennial Adaptations in British Theatre. London: Palgrave. google scholar
  • ‘Q&A with The Interview Writer Jonathan Maitland’. (2023). The Interview. Theatre programme. Park Theatre. google scholar
  • Raw, L., & Tutan, D. E. (2012). ‘Introduction: What Does “Adapting” History Involve?’. In L. Raw, & D. E. Tutan. (Eds.). The Adaptation of History: Essays on Ways of Telling the Past (pp. 7-23). NC: McFarland. google scholar
  • Rokem, F. (2000). Performing History: Theatrical Representations of the Past in Contemporary Theatre. Iowa City University of Iowa Press. google scholar
  • Spring, M. (2024). ‘How Kate Body-double Conspiracy Theory Spread on Social Media’. BBC News, 19 March 2024, https://www.bbc.co.uk/news/uk-68609361. google scholar
  • Strong. (2019).‘Straight to the Source? Where Adaptations, Artworks, Historical Films, and Novels Connect’. Adaptation: The Journal of Literatüre on Screen Studies, 12(2), 165-184. https://doi.org/10.1093/adaptation/apz020 google scholar
  • Voigts, E. (2017). ‘Memes and Recombinant Appropriation: Remix, Mashup, Parody’. In Thomas Leitch (Ed.). The Oxford Handbook of Adaptation Studies. Oxford Handbooks (online edn, Oxford Academic, 5 Apr. 2017). https://doi.org/10.1093/oxfordhb/9780199331000.013.16. google scholar
  • Weiser, F. (2019). ‘Contextualizing History-as-Adaptation: An Interdisciplinary Comparison of Historical Revisionism’. Adaptation: The Journal of Literature on Screen Studies, 12(2), 105-117. https://doi.org/10.1093/ adaptation/apx009 google scholar
  • Wolf, M. (2023). ‘Matt Wolf on Stage Royals’. The Interview. Theatre programme. Park Theatre. google scholar
Toplam 29 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular İngiliz ve İrlanda Dili, Edebiyatı ve Kültürü
Bölüm Araştırma Makaleleri
Yazarlar

Benjamin Poore 0000-0002-2271-9337

Yayımlanma Tarihi 24 Aralık 2024
Gönderilme Tarihi 17 Haziran 2024
Kabul Tarihi 7 Ekim 2024
Yayımlandığı Sayı Yıl 2024 Cilt: 34 Sayı: 2

Kaynak Göster

APA Poore, B. (2024). The Interview and its Intertexts: Staging Princess Diana in a Mediatized Age. Litera: Journal of Language, Literature and Culture Studies, 34(2), 423-442. https://doi.org/10.26650/LITERA2024-1502312
AMA Poore B. The Interview and its Intertexts: Staging Princess Diana in a Mediatized Age. Litera. Aralık 2024;34(2):423-442. doi:10.26650/LITERA2024-1502312
Chicago Poore, Benjamin. “The Interview and Its Intertexts: Staging Princess Diana in a Mediatized Age”. Litera: Journal of Language, Literature and Culture Studies 34, sy. 2 (Aralık 2024): 423-42. https://doi.org/10.26650/LITERA2024-1502312.
EndNote Poore B (01 Aralık 2024) The Interview and its Intertexts: Staging Princess Diana in a Mediatized Age. Litera: Journal of Language, Literature and Culture Studies 34 2 423–442.
IEEE B. Poore, “The Interview and its Intertexts: Staging Princess Diana in a Mediatized Age”, Litera, c. 34, sy. 2, ss. 423–442, 2024, doi: 10.26650/LITERA2024-1502312.
ISNAD Poore, Benjamin. “The Interview and Its Intertexts: Staging Princess Diana in a Mediatized Age”. Litera: Journal of Language, Literature and Culture Studies 34/2 (Aralık 2024), 423-442. https://doi.org/10.26650/LITERA2024-1502312.
JAMA Poore B. The Interview and its Intertexts: Staging Princess Diana in a Mediatized Age. Litera. 2024;34:423–442.
MLA Poore, Benjamin. “The Interview and Its Intertexts: Staging Princess Diana in a Mediatized Age”. Litera: Journal of Language, Literature and Culture Studies, c. 34, sy. 2, 2024, ss. 423-42, doi:10.26650/LITERA2024-1502312.
Vancouver Poore B. The Interview and its Intertexts: Staging Princess Diana in a Mediatized Age. Litera. 2024;34(2):423-42.