Araştırma Makalesi
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Çin’de Müzik ve Ritüel

Yıl 2017, Cilt: 37 Sayı: 2, 195 - 209, 15.12.2017

Öz

Çin’de
müzikle toplum arasındaki ilişki bizzat Çinliler tarafından, daha doğrusu
Çin’in bir takım yazılı kaynaklarında zaten betimlenmiştir. Dolayısıyla biz
doğrudan bu kültürdeki müzik icrasına, özellikle de ses, müzik ve ritüel
arasındaki ilişkiye bakmanın daha verimli olduğunu düşünüyoruz. Çin’deki üç
din, Konfüçyanizm, Daoizm ve Budizm müzik ile ritüel, müzik aletleri ile ritüellerde
kullanılan gereçler arasındaki ayrım da dâhil olmak üzere ortak yönlere
sahiptir ve rekabet içindedir. Diğer yandan müziğin bu farklı dünyaların
birinden diğerine yani ruhani olandan seyirlik olana geçebildiği kabul edilir.

Kaynakça

  • Azera H. (1998). Interview with Shi Xiaojin. Cité de la musique, Paris. Unpublished.
  • Claudel P. (1900). Pagode (1896). Connaissance de l’Est. Paris: Mercure de France. Reprint Gallimard, 1974, 32-33.
  • Demiéville P. (1929-1930). Bombai. Hôbôgirin. Dictionnaire encyclopédique du Bouddhisme…, 1-2. Tokyo: Maison franco-japonaise, 93-113.
  • Gao Yali (1999). Musique, rituel et symbolisme: étude de la pratique musicale dans le rituel Shuilu chez les bouddhistes orthodoxes à Taiwan. Doctoral thesis directed by Mireille Helffer, Université Paris X Nanterre, France).
  • Goethe, J. W. von (1808) Faust. – Eine Tragödie. Tübingen: Cotta’sche Verlagsbuchhandlung.
  • Günzel M. (1994). Die Morgen- und Abendliturgie der chinesischen Buddhisten. Göttingen: Seminar für Indologie und Buddhismuskunde.
  • Hellfer M. (1994). Mchod-rol, les instruments de la musique tibétaine. Paris: CNRS éditions, Editions de la Maison des Sciences de l’Homme.
  • Kongzi孔子 (Confucius), Liji禮經 (Memorial of Rites). In Yu Shinan虞世南 (610). Beitang Shuchao北堂書鈔 (Manuscripts of the North Hall). Trad. Legge J. (1885), ed. The sacred books of China, Volumes 1 – 2, The texts of Confucianism, part IV, Li-ki Book XVII “Yo-ki or Record of music”. Oxford: The Clarendon Press; http://www.sacred-texts.com/cfu/. Tr. Couvreur S. (1950). Mémoires sur les bienséances et les cérémonies. Leiden: Brill Paris: Les Belles lettres.
  • Lam, Joseph S. C. (2011). Music and Masculinities in Late Ming China. Asian Music, 42, 2, 112–134.
  • Lan Zhongrui 藍種瑞 (Ed.) (1845). Wenmiao dingji pu文廟丁祭譜 (Scores for the Spring and Autumn Sacrifices at the Literature Temple). Reprint. Shanghai, 1890
  • Picard, F. (1989). Chine: Fanbai, chant liturgique bouddhique. Leçon du soir au temple de Quanzhou [CD]. Paris: Ocora (recording and notes)
  • Picard, F. (1991). La Musique chinoise. 2nd ed. Paris: You-Feng.
  • Picard, F. (1997). China. Fanbai. Buddhist Liturgical Chant. Hymns to the Three Jewels [CD]. Paris: Ocora (recording and notes)
  • Picard, F. (2003). China: Hymn to Confucius, Fleur de prunus [CD]. Paris: Buda Musique (direction)
  • Picard, F. (2005). Les trois religions chantent d’une même voix. Sanjiao wenxian 三教文獻 Matériaux pour l’étude de la religion chinoise 4: 114-140.
  • Picard, F. (2012). L’Incantation du patriarche Pu’an 普庵祖師神咒 Les avatars du syllabaire sanskrit dans la musique chinoise. Leuven: Peeters/ Bruxelles: Institut Belge des Hautes Études Chinoises.
  • Schipper K. (1985). Vernacular and Classical Ritual in Taoism. The Journal of Asian Studies 45/1: 21–57.
  • Schipper K. (1989). A Study of Buxu (步虛): Taoist liturgical hymn and dance. In Tsao Pen-Yeh & Daniel P. L. Law (Eds.). Studies of Taoist Rituals and Music of Today. Hong Kong: The Society for Ethnomusicological Research in Hong Kong.
  • Schipper K. (1990). Mu-lien plays in Taoist liturgical context. In David Johnson (Ed.). Ritual Opera, Operatic Ritual: “Mu-lien Rescues His Mother” in Chinese Popular Culture. Berkeley, Calif.: Chinese Popular Culture Project: 126-154.
  • Shakespeare W. (1606/1623), Macbeth. In Heminges & Condell (Eds.), Mr. William Shakespeare’s Comedies, Histories, & Tragedies. London: Edward Blount and William & Isaac Jaggard.
  • Taiping jing 太平經. In Wang Ming王明 (ed.) (1985). Taiping jing hejiao太平經合校 (Canon of the Great Peace Era). Beijing: Zhonghua shuju. 1st ed. 1960. 1979. [太平经合校][王明][中华书局1979].pdf http://s.panduoduo.net:81/r/11849338
  • Tian, Q. (1995). China: Fanbai, Liturgical Hymns. Morning Service in Shanghai [CD]. Paris: Ocora (recording and notes)
  • Toqto’a (Ed.) (1346). Song Shi 宋史 (Song History)
  • Wan Y. 萬依, Huang H. 黃海濤 (1985). Qingdai gongting yinyue 清代宮廷音樂 (Music at the Qing Court). Hong-kong: Zhonghua shuju.
  • Yuntao 允祹, Fuheng 傅恒, Zhang T. 張廷玉 (Eds.) (1747). Daqing Huidian欽定大清會典 (Collected statutes of the Qing dynasty). Beijing.
  • Zhang Dexin張德新 (1592). Sanjiao Tongsheng三教同聲. Ningbo, Zhejiang.
  • Zhuhong祩宏 (1600). Zhujing risong諸經日誦 (Daily Rituals). In Yunqi fahui雲棲法彙蓮 (1897). Nanjing: Jingling keqing. Reprint in Lianchi dashi quanji 蓮池大師全集 (1972). Taibei: Zhonghua fo jiao wen hua guan.

Music and Ritual in China

Yıl 2017, Cilt: 37 Sayı: 2, 195 - 209, 15.12.2017

Öz

The relations between music and society in China are already described by the Chinese themselves. Or
better say: by some of the Chinese written sources. It is probably better to look at the practices, and
especially to the relation between sound, music, and ritual. The three religions, Confucianism, Daoism,
and Buddhism, compete and share characteristics, including the differentiation between music and ritual,
musical instruments and ritual instruments. But the music is recognized as being able to move from one
world to another, from spirituality to entertainment.

Kaynakça

  • Azera H. (1998). Interview with Shi Xiaojin. Cité de la musique, Paris. Unpublished.
  • Claudel P. (1900). Pagode (1896). Connaissance de l’Est. Paris: Mercure de France. Reprint Gallimard, 1974, 32-33.
  • Demiéville P. (1929-1930). Bombai. Hôbôgirin. Dictionnaire encyclopédique du Bouddhisme…, 1-2. Tokyo: Maison franco-japonaise, 93-113.
  • Gao Yali (1999). Musique, rituel et symbolisme: étude de la pratique musicale dans le rituel Shuilu chez les bouddhistes orthodoxes à Taiwan. Doctoral thesis directed by Mireille Helffer, Université Paris X Nanterre, France).
  • Goethe, J. W. von (1808) Faust. – Eine Tragödie. Tübingen: Cotta’sche Verlagsbuchhandlung.
  • Günzel M. (1994). Die Morgen- und Abendliturgie der chinesischen Buddhisten. Göttingen: Seminar für Indologie und Buddhismuskunde.
  • Hellfer M. (1994). Mchod-rol, les instruments de la musique tibétaine. Paris: CNRS éditions, Editions de la Maison des Sciences de l’Homme.
  • Kongzi孔子 (Confucius), Liji禮經 (Memorial of Rites). In Yu Shinan虞世南 (610). Beitang Shuchao北堂書鈔 (Manuscripts of the North Hall). Trad. Legge J. (1885), ed. The sacred books of China, Volumes 1 – 2, The texts of Confucianism, part IV, Li-ki Book XVII “Yo-ki or Record of music”. Oxford: The Clarendon Press; http://www.sacred-texts.com/cfu/. Tr. Couvreur S. (1950). Mémoires sur les bienséances et les cérémonies. Leiden: Brill Paris: Les Belles lettres.
  • Lam, Joseph S. C. (2011). Music and Masculinities in Late Ming China. Asian Music, 42, 2, 112–134.
  • Lan Zhongrui 藍種瑞 (Ed.) (1845). Wenmiao dingji pu文廟丁祭譜 (Scores for the Spring and Autumn Sacrifices at the Literature Temple). Reprint. Shanghai, 1890
  • Picard, F. (1989). Chine: Fanbai, chant liturgique bouddhique. Leçon du soir au temple de Quanzhou [CD]. Paris: Ocora (recording and notes)
  • Picard, F. (1991). La Musique chinoise. 2nd ed. Paris: You-Feng.
  • Picard, F. (1997). China. Fanbai. Buddhist Liturgical Chant. Hymns to the Three Jewels [CD]. Paris: Ocora (recording and notes)
  • Picard, F. (2003). China: Hymn to Confucius, Fleur de prunus [CD]. Paris: Buda Musique (direction)
  • Picard, F. (2005). Les trois religions chantent d’une même voix. Sanjiao wenxian 三教文獻 Matériaux pour l’étude de la religion chinoise 4: 114-140.
  • Picard, F. (2012). L’Incantation du patriarche Pu’an 普庵祖師神咒 Les avatars du syllabaire sanskrit dans la musique chinoise. Leuven: Peeters/ Bruxelles: Institut Belge des Hautes Études Chinoises.
  • Schipper K. (1985). Vernacular and Classical Ritual in Taoism. The Journal of Asian Studies 45/1: 21–57.
  • Schipper K. (1989). A Study of Buxu (步虛): Taoist liturgical hymn and dance. In Tsao Pen-Yeh & Daniel P. L. Law (Eds.). Studies of Taoist Rituals and Music of Today. Hong Kong: The Society for Ethnomusicological Research in Hong Kong.
  • Schipper K. (1990). Mu-lien plays in Taoist liturgical context. In David Johnson (Ed.). Ritual Opera, Operatic Ritual: “Mu-lien Rescues His Mother” in Chinese Popular Culture. Berkeley, Calif.: Chinese Popular Culture Project: 126-154.
  • Shakespeare W. (1606/1623), Macbeth. In Heminges & Condell (Eds.), Mr. William Shakespeare’s Comedies, Histories, & Tragedies. London: Edward Blount and William & Isaac Jaggard.
  • Taiping jing 太平經. In Wang Ming王明 (ed.) (1985). Taiping jing hejiao太平經合校 (Canon of the Great Peace Era). Beijing: Zhonghua shuju. 1st ed. 1960. 1979. [太平经合校][王明][中华书局1979].pdf http://s.panduoduo.net:81/r/11849338
  • Tian, Q. (1995). China: Fanbai, Liturgical Hymns. Morning Service in Shanghai [CD]. Paris: Ocora (recording and notes)
  • Toqto’a (Ed.) (1346). Song Shi 宋史 (Song History)
  • Wan Y. 萬依, Huang H. 黃海濤 (1985). Qingdai gongting yinyue 清代宮廷音樂 (Music at the Qing Court). Hong-kong: Zhonghua shuju.
  • Yuntao 允祹, Fuheng 傅恒, Zhang T. 張廷玉 (Eds.) (1747). Daqing Huidian欽定大清會典 (Collected statutes of the Qing dynasty). Beijing.
  • Zhang Dexin張德新 (1592). Sanjiao Tongsheng三教同聲. Ningbo, Zhejiang.
  • Zhuhong祩宏 (1600). Zhujing risong諸經日誦 (Daily Rituals). In Yunqi fahui雲棲法彙蓮 (1897). Nanjing: Jingling keqing. Reprint in Lianchi dashi quanji 蓮池大師全集 (1972). Taibei: Zhonghua fo jiao wen hua guan.
Toplam 27 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Sosyoloji
Bölüm Makaleler
Yazarlar

François Picard Bu kişi benim

Yayımlanma Tarihi 15 Aralık 2017
Yayımlandığı Sayı Yıl 2017 Cilt: 37 Sayı: 2

Kaynak Göster

APA Picard, F. (2017). Music and Ritual in China. İstanbul University Journal of Sociology, 37(2), 195-209.
AMA Picard F. Music and Ritual in China. İstanbul University Journal of Sociology. Aralık 2017;37(2):195-209.
Chicago Picard, François. “Music and Ritual in China”. İstanbul University Journal of Sociology 37, sy. 2 (Aralık 2017): 195-209.
EndNote Picard F (01 Aralık 2017) Music and Ritual in China. İstanbul University Journal of Sociology 37 2 195–209.
IEEE F. Picard, “Music and Ritual in China”, İstanbul University Journal of Sociology, c. 37, sy. 2, ss. 195–209, 2017.
ISNAD Picard, François. “Music and Ritual in China”. İstanbul University Journal of Sociology 37/2 (Aralık 2017), 195-209.
JAMA Picard F. Music and Ritual in China. İstanbul University Journal of Sociology. 2017;37:195–209.
MLA Picard, François. “Music and Ritual in China”. İstanbul University Journal of Sociology, c. 37, sy. 2, 2017, ss. 195-09.
Vancouver Picard F. Music and Ritual in China. İstanbul University Journal of Sociology. 2017;37(2):195-209.