The Mental Image of The City in Turkish Painting of The Metamodernism Era
Öz
In our time, special requirements are put forward for the creation of urban space.
These requirements reflect the transformation processes of the city, which is
a complex socio-cultural object included in the system of global connections.
The design of urban space emerges as the primary reflection of the city and
embodies an understanding of the city’s structure, functional use and aesthetic
form. In H. Lefebvre terminology, space is created according to these concepts.
The works of the artists, for whom the city has become an object of interest,
take on a secondary reflection task. The reality of the modern city calls for the
expression of its definition to be sought. This quest is clearly reflected in the
works of Turkish artist Nuri Kuzucan. Nuri Kuzucan’s works from the two first
decades of the 21st century, provide very clear data on how the ways of speaking
about the city have changed. The artist's work on form in many respects repeats
the search for artists of the last century. Kuzucan's creativity has three periods.
Each of them corresponds to a new concept of the city at the beginning of the
21st century. In this article, it is aimed to examine the languages which are
used to describe the urban culture in the beginning of the 20th century. The
aim of the study, in which an interdisciplinary approach is used, is to examine
the works of the contemporary Turkish artist, Nuri Kuzucan, which show the
transformation process of urban culture in the paradigm of metamodernism. The
methodological basis of the article is the semiotic analysis of the visual object.
Anahtar Kelimeler
Kaynakça
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Ayrıntılar
Birincil Dil
İngilizce
Konular
-
Bölüm
Araştırma Makalesi
Yazarlar
Yaroslava Artemenko
Bu kişi benim
0000-0002-9923-5322
Ukraine
Yayımlanma Tarihi
28 Haziran 2022
Gönderilme Tarihi
15 Ocak 2022
Kabul Tarihi
1 Haziran 2022
Yayımlandığı Sayı
Yıl 2022 Sayı: 31