Araştırma Makalesi

Nuri Bilge Ceylan’s Frames as a Pastiche: Caspar David Friedrich and Ilya Glazunov

Sayı: 33 30 Haziran 2024
PDF İndir
EN TR

Nuri Bilge Ceylan’s Frames as a Pastiche: Caspar David Friedrich and Ilya Glazunov

Öz

In today’s postmodern period, the concept of intertextuality has emerged and been evaluated not only in written and oral texts but also in many other art forms, as opposed to the ancient Russian formers and theorists. The concept has taken on a few new names such as intersemiotics, interpicturality, and intermusicality and is based on the Russian formative and thinker Mikhail Bahtin’s idea of dialogism. This idea argues that a text has a relation with any other text, and this relationship is inevitable. This argument is accepted as a method developed by some 20th-century linguists and thinkers who exploited it to solve the mutual effects between two texts. Similar to transformation, allusion, parody, and collage, pastiche is one of the most important method of intertextuality. It makes use of the formal and stylistic similarities between two texts. It also benefits from additions and subtractions and gains true meaning by exalting and praising the emulated text or the owner of that text. This study will examine the works of Russian painter Ilya Glazunov, who had a significant influence on Nuri Bilge Ceylan’s movie Winter Sleep, and some works by another painter, Caspar David Friedrich, as a pastiche element in some of the director’s photographs and film frames. Even though Ceylan has not said that he emulated these painters, his attitude in the movie Winter Sleep made carrying out this study necessary.

Anahtar Kelimeler

Kaynakça

  1. Aktulum, Kubilay. Parçalılık/Metinlerarasılık. Ankara: Öteki Yayınevi, 2004 google scholar
  2. Baatsch. Henri-Alexis. “Vue imprenable sur Caspar David Friedrich”, Beaux Arts magazine, February, 1991, n° 87. google scholar
  3. Bahtin, Mihail. Karnavaldan Romana: Edebiyat Teorisinden Dil Felsefesine Seçme Yazılar. Translated by Cem Soydemir. İstanbul, Ayrıntı Yayınları, 2001. google scholar
  4. Bakhtine, Mikhaıl. Esthetique et theorie du roman, Paris, Gallimard, 1975 google scholar
  5. Bausman, Charles. “A Conservative Russian Lion With Real Mass Influence - The Painter Ilya Glazunov.” March, 2019. https://russia-insider.com/en/culture/conservative-russian-lion-real-mass-influence-painter-ilya-glazunov/ri15339 google scholar
  6. Gorra, Michael Edward. The Bells in Their Silence. Princeton University Press, 2004. google scholar
  7. Henri-Alexis Baatsch, “Vue imprenable sur Caspar David Friedrich”. Beaux Arts magazine, 1991, n° 87 (fevrier) google scholar
  8. Jameson, Frederic. Postmodernism, or, The Cultural Logic of Late Capitalism. Durham, Duke University Press, 1991. google scholar

Ayrıntılar

Birincil Dil

İngilizce

Konular

Görsel Kültür

Bölüm

Araştırma Makalesi

Yayımlanma Tarihi

30 Haziran 2024

Gönderilme Tarihi

2 Kasım 2023

Kabul Tarihi

3 Haziran 2024

Yayımlandığı Sayı

Yıl 2024 Sayı: 33

Kaynak Göster

APA
Körük, T. (2024). Nuri Bilge Ceylan’s Frames as a Pastiche: Caspar David Friedrich and Ilya Glazunov. Sanat Tarihi Yıllığı, 33, 145-170. https://doi.org/10.26650/sty.2024.1385003
AMA
1.Körük T. Nuri Bilge Ceylan’s Frames as a Pastiche: Caspar David Friedrich and Ilya Glazunov. Sanat Tarihi Yıllığı. 2024;(33):145-170. doi:10.26650/sty.2024.1385003
Chicago
Körük, Türker. 2024. “Nuri Bilge Ceylan’s Frames as a Pastiche: Caspar David Friedrich and Ilya Glazunov”. Sanat Tarihi Yıllığı, sy 33: 145-70. https://doi.org/10.26650/sty.2024.1385003.
EndNote
Körük T (01 Haziran 2024) Nuri Bilge Ceylan’s Frames as a Pastiche: Caspar David Friedrich and Ilya Glazunov. Sanat Tarihi Yıllığı 33 145–170.
IEEE
[1]T. Körük, “Nuri Bilge Ceylan’s Frames as a Pastiche: Caspar David Friedrich and Ilya Glazunov”, Sanat Tarihi Yıllığı, sy 33, ss. 145–170, Haz. 2024, doi: 10.26650/sty.2024.1385003.
ISNAD
Körük, Türker. “Nuri Bilge Ceylan’s Frames as a Pastiche: Caspar David Friedrich and Ilya Glazunov”. Sanat Tarihi Yıllığı. 33 (01 Haziran 2024): 145-170. https://doi.org/10.26650/sty.2024.1385003.
JAMA
1.Körük T. Nuri Bilge Ceylan’s Frames as a Pastiche: Caspar David Friedrich and Ilya Glazunov. Sanat Tarihi Yıllığı. 2024;:145–170.
MLA
Körük, Türker. “Nuri Bilge Ceylan’s Frames as a Pastiche: Caspar David Friedrich and Ilya Glazunov”. Sanat Tarihi Yıllığı, sy 33, Haziran 2024, ss. 145-70, doi:10.26650/sty.2024.1385003.
Vancouver
1.Türker Körük. Nuri Bilge Ceylan’s Frames as a Pastiche: Caspar David Friedrich and Ilya Glazunov. Sanat Tarihi Yıllığı. 01 Haziran 2024;(33):145-70. doi:10.26650/sty.2024.1385003