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MUSIC, POLITICS & PHILOSOPHY; HOW MUSIC IS PERCEIVED AS A POLITICAL TOOL

Sayı: 1 28 Eylül 2024
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MUSIC, POLITICS & PHILOSOPHY; HOW MUSIC IS PERCEIVED AS A POLITICAL TOOL

Bu makalenin ilk hali 4 Nisan 2022 tarihinde yayımlandı. https://dergipark.org.tr/tr/pub/japss/article/1090338

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Yazar tarafından gönderilen düzeltme talebi: "The article named “MUSIC, POLITICS & PHILOSOPHY; HOW MUSIC IS PERCEIVED AS A POLITICAL TOOL” has been one of our first work as academic researchers. After publishing with your journal, we received corrections for the already published article. At first we thought these corrections were a few until we realised they were a lot. Unfortunately, these errors could deter readers from reading the article and subsequently other articles written by us due to their experience with reading this article of ours. We hereby humbly request that the already published article be republished, this time, the corrected version which is attached to this letter. Looking forward to hearing from you. Thank you."

Öz

Music is used by politicians as means to reach the masses by conveying succinctly their message and boosting their images. The state also uses music to preserve some of its memories as well. However, music and musicians have suffered at the hands of politicians when the music turns to criticize politicians or the standard norms in the state or society. Thus, Music can be either an ideological tool in the hands of the state or a symbol of critique that incurs state oppression. Historically, different examples show how important role music can play in the dissolution and collapse of a political organization as well as its establishment and construction. From Plato, More, Campanella to Khomeini, philosophers, thinkers, rulers, and politicians mention the significance of music in statehood. In this study, it is argued that this view can be seen as a projection of totalitarian thought within the historical line mentioned. In this context, although music is seen as a harmless act that is essentially non-political, depending on the preference of the individual or group, and a harmless act that is not inherently political, some thinkers consider it a disruptive act that can disrupt the social order and harmony, and encourage people's indifference or disobedience to political power, or even rebellion, therefore, it is perceived as a phenomenon that should be controlled and censored.

Anahtar Kelimeler

Kaynakça

  1. Barker, A. (1984), Greek musical writings, volume I: The musician and his art. Great Britain: Cambridge University Press.
  2. Britannica Encyclopaedia (2021). “Totalitarianism. Encyclopedia Britannica”. Retrieved from https://www.britannica.com/topic/totalitarianism
  3. Campanella, T. (2001), The City of the Sun Perlego. https://www.perlego.com/book/1815866/the-city-of-the-sun-pdf (Original work published 2001)
  4. Cole, T. (2010), “You Ask, We Answer: 'Parental Advisory' Labels — The Criteria and The History”. Retrieved from https://www.npr.org/sections/therecord/2010/10/29/130905176/you-ask-we-answer-parental-advisory---why-when-how
  5. Eisler, H. (1978), A rebel in music: Selected writings. New York: International Publishers.
  6. Frederick, S. (1983), Red & Hot: The Fate of Jazz in the Soviet Union. London: Oxford University Press.
  7. Gary, S. (2000), Rumba on the River: A History of the Popular Music of Two Congos. London: Verso.
  8. Henderson, M. I. (1957). Ancient Greek Music. London: Oxford University Press.

Ayrıntılar

Birincil Dil

İngilizce

Konular

Felsefe, Siyaset Bilimi

Bölüm

Düzeltme

Yayımlanma Tarihi

28 Eylül 2024

Gönderilme Tarihi

19 Mart 2022

Kabul Tarihi

25 Mart 2022

Yayımlandığı Sayı

Yıl 2024 Sayı: 1

Kaynak Göster

APA
Abubakar Siddique, H., & Sidal, S. (2024). MUSIC, POLITICS & PHILOSOPHY; HOW MUSIC IS PERCEIVED AS A POLITICAL TOOL. Journal of Academic Perspective on Social Studies, 1, 49-59. https://izlik.org/JA62CK42CK
AMA
1.Abubakar Siddique H, Sidal S. MUSIC, POLITICS & PHILOSOPHY; HOW MUSIC IS PERCEIVED AS A POLITICAL TOOL. Journal of Academic Perspective on Social Studies. 2024;(1):49-59. https://izlik.org/JA62CK42CK
Chicago
Abubakar Siddique, Harun, ve Süleyman Sidal. 2024. “MUSIC, POLITICS & PHILOSOPHY; HOW MUSIC IS PERCEIVED AS A POLITICAL TOOL”. Journal of Academic Perspective on Social Studies, sy 1: 49-59. https://izlik.org/JA62CK42CK.
EndNote
Abubakar Siddique H, Sidal S (01 Eylül 2024) MUSIC, POLITICS & PHILOSOPHY; HOW MUSIC IS PERCEIVED AS A POLITICAL TOOL. Journal of Academic Perspective on Social Studies 1 49–59.
IEEE
[1]H. Abubakar Siddique ve S. Sidal, “MUSIC, POLITICS & PHILOSOPHY; HOW MUSIC IS PERCEIVED AS A POLITICAL TOOL”, Journal of Academic Perspective on Social Studies, sy 1, ss. 49–59, Eyl. 2024, [çevrimiçi]. Erişim adresi: https://izlik.org/JA62CK42CK
ISNAD
Abubakar Siddique, Harun - Sidal, Süleyman. “MUSIC, POLITICS & PHILOSOPHY; HOW MUSIC IS PERCEIVED AS A POLITICAL TOOL”. Journal of Academic Perspective on Social Studies. 1 (01 Eylül 2024): 49-59. https://izlik.org/JA62CK42CK.
JAMA
1.Abubakar Siddique H, Sidal S. MUSIC, POLITICS & PHILOSOPHY; HOW MUSIC IS PERCEIVED AS A POLITICAL TOOL. Journal of Academic Perspective on Social Studies. 2024;:49–59.
MLA
Abubakar Siddique, Harun, ve Süleyman Sidal. “MUSIC, POLITICS & PHILOSOPHY; HOW MUSIC IS PERCEIVED AS A POLITICAL TOOL”. Journal of Academic Perspective on Social Studies, sy 1, Eylül 2024, ss. 49-59, https://izlik.org/JA62CK42CK.
Vancouver
1.Harun Abubakar Siddique, Süleyman Sidal. MUSIC, POLITICS & PHILOSOPHY; HOW MUSIC IS PERCEIVED AS A POLITICAL TOOL. Journal of Academic Perspective on Social Studies [Internet]. 01 Eylül 2024;(1):49-5. Erişim adresi: https://izlik.org/JA62CK42CK