WHAT’S IN A NAME? EXPERIMENT ON THE AESTHETIC JUDGMENTS OF ART PRODUCED BY ARTIFICIAL INTELLIGENCE
Abstract
Keywords
Kaynakça
- ALVAREZ, S., WINNER, E., HAWLEY-DOLAN, A. and SNAPPER, L. (2015). What Gaze Fixation and Pupil Dilation Can Tell Us About Perceived Differences Between Abstract Art by Artists Versus by Children and Animals. Perception, 44(11), pp.1310-1331.
- BELKE, B., LEDER, H., STROBACH, T. and CARBON, C.C., (2010). Cognitive fluency: High-level processing dynamics in art appreciation. Psychology of Aesthetics, Creativity, and the Arts, 4(4), p.214.
- BERLYNE, D. (1960). Conflict, arousal, and curiosity. New York, NY: McGraw-Hill.
- BERLYNE, D.E., (1967). Arousal and reinforcement. In: D. Levine, (ed.), Nebraska symposium on motivation. Lincoln, NE: University of Nebraska Press.
- BERLYNE, D. (1971). Aesthetics and psychobiology. New York: Appleton-Century-Crofts.
- BERLYNE, D.E. (ed.), (1974). Studies in the new experimental aesthetics. Washington: Hemisphere.
- BERLYNE, D.E. and OGILVIE, J.C., (1974). Dimensions of perception of paintings. Studies in the new experimental aesthetics, pp.181-226.
- BUBIĆ, A., SUŠAC, A. and PALMOVIĆ, M., (2016). Observing individuals viewing art: The effects of titles on viewers’ eye-movement profiles. Empirical Studies of the Arts, 35(2), pp.194-213.
Ayrıntılar
Birincil Dil
İngilizce
Konular
-
Bölüm
Araştırma Makalesi
Yazarlar
Khalil Israfılzade
0000-0001-8228-4024
Lithuania
Yayımlanma Tarihi
16 Mayıs 2020
Gönderilme Tarihi
2 Şubat 2020
Kabul Tarihi
13 Mayıs 2020
Yayımlandığı Sayı
Yıl 2020 Cilt: 3 Sayı: 2