Araştırma Makalesi

WHAT’S IN A NAME? EXPERIMENT ON THE AESTHETIC JUDGMENTS OF ART PRODUCED BY ARTIFICIAL INTELLIGENCE

Cilt: 3 Sayı: 2 16 Mayıs 2020
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WHAT’S IN A NAME? EXPERIMENT ON THE AESTHETIC JUDGMENTS OF ART PRODUCED BY ARTIFICIAL INTELLIGENCE

Abstract

We conducted an experiment to explore the effect on aesthetic judgments influenced by the presence and awareness of the title of the abstract paintings produced by Artificial Intelligence. Fifty-two participants (52 students from the Faculty of Fine Arts) were randomly signed into control and experimental groups. Participants of the control group were asked to rate five abstract paintings created by various artists, while the experimental group also rated the same paintings only differing in the names of the author that they were made by Artificial Intelligence. Consequently, in our research, we adopted Berlyne's psychobiological theory, which focuses on the role of arousal as one of the primary determinants of aesthetic preference. The results suggest that the name of AI on title can function as a novelty and surprising reference to denote performance for our visual arts perception despite the fact that it is not created by AI. However, “complexity,” “interestingness,” and “ambiguity” variables didn’t show any statistic significant. These findings extend past research by demonstrating that title presentation affects the perception of abstract art by the participants.

Keywords

Kaynakça

  1. ALVAREZ, S., WINNER, E., HAWLEY-DOLAN, A. and SNAPPER, L. (2015). What Gaze Fixation and Pupil Dilation Can Tell Us About Perceived Differences Between Abstract Art by Artists Versus by Children and Animals. Perception, 44(11), pp.1310-1331.
  2. BELKE, B., LEDER, H., STROBACH, T. and CARBON, C.C., (2010). Cognitive fluency: High-level processing dynamics in art appreciation. Psychology of Aesthetics, Creativity, and the Arts, 4(4), p.214.
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  4. BERLYNE, D.E., (1967). Arousal and reinforcement. In: D. Levine, (ed.), Nebraska symposium on motivation. Lincoln, NE: University of Nebraska Press.
  5. BERLYNE, D. (1971). Aesthetics and psychobiology. New York: Appleton-Century-Crofts.
  6. BERLYNE, D.E. (ed.), (1974). Studies in the new experimental aesthetics. Washington: Hemisphere.
  7. BERLYNE, D.E. and OGILVIE, J.C., (1974). Dimensions of perception of paintings. Studies in the new experimental aesthetics, pp.181-226.
  8. BUBIĆ, A., SUŠAC, A. and PALMOVIĆ, M., (2016). Observing individuals viewing art: The effects of titles on viewers’ eye-movement profiles. Empirical Studies of the Arts, 35(2), pp.194-213.

Ayrıntılar

Birincil Dil

İngilizce

Konular

-

Bölüm

Araştırma Makalesi

Yayımlanma Tarihi

16 Mayıs 2020

Gönderilme Tarihi

2 Şubat 2020

Kabul Tarihi

13 Mayıs 2020

Yayımlandığı Sayı

Yıl 2020 Cilt: 3 Sayı: 2

Kaynak Göster

APA
Israfılzade, K. (2020). WHAT’S IN A NAME? EXPERIMENT ON THE AESTHETIC JUDGMENTS OF ART PRODUCED BY ARTIFICIAL INTELLIGENCE. Journal of Arts, 3(2), 143-158. https://doi.org/10.31566/arts.3.011