Interactive and Chronological Museum Practices: The Case of the Igor Savitsky State Museum of Arts of Karakalpakstan

Yıl 2025, Cilt: 7, 174 - 178, 31.12.2025

Oktyabr Dospanov

https://doi.org/10.51637/jimuseumed.1755485

Öz

In recent years, considerable global attention has been devoted to the development and implementation of innovative methods for exhibiting museum collections. A particularly prominent issue is the integration of advanced technologies and the use of interactive display techniques. At the same time, in the academic study of historical and ethnographic collections, comparative and chronological analysis plays a crucial role. This approach synthesizes available materials within a temporal framework, enabling researchers to trace the complex processes of urbanization among different peoples. The Igor Savitsky State Museum of Art in the Republic of Karakalpakstan exemplifies this methodology. Through its practical approaches, the author aims to highlight one of the key aspects of shaping modern museums—namely, the synthesis of archaeological and ethnographic artifacts within a cohesive curatorial narrative.

Anahtar Kelimeler

Museum , archaeology , ethnography , exhibition , synthesis of artifacts , Turkic peoples.

Interactive and Chronological Museum Practices: The Case of the Igor Savitsky State Museum of Arts of Karakalpakstan

Öz

The article explores the developmentof the Karakalpak ethnocultural tradition as a complex, multi-layered process shaped by socio-economic transformations and long-term interaction with the cultural systems of the Eurasian steppe. Using a comparative analysis of archaeological and ethnographic sources, the study identifies stable symbolic structures that have persisted in Karakalpak material culture over centuries. Special attention is given to zoomorphic and cosmological motifs—particularly fish, horns, and the S-shaped sign—whose transformations reflect changes in lifestyle, economic practices, and artistic traditions. From the sixteenth century onward, the Karakalpaks gradually adopted a semi-sedentary lifestylethat combined livestock breeding, fishing, and agriculture. Within this context, fish symbolism maintained a distinct mythopoetic significance closely connected to the environmental conditions of the lower Syr Darya and Amu Darya deltas, where fishing played a central role in cultural identity. Comparative analysis of Karakalpak ornamental complexes alongside those of other ethnogenetic layers—such as Saka-Massagetae, Alano-Sarmatian, Oghuz, Ancient Nogai, and Ural-Yembi—reveals shared symbolic forms. However, Karakalpaks are distinguished by a strong concentration of aquatic motifs integrated into a coherent cosmological system. Artefacts, including metal mirrors, ceramics, and fishing tools, demonstrate the continuity of magical and protective symbolism, while horned and cross-shaped motifs acquire shamanic and ritual meanings. The S-shaped sign functions as a universal symbol linking ancient cosmological models with contemporary decorative traditions, highlighting the continuity of cultural memory and identity.

Anahtar Kelimeler

Karakalpakstan , art museum , archeology , ethnography , right-bank Khorezm

Kaynakça

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