Araştırma Makalesi

China Sings and Dances Makossa: Liu du Kamer’s Oeuvre as Cultural Appropriation and Chinese “Invasion” into Cameroonian Cultural Terrain

Sayı: Advanced Online Publication Erken Görünüm Tarihi: 21 Mayıs 2026
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China Sings and Dances Makossa: Liu du Kamer’s Oeuvre as Cultural Appropriation and Chinese “Invasion” into Cameroonian Cultural Terrain

Öz

Since its creation in the 1950s, Makossa (a popular Cameroonian music genre) has remarkably been revolutionised thanks to both endogenous and exogenous contemporary influences. One of these exogenous influences derives from Zhen Ping’s creativity. Also known as Liu du Kamer, Zhen Ping is a Chinese national who migrated to Cameroon in 1996, developed a passion for Makossa music production, pursued a brief musical career, and unfortunately died in 2006, a few years after launching his musical career. Through various techniques of music appropriation, Liu gave a Chinese touch to Makossa. He rethought the music genre and developed new dance techniques. His musical works constitute a relevant corpus for any theorisation of the archetype of Cameroonian and Chinese music. Although extraordinary and interesting, Liu’s appropriation of Makossa has not attracted the attention of either Cameroonian or non-Cameroonian scholars. Only a few (online) newspapers and magazines have dwelled on the artiste’s motivations and philosophy of the arts. In view of filling this gap in knowledge, the present descriptive study examines the nature, meaning and socio-political value of Liu’s musical oeuvre in a context of Sino-pessimism in Cameroon. Using secondary sources and critical observations, the paper pursues three principal objectives: first, it examines Liu’s oeuvre as a new aesthetic in the Makossa tradition. Second, it analyses Liu’s contribution to the development of the Makossa genre through the two cultural theories of appreciation and appropriation. Finally, the paper analyses Liu’s musical oeuvre vis-a-vis anti-China sentiments in Cameroon. It argues that, although key to the reinvention of Makossa, Liu’s musical oeuvre is visibly undermined thanks partly to China’s image crisis in Cameroon.     

Anahtar Kelimeler

Kaynakça

  1. Adem, S. (2013, November 18–19). Decoding the discourse on China in Africa [Conference paper]. Making Sense of the China-Africa Relationship: Theoretical Approaches and the Politics of Knowledge, Yale University, New Haven, CT, United States. Social Science Research Council. https://china-africa.ssrc.org/wp-content/uploads/2014/11/Adem-Final.pdf
  2. Adem, S. (2016). Sino-optimism in Africa. African Studies Quarterly, 16(3–4), 7–16. https://asq.africa.ufl.edu/files/v16i3a2.pdf
  3. Amin, J. A. (2015). Sino-Cameroon relations: A foreign policy of pragmatism. African Studies Review, 58(3), 171–189. https://doi.org/10.1017/asr.2015.72
  4. Ansari, M. R., Rahim, K., Bhoje, R., & Bhosale, S. (2022). A study on research design and its types. International Research Journal of Engineering and Technology, 9(7), 1132–1135.
  5. Arya, R. (2021). Cultural appropriation: What it is and why it matters? Sociology Compass, 15(10), Article e12923. https://doi.org/10.1111/soc4.12923
  6. Askada Image. (n.d.). Video post [Video with photograph]. Facebook. Retrieved May 21, 2026, from https://web.facebook.com/watch/?v=1131691992224400
  7. Aterianus-Owanga, A. (2023). Transnational sharedness: Social dynamics of circulation and appropriation in “global” music genres. Music Research Annual, 4, 1–28. https://doi.org/10.48336/13dp-mx3
  8. Bécache, J.-D. (Director). (2009). Fièvre jaune [Film]. French Connection Films.

Ayrıntılar

Birincil Dil

İngilizce

Konular

Müzik Antropolojisi, Sosyal ve Kültürel Antropoloji (Diğer), Müzik Sosyolojisi

Bölüm

Araştırma Makalesi

Erken Görünüm Tarihi

21 Mayıs 2026

Yayımlanma Tarihi

-

Gönderilme Tarihi

18 Aralık 2025

Kabul Tarihi

20 Mayıs 2026

Yayımlandığı Sayı

Yıl 2026 Sayı: Advanced Online Publication

Kaynak Göster

APA
Endong, F. P. C. (2026). China Sings and Dances Makossa: Liu du Kamer’s Oeuvre as Cultural Appropriation and Chinese “Invasion” into Cameroonian Cultural Terrain. Journal of Music and Folklore Studies, Advanced Online Publication, 98-110. https://doi.org/10.65692/jmfs.1844680
AMA
1.Endong FPC. China Sings and Dances Makossa: Liu du Kamer’s Oeuvre as Cultural Appropriation and Chinese “Invasion” into Cameroonian Cultural Terrain. JMFS. 2026;(Advanced Online Publication):98-110. doi:10.65692/jmfs.1844680
Chicago
Endong, Floribert Patrick C. 2026. “China Sings and Dances Makossa: Liu du Kamer’s Oeuvre as Cultural Appropriation and Chinese ‘Invasion’ into Cameroonian Cultural Terrain”. Journal of Music and Folklore Studies, sy Advanced Online Publication: 98-110. https://doi.org/10.65692/jmfs.1844680.
EndNote
Endong FPC (01 Mayıs 2026) China Sings and Dances Makossa: Liu du Kamer’s Oeuvre as Cultural Appropriation and Chinese “Invasion” into Cameroonian Cultural Terrain. Journal of Music and Folklore Studies Advanced Online Publication 98–110.
IEEE
[1]F. P. C. Endong, “China Sings and Dances Makossa: Liu du Kamer’s Oeuvre as Cultural Appropriation and Chinese ‘Invasion’ into Cameroonian Cultural Terrain”, JMFS, sy Advanced Online Publication, ss. 98–110, May. 2026, doi: 10.65692/jmfs.1844680.
ISNAD
Endong, Floribert Patrick C. “China Sings and Dances Makossa: Liu du Kamer’s Oeuvre as Cultural Appropriation and Chinese ‘Invasion’ into Cameroonian Cultural Terrain”. Journal of Music and Folklore Studies. Advanced Online Publication (01 Mayıs 2026): 98-110. https://doi.org/10.65692/jmfs.1844680.
JAMA
1.Endong FPC. China Sings and Dances Makossa: Liu du Kamer’s Oeuvre as Cultural Appropriation and Chinese “Invasion” into Cameroonian Cultural Terrain. JMFS. 2026;:98–110.
MLA
Endong, Floribert Patrick C. “China Sings and Dances Makossa: Liu du Kamer’s Oeuvre as Cultural Appropriation and Chinese ‘Invasion’ into Cameroonian Cultural Terrain”. Journal of Music and Folklore Studies, sy Advanced Online Publication, Mayıs 2026, ss. 98-110, doi:10.65692/jmfs.1844680.
Vancouver
1.Floribert Patrick C. Endong. China Sings and Dances Makossa: Liu du Kamer’s Oeuvre as Cultural Appropriation and Chinese “Invasion” into Cameroonian Cultural Terrain. JMFS. 01 Mayıs 2026;(Advanced Online Publication):98-110. doi:10.65692/jmfs.1844680

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