Mapping the Sacred: The Mosaic Meanders in the Narthexes of the Chora Church / Kariye Cami in İstanbul

Öz

Meanders and swastikas, often interpreted as medieval metaphors for the journey of earthly life, form an intricate narrative within the Chora Church (Kariye Cami) mosaics. These visual labyrinths, with their interwoven geometries, serve as symbolic pathways, suggesting both the trials of earthly life and the divine guidance leading toward salvation. This study focuses on the significant role of the swastika motif within the Chora Church’s mosaic program, exploring its layered symbolism. A detailed analysis of its strategic placement within the labyrinthine compositions, particularly in the mosaics above the Deesis and in the exonarthex vault, reveals its role as a spiritual guide. Furthermore, this article examines the gamma-shaped meander patterns, particularly those above the Infancy Cycle, highlighting their stylistic features and contribution to the overall narrative. By considering the mosaic technique, including the use of opus vermiculatum, gold tesserae, and vibrant colour palettes, the study demonstrates how Theodore Metochites’ appreciation for artistic craftsmanship enhances the spiritual impact of these intricate designs, offering a unique perspective on Late Byzantine visual art.

Anahtar Kelimeler

• Khora Kilisesi
• Kariye Cami
• mozaik
• labirent
• gamalı haç
• narteks
• Bizans sanatı.

Kutsalın Haritasını Çıkarmak: İstanbul’daki Kariye Cami / Chora Kilisesi’nin Nartekslerindeki Meander Mozaikleri

Öz

Meanderler ve svastikalar, genellikle dünyevi hayatın yolculuğunu sembolize eden Orta Çağ metaforları olarak yorumlanır, Kariye Kilisesi (Kariye Cami) mozaiklerinde karmaşık bir anlatı oluşturur. Bu görsel labirentler, iç içe geçmiş geometrileriyle sembolik yollar sunar ve dünyevi hayatın zorluklarını ve ilahi rehberliğin kurtuluşa giden yolunu gösterir. Bu çalışma, Kariye Cami’nin mozaik programındaki svastika motifinin önemli rolünü inceler ve onun katmanlı sembolizmini araştırır. Labirent şeklindeki kompozisyonlar içindeki, özellikle Deesis’in üzerindeki ve eksonarteks kubbesindeki mozaiklerdeki stratejik yerleşimi, onun manevi bir rehber olarak rolünü ortaya koyar. Ayrıca, özellikle İsa’nın Çocukluk Döngüsü mozaiklerinin üzerindeki gama şeklindeki meander desenlerinin stilistik özelliklerini ve genel anlatıya katkılarını inceler. Mozaik tekniğini, opus vermiculatum, altın tesseralar ve canlı renk paletlerini de ele alarak, bu çalışma, Theodoros Metokhites’in sanatsal ustalığa verdiği değerin, bu karmaşık tasarımların ruhani etkisini nasıl artırdığını gösterir ve Geç Bizans görsel sanatına benzersiz bir bakış açısı sunar.

Anahtar Kelimeler

• Khora Kilisesi
• Kariye Cami
• mozaik
• labirent
• gamalı haç
• narteks
• Bizans sanatı.

Kaynakça

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