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Dionysiak Eros mu, Erotik Dionysos mu? Napoli Müzesi’ndeki Bacchus Mozaiğindeki Melezleşmenin Kaynakları ve Anlamları

Yıl 2021, Sayı: 14, 289 - 300, 30.11.2021
https://doi.org/10.26658/jmr.1014566

Öz

Napoli’deki Arkeoloji Müzesi’nde sergilenen muhteşem mozaik, iki esrarengiz melez görüntü sunmaktadır: Kaplan ve aslandan oluşan bir kedi ve hem Dionysos hem de Eros’un özelliklerini birleştiren bir figür. Bu çalışma, Napoli Müzesi mozaiğinde sunulduğu şekliyle Roma dünyasının bu iki güçlü tanrısı Dionysos ve Eros’un melezleşmesini çözmeyi amaçlamaktadır. Ana varsayım, bu iki tanrıyı birbirine bağlayan iki özelliğin olmasıdır: Delilik ve İlahi olan ile birleşme yanılsaması. Klasik edebi ve felsefi kaynakların incelenmesiyle ortaya konduğu üzere, iki tanrının melezleştirilmesi, her ikisinin de aşkınlık tanrıları olarak rollerinin önemini güçlendiriyor gibi görünmektedir.

Kaynakça

  • Blanchard-Lemée et al. 1996 M. Blanchard-Lemée - M. Ennaïfer – H. Slim – L. Slim, Mosaics of Roman Africa: Floor Mosaics from Tunisia, New York.
  • Blázquez 1984 J. M. Blázquez, “Mosaicos báquicos en la Península Ibérica”, AEspA 57, 69-96.
  • Bordoy 2013 C. F. Bordoy, “Dionysian Enthusiasm in Plato”, A. Bernabe - M. H. De Jauregui - M. Herrero, A. I. Jimenez San Cristobal - R. M. Hernandez (eds.), Redefining Dionysos, Berlin; Boston, 386-400.
  • Benjamin 1900 J. Benjamin (trans.), The Dialogues of Plato, New York.
  • Cherry 2003 J. Cherry, Mythical Beasts, San Francisco.
  • Clarke 2003 J. Clarke, Roman Sex, 100 B.C.-A.D. 250, New York.
  • Cohen 1996 A. Cohen, “Portrayals of Abduction in Greek Art: Rape or Metaphor?”, N. B. Kampen (ed.), Sexuality in Ancient Art: Near East, Egypt, Greece, and Italy, Cambridge, 117-135.
  • Cook 1972 R. M. Cook, Greek Painted Pottery, London.
  • Cooper 1997 J. M. Cooper (ed.), Plato: Complete Works, Indianapolis/Cambridge.
  • Davenport 1964 G. Davenport (trans.), Carmina Archilochi: the Fragments of Archilochos, Berkeley and Los Angeles.
  • Dettienne 1981 M. Dettienne, “Between Beasts and Gods”, R. L. Gordon (ed.), Myth, Religion and Society: Structuralist Essays by M. Detienne, L. Gernet, J.-P. Vernant and P. Vidal-Nacquet, Cambridge, 215-228.
  • Dunbabin 1999 K. M. D. Dunbabin, Mosaics of the Greek and Roman World, Cambridge.
  • Durand et al. 1989 J. L. Durand - F. Frotisi-Ducroux - F. Lissarague, “Wine: Human and Divine”, C. Berard (ed.), A City of Images: Iconography and Society in Ancient Greece, Princeton, 121-130.
  • Elsner 2007 J. Elsner, “Viewing Ariadne: From Ekphrasis to Wall Painting in the Roman World”, ClPhil 102/1, 20-44.
  • Frontisi-Ducroux 1989 F. Frontisi-Ducroux, “In the Mirror of the Mask”, C. Berard (ed.), A City of Images: Iconography and Society in Ancient Greece, Princeton, 151-165.
  • Hedreen 2000 G. Hedreen, “‘I Let Go My Force Just Touching Her Hair’: Male Sexuality in Athenian Vase-Paintings of Silens in Iambic Poetry”, ClAnt 25, 277-325.
  • Hendesron 1996 J. Hendesron, “Footnote: Representation in the Villa of the Mysteries”, J. Elsner (ed.), Art and Text in Roman Culture, Cambridge, 235-276.
  • Jacome 2013 P. M. Jacome, “Bacchus and Felines in Roman Iconography: Issues of Gender and Species”, A. Bernabe - M. H. de Jauregui - A. I. Jimenez San Cristobal - R. M. Hernandez (eds.), Redefining Dionysos, Berlin, Boston, 526-540.
  • Kaempf-Dimitriadou 1979 S. Kaempf-Dimitriadou, Die Liebe der Gotter in der attischen Kunst des 5. Jahrhunderts v. Chr., Bern.
  • Kerenyi 1996 K. Kerenyi, Dionysus: Archetypal Image of Indestructible Life, Princeton N. J.
  • Keuls 1993 E. Keuls, The Reign of the Phallus - Sexual Politics in Ancient Athens, Berkeley.
  • Ling 1998 R. Ling, Ancient Mosaics, Princeton N. J. Lissarague 1990 F. Lissarague, “The Sexual Life of Satyrs”, D. M. Halperin - J. J. Winkler - F. I. Zeitlin (eds.), Before Sexuality: the Construction of Erotic Experience in the Ancient Greek World, Princeton N.J, 53-82.
  • Lissarague 1992 F. Lissarague, The Aesthetics of the Greek Banquet: Images of Wine and Ritual, Princeton.
  • Lonsdale 1993 S. Lonsdale, Dance and Ritual Play in Greek Religion, Baltimore.
  • Loraux 1986 N. Loraux, The Invention of Athens – The Funeral Oration in the Classical City, Cambridge Mass.
  • Maiuri 1953 M. Amadeo, Roman Painting, Geneva.
  • McNally 1985 S. McNally, “Ariadne and Others: Images of Sleep in Greek and Early Roman Art”, ClAnt 4/2, 152-192.
  • Meyer 1987 M. W. Meyer, The Ancient Mysteries: A Sourcebook, San Francisco.
  • Monteagudo 2012 G. L. Monteagudo, “La Ensoñación de la Guerra. Amazonas y Centauros”, L. Neira (ed.), Civilización y Barbarie: el Mito como Argumento en los Mosaicos Romanos, El Boalo, 53-68.
  • Mourão 2010 C. Mourão, AVTEM NON SVNT RERVM NATVRA. Figurações heteromórficas em mosaicos hispano-romanos, Lisboa.
  • Mourão 2013 C. Mourão, “Las Bodas Místicas del Cuerpo y el Alma: Cupido y Psique en los Mosaicos Romanos”, L. Neira (ed.), Desnuso y Cultura: La Construcción del Cuerpo en los Mosaicos Romanos La Construcción del Cuerpo en los Mosaicos Romanos, El Boalo, 59-80.
  • Nilsson 1975 M. P. Nilsson, The Dionysiac Mysteries of the Hellenistic and Roman Age, New York.
  • Otero 2013 S. M. Otero, “The Image of Dionysos in Euripides‘ Bacchae: The God and his Epiphanies”, A. Bernabe - M. H. de Jauregui - A. I. Jimenez San Cristobal - R. M. Hernandez (eds.), Redefining Dionysos, Berlin, Boston, 329-348.
  • Otto 1981 W. F. Otto, Dionysus: Myth and Cult, Dallas.
  • Platt 2002 V. Platt, “Viewing, Desiring, Believing: Confronting the Divine in a Pompeian House”, Art History 25, 87-112.
  • Pollitt 1986 J. J. Pollitt, Art in the Hellenistic Age, Cambridge.
  • Rayor 2014 D. J. Rayor, Sappho: A New Translation of the Complete Works, Cambridge.
  • Robertson 1989 (1981) M. Robertson, A Shorter History of Greek Art, Cambridge.
  • Sourvinou-Inwood 1987 C. Sourvinou-Inwood, “A Series of Erotic Pursuits: Images and Meanings”, JHS 107, 131-153.
  • Stewart 1990 A. Stewart, Greek Sculpture: an Exploration, New Haven.
  • Stewart 1995 A. Stewart, “Rape?”, E. D. Reeder (ed.), Pandora: Women in Classical Greece, Princeton, N.J., Baltimore, 74-90.
  • Stewart 1997 A. Stewart, Art, Desire and the Body in Ancient Greece, Cambridge.
  • Stackelberg 2014 K. T. von Stackelberg, “Garden Hybrids: Hermaphrodite Images in the Roman House”, ClAnt 33 (2), 395-426.
  • Sutton 1992 R. F. Sutton, “Pornography and Persuasion on Attic Pottery”, Amy Richlin (ed.), Pornography and Representation in Greece and Rome, New York, 3-35.
  • Taylor 2008 R. M. Taylor, The Moral Mirror of Roman Art, New York.
  • Thornton 1997 B. S. Thornton, Eros: The Myth of Ancient Greek Sexuality, Boulder, Colo.
  • Varone 2000 A. Varone, Eroticism in Pompeii, Roma.
  • Vermeule 1979 E. Vermeule, Aspects of Death in Early Greek Art and Poetry, Berkeley.
  • Vernant 1991 J. P. Vernant, Mortals and Immortals, Princeton, N.J.

Dionysian Eros or Erotic Dionysus? Sources and Meanings of Hybridization in the Bacchus Mosaic at the Naples Museum

Yıl 2021, Sayı: 14, 289 - 300, 30.11.2021
https://doi.org/10.26658/jmr.1014566

Öz

The splendid mosaic exhibited at the Archeological Museum in Naples presents two enigmatic hybrid images: a feline composed of a tiger and a lion, and a figure that combines the characteristics of both Dionysus and Eros.
This study seeks to decipher the hybridization of these two mighty gods of the Roman world, Dionysus and Eros, as presented in the Naples museum mosaic. The main assumption is that two features link these two gods: madness, and the illusion of merging with the Divine. The hybridization of the two gods would seem to strengthen the significance of both and of their role as gods of transcendence, as revealed through an examination of Classical literary and philosophical sources.

Kaynakça

  • Blanchard-Lemée et al. 1996 M. Blanchard-Lemée - M. Ennaïfer – H. Slim – L. Slim, Mosaics of Roman Africa: Floor Mosaics from Tunisia, New York.
  • Blázquez 1984 J. M. Blázquez, “Mosaicos báquicos en la Península Ibérica”, AEspA 57, 69-96.
  • Bordoy 2013 C. F. Bordoy, “Dionysian Enthusiasm in Plato”, A. Bernabe - M. H. De Jauregui - M. Herrero, A. I. Jimenez San Cristobal - R. M. Hernandez (eds.), Redefining Dionysos, Berlin; Boston, 386-400.
  • Benjamin 1900 J. Benjamin (trans.), The Dialogues of Plato, New York.
  • Cherry 2003 J. Cherry, Mythical Beasts, San Francisco.
  • Clarke 2003 J. Clarke, Roman Sex, 100 B.C.-A.D. 250, New York.
  • Cohen 1996 A. Cohen, “Portrayals of Abduction in Greek Art: Rape or Metaphor?”, N. B. Kampen (ed.), Sexuality in Ancient Art: Near East, Egypt, Greece, and Italy, Cambridge, 117-135.
  • Cook 1972 R. M. Cook, Greek Painted Pottery, London.
  • Cooper 1997 J. M. Cooper (ed.), Plato: Complete Works, Indianapolis/Cambridge.
  • Davenport 1964 G. Davenport (trans.), Carmina Archilochi: the Fragments of Archilochos, Berkeley and Los Angeles.
  • Dettienne 1981 M. Dettienne, “Between Beasts and Gods”, R. L. Gordon (ed.), Myth, Religion and Society: Structuralist Essays by M. Detienne, L. Gernet, J.-P. Vernant and P. Vidal-Nacquet, Cambridge, 215-228.
  • Dunbabin 1999 K. M. D. Dunbabin, Mosaics of the Greek and Roman World, Cambridge.
  • Durand et al. 1989 J. L. Durand - F. Frotisi-Ducroux - F. Lissarague, “Wine: Human and Divine”, C. Berard (ed.), A City of Images: Iconography and Society in Ancient Greece, Princeton, 121-130.
  • Elsner 2007 J. Elsner, “Viewing Ariadne: From Ekphrasis to Wall Painting in the Roman World”, ClPhil 102/1, 20-44.
  • Frontisi-Ducroux 1989 F. Frontisi-Ducroux, “In the Mirror of the Mask”, C. Berard (ed.), A City of Images: Iconography and Society in Ancient Greece, Princeton, 151-165.
  • Hedreen 2000 G. Hedreen, “‘I Let Go My Force Just Touching Her Hair’: Male Sexuality in Athenian Vase-Paintings of Silens in Iambic Poetry”, ClAnt 25, 277-325.
  • Hendesron 1996 J. Hendesron, “Footnote: Representation in the Villa of the Mysteries”, J. Elsner (ed.), Art and Text in Roman Culture, Cambridge, 235-276.
  • Jacome 2013 P. M. Jacome, “Bacchus and Felines in Roman Iconography: Issues of Gender and Species”, A. Bernabe - M. H. de Jauregui - A. I. Jimenez San Cristobal - R. M. Hernandez (eds.), Redefining Dionysos, Berlin, Boston, 526-540.
  • Kaempf-Dimitriadou 1979 S. Kaempf-Dimitriadou, Die Liebe der Gotter in der attischen Kunst des 5. Jahrhunderts v. Chr., Bern.
  • Kerenyi 1996 K. Kerenyi, Dionysus: Archetypal Image of Indestructible Life, Princeton N. J.
  • Keuls 1993 E. Keuls, The Reign of the Phallus - Sexual Politics in Ancient Athens, Berkeley.
  • Ling 1998 R. Ling, Ancient Mosaics, Princeton N. J. Lissarague 1990 F. Lissarague, “The Sexual Life of Satyrs”, D. M. Halperin - J. J. Winkler - F. I. Zeitlin (eds.), Before Sexuality: the Construction of Erotic Experience in the Ancient Greek World, Princeton N.J, 53-82.
  • Lissarague 1992 F. Lissarague, The Aesthetics of the Greek Banquet: Images of Wine and Ritual, Princeton.
  • Lonsdale 1993 S. Lonsdale, Dance and Ritual Play in Greek Religion, Baltimore.
  • Loraux 1986 N. Loraux, The Invention of Athens – The Funeral Oration in the Classical City, Cambridge Mass.
  • Maiuri 1953 M. Amadeo, Roman Painting, Geneva.
  • McNally 1985 S. McNally, “Ariadne and Others: Images of Sleep in Greek and Early Roman Art”, ClAnt 4/2, 152-192.
  • Meyer 1987 M. W. Meyer, The Ancient Mysteries: A Sourcebook, San Francisco.
  • Monteagudo 2012 G. L. Monteagudo, “La Ensoñación de la Guerra. Amazonas y Centauros”, L. Neira (ed.), Civilización y Barbarie: el Mito como Argumento en los Mosaicos Romanos, El Boalo, 53-68.
  • Mourão 2010 C. Mourão, AVTEM NON SVNT RERVM NATVRA. Figurações heteromórficas em mosaicos hispano-romanos, Lisboa.
  • Mourão 2013 C. Mourão, “Las Bodas Místicas del Cuerpo y el Alma: Cupido y Psique en los Mosaicos Romanos”, L. Neira (ed.), Desnuso y Cultura: La Construcción del Cuerpo en los Mosaicos Romanos La Construcción del Cuerpo en los Mosaicos Romanos, El Boalo, 59-80.
  • Nilsson 1975 M. P. Nilsson, The Dionysiac Mysteries of the Hellenistic and Roman Age, New York.
  • Otero 2013 S. M. Otero, “The Image of Dionysos in Euripides‘ Bacchae: The God and his Epiphanies”, A. Bernabe - M. H. de Jauregui - A. I. Jimenez San Cristobal - R. M. Hernandez (eds.), Redefining Dionysos, Berlin, Boston, 329-348.
  • Otto 1981 W. F. Otto, Dionysus: Myth and Cult, Dallas.
  • Platt 2002 V. Platt, “Viewing, Desiring, Believing: Confronting the Divine in a Pompeian House”, Art History 25, 87-112.
  • Pollitt 1986 J. J. Pollitt, Art in the Hellenistic Age, Cambridge.
  • Rayor 2014 D. J. Rayor, Sappho: A New Translation of the Complete Works, Cambridge.
  • Robertson 1989 (1981) M. Robertson, A Shorter History of Greek Art, Cambridge.
  • Sourvinou-Inwood 1987 C. Sourvinou-Inwood, “A Series of Erotic Pursuits: Images and Meanings”, JHS 107, 131-153.
  • Stewart 1990 A. Stewart, Greek Sculpture: an Exploration, New Haven.
  • Stewart 1995 A. Stewart, “Rape?”, E. D. Reeder (ed.), Pandora: Women in Classical Greece, Princeton, N.J., Baltimore, 74-90.
  • Stewart 1997 A. Stewart, Art, Desire and the Body in Ancient Greece, Cambridge.
  • Stackelberg 2014 K. T. von Stackelberg, “Garden Hybrids: Hermaphrodite Images in the Roman House”, ClAnt 33 (2), 395-426.
  • Sutton 1992 R. F. Sutton, “Pornography and Persuasion on Attic Pottery”, Amy Richlin (ed.), Pornography and Representation in Greece and Rome, New York, 3-35.
  • Taylor 2008 R. M. Taylor, The Moral Mirror of Roman Art, New York.
  • Thornton 1997 B. S. Thornton, Eros: The Myth of Ancient Greek Sexuality, Boulder, Colo.
  • Varone 2000 A. Varone, Eroticism in Pompeii, Roma.
  • Vermeule 1979 E. Vermeule, Aspects of Death in Early Greek Art and Poetry, Berkeley.
  • Vernant 1991 J. P. Vernant, Mortals and Immortals, Princeton, N.J.
Toplam 49 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Arkeoloji
Bölüm Makele
Yazarlar

Nava Sevilla-sadeh Bu kişi benim 0000-0001-5516-1213

Yayımlanma Tarihi 30 Kasım 2021
Yayımlandığı Sayı Yıl 2021 Sayı: 14

Kaynak Göster

APA Sevilla-sadeh, N. (2021). Dionysian Eros or Erotic Dionysus? Sources and Meanings of Hybridization in the Bacchus Mosaic at the Naples Museum. Journal of Mosaic Research(14), 289-300. https://doi.org/10.26658/jmr.1014566
AMA Sevilla-sadeh N. Dionysian Eros or Erotic Dionysus? Sources and Meanings of Hybridization in the Bacchus Mosaic at the Naples Museum. JMR. Kasım 2021;(14):289-300. doi:10.26658/jmr.1014566
Chicago Sevilla-sadeh, Nava. “Dionysian Eros or Erotic Dionysus? Sources and Meanings of Hybridization in the Bacchus Mosaic at the Naples Museum”. Journal of Mosaic Research, sy. 14 (Kasım 2021): 289-300. https://doi.org/10.26658/jmr.1014566.
EndNote Sevilla-sadeh N (01 Kasım 2021) Dionysian Eros or Erotic Dionysus? Sources and Meanings of Hybridization in the Bacchus Mosaic at the Naples Museum. Journal of Mosaic Research 14 289–300.
IEEE N. Sevilla-sadeh, “Dionysian Eros or Erotic Dionysus? Sources and Meanings of Hybridization in the Bacchus Mosaic at the Naples Museum”, JMR, sy. 14, ss. 289–300, Kasım 2021, doi: 10.26658/jmr.1014566.
ISNAD Sevilla-sadeh, Nava. “Dionysian Eros or Erotic Dionysus? Sources and Meanings of Hybridization in the Bacchus Mosaic at the Naples Museum”. Journal of Mosaic Research 14 (Kasım 2021), 289-300. https://doi.org/10.26658/jmr.1014566.
JAMA Sevilla-sadeh N. Dionysian Eros or Erotic Dionysus? Sources and Meanings of Hybridization in the Bacchus Mosaic at the Naples Museum. JMR. 2021;:289–300.
MLA Sevilla-sadeh, Nava. “Dionysian Eros or Erotic Dionysus? Sources and Meanings of Hybridization in the Bacchus Mosaic at the Naples Museum”. Journal of Mosaic Research, sy. 14, 2021, ss. 289-00, doi:10.26658/jmr.1014566.
Vancouver Sevilla-sadeh N. Dionysian Eros or Erotic Dionysus? Sources and Meanings of Hybridization in the Bacchus Mosaic at the Naples Museum. JMR. 2021(14):289-300.

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