Araştırma Makalesi
BibTex RIS Kaynak Göster

Theodore Metochites mosaic at Chora and the relics of the True Cross

Yıl 2021, Sayı: 14, - , 30.11.2021
https://doi.org/10.26658/jmr.860762

Öz

This article aims to analyze the ktetorial composition depicted above the west portal of the Chora church (Kariye Camii). Although many researchers provided a description of this composition, the representation of the church in the hands of Logothetes tou Genikou, Theodore Metochites, has not been specifically examined. No matter that the church is depicted with the majority of the architectural elements which correspond to the reality, it is interesting to notice that two large crosses are depicted laterally of the west portal. These crosses do not correspond to the elements of the brickwork of the west facade. Nevertheless, careful analysis of the marble portal between naos and narthex area contains quite particular detail: in the lower third of two jambs of the portal were inserted pectoral crosses (encolpia) which testified to the keeping of small particles of the True Cross relic, hope for salvation and inscribing of the ktetor in the circle of the protected by True Faith.

Destekleyen Kurum

Faculty of Philology and Arts, University of Kragujevac

Proje Numarası

177015, 177036, CA19131

Teşekkür

I express my deepest gratitude to Dr. Nicoletta Isar (Copenhagen University) and Dr. Branislav Cvetkovic (Institute for Balkan Studies, SASA) for their insightful comments which improved the quality of this article. I am also thankful to Dr. Ivana Jevtic who was an instructor during my short fellowship within the program "Istanbul through the Ages" at Koç University (Istanbul). My gratitude goes also to Mr Vladimir Božinović, a doctoral student at the Department of Art History Istanbul University (Istanbul) for providing me translation of an abstract in the Turkish language.

Kaynakça

  • Azara 2001 P. Azara, La representation des modeles dans l’art ancien: un embleme de la creation architecturale? Maquettes architecturales de l’Antiquite, Actes du colloque de Strasbourg, 3–5 decembre 1998, Paris 2001.
  • Bell 2009 P. N. Bell, Three Political Voices from the Age of Justinian, Translated Texts for Historians 52. Liverpool: Liverpool University Press 2009.
  • Bošković 1959 Đ. Bošković, Sur quelques maîtres - maçons et maître - peintres des premieres décades du XIVe s . en Serbie et en Macédoine, Starinar n.s. 9-10 / 1958-1959 (1959), 125–131.
  • Bulgakov 2009 S. Bulgakov, The Burning Bush: On the Orthodox Veneration of the Mother of God, Wm. B. Eerdmans Publishing, Cambridge 2009.
  • Bührer–Thierry 2004 G. Bührer–Thierry, Lumière et pouvoir dans le haut moyen âge occidental. Célébration du pouvoir et métaphores lumineuses // MEFRM, 116.2 (2004), 521–556.
  • Cotsonis 1994 J. A. Cotsonis, Byzantine Figural Processional Crosses, Dumbarton Oaks Byzantine Collection Publications 10. Washington, DC: Dumbarton Oaks 1994.
  • Cutler – North 2012 A.Cutler– W. North. “The Portrait of Theodore Metochites at Chora,” in J.–M. Spieser and E. Yota (eds.), Donation et donateurs dans le monde byzantine: Actes du colloque international de l’Université de Fribourg (13–15 mars 2008), Paris: Desclée de Brouwer, 2012, 207–20.
  • Cvetković 2020 B. Cvetković, Enkolpion and Pectoral (12–14th Century), Trsat Reliquary: History–Epigraphy–Iconography, Jagodina 2020, 115–123.
  • Danker 2000 F. W. Danker (rev. and ed.), A Greek–English Lexicon of the New Testament and Other Early Christian Literature (Chicago: University of Chicago Press, 2000).
  • De Stefani 2011 Paul the Silentiary, Ekphrasis 350–1, ed. De Stefani 2011, 24.
  • Evangelatou 2019 M. Evangelatou, Krater of Nectar and Altar of the Bread of Life: The Theotokos as Provider of the Eucharist in Byzantine Culture, The Reception of the Virgin in Byzantium: Marian Narratives in Texts and Images, , ed. T. Arentzen, M. Cunningham,Cambridge, Cambridge University Press 2019, 77-119.
  • Featherstone 2000 Theodore Metochites’s Poems “To Himself,” ed. and trans. J. M. Featherstone, Byzantina Vindobonensia 23 (Vienna, 2000).
  • Featherstone 2011 J. M. Featherstone, “Metochites’s Poems and the Chora,” in Kariye Camii, Yeniden / The Kariye 14.Camii Reconsidered, eds. H. A. Klein, R. Ousterhout, and B. Pitarakis,(Istanbul: Istanbul Research Institute, 2011), 215 – 39.
  • Filotheou 2008 G. Filotheou, The God Trodden Mount Sinai Holy Monastery (Saint Catherine), Egeria: Mediterranean Medieval Places of Pilgrimage Network for the Documentation, Preservation and Enhacement of Monuments in the Euromediterranean Area, ed. M. Kazakou, V. Skoulas [et al.], [Athens]: Directorate of Byzantine and Post Byzantine Antiquities [2008].
  • Foley –Bangert 2000 E. Foley –M. P. Bangert, Worship Music: A Concise Dictionary, The Liturgical Press, Collegeville 2000.
  • Franses 2018 R. Franses, Donor Portraits in Byzantine Art The Vicissitudes of Contact between Human and Divine, Cambridge University Press, 2018.
  • Grabar 19712 A.Grabar, L’Empereur dans l’Art byzantin,London 19712.
  • Hjort 1979 Ø. Hjort, “The Sculpture of the Kariye Camii,” Dumbarton Oaks Papers 33 (1979): 199–289.
  • Isar 2006 N. Isar, “Chorography (Chôra, Chôros, Chorós): A Performative Paradigm of Creation of Sacred Space in Byzantium.” In Hierotopy: The Creation of Sacred Space in Byzantium and Medieval Russia, ed. A. Lidov, Moscow: Indrik 2006, 59–90.
  • James 1996 L. James, Light and colour in Byzantine Art. Oxford, 1996, 106–107, 121–123.
  • Janes 1998 D. Janes, God and Gold in Late Antiquity. Cambridge, 1998, 18–42.
  • Kalavrezou– Maxeiner 1991 I. Kalavrezou–Maxeiner, “Portraits and Portraiture: Donor Portraits,” in A. Kazhdan (ed.), The Oxford Dictionary of Byzantium, 3 vols. (Oxford: Oxford University Press, 1991), vol. III, 1705.
  • Kazhdan 2000 A.Kazhdan, Ktetor, Oxford Dictionary of Byzantium, vol. II, ed. Alexander P. Kazhdan, New York and Oxford, 1991, 1160.
  • Klein 2006 H. A. Klein, "Sacred Relics and Imperial Ceremonies at the Great Palace of Constantinople", BYZAS (5): 79–99.
  • Klein [et al.] 2011 H. A. Klein, R. Ousterhout, B. Pitarakis, eds., Kariye Camii, Yeniden / The Kariye Camii Reconsidered (Istanbul: Istanbul Research Institute, 2011).
  • Klein 2015 H. A. Klein, The Crown of His Kingdom: Imperial Ideology, Palace Ritual and the Relics of Christ’s Passion, in: The Emperor’s House. Palaces from Augustus to the Age of Absolutism (eds. M. Featherstone– J.M. Spieser – G. Tanman – U. Wulf–Rheidt), Berlin 2015, 201–212.
  • Lafontaigne –Dosogne 1975 J. Lafontaigne –Dosogne, Iconography of the Cycle of the Infancy of. Christ, Kariye Djami IV, ed. P. A. Underwood, Princeton 1975, 197 –241.
  • Magdalino 2011 P. Magdalino, “Theodore Metochites, the Chora, and Constantinople,” in in Kariye Camii, Yeniden/The Kariye Camii Reconsidered, eds. H. A. Klein, R. Ousterhout, and B. Pitarakis, (Istanbul: Istanbul Research Institute, 2011), 169 – 87.
  • Mango 1959 C. Mango, The Brazen House: a study of the vestibule of the Imperial Palace of Constantinople, Front Munksgaard 1959.
  • Matheou [et al.] 2016 S. M. Nicholas, T. Kampianaki, L. M. Bondioli, From Constantinople to the Frontier: The City and the cities,Brill, Leiden – Boston 2016.
  • Nelson 1999 R. Nelson The Chora and the Great Church. Intervisuality in 14th century Constantinople, Byzantine and Modern Greek Studies 23 (1999), 67–101.
  • Olkinoura 2015 J. Olkinuora, Byzantine Hymnography for the Feast of the Entrance of the Theotokos: An Intermedial Approach. Studia Patristica Fennica 4. Helsinki: Suomen Patristinen Seura 2015.
  • Ousterhout 1987 R. Ousterhout, The Architecture of the Kariye Camii in Istanbul, Dumbarton Oaks Studies 25 (Washington, D.C., 1987).
  • Ousterhout 1995 R. Ousterhout, “The Virgin of the Chora: An Image and Its Contexts,” in The Sacred Image 13. East and West, eds. R. Ousterhout and L. Brubaker(Urbana, 1995), 91–108.
  • Ousterhout 2002 R. Ousterhout, The Art of the Kariye Camii (Istanbul – London, 2002).
  • Popović 2010 B. Popović, Visoke kape– klobuci iz manastira Resave i turban Teodora Metohita, Zbornik Narodnog muzeja – Beograd XIX / 2, Istorija umetnosti, Beograd 2010, 91–117.
  • Schibille 2014 N. Schibille, Hagia Sophia and the Byzantine Aesthetic Experience, Inbunden 2014.
  • Ševčenko 1975 I.Ševčenko, “Theodore Metochites, the Chora, and the Intellectual Trends of His Time,” in The Kariye Djami, vol. 4 (New York, 1975), 19 – 55.
  • Teteriatnikov 1998 N. Teteriatnikov, Devotional crosses in the columns and walls of Hagia Sophia, Byzantion, Vol. 68, No. 2 (1998), 419– 445.
  • Teteriatnikov 2003 N. Teteriatnikov, Relics in Walls, Pillars and Columns of Byzantine Churches, in: Eastern Christian Relics, ed. Alexei Lidov, Moscow 2003, 74– 92.
  • Trifunović 1973 Đ. Trifunović, Žitije Svetog Save Teodorsija Hilandarca, izd. Đ. Daničić, prir. Đ. Trifunović, Beograd 1973.
  • Underwood 1966 P.A. Underwood, The Kariye Djami, 3 vols. (New York, 1966).
  • Underwood 1975 P. A. Underwood, ed., The Kariye Djami, vol. 4 (New York, 1975).
  • Velmans 1977 T. Velmans, Un témoignage sur la société: les images des contemporains, in La peinture murale byzantine à la fin du Moyen Age (Bibliothèque des CahA, 11), Paris 1977, 69–97.
Yıl 2021, Sayı: 14, - , 30.11.2021
https://doi.org/10.26658/jmr.860762

Öz

Proje Numarası

177015, 177036, CA19131

Kaynakça

  • Azara 2001 P. Azara, La representation des modeles dans l’art ancien: un embleme de la creation architecturale? Maquettes architecturales de l’Antiquite, Actes du colloque de Strasbourg, 3–5 decembre 1998, Paris 2001.
  • Bell 2009 P. N. Bell, Three Political Voices from the Age of Justinian, Translated Texts for Historians 52. Liverpool: Liverpool University Press 2009.
  • Bošković 1959 Đ. Bošković, Sur quelques maîtres - maçons et maître - peintres des premieres décades du XIVe s . en Serbie et en Macédoine, Starinar n.s. 9-10 / 1958-1959 (1959), 125–131.
  • Bulgakov 2009 S. Bulgakov, The Burning Bush: On the Orthodox Veneration of the Mother of God, Wm. B. Eerdmans Publishing, Cambridge 2009.
  • Bührer–Thierry 2004 G. Bührer–Thierry, Lumière et pouvoir dans le haut moyen âge occidental. Célébration du pouvoir et métaphores lumineuses // MEFRM, 116.2 (2004), 521–556.
  • Cotsonis 1994 J. A. Cotsonis, Byzantine Figural Processional Crosses, Dumbarton Oaks Byzantine Collection Publications 10. Washington, DC: Dumbarton Oaks 1994.
  • Cutler – North 2012 A.Cutler– W. North. “The Portrait of Theodore Metochites at Chora,” in J.–M. Spieser and E. Yota (eds.), Donation et donateurs dans le monde byzantine: Actes du colloque international de l’Université de Fribourg (13–15 mars 2008), Paris: Desclée de Brouwer, 2012, 207–20.
  • Cvetković 2020 B. Cvetković, Enkolpion and Pectoral (12–14th Century), Trsat Reliquary: History–Epigraphy–Iconography, Jagodina 2020, 115–123.
  • Danker 2000 F. W. Danker (rev. and ed.), A Greek–English Lexicon of the New Testament and Other Early Christian Literature (Chicago: University of Chicago Press, 2000).
  • De Stefani 2011 Paul the Silentiary, Ekphrasis 350–1, ed. De Stefani 2011, 24.
  • Evangelatou 2019 M. Evangelatou, Krater of Nectar and Altar of the Bread of Life: The Theotokos as Provider of the Eucharist in Byzantine Culture, The Reception of the Virgin in Byzantium: Marian Narratives in Texts and Images, , ed. T. Arentzen, M. Cunningham,Cambridge, Cambridge University Press 2019, 77-119.
  • Featherstone 2000 Theodore Metochites’s Poems “To Himself,” ed. and trans. J. M. Featherstone, Byzantina Vindobonensia 23 (Vienna, 2000).
  • Featherstone 2011 J. M. Featherstone, “Metochites’s Poems and the Chora,” in Kariye Camii, Yeniden / The Kariye 14.Camii Reconsidered, eds. H. A. Klein, R. Ousterhout, and B. Pitarakis,(Istanbul: Istanbul Research Institute, 2011), 215 – 39.
  • Filotheou 2008 G. Filotheou, The God Trodden Mount Sinai Holy Monastery (Saint Catherine), Egeria: Mediterranean Medieval Places of Pilgrimage Network for the Documentation, Preservation and Enhacement of Monuments in the Euromediterranean Area, ed. M. Kazakou, V. Skoulas [et al.], [Athens]: Directorate of Byzantine and Post Byzantine Antiquities [2008].
  • Foley –Bangert 2000 E. Foley –M. P. Bangert, Worship Music: A Concise Dictionary, The Liturgical Press, Collegeville 2000.
  • Franses 2018 R. Franses, Donor Portraits in Byzantine Art The Vicissitudes of Contact between Human and Divine, Cambridge University Press, 2018.
  • Grabar 19712 A.Grabar, L’Empereur dans l’Art byzantin,London 19712.
  • Hjort 1979 Ø. Hjort, “The Sculpture of the Kariye Camii,” Dumbarton Oaks Papers 33 (1979): 199–289.
  • Isar 2006 N. Isar, “Chorography (Chôra, Chôros, Chorós): A Performative Paradigm of Creation of Sacred Space in Byzantium.” In Hierotopy: The Creation of Sacred Space in Byzantium and Medieval Russia, ed. A. Lidov, Moscow: Indrik 2006, 59–90.
  • James 1996 L. James, Light and colour in Byzantine Art. Oxford, 1996, 106–107, 121–123.
  • Janes 1998 D. Janes, God and Gold in Late Antiquity. Cambridge, 1998, 18–42.
  • Kalavrezou– Maxeiner 1991 I. Kalavrezou–Maxeiner, “Portraits and Portraiture: Donor Portraits,” in A. Kazhdan (ed.), The Oxford Dictionary of Byzantium, 3 vols. (Oxford: Oxford University Press, 1991), vol. III, 1705.
  • Kazhdan 2000 A.Kazhdan, Ktetor, Oxford Dictionary of Byzantium, vol. II, ed. Alexander P. Kazhdan, New York and Oxford, 1991, 1160.
  • Klein 2006 H. A. Klein, "Sacred Relics and Imperial Ceremonies at the Great Palace of Constantinople", BYZAS (5): 79–99.
  • Klein [et al.] 2011 H. A. Klein, R. Ousterhout, B. Pitarakis, eds., Kariye Camii, Yeniden / The Kariye Camii Reconsidered (Istanbul: Istanbul Research Institute, 2011).
  • Klein 2015 H. A. Klein, The Crown of His Kingdom: Imperial Ideology, Palace Ritual and the Relics of Christ’s Passion, in: The Emperor’s House. Palaces from Augustus to the Age of Absolutism (eds. M. Featherstone– J.M. Spieser – G. Tanman – U. Wulf–Rheidt), Berlin 2015, 201–212.
  • Lafontaigne –Dosogne 1975 J. Lafontaigne –Dosogne, Iconography of the Cycle of the Infancy of. Christ, Kariye Djami IV, ed. P. A. Underwood, Princeton 1975, 197 –241.
  • Magdalino 2011 P. Magdalino, “Theodore Metochites, the Chora, and Constantinople,” in in Kariye Camii, Yeniden/The Kariye Camii Reconsidered, eds. H. A. Klein, R. Ousterhout, and B. Pitarakis, (Istanbul: Istanbul Research Institute, 2011), 169 – 87.
  • Mango 1959 C. Mango, The Brazen House: a study of the vestibule of the Imperial Palace of Constantinople, Front Munksgaard 1959.
  • Matheou [et al.] 2016 S. M. Nicholas, T. Kampianaki, L. M. Bondioli, From Constantinople to the Frontier: The City and the cities,Brill, Leiden – Boston 2016.
  • Nelson 1999 R. Nelson The Chora and the Great Church. Intervisuality in 14th century Constantinople, Byzantine and Modern Greek Studies 23 (1999), 67–101.
  • Olkinoura 2015 J. Olkinuora, Byzantine Hymnography for the Feast of the Entrance of the Theotokos: An Intermedial Approach. Studia Patristica Fennica 4. Helsinki: Suomen Patristinen Seura 2015.
  • Ousterhout 1987 R. Ousterhout, The Architecture of the Kariye Camii in Istanbul, Dumbarton Oaks Studies 25 (Washington, D.C., 1987).
  • Ousterhout 1995 R. Ousterhout, “The Virgin of the Chora: An Image and Its Contexts,” in The Sacred Image 13. East and West, eds. R. Ousterhout and L. Brubaker(Urbana, 1995), 91–108.
  • Ousterhout 2002 R. Ousterhout, The Art of the Kariye Camii (Istanbul – London, 2002).
  • Popović 2010 B. Popović, Visoke kape– klobuci iz manastira Resave i turban Teodora Metohita, Zbornik Narodnog muzeja – Beograd XIX / 2, Istorija umetnosti, Beograd 2010, 91–117.
  • Schibille 2014 N. Schibille, Hagia Sophia and the Byzantine Aesthetic Experience, Inbunden 2014.
  • Ševčenko 1975 I.Ševčenko, “Theodore Metochites, the Chora, and the Intellectual Trends of His Time,” in The Kariye Djami, vol. 4 (New York, 1975), 19 – 55.
  • Teteriatnikov 1998 N. Teteriatnikov, Devotional crosses in the columns and walls of Hagia Sophia, Byzantion, Vol. 68, No. 2 (1998), 419– 445.
  • Teteriatnikov 2003 N. Teteriatnikov, Relics in Walls, Pillars and Columns of Byzantine Churches, in: Eastern Christian Relics, ed. Alexei Lidov, Moscow 2003, 74– 92.
  • Trifunović 1973 Đ. Trifunović, Žitije Svetog Save Teodorsija Hilandarca, izd. Đ. Daničić, prir. Đ. Trifunović, Beograd 1973.
  • Underwood 1966 P.A. Underwood, The Kariye Djami, 3 vols. (New York, 1966).
  • Underwood 1975 P. A. Underwood, ed., The Kariye Djami, vol. 4 (New York, 1975).
  • Velmans 1977 T. Velmans, Un témoignage sur la société: les images des contemporains, in La peinture murale byzantine à la fin du Moyen Age (Bibliothèque des CahA, 11), Paris 1977, 69–97.
Toplam 44 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Konular Din Araştırmaları
Bölüm Makele
Yazarlar

Jasmina Ciric 0000-0002-1075-5277

Proje Numarası 177015, 177036, CA19131
Yayımlanma Tarihi 30 Kasım 2021
Yayımlandığı Sayı Yıl 2021 Sayı: 14

Kaynak Göster

APA Ciric, J. (2021). Theodore Metochites mosaic at Chora and the relics of the True Cross. Journal of Mosaic Research(14). https://doi.org/10.26658/jmr.860762
AMA Ciric J. Theodore Metochites mosaic at Chora and the relics of the True Cross. JMR. Kasım 2021;(14). doi:10.26658/jmr.860762
Chicago Ciric, Jasmina. “Theodore Metochites Mosaic at Chora and the Relics of the True Cross”. Journal of Mosaic Research, sy. 14 (Kasım 2021). https://doi.org/10.26658/jmr.860762.
EndNote Ciric J (01 Kasım 2021) Theodore Metochites mosaic at Chora and the relics of the True Cross. Journal of Mosaic Research 14
IEEE J. Ciric, “Theodore Metochites mosaic at Chora and the relics of the True Cross”, JMR, sy. 14, Kasım 2021, doi: 10.26658/jmr.860762.
ISNAD Ciric, Jasmina. “Theodore Metochites Mosaic at Chora and the Relics of the True Cross”. Journal of Mosaic Research 14 (Kasım 2021). https://doi.org/10.26658/jmr.860762.
JAMA Ciric J. Theodore Metochites mosaic at Chora and the relics of the True Cross. JMR. 2021. doi:10.26658/jmr.860762.
MLA Ciric, Jasmina. “Theodore Metochites Mosaic at Chora and the Relics of the True Cross”. Journal of Mosaic Research, sy. 14, 2021, doi:10.26658/jmr.860762.
Vancouver Ciric J. Theodore Metochites mosaic at Chora and the relics of the True Cross. JMR. 2021(14).

21079                 16193




22516          16207



                                                   16208                          16209



22362