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Türk Dizilerinin Bölgesel İhracat Başarısında Coğrafi ve Kültürel Yakınlığın Analizi

Yıl 2026, Cilt: 19 Sayı: 1 , 139 - 163 , 15.04.2026
https://doi.org/10.18094/josc.1697187
https://izlik.org/JA88XZ28AC

Öz

Kültürel ürünlerin uluslararası ticareti, ekonomik getirilerin yanı sıra kültürel etkileşim ve yumuşak güç politikalarının bir aracı olarak da önemli bir rol oynamaktadır. Özellikle son yıllarda Türk televizyon dizileri, sınırlarını aşarak Afrika, Ortadoğu, Güney Amerika ve Balkanlar gibi geniş bir coğrafyada izleyicilerin ilgisini çekmiş ve kültürel ihracatın başarılı örneklerinden biri haline gelmiştir. Bu durum, Türk dizilerinin ihracatında coğrafi ve kültürel yakınlık kavramlarının rolü, bu teorik çerçeve bağlamında önemli bir soru haline gelmektedir. Bu çalışmanın temel amacı, Türk dizilerinin Afrika, Ortadoğu, Güney Amerika ve Balkanlar olmak üzere dört ayrı coğrafyaya ihracat sürecinde coğrafi ve kültürel yakınlığın rolünü analiz etmektir. Ayrıca, sosyal ağ analizi yöntemiyle, Türk dizilerinin ihracat ağının merkezinde yer alan ve bu ağı büyüten dizilerin belirlenmesi de hedeflenmiştir. Bu amaç doğrultusunda nitel ve nicel verilerin harmanlanması sonucu ilk olarak Çekim modeli kullanılmış ve elde edilen sonuçlarda coğrafi ve kültürel yakınlığın Türk dizilerinin ihracatını artırdığı sonucuna varılmıştır. Ardından Sosyal Ağ Analizi ile ihracat ağının merkezinde yer alan ve ağın büyümesi sonucunda en büyük ihracat kapasitesine sahip olan diziler tespit edilmiştir.

Kaynakça

  • Anadolu Agency. (2014). Exports of Turkish made TV series soar. https://www.aa.com.tr/en/economy/exports-of-turkish-made-tv-series-soar/127989
  • Abraham, A., Hassanien, A. E., & Snášel, V. (Eds.). (2009). Computational social network analysis: Trends, tools and research advances.
  • Ağırseven, N., & Örki, A. (2017). Evaluating Turkish TV series as soft power instruments. OPUS International Journal of Society Researches, 7(13), 836-853.
  • Alankuş, S., & Yanardagoglu, E. (2016). Shift or stasis| vacillation in Türkiye’s popular global TV exports: Toward a more complex understanding of distribution. International Journal of Communication, 10, 17.
  • Alikılıç, Ö. (2022). The feminization and misrepresentation of public relations practitioners in Turkish tv dramas. Feminist Media Studies, 22(8), 2080-2098.
  • Anadolu Agency. (2014). Exports of Turkish made TV series soar. https://www.aa.com.tr/en/economy/exports-of-turkish-made-tv-series-soar/127989
  • Anaz, N. (2015). The Geography of Reception: Why Do Egyptians Watch Turkish Soap Operas? 255-273.
  • Andersson, D. E., Gunessee, S., Matthiessen, C. W., & Find, S. (2014). The Geography of Chinese Science. Environment and Planning A: Economy and Space, 46(12), 2950-2971. https://doi.org/10.1068/a130283p
  • Ardem. A. (2019) Sudanese and Turkish drama: a passion that promotes cultural exchange, Anadolu Agency, retrieved from: https://www.aa.com.tr (Trans, original work published in Arabic, 2019).
  • Barcenilla, S., & Molero, J. (2003). Service Export Flows: Empirical Evidence For The European Union. 12.
  • Baran, Ş. (2023). Selling Turkish quality: Multiple proximities and Turkish format exports in the post-streaming era. International Communication Gazette, 85(3-4), 271-288.
  • Benrazek, Y. (2022). The effects of modern Turkish TV series as a soft power on the Algerian society: Analytical study (Doctoral dissertation, Marmara Universitesi (Türkiye).
  • Berg, M. (2017). Turkish drama serials as a tool for Soft Power. 14(2), 22.
  • Berg, M. (2020). Television in Türkiye: Local Production, Transnational Expansion and Political Aspirations (Y. Kaptan & E. Algan, Ed.). Springer International Publishing. https://doi.org/10.1007/978-3-030-46051-8
  • Berg, M. (2022). The interplay between authenticity, realism and cultural proximity in the reception of Turkish drama serials among Qatari audiences. Journal of Popular Television, 10(1), 21-40.
  • Brass, D. J. (Ed.). (2014). Contemporary perspectives on organizational social networks (1. ed). Emerald. https://www.emerald.com/insight/publication/doi/10.1108/S0733- 558X(2014)40
  • Buccianti, A. (2010). Dubbed Turkish soap operas conquering the Arab world: Social liberation or cultural alienation? https://www.researchgate.net/publication/265525398_Dubbed_Turkish_soap_opera s_conquering_the_Arab_world_social_liberation_or_cultural_alienation
  • Chamberlin, T., Doutriaux, J., & Hector, J. (2010). Business success factors and innovation in Canadian service sectors: An initial investigation of inter-sectoral differences. The Service Industries Journal, 30(2), 225-246. https://doi.org/10.1080/02642060802120174
  • Cohen, E. (1988). Authenticity and commoditization in tourism. Annals of Tourism Research, 15(3), 371-386. https://doi.org/10.1016/0160-7383(88)90028-X
  • Çapık, E. (2024). Türk Dizilerinin İhracat Başarısını Şekillendiren Teknik Olmayan İnovasyon ve Tüketim Yakınlığı [Süleyman Demirel Üniversitesi]. https://tez.yok.gov.tr/UlusalTezMerkezi/tezSorguSonucYeni.jsp
  • Çevik, S. B. (2019). Turkish historical television series: public broadcasting of neo-Ottoman illusions. Southeast European and Black Sea Studies, 19(2), 227-242.
  • Daily News. (2017). Turkish dramas focus of interest in Latin America. Hürriyet Daily News. https://www.hurriyetdailynews.com/turkish-dramas-focus-of-interest-in-latinamerica-- 109952
  • De Vany, A., & Walls, W. D. (2002). Does Hollywood Make Too Many R-Rated Movies? Risk, Stochastic Dominance, and the Illusion of Expectation. The Journal of Business, 75(3), 425-451. https://doi.org/10.1086/339890
  • Desai, K. K., & Basuroy, S. (2005). Interactive influence of genre familiarity, star power, and critics’ reviews in the cultural goods industry: The case of motion pictures. . . Psychology & Marketing, 22(3), 203-223.
  • Doğan, S. (2021). Türk dizileri Kolombiya’da gönülleri fethederek Türk kültürünü sevdiriyor. https://www.aa.com.tr/tr/kultur-sanat/turk-dizileri-kolombiyada-gonullerifethederek- turk-kulturunu-sevdiriyor/2293186
  • Eichengreen, B., & Gupta, P. (2009). The Two Waves of Service-Sector Growth. Indıan Councıl For Research on Internatıonal Economıc Relatıons, 235.
  • Emin, N. (2013). Balkanlar’da Türk Dizilerine Olan İlgiyi Nasıl Okumalı? SETA. https://www.setav.org/balkanlarda-turk-dizilerine-olan-ilgiyi-nasil-okumali/
  • Falah, G.-W. (2005). Geographies of Muslim women: Gender, religion, and space (C. R. Nagel, Ed.). The Guilford Press.
  • Georgiou, M. (2014). Watching soap opera in the diaspora: cultural proximity or critical proximity?. In Gender, Migration and the Media (pp. 77-96). Routledge.
  • Global Agency. (2022). TV Series. https://www.theglobalagency.tv/series
  • Gruenfeld, L. A., & Moxnes, A. (2003). The Intangible Globalization: Explaining the Patterns of International Trade in Services. Norwegian Institute of International Affairs, 32.
  • Hancığaz, E., & Hülür, H. (2024). Türk Dizileri Üzerinden Türkiye'de Toplumsal ve Kültürel Yaşama Yönelik Algılar (Bosna Hersek, Ürdün ve Kırgızistan Örnekleri). Turcology Research, (79), 152-166.
  • Hanson, G. H., & Xiang, C. (2008). International Trade in Motion Picture Services. https://www.nber.org/books-and-chapters/international-trade-services-andintangibles- era-globalization/international-trade-motion-picture-services
  • Intermedya. (2022). TV Series. https://intermedya.tv/series/
  • Howkins, J. (2002). The creative economy: How people make money from ideas. Penguin UK.
  • Kara, B. (2016). Türk dizilerinin Güney Amerika mucizesi. Gazete Vatan. https://www.gazetevatan.com/arsiv/turk-dizilerinin-guney-amerika-mucizesi-991123
  • Karlıdağ, S., & Bulut, S. (2014). The transnational spread of Turkish television soap operas. İstanbul Üniversitesi İletişim Fakültesi Dergisi| Istanbul University Faculty of Communication Journal, (47), 75-96.
  • Khan, M., & Rohn, U. (2020). Transnationalization, exportation, and capitalization of Turkish Television and its impact on the audience of the Egypt and Pakistan. European Journal of Social Sciences, 59(2), 123-137.
  • Kim, H., & Jensen, M. (2014). Audience Heterogeneity and the Effectiveness of Market Signals: How to Overcome Liabilities of Foreignness in Film Exports? Academy of Management Journal, 57(5), 1360-1384. https://doi.org/10.5465/amj.2011.0903
  • Kimura, F., ve Lee, H.-H. (2006). The Gravity Equation in International Trade in Services. Review of World Economics, 142(1), 92-121. https://doi.org/10.1007/s10290-006-0058-8
  • Kox, H., & Lejour, A. (2005). Regulatory heterogeneity as obstacle for international services trade. 46.
  • Kourchoun. M (2019). Iranians master Turkish from drama ... fun and learning, Anadolu Agency, retrieved from: https://www.aa.com.tr, (Trans, original work published in Arabic, 2019).
  • Kraidy, M. M., & Al-Ghazzi, O. (2013). Neo-Ottoman Cool: Turkish Popular Culture in the Arab Public Sphere. Popular Communication, 11(1), 17-29. https://doi.org/10.1080/15405702.2013.747940
  • La Pastina, A. C., & Straubhaar, J. D. (2005). Multiple Proximities between Television Genres and Audiences: The Schism between Telenovelas’ Global Distribution and Local Consumption. Gazette (Leiden, Netherlands), 67(3), 271-288. https://doi.org/10.1177/0016549205052231
  • Lejour, A., & Verheijden, J.-W. de P. (2004). Services trade within Canada and the European Union. 39.
  • Long, J. S., & Freese, J. (1997). Regression models for categorical dependent variables using Stata. Stata Press.
  • Larochelle, D. L. (2023). Transnational soap operas and viewing practices in the digital age: The Greek fandom of Turkish dramas. International Communication Gazette, 85(3-4), 233-249.
  • Lu, J., Liu, X., & Cheng, Y. (2019). Cultural Proximity and Genre Proximity: How Do Chinese Viewers Enjoy American and Korean TV Dramas? SAGE Open, 9(1), 215824401882502. https://doi.org/10.1177/2158244018825027
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Analysis of Geographical and Cultural Proximity in the Regional Export Success of Turkish TV Series

Yıl 2026, Cilt: 19 Sayı: 1 , 139 - 163 , 15.04.2026
https://doi.org/10.18094/josc.1697187
https://izlik.org/JA88XZ28AC

Öz

The international trade of cultural products plays a significant role not only as a tool for cultural interaction and soft power policies but also for generating economic returns. In recent years, Turkish television series have transcended national borders, captivating audiences across diverse regions such as Africa, the Middle East, South America, and Balkans This situation makes the role of the concepts of geographical and cultural proximity in the export of Turkish TV series an important question in the context of this theoretical framework. The primary objective of this study is to analyze the role of geographical and cultural proximity in the export of Turkish series to four different regions: Africa, the Middle East, South America, and the Balkans. Additionally, the study aims to identify the series that occupy central positions in the export network of Turkish TV series and those that contribute to the expansion of this network, utilizing the Social Network Analysis (SNA) method. To achieve this objective, the Gravity Model was employed by integrating qualitative and quantitative data. The findings indicate that geographical and cultural proximity significantly enhance the export of Turkish TV series. Furthermore, using Social Network Analysis, the study identified the TV series at the core of the export network and those with the highest export potential as the network expands.

Kaynakça

  • Anadolu Agency. (2014). Exports of Turkish made TV series soar. https://www.aa.com.tr/en/economy/exports-of-turkish-made-tv-series-soar/127989
  • Abraham, A., Hassanien, A. E., & Snášel, V. (Eds.). (2009). Computational social network analysis: Trends, tools and research advances.
  • Ağırseven, N., & Örki, A. (2017). Evaluating Turkish TV series as soft power instruments. OPUS International Journal of Society Researches, 7(13), 836-853.
  • Alankuş, S., & Yanardagoglu, E. (2016). Shift or stasis| vacillation in Türkiye’s popular global TV exports: Toward a more complex understanding of distribution. International Journal of Communication, 10, 17.
  • Alikılıç, Ö. (2022). The feminization and misrepresentation of public relations practitioners in Turkish tv dramas. Feminist Media Studies, 22(8), 2080-2098.
  • Anadolu Agency. (2014). Exports of Turkish made TV series soar. https://www.aa.com.tr/en/economy/exports-of-turkish-made-tv-series-soar/127989
  • Anaz, N. (2015). The Geography of Reception: Why Do Egyptians Watch Turkish Soap Operas? 255-273.
  • Andersson, D. E., Gunessee, S., Matthiessen, C. W., & Find, S. (2014). The Geography of Chinese Science. Environment and Planning A: Economy and Space, 46(12), 2950-2971. https://doi.org/10.1068/a130283p
  • Ardem. A. (2019) Sudanese and Turkish drama: a passion that promotes cultural exchange, Anadolu Agency, retrieved from: https://www.aa.com.tr (Trans, original work published in Arabic, 2019).
  • Barcenilla, S., & Molero, J. (2003). Service Export Flows: Empirical Evidence For The European Union. 12.
  • Baran, Ş. (2023). Selling Turkish quality: Multiple proximities and Turkish format exports in the post-streaming era. International Communication Gazette, 85(3-4), 271-288.
  • Benrazek, Y. (2022). The effects of modern Turkish TV series as a soft power on the Algerian society: Analytical study (Doctoral dissertation, Marmara Universitesi (Türkiye).
  • Berg, M. (2017). Turkish drama serials as a tool for Soft Power. 14(2), 22.
  • Berg, M. (2020). Television in Türkiye: Local Production, Transnational Expansion and Political Aspirations (Y. Kaptan & E. Algan, Ed.). Springer International Publishing. https://doi.org/10.1007/978-3-030-46051-8
  • Berg, M. (2022). The interplay between authenticity, realism and cultural proximity in the reception of Turkish drama serials among Qatari audiences. Journal of Popular Television, 10(1), 21-40.
  • Brass, D. J. (Ed.). (2014). Contemporary perspectives on organizational social networks (1. ed). Emerald. https://www.emerald.com/insight/publication/doi/10.1108/S0733- 558X(2014)40
  • Buccianti, A. (2010). Dubbed Turkish soap operas conquering the Arab world: Social liberation or cultural alienation? https://www.researchgate.net/publication/265525398_Dubbed_Turkish_soap_opera s_conquering_the_Arab_world_social_liberation_or_cultural_alienation
  • Chamberlin, T., Doutriaux, J., & Hector, J. (2010). Business success factors and innovation in Canadian service sectors: An initial investigation of inter-sectoral differences. The Service Industries Journal, 30(2), 225-246. https://doi.org/10.1080/02642060802120174
  • Cohen, E. (1988). Authenticity and commoditization in tourism. Annals of Tourism Research, 15(3), 371-386. https://doi.org/10.1016/0160-7383(88)90028-X
  • Çapık, E. (2024). Türk Dizilerinin İhracat Başarısını Şekillendiren Teknik Olmayan İnovasyon ve Tüketim Yakınlığı [Süleyman Demirel Üniversitesi]. https://tez.yok.gov.tr/UlusalTezMerkezi/tezSorguSonucYeni.jsp
  • Çevik, S. B. (2019). Turkish historical television series: public broadcasting of neo-Ottoman illusions. Southeast European and Black Sea Studies, 19(2), 227-242.
  • Daily News. (2017). Turkish dramas focus of interest in Latin America. Hürriyet Daily News. https://www.hurriyetdailynews.com/turkish-dramas-focus-of-interest-in-latinamerica-- 109952
  • De Vany, A., & Walls, W. D. (2002). Does Hollywood Make Too Many R-Rated Movies? Risk, Stochastic Dominance, and the Illusion of Expectation. The Journal of Business, 75(3), 425-451. https://doi.org/10.1086/339890
  • Desai, K. K., & Basuroy, S. (2005). Interactive influence of genre familiarity, star power, and critics’ reviews in the cultural goods industry: The case of motion pictures. . . Psychology & Marketing, 22(3), 203-223.
  • Doğan, S. (2021). Türk dizileri Kolombiya’da gönülleri fethederek Türk kültürünü sevdiriyor. https://www.aa.com.tr/tr/kultur-sanat/turk-dizileri-kolombiyada-gonullerifethederek- turk-kulturunu-sevdiriyor/2293186
  • Eichengreen, B., & Gupta, P. (2009). The Two Waves of Service-Sector Growth. Indıan Councıl For Research on Internatıonal Economıc Relatıons, 235.
  • Emin, N. (2013). Balkanlar’da Türk Dizilerine Olan İlgiyi Nasıl Okumalı? SETA. https://www.setav.org/balkanlarda-turk-dizilerine-olan-ilgiyi-nasil-okumali/
  • Falah, G.-W. (2005). Geographies of Muslim women: Gender, religion, and space (C. R. Nagel, Ed.). The Guilford Press.
  • Georgiou, M. (2014). Watching soap opera in the diaspora: cultural proximity or critical proximity?. In Gender, Migration and the Media (pp. 77-96). Routledge.
  • Global Agency. (2022). TV Series. https://www.theglobalagency.tv/series
  • Gruenfeld, L. A., & Moxnes, A. (2003). The Intangible Globalization: Explaining the Patterns of International Trade in Services. Norwegian Institute of International Affairs, 32.
  • Hancığaz, E., & Hülür, H. (2024). Türk Dizileri Üzerinden Türkiye'de Toplumsal ve Kültürel Yaşama Yönelik Algılar (Bosna Hersek, Ürdün ve Kırgızistan Örnekleri). Turcology Research, (79), 152-166.
  • Hanson, G. H., & Xiang, C. (2008). International Trade in Motion Picture Services. https://www.nber.org/books-and-chapters/international-trade-services-andintangibles- era-globalization/international-trade-motion-picture-services
  • Intermedya. (2022). TV Series. https://intermedya.tv/series/
  • Howkins, J. (2002). The creative economy: How people make money from ideas. Penguin UK.
  • Kara, B. (2016). Türk dizilerinin Güney Amerika mucizesi. Gazete Vatan. https://www.gazetevatan.com/arsiv/turk-dizilerinin-guney-amerika-mucizesi-991123
  • Karlıdağ, S., & Bulut, S. (2014). The transnational spread of Turkish television soap operas. İstanbul Üniversitesi İletişim Fakültesi Dergisi| Istanbul University Faculty of Communication Journal, (47), 75-96.
  • Khan, M., & Rohn, U. (2020). Transnationalization, exportation, and capitalization of Turkish Television and its impact on the audience of the Egypt and Pakistan. European Journal of Social Sciences, 59(2), 123-137.
  • Kim, H., & Jensen, M. (2014). Audience Heterogeneity and the Effectiveness of Market Signals: How to Overcome Liabilities of Foreignness in Film Exports? Academy of Management Journal, 57(5), 1360-1384. https://doi.org/10.5465/amj.2011.0903
  • Kimura, F., ve Lee, H.-H. (2006). The Gravity Equation in International Trade in Services. Review of World Economics, 142(1), 92-121. https://doi.org/10.1007/s10290-006-0058-8
  • Kox, H., & Lejour, A. (2005). Regulatory heterogeneity as obstacle for international services trade. 46.
  • Kourchoun. M (2019). Iranians master Turkish from drama ... fun and learning, Anadolu Agency, retrieved from: https://www.aa.com.tr, (Trans, original work published in Arabic, 2019).
  • Kraidy, M. M., & Al-Ghazzi, O. (2013). Neo-Ottoman Cool: Turkish Popular Culture in the Arab Public Sphere. Popular Communication, 11(1), 17-29. https://doi.org/10.1080/15405702.2013.747940
  • La Pastina, A. C., & Straubhaar, J. D. (2005). Multiple Proximities between Television Genres and Audiences: The Schism between Telenovelas’ Global Distribution and Local Consumption. Gazette (Leiden, Netherlands), 67(3), 271-288. https://doi.org/10.1177/0016549205052231
  • Lejour, A., & Verheijden, J.-W. de P. (2004). Services trade within Canada and the European Union. 39.
  • Long, J. S., & Freese, J. (1997). Regression models for categorical dependent variables using Stata. Stata Press.
  • Larochelle, D. L. (2023). Transnational soap operas and viewing practices in the digital age: The Greek fandom of Turkish dramas. International Communication Gazette, 85(3-4), 233-249.
  • Lu, J., Liu, X., & Cheng, Y. (2019). Cultural Proximity and Genre Proximity: How Do Chinese Viewers Enjoy American and Korean TV Dramas? SAGE Open, 9(1), 215824401882502. https://doi.org/10.1177/2158244018825027
  • Matın, A. A. (2021). Turkish Soaps: Understanding pleasure among Iranians and the underlying political economy. JurnalKomunikasi: Malaysian Journal of Communication, 37(2), 19- 36.
  • Ministry of Foreign Affairs. (2022). Türkiye's Policy Towards Latin America and the Caribbean and Its Relations with the Countries of the Region / Republic of Türkiye Ministry of Foreign Affairs. https://www.mfa.gov.tr/i_-turkiye_nin-latin-amerika-ve-karayiplereyonelik- politikasi-ve-bolge-ulkeleri-ile-iliskileri.tr.mfa
  • Mujahid, H., & Alam, S. (2014). Servıce Sector As an Engıne of Growth: Empırıcal Analysıs of Pakıstan. Asian Economic and Financial Review, 10.
  • Özalpman, D. (2017). Transnational viewers of Turkish television drama series. Transnational Marketing Journal (TMJ), 5(1), 25-43.
  • Özalpman, D., & Sarikakis, K. (2018). The politics of pleasure in global drama: A case study of the TV series, The Magnificent Century (Muhteşem Yüzyıl). Global Media and Communication, 14(3), 249-264.
  • Özdemir, S. (2015). Dizi dizi ihracat—Son Dakika Haberler. https://www.hurriyet.com.tr/ekonomi/dizi-dizi-ihracat-30242131
  • Özdemir, N. (2021). Investigation of the effect of Turkish TV Series watched by Arab tourists on their preference for visiting Türkiye. International Journal of Business and Economic Studies, 3(2), 150-171.
  • Özkoçak, Y. (2016). Cultural Aspect Closeness Between The Countrıes That Watch Turkısh TV Serıes. Electronic Turkish Studies, 11(2).
  • Özyurt, O. (2014). Dünyada izlenen Türk dizileri kadınların hayatına dokundu. Sabah. https://www.sabah.com.tr/Pazar/2014/02/02/dunyada-izlenen-turk-dizilerikadinlarin- hayatina-dokundu
  • Plotnikova, T., & Rake, B. (2014). Collaboration in pharmaceutical research: Exploration of country-level determinants. Scientometrics, 98(2), 1173-1202.
  • https://doi.org/10.1007/s11192-013-1182-6 Ponds, R., Van Oort, F., & Frenken, K. (2007). The geographical and institutional proximity of research collaboration. Papers in Regional Science, 86(3), 423-444. https://doi.org/10.1111/j.1435-5957.2007.00126.x
  • Pothou, E. (2020). An Audıence Research On Turkısh Tv Serıes In Greece. 17. https://doi.org/10.18146/view.211
  • Scherngell, T., & Barber, M. J. (2011). Distinct spatial characteristics of industrial and public research collaborations: Evidence from the fifth EU Framework Programme. The Annals of Regional Science, 46(2), 247-266. https://doi.org/10.1007/s00168-009- 0334-3
  • Sevi, S. (2020, Ağustos 2). Ayasofya ‘krizi’ yüzünden Yunanlar Türk dizilerinden vazgeçer mi? Kronos Haber. https://kronos34.news/tr/ayasofya-krizi-ile-yunanlilar-turkdizilerinden- vazgecer-mi/
  • Sharma, S. (2023). From screen to soft power: the rising appeal of Turkish TV series in Bangladesh. Online Media and Global Communication, 2(4), 544-568.
  • Straubhaar, J. D. (1991). Beyond media imperialism: Assymetrical interdependence and cultural proximity. Critical Studies in Mass Communication, 8(1), 39-59. https://doi.org/10.1080/15295039109366779
  • Straubhaar, J. (1992, August). Asymmetrical interdependence and cultural proximity: A critical review on the international flow of television programs. In Apaper presented for the symposium, Television Study: A Cultural/Critical View, Taipei.
  • Straubhaar, J. (2007). World Television. From Global to Local.
  • Tinbergen, J. (1962). Shaping the world economy; suggestions for an international economic policy. (F. Hartog, Ed.).
  • Ülke, V., & Balli, F. (2015). Impact of Exported Turkish Soap Operas on Türkiye’s Bilateral Trade. Varol, Z. (2016, Şubat 3). The success story of Turkish TV series in Latin America. Daily Sabah.
  • https://www.dailysabah.com/feature/2016/02/03/the-success-story-of-turkish-tvseries- in-latin-america
  • Walsh, K. (2006). Trade in Services: Does Gravity Hold? A Gravity Model Approach to Estimating Barriers to Services Trade. SSRN Electronic Journal. https://doi.org/10.2139/ssrn.945335
  • WDI. (2022). World Bank. https://databank.worldbank.org/source/world-developmentindicators
  • Yanardağoğlu, E., & Karam, I. N. (2013). The fever that hit Arab satellite television: audience perceptions of Turkish TV series. Identities, 20(5), 561-579.
  • Yılmaz, Z. (2019). Özel Söyleşi/Mega TV-Şili: “Türk Dizileri Şili’de ‘Kötü Adamlar’ Algısını Değiştirdi”. SineBlog. http://sineblog.org/ozel-soylesi-francisco-ormazabal-turkdizileri- silide-kotu-adamlar-algisini-degistirdi/
Toplam 73 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Konular Radyo-Televizyon, Bölgesel Çalışmalar, İstatistik (Diğer)
Bölüm Araştırma Makalesi
Yazarlar

Eser Çapık 0000-0002-2754-023X

Gönderilme Tarihi 11 Mayıs 2025
Kabul Tarihi 2 Ocak 2026
Yayımlanma Tarihi 15 Nisan 2026
DOI https://doi.org/10.18094/josc.1697187
IZ https://izlik.org/JA88XZ28AC
Yayımlandığı Sayı Yıl 2026 Cilt: 19 Sayı: 1

Kaynak Göster

APA Çapık, E. (2026). Türk Dizilerinin Bölgesel İhracat Başarısında Coğrafi ve Kültürel Yakınlığın Analizi. Selçuk İletişim, 19(1), 139-163. https://doi.org/10.18094/josc.1697187