Türkiye ve Amerika Yapımı Netflix Dizilerinde Anneliğin Temsili: Hizmetçi ve Biz Kimden Kaçıyorduk Anne Örnekleri

Yıl 2025, Cilt: 26 Sayı: 1, 359 - 386, 28.06.2025

Duygu Onay Coker

https://doi.org/10.33831/jws.v26i1.530

Öz

Bu araştırma, anneliğin politik bir pratik/rol olmasından hareketle iki Netflix dizisine odaklanarak, feminist medya çalışmalarının, kadınların medyada kurban ya da zayıf olarak, erkeklerle yalancı bir eşitlik içerisinde temsil edildiği yönündeki eleştirilerini temel alır. Bu bağlamda da seçilen iki diziyi ataerkil bir kurum ve feminist bir deneyim biçimi olarak alan annelik bağlamında tartışır. Green’in üç feminist annelik deneyimi bağlamı üzerinden bu dizilerdeki anneliğin temsilini analiz eder. Bulgular, söz konusu yapımların anneliği romantize etmediği, geleneksel toplumsal cinsiyet rollerini yeniden üretmediği, kadınları aile rolleri içine hapsetmediği yönündedir. Aksine, dizilerdeki annelik temsillerinin toplumsal normlara karşı çıkış olarak kodlandığı, kadınların otantik varoluşunu anneliğe indirgemediği yönündedir. Çalışmada Netflix’in seçilmesinin sebebi, aynı içeriği benzer zamanlarda geniş kitlelerle paylaşma kapasitesi ve sansürden görece özerkliği, ek olarak dezavantajlı grupların temsil edebilmesidir. Ancak çalışma, tüm bu özelliklerle birlikte, ticari yönlerinin de dikkate alınarak, dijital platformların idealize edilmemesi gerekliliği de vurgular.

Anahtar Kelimeler

Annelik , Kurum ve Feminist Deneyim Olarak Annelik , Netflix , Hizmetçi , Biz Kimden Kaçıyorduk Anne?

The Representation of Motherhood in Netflix Series: The Case of the Maid and Who Were We Running From

Öz

This study, arguing that motherhood/mothering is a political act, analyzes two Netflix productions centered on the theme. To analyze the representation of mothering/motherhood, it applies Fiona Joy Green’s (2020) three central concepts within feminist mothering: oppose the institution of motherhood, view mothering as an empowered and political act, and practice matroreform. The method of this study is Feminist Close Reading, which allows for a comparative analysis of whose narratives will be prioritized, amplifying the voices of marginalized perspectives across various traditions. The research focusing on Netflix delivering duplicate content to a large audience across different countries demonstrates that these productions do not romanticize motherhood, impose outdated gender roles, or define women solely through their familial roles. Instead, they reveal that the mothers in these narratives resist societal norms, representing women characters striving to fulfill their authentic identities and stay true to themselves.

Anahtar Kelimeler

Motherhood/Mothering , Feminist Experience , Netflix Series , Maid , Who Were We Running From?

Kaynakça

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