INTRODUCTION: THE GOTHIC, BELATEDLY

Yıl 2013, Cilt: 8 Sayı: Special , 0 - , 01.06.2013

TREVOR Hope

https://izlik.org/JA83HA37XX

Öz

Robert Miles speaks of a recent “flood” of published materials on the gothic in his preface to the 2002 edition of Gothic Writing, 1750-1820: A Gothic Genealogy, and provides a helpful overview of the gothic criticism of the 1990s

Anahtar Kelimeler

-

INTRODUCTION: THE GOTHIC, BELATEDLY

https://izlik.org/JA83HA37XX

Öz

Anahtar Kelimeler

-

Kaynakça

• Armstrong, Nancy. (1987). Desire and Domestic Fiction: A Political History of the Novel. Oxford: Oxford University Press.
• Auerbach, Nina. (1995). Our Vampires, Ourselves. Chicago: University of Chicago Press.
• Austen, Jane. (2006). Northanger Abbey. New York: Knopf.
• Baldrick, Chris and Robert Mighall. (2001). Gothic Criticism. In David Punter (Ed.) A Companion to the Gothic. Oxford: Blackwell.
• Birkhead, Edith. (1921). The Tale of Terror: A Study of the Gothic Romance. London: Constable and Co.
• Brooks, Peter. (1995). The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess New Haven: Yale University Press.
• Castle, Terry. (1995). The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny. Oxford: Oxford University Press.
• Davison, Carol Margaret. (2009). History of the Gothic: Gothic Literature 1764–1824. Cardiff: University of Wales Press.
• Derrida, Jacques. (1995). Archive Fever: A Freudian Impression. Trans. Eric Prenowitz. Chicago: University of Chicago Press.
• Dickens, Charles. (2008). Little Dorrit. Oxford: Oxford University Press.
• ______. (2008). Oliver Twist. Oxford: Oxford University Press.
• Dickinson, Emily. (1999). The Poems of Emily Dickinson. Ed. R.W. Franklin. Cambridge: Harvard University Press.
• Foucault, Michel. (1972). The Archaeology of Knowledge. Trans. A. M. Sheridan-Smith. New York: Random House.
• ______. (1977). Nietzsche, Genealogy, History. In Daniel F. Bouchard (Ed.), Language, Counter- memory, Practice: Selected Essays and Interviews. Trans. Daniel F. Bouchard and Sherry Simon. Ithaca, NY: Cornell University Press. 139-164.
• Gilbert, Sandra M. and Susan Gubar. (1979). The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. New Haven: Yale University Press.
• Halberstam, Judith.(1995). Skin Shows: Gothic Horror and the Technology of Monsters. Durham: Duke University Press.
• Hall, Radcliffe. (1982). The Well of Loneliness. London: Virago.
• Hamm, Robert B., Jr. (2009). Hamlet and Horace Walpole’s The Castle of Otranto. SEL Studies in English Literature 1500-1900 49(3), 667-692. The Johns Hopkins University Press.
• Hoeveler, Diane Long. (2007). Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës. University Park, Pennsylvania: The Pennsylvania State University Press.
• Ingebretsen, Edward J. (1996). Anne Rice: Raising Holy Hell, Harlequin Style. In Gary Hoppenstand and Ray Broadus Browne (Eds.), The Gothic World of Anne Rice. Bowling Green, Ohio: Bowling Green State University Popular Press.
• Kümel, Harry (1971). Daughters of Darkness. [Motion Picture]. Belgium: Showking Films, Maya Films and Cine Vog Films.
• Larraz, José Ramón (1974). Vampyres. [Motion Picture]. United Kingdom: Lurco Films.
• Le Fanu, Sheridan. (2009). Carmilla. In a Glass Darkly. Gloucester: Dodo: 265-353.
• Lewis, Matthew. The Monk. (1980). Oxford: Oxford University Press.
• Massé, Michelle. (1992). In the Name of Love: Women, Masochism, and the Gothic. Ithaca: Cornell University Press.
• Miles, Robert. (2002). Gothic Writing, 1750-1820: A Genealogy. Manchester: Manchester University Press.
• Mishra, Vijay. (1994). The Gothic Sublime. Albany: State University of New York Press.
• Punter, David. (1996). The Literature of Terror, Vol. I, The Gothic Tradition. London: Longman.
• Railo, Eino. (1927). The Haunted Castle: A Study of the Elements of Romanticism. London: G. Routledge and Sons. Reeve, Clara. (1778). The Old English Baron. Retrieved from http://www.gutenberg.org/ebooks/5182.
• Sangster, Jimmy (1971). Lust for a Vampire. [Motion Picture]. United Kingdom: Hammer Films Production.
• Sedgwick, Eve Kosofsky. (1980). The Coherence of Gothic Conventions. New York: Arno Press.
• Summers, Montague. (1938). The Gothic Quest: A History of the Gothic Novel. London: The Fortune Press.
• Vidler, Anthony. (1994). The Architectural Uncanny: Essays in the Modern Unhomely. Cambridge, Mass.: The MIT Press. Walpole, Horace. (1764). The Castle of Otranto. Retrieved from http://www.gutenberg.org/ebooks/696.
• ______. (2003). The Castle of Otranto and the Mysterious Mother. Ed. Frederick S. Frank. Peterborough, Ontario: Broadview Press.
• Wolfreys, Julian. (2002). Victorian Hauntings: Spectrality, Gothic, the Uncanny and Literature. Basingstoke: Palgrave.