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INTRODUCTION: THE GOTHIC, BELATEDLY

Yıl 2013, Cilt: 8 Sayı: Special, 0 - , 01.06.2013

Öz

Robert Miles speaks of a recent “flood” of published materials on the gothic in his preface to the 2002 edition of Gothic Writing, 1750-1820: A Gothic Genealogy, and provides a helpful overview of the gothic criticism of the 1990s

Kaynakça

  • Armstrong, Nancy. (1987). Desire and Domestic Fiction: A Political History of the Novel. Oxford: Oxford University Press.
  • Auerbach, Nina. (1995). Our Vampires, Ourselves. Chicago: University of Chicago Press.
  • Austen, Jane. (2006). Northanger Abbey. New York: Knopf.
  • Baldrick, Chris and Robert Mighall. (2001). Gothic Criticism. In David Punter (Ed.) A Companion to the Gothic. Oxford: Blackwell.
  • Birkhead, Edith. (1921). The Tale of Terror: A Study of the Gothic Romance. London: Constable and Co.
  • Brooks, Peter. (1995). The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess New Haven: Yale University Press.
  • Castle, Terry. (1995). The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny. Oxford: Oxford University Press.
  • Davison, Carol Margaret. (2009). History of the Gothic: Gothic Literature 1764–1824. Cardiff: University of Wales Press.
  • Derrida, Jacques. (1995). Archive Fever: A Freudian Impression. Trans. Eric Prenowitz. Chicago: University of Chicago Press.
  • Dickens, Charles. (2008). Little Dorrit. Oxford: Oxford University Press.
  • ______. (2008). Oliver Twist. Oxford: Oxford University Press.
  • Dickinson, Emily. (1999). The Poems of Emily Dickinson. Ed. R.W. Franklin. Cambridge: Harvard University Press.
  • Foucault, Michel. (1972). The Archaeology of Knowledge. Trans. A. M. Sheridan-Smith. New York: Random House.
  • ______. (1977). Nietzsche, Genealogy, History. In Daniel F. Bouchard (Ed.), Language, Counter- memory, Practice: Selected Essays and Interviews. Trans. Daniel F. Bouchard and Sherry Simon. Ithaca, NY: Cornell University Press. 139-164.
  • Gilbert, Sandra M. and Susan Gubar. (1979). The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. New Haven: Yale University Press.
  • Halberstam, Judith.(1995). Skin Shows: Gothic Horror and the Technology of Monsters. Durham: Duke University Press.
  • Hall, Radcliffe. (1982). The Well of Loneliness. London: Virago.
  • Hamm, Robert B., Jr. (2009). Hamlet and Horace Walpole’s The Castle of Otranto. SEL Studies in English Literature 1500-1900 49(3), 667-692. The Johns Hopkins University Press.
  • Hoeveler, Diane Long. (2007). Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës. University Park, Pennsylvania: The Pennsylvania State University Press.
  • Ingebretsen, Edward J. (1996). Anne Rice: Raising Holy Hell, Harlequin Style. In Gary Hoppenstand and Ray Broadus Browne (Eds.), The Gothic World of Anne Rice. Bowling Green, Ohio: Bowling Green State University Popular Press.
  • Kümel, Harry (1971). Daughters of Darkness. [Motion Picture]. Belgium: Showking Films, Maya Films and Cine Vog Films.
  • Larraz, José Ramón (1974). Vampyres. [Motion Picture]. United Kingdom: Lurco Films.
  • Le Fanu, Sheridan. (2009). Carmilla. In a Glass Darkly. Gloucester: Dodo: 265-353.
  • Lewis, Matthew. The Monk. (1980). Oxford: Oxford University Press.
  • Massé, Michelle. (1992). In the Name of Love: Women, Masochism, and the Gothic. Ithaca: Cornell University Press.
  • Miles, Robert. (2002). Gothic Writing, 1750-1820: A Genealogy. Manchester: Manchester University Press.
  • Mishra, Vijay. (1994). The Gothic Sublime. Albany: State University of New York Press.
  • Punter, David. (1996). The Literature of Terror, Vol. I, The Gothic Tradition. London: Longman.
  • Railo, Eino. (1927). The Haunted Castle: A Study of the Elements of Romanticism. London: G. Routledge and Sons. Reeve, Clara. (1778). The Old English Baron. Retrieved from http://www.gutenberg.org/ebooks/5182.
  • Sangster, Jimmy (1971). Lust for a Vampire. [Motion Picture]. United Kingdom: Hammer Films Production.
  • Sedgwick, Eve Kosofsky. (1980). The Coherence of Gothic Conventions. New York: Arno Press.
  • Summers, Montague. (1938). The Gothic Quest: A History of the Gothic Novel. London: The Fortune Press.
  • Vidler, Anthony. (1994). The Architectural Uncanny: Essays in the Modern Unhomely. Cambridge, Mass.: The MIT Press. Walpole, Horace. (1764). The Castle of Otranto. Retrieved from http://www.gutenberg.org/ebooks/696.
  • ______. (2003). The Castle of Otranto and the Mysterious Mother. Ed. Frederick S. Frank. Peterborough, Ontario: Broadview Press.
  • Wolfreys, Julian. (2002). Victorian Hauntings: Spectrality, Gothic, the Uncanny and Literature. Basingstoke: Palgrave.

INTRODUCTION: THE GOTHIC, BELATEDLY

Yıl 2013, Cilt: 8 Sayı: Special, 0 - , 01.06.2013

Öz

Kaynakça

  • Armstrong, Nancy. (1987). Desire and Domestic Fiction: A Political History of the Novel. Oxford: Oxford University Press.
  • Auerbach, Nina. (1995). Our Vampires, Ourselves. Chicago: University of Chicago Press.
  • Austen, Jane. (2006). Northanger Abbey. New York: Knopf.
  • Baldrick, Chris and Robert Mighall. (2001). Gothic Criticism. In David Punter (Ed.) A Companion to the Gothic. Oxford: Blackwell.
  • Birkhead, Edith. (1921). The Tale of Terror: A Study of the Gothic Romance. London: Constable and Co.
  • Brooks, Peter. (1995). The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess New Haven: Yale University Press.
  • Castle, Terry. (1995). The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny. Oxford: Oxford University Press.
  • Davison, Carol Margaret. (2009). History of the Gothic: Gothic Literature 1764–1824. Cardiff: University of Wales Press.
  • Derrida, Jacques. (1995). Archive Fever: A Freudian Impression. Trans. Eric Prenowitz. Chicago: University of Chicago Press.
  • Dickens, Charles. (2008). Little Dorrit. Oxford: Oxford University Press.
  • ______. (2008). Oliver Twist. Oxford: Oxford University Press.
  • Dickinson, Emily. (1999). The Poems of Emily Dickinson. Ed. R.W. Franklin. Cambridge: Harvard University Press.
  • Foucault, Michel. (1972). The Archaeology of Knowledge. Trans. A. M. Sheridan-Smith. New York: Random House.
  • ______. (1977). Nietzsche, Genealogy, History. In Daniel F. Bouchard (Ed.), Language, Counter- memory, Practice: Selected Essays and Interviews. Trans. Daniel F. Bouchard and Sherry Simon. Ithaca, NY: Cornell University Press. 139-164.
  • Gilbert, Sandra M. and Susan Gubar. (1979). The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. New Haven: Yale University Press.
  • Halberstam, Judith.(1995). Skin Shows: Gothic Horror and the Technology of Monsters. Durham: Duke University Press.
  • Hall, Radcliffe. (1982). The Well of Loneliness. London: Virago.
  • Hamm, Robert B., Jr. (2009). Hamlet and Horace Walpole’s The Castle of Otranto. SEL Studies in English Literature 1500-1900 49(3), 667-692. The Johns Hopkins University Press.
  • Hoeveler, Diane Long. (2007). Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës. University Park, Pennsylvania: The Pennsylvania State University Press.
  • Ingebretsen, Edward J. (1996). Anne Rice: Raising Holy Hell, Harlequin Style. In Gary Hoppenstand and Ray Broadus Browne (Eds.), The Gothic World of Anne Rice. Bowling Green, Ohio: Bowling Green State University Popular Press.
  • Kümel, Harry (1971). Daughters of Darkness. [Motion Picture]. Belgium: Showking Films, Maya Films and Cine Vog Films.
  • Larraz, José Ramón (1974). Vampyres. [Motion Picture]. United Kingdom: Lurco Films.
  • Le Fanu, Sheridan. (2009). Carmilla. In a Glass Darkly. Gloucester: Dodo: 265-353.
  • Lewis, Matthew. The Monk. (1980). Oxford: Oxford University Press.
  • Massé, Michelle. (1992). In the Name of Love: Women, Masochism, and the Gothic. Ithaca: Cornell University Press.
  • Miles, Robert. (2002). Gothic Writing, 1750-1820: A Genealogy. Manchester: Manchester University Press.
  • Mishra, Vijay. (1994). The Gothic Sublime. Albany: State University of New York Press.
  • Punter, David. (1996). The Literature of Terror, Vol. I, The Gothic Tradition. London: Longman.
  • Railo, Eino. (1927). The Haunted Castle: A Study of the Elements of Romanticism. London: G. Routledge and Sons. Reeve, Clara. (1778). The Old English Baron. Retrieved from http://www.gutenberg.org/ebooks/5182.
  • Sangster, Jimmy (1971). Lust for a Vampire. [Motion Picture]. United Kingdom: Hammer Films Production.
  • Sedgwick, Eve Kosofsky. (1980). The Coherence of Gothic Conventions. New York: Arno Press.
  • Summers, Montague. (1938). The Gothic Quest: A History of the Gothic Novel. London: The Fortune Press.
  • Vidler, Anthony. (1994). The Architectural Uncanny: Essays in the Modern Unhomely. Cambridge, Mass.: The MIT Press. Walpole, Horace. (1764). The Castle of Otranto. Retrieved from http://www.gutenberg.org/ebooks/696.
  • ______. (2003). The Castle of Otranto and the Mysterious Mother. Ed. Frederick S. Frank. Peterborough, Ontario: Broadview Press.
  • Wolfreys, Julian. (2002). Victorian Hauntings: Spectrality, Gothic, the Uncanny and Literature. Basingstoke: Palgrave.
Toplam 35 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Bölüm Makaleler
Yazarlar

TREVOR Hope Bu kişi benim

Yayımlanma Tarihi 1 Haziran 2013
Yayımlandığı Sayı Yıl 2013 Cilt: 8 Sayı: Special

Kaynak Göster

APA Hope, T. (2013). INTRODUCTION: THE GOTHIC, BELATEDLY. Yaşar Üniversitesi E-Dergisi, 8(Special). https://doi.org/10.19168/jyu.56181
AMA Hope T. INTRODUCTION: THE GOTHIC, BELATEDLY. Yaşar Üniversitesi E-Dergisi. Haziran 2013;8(Special). doi:10.19168/jyu.56181
Chicago Hope, TREVOR. “INTRODUCTION: THE GOTHIC, BELATEDLY”. Yaşar Üniversitesi E-Dergisi 8, sy. Special (Haziran 2013). https://doi.org/10.19168/jyu.56181.
EndNote Hope T (01 Haziran 2013) INTRODUCTION: THE GOTHIC, BELATEDLY. Yaşar Üniversitesi E-Dergisi 8 Special
IEEE T. Hope, “INTRODUCTION: THE GOTHIC, BELATEDLY”, Yaşar Üniversitesi E-Dergisi, c. 8, sy. Special, 2013, doi: 10.19168/jyu.56181.
ISNAD Hope, TREVOR. “INTRODUCTION: THE GOTHIC, BELATEDLY”. Yaşar Üniversitesi E-Dergisi 8/Special (Haziran 2013). https://doi.org/10.19168/jyu.56181.
JAMA Hope T. INTRODUCTION: THE GOTHIC, BELATEDLY. Yaşar Üniversitesi E-Dergisi. 2013;8. doi:10.19168/jyu.56181.
MLA Hope, TREVOR. “INTRODUCTION: THE GOTHIC, BELATEDLY”. Yaşar Üniversitesi E-Dergisi, c. 8, sy. Special, 2013, doi:10.19168/jyu.56181.
Vancouver Hope T. INTRODUCTION: THE GOTHIC, BELATEDLY. Yaşar Üniversitesi E-Dergisi. 2013;8(Special).