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The Influence of Commedia Dell’arte is Evident in the Opera: Don Giovanni

Yıl 2024, Cilt: 11 Sayı: 2, 616 - 630, 25.12.2024
https://doi.org/10.26650/CONS2024-1509765

Öz

The study looks at the opera Don Giovanni, written by Lorenzo da Ponte and composed by W.A. Mozart, and how it was influenced by commedia dell’arte. The study looks at the historical process of the figure of Don Juan, which emerged in the Spanish Golden Age writer Gabriel Tellez’s work El burlador de Sevilla y convidado de piedra. It also looks at how the commedia dell’arte effects of the Italian folk theater tradition and the reflections of the commedia dell’arte effects on the figure of Don Juan on the opera Don Giovanni. The study used a qualitative research method and a literature review. It looked at Turkish and English texts about Don Juan, commedia dell’arte, Don Giovanni, and their interactions. The research found that some interpretations of Don Juan include commedia dell’arte. The opera Don Giovanni shows that the character of Leporello is like a comic servant. This shows that the opera is influenced by commedia dell’arte. The opera also shows that Leporello uses disguise, plays the mandolin and uses small comic lines.

Kaynakça

  • Allanbrook, W.J. (1983). Rhythmic Gesture in Mozart: Le Nozze di Figaro & Don Giovanni. Chicago: University of Chicago Press. google scholar
  • Aydın, A. (2019). W.A.Mozart’ın Don Giovanni Operasındaki Don Giovanni, Leporello, Masetto Karakterlerinin İncelenmesi ve Karşılaştırılması. (Yayınlanmamış Yüksek Lisans Tezi.) İstanbul Üniversitesi Sosyal Bilimler Enstitüsü, İstanbul. google scholar
  • Balamir, N. (2017). Commedia dell’arte ve Türk Tiyatrosu. İstanbul: Remzi Kitabevi. google scholar
  • Bayliss, R. (2006). Serving Don Juan: Decorum in Tirso de Molina and Moliere. Comparative Drama, 40 (2). 191-215. https://doi.org/10.1353/ cdr.2006.0015 google scholar
  • Bevis, R. W. (1989). Liberty is My Due: Don Juan and Free Thought in the ancien regime. Man and Nature / L’homme et la nature, 8, 1-8. https://doi.org/10.7202/1012591ar google scholar
  • Brockett, O.G. ve Hildy, F.J. (2016). Tiyatro Tarihi. (T.Göbekçin, Çev.) İstanbul: Mitos-Boyut Yayınları. google scholar
  • Buch, D. (2004). The Don Juan Tradition, Eighteenth-Century Supernatural Musical Theatre and Vincenzo Righini’s ‘Il convitato di pietra’. Hudebni Veda. 41. 295-307. Erişim Adresi: https://www.researchgate.net/publication/296803956_The_Don_Juan_Tradition_ Eighteenth-Century_Supernatural_Musical_Theatre_and_Vincenzo_Righini’ s_’ Il_convitato_di_pietra’ google scholar
  • Buhaiciuc, M. (2012). Tracing Zerlina’s Ancestors. Bulletin of the Transilvania University of Brasov, Series VIII: Art & Sport, 5 (54) No.2, 77-80. Erişim Adresi: https://search.ebscohost.com/login.aspx?direct=true&db=asn&AN=91869573&lang=tr&site=eds-live google scholar
  • Büke, A. (1998). İki Dahi Üç Opera: Mozart ve Da Ponte’nin Ortak Çalışmaları. İstanbul: Boyut Yayıncılık. google scholar
  • Chaffee, J., ve Crick O. (2015). The Routledge Companion to Commedia dell’Arte. Oxfordshire, İngiltere; New York: Routledge. google scholar
  • Chong, A. (2011). Mozart’s Don Giovanni and the Historical Development of Opera Buffa. New York: Garland Publishing. google scholar
  • Dent, E.J. (1947). Mozart’s Operas: A Critical Study. London: Oxford University Press. D^az-Cuesta, J. (2005). The Metamorphosis of the Don Juan Legend in Tirso de Molina’s El burlador de Sevilla and Thomas Shadwells’s The Libertine. Vivat Academia. 67. 24-36. https://doi.org/10.15178/va.2005.67.24-37 google scholar
  • Dowling, J. (1989). Don Juan and Carmen. The Comparatist, 13, 37-52. Erişim Adresi: https://www.jstor.org/stable/44366792 google scholar
  • Fisher, B.D. (2005). Opera Classics Library Series: Mozart’s Don Giovanni. Miami: Opera Journeys Publishing. google scholar
  • Fuat, İ. (2010). İtalyan Tiyatrosu Tarihi. Ankara: Kültür Bakanlığı Yayınları. google scholar
  • Goehr, L. ve Herwitz, D. (2006). The Don Giovanni Moment: Essays on the Legacy of an Opera. New York: Columbia University Press. google scholar
  • Goessens, L. (2008). Don Giovanni: Van verleider tot druggebruiker - een kritische studie van literaire beschouwingen, musicologische analyses en hedendaagse ensceneringen. google scholar
  • (Yayınlanmamış Yüksek Lisans Tezi.) Faculteit Letteren en Wijsbegeerte Universiteit Gent. Erişim Adresi: https://lib.ugent.be/catalog/rug01: 001414311 google scholar
  • Gudesblatt, M. (2008). "Don Giovanni: A Rake for All Seasons," Nota Bene: Canadian Undergraduate Journal of Musicology. 1(3). 29-42. https://doi.org/10.5206/notabene.v1i1.6539 google scholar
  • Hermanson, A. (2009). Forsaken Justice: Thomas Shadwell’s “The Libertine” and the Earl of Rochester’s “Lucina’s Rape Or the Tragedyof Vallentinian”. Restoration: Studies in English Literary Culture, 1660-1700. 33 (1). 3-26. Erişim Adresi: http://www.jstor.org/stable/43293977 google scholar
  • Hunter, M. (1991). Some Representations of Opera Seria in Opera Buffa. Cambridge Opera Journal. 3 (2). 89-108. https://www.jstor.org/stable/ 823602 google scholar
  • Jçcz, J. (2018). Commander in Opera: Contexts. Kwartalnik Mlodych Muzykologow UJ. 39 (4). 21-39. https://doi.org/10.4467/ 23537094KMMUJ.18.042.9743 google scholar
  • Karaboğa, K. Ve Özçıtak, İ. (1994). Commedia dell’Arte. Mimesis Tiyatro Çeviri Araştırma Dergisi, (5), 227-258. Erişim Adresi: https://www.mimesis- dergi.org/pdf/Commedia.pdf google scholar
  • Lauer, A. (2008). AnneMcNaughton’s Don Juan: A Roguefor All Seasons. S. Garrfa, D. Larson, A. Lauer, A. McNaughton, B. Mujica, B. Gunter, C. Larson, C. Boyle, D. Matthews, D. Johnston, D. Smith, J. Parr, J. Thacker, M. Halberstam, S. Voros, S. Fischer & V. Dixon (Eds.), The Comedia in English: Translation and Performance (pp. 202-213). Suffolk: Boydell and Brewer. https://doi.org/10.1515/9781846156199-017 google scholar
  • Nutku, Ö. (1985). Dünya Tiyatrosu Tarihi Cilt: 1. İstanbul: Remzi Kitabevi Yayınları. google scholar
  • Pirrotta, N. (1955). “Commedia dell’Arte” and Opera. The Musical Quarterly, 41 (3), 305- 324. https://doi.org/10.1093/mq/XLI.3.305 google scholar
  • Pirrotta, N. (1980). The Traditions of Don Juan Plays and Comic Operas. Proceedings of the Royal Musical Association, 107, 60-70. https: //www.jstor.org/stable/766115 google scholar
  • Rosen, C. (1998). The Classical Style: Haydn, Mozart, Beethoven. (Genişletişmiş Basım). New York and London: W.W.Norton & Company. google scholar
  • Ross, H.D. (2009). Are You Serious? An Examination of the Role of the Tenor in Mozart’s Operas Don Giovanni and Cosı fan tutte. (Yayımlanmamış Doktora Tezi.) Greensboro: The University of North Carolina, The Faculty of The Gradaute School. Erişim Adresi: https://libres.uncg.edu/ir/uncg/f/Hinson_uncg_0154D_10297.pdf google scholar
  • Rumph, S. (2007). The Sense of Touch in ‘Don Giovanni’. Music & Letters, 48 (4). 561-588. https://doi.org/10.1093/ml/gcm035 google scholar
  • Russel, C.C. (1997). Confusion in the Act I Finale of Mozart and Da Ponte’s Don Giovanni. The Opera Quarterly, 14 (1). 25-44. https://doi.org/10.1093/oq/14.1.25 google scholar
  • Sheil, Â. (2006). Hanswurst. C.Eisen and S.P.Keefe (Eds.), The Cambridge Mozart Encyclopedia içinde, (s.209-210). New York: Cambridge University Press. google scholar
  • Sheinberg, E. (2017). Irony, Satire, Parody and the Grotesque in the Music of Shostakovich: A Theory of Musical Incongruities. London: Routledge. google scholar
  • Gigliucci, R. (2016). Don Giovanni, Faust and the Western Modernity. Academy for International Communication of Chinese Culture and Springer-Verlag Berlin Heidelberg. 3 (1). 87-93. https://doi.org/10.1007/s40636-016-0052-3 google scholar
  • Rudlin, J. (2000). Commedia dell’Arte Oyuncunun El Kitabı. (1.Bs.). (E.E.İpekli, Çev.). İstanbul: MitosBoyut Yayınları. google scholar
  • Schneider, M.T. (2022). The Original Portrayal of Mozart’s Don Giovanni. Routledge Taylor & Francis Group. New York. https://doi.org/10. 4324/9780429281709 google scholar
  • Sedwick, F. (1954). Mozart’s Sources for Don Giovanni. Hispania, 37 (3). 269-273. https://www.jstor.org/stable/335262 google scholar
  • Sedwick, F. (1955). El Burlador, Don Giovanni, and the Popular Concept of Don Juan. Hispania, 38 (2), 173-177. https://www.jstor.org/stable/ 335809 google scholar
  • Solomon, M. (2021). Mozart. (2.Bs.). (E. Kılıç, Çev.). İstanbul: Türkiye İş Bankası Kültür Yayınları. google scholar
  • Sözer, V. (2005). Müzik Ansiklopedik Sözlük. (5.Bs.). İstanbul: Remzi Kitabevi. google scholar
  • Steptoe, A. (1990). The Mozart-Da Ponte Operas: The Cultural and Musical Background to Le Nozze di Figaro, Don Giovanni, and Cosı fan tutte. Oxford: Clarendon Press. google scholar
  • Thomson, K. (2004). Mozart’ın Yapıtlarındaki Masonik Örgü. (2.Bs.). (M.H. Spatar, Çev.). İstanbul: Pencere Yayınları. google scholar
  • Tonelli, F. (1985). Moliere’s “Don Juan” and the Space of the Comedia dell’Arte. Theatre Journal. 37 (4). 440-464. https://wwwjstor.org/stable/ 3207519 google scholar
  • Trahan, C. (2012). Uniting Commedia dell’Arte Traditions with the Spieltenor Repertoire. (Yayınlanmamış Doktora Tezi.) University of North Texas. Erişim Adresi: https://digital.library.unt.edu/ark:/67531/metadc115173/m2/1/high_res_d/dissertation.pdf google scholar
  • Ungerer, G. (1990). Thomas Shadwell’s “The Libertine”: a forgotten Restoration Don Juan Play. SEDERI: yearbook of the Spanish and Portuguese Society for English Renaissance Studies, 1, 222-239. google scholar
  • Varona, A.E. (2018). “Don Juan Tenorio”, de Jose de Zorrilla. Edicion de Ismael Lopez Martm. Castilla Estudios de Literatura, (9). 22-25. https://doi.org/10.24197/cel.9.2018.XXII-XXV google scholar
  • Wilbourne, E. (2016). Seventeenth-Century Opera and the Sound of the Commedia dell’Arte. Chicago: The University of Chicago Press. google scholar
  • Waxman, S.M. (1908). The Don Juan Legend in Literature. The Journal of American Folklore, 21 (81), 184-204. https://doi.org/10.2307/534636 Yurtaydın E. (1994). Don Juan. (Yayımlanmamış Doktora Tezi.) Ankara: Ankara Üniversitesi, Sosyal Bilimler Enstitüsü. google scholar
  • Zvara, V. (2002). Commedia dell’Arte and the Evolution of Music Theatre in the First Third of the Twentieth Century. Musicologica Istropolitana, (1), 147-160. Erişim Adresi: https://www.academia.edu/33100366/Commedia_dell%CA%BEarte_and_the_evolution_of_music_theatre_ in_the_first_third_of_the_twentieth_century google scholar
  • Görsel 1. https://images.app.goo.gl/oQ3YTDUPhPj6RD3h6 (Erişim Tarihi: 11.9.2024) google scholar
  • Görsel 2. https://digital.library.mcgill.ca/featherbook/comedians.html (Erişim Tarihi: 11.9.2024) google scholar
  • Görsel 3. https://imslp.org/wiki/Special:IMSLPImageHandler/68957%2Fge06 (Erişim Tarihi: 11.9.2024) google scholar
  • Görsel 4. https://youtu.be/C93TXGAMFjE?si=14CRY0pcKi5ehS-A&t=6240 (Erişim Tarihi: 11.9.2024) google scholar

Don Giovanni Operasında Commedia Dell’arte Etkileri

Yıl 2024, Cilt: 11 Sayı: 2, 616 - 630, 25.12.2024
https://doi.org/10.26650/CONS2024-1509765

Öz

Çalışma; librettosunu Lorenzo da Ponte’nin yazdığı ve W.A. Mozart’ın bestelediği Don Giovanni operasını ve bu operanın üzerindeki commedia dell’arte etkilerini ortaya koymayı amaçlamaktadır. Çalışma kapsamında İspanyol Altın Çağı yazarı Gabriel Téllez’in (Tirso de Molina) El burlador de Sevilla y convidado de piedra eserinde ortaya çıkan Don Juan figürünün tarihsel süreci İtalyan halk tiyatrosu geleneği commedia dell’arte etkileri bağlamında incelemekte ve Don Juan figürü üzerindeki commedia dell’arte etkilerinin Don Giovanni operasına yansımaları ortaya konulmaktadır. Çalışma nitel araştırma yöntemi olan kaynak tarama metodu bağlamında yapılmıştır. Bu bağlamda Don Juan, commedia dell’arte, Don Giovanni kavramları ve bu kavramların birbirleriyle etkileşimlerinin incelendiği Türkçe ve İngilizce metinler taranmıştır. Araştırma sonucunda tarihsel süreç boyunca Don Juan figürünü konu alan kimi yorumlamaların doğrudan; kimilerinin ise dolaylı olarak commedia dell’arte etkileşimleri taşıdıkları tespit edilmiştir. Don Giovanni operası özelinde incelendiğinde, eserde yer alan Leporello karakterinin, commedia dell’arte etkisini doğrudan ortaya koyan komik hizmetçi arketipinin bir yansıması olduğu anlaşılmaktadır. Bununla birlikte operada yer alan kılık değiştirme, mandolin eşliğinde serenat yapılması ve lazzi benzeri küçük komik repliklerin kullanılması gibi unsurlar da commedia dell’arte’nin doğrudan etkilerini ortaya koymaktadır.

Kaynakça

  • Allanbrook, W.J. (1983). Rhythmic Gesture in Mozart: Le Nozze di Figaro & Don Giovanni. Chicago: University of Chicago Press. google scholar
  • Aydın, A. (2019). W.A.Mozart’ın Don Giovanni Operasındaki Don Giovanni, Leporello, Masetto Karakterlerinin İncelenmesi ve Karşılaştırılması. (Yayınlanmamış Yüksek Lisans Tezi.) İstanbul Üniversitesi Sosyal Bilimler Enstitüsü, İstanbul. google scholar
  • Balamir, N. (2017). Commedia dell’arte ve Türk Tiyatrosu. İstanbul: Remzi Kitabevi. google scholar
  • Bayliss, R. (2006). Serving Don Juan: Decorum in Tirso de Molina and Moliere. Comparative Drama, 40 (2). 191-215. https://doi.org/10.1353/ cdr.2006.0015 google scholar
  • Bevis, R. W. (1989). Liberty is My Due: Don Juan and Free Thought in the ancien regime. Man and Nature / L’homme et la nature, 8, 1-8. https://doi.org/10.7202/1012591ar google scholar
  • Brockett, O.G. ve Hildy, F.J. (2016). Tiyatro Tarihi. (T.Göbekçin, Çev.) İstanbul: Mitos-Boyut Yayınları. google scholar
  • Buch, D. (2004). The Don Juan Tradition, Eighteenth-Century Supernatural Musical Theatre and Vincenzo Righini’s ‘Il convitato di pietra’. Hudebni Veda. 41. 295-307. Erişim Adresi: https://www.researchgate.net/publication/296803956_The_Don_Juan_Tradition_ Eighteenth-Century_Supernatural_Musical_Theatre_and_Vincenzo_Righini’ s_’ Il_convitato_di_pietra’ google scholar
  • Buhaiciuc, M. (2012). Tracing Zerlina’s Ancestors. Bulletin of the Transilvania University of Brasov, Series VIII: Art & Sport, 5 (54) No.2, 77-80. Erişim Adresi: https://search.ebscohost.com/login.aspx?direct=true&db=asn&AN=91869573&lang=tr&site=eds-live google scholar
  • Büke, A. (1998). İki Dahi Üç Opera: Mozart ve Da Ponte’nin Ortak Çalışmaları. İstanbul: Boyut Yayıncılık. google scholar
  • Chaffee, J., ve Crick O. (2015). The Routledge Companion to Commedia dell’Arte. Oxfordshire, İngiltere; New York: Routledge. google scholar
  • Chong, A. (2011). Mozart’s Don Giovanni and the Historical Development of Opera Buffa. New York: Garland Publishing. google scholar
  • Dent, E.J. (1947). Mozart’s Operas: A Critical Study. London: Oxford University Press. D^az-Cuesta, J. (2005). The Metamorphosis of the Don Juan Legend in Tirso de Molina’s El burlador de Sevilla and Thomas Shadwells’s The Libertine. Vivat Academia. 67. 24-36. https://doi.org/10.15178/va.2005.67.24-37 google scholar
  • Dowling, J. (1989). Don Juan and Carmen. The Comparatist, 13, 37-52. Erişim Adresi: https://www.jstor.org/stable/44366792 google scholar
  • Fisher, B.D. (2005). Opera Classics Library Series: Mozart’s Don Giovanni. Miami: Opera Journeys Publishing. google scholar
  • Fuat, İ. (2010). İtalyan Tiyatrosu Tarihi. Ankara: Kültür Bakanlığı Yayınları. google scholar
  • Goehr, L. ve Herwitz, D. (2006). The Don Giovanni Moment: Essays on the Legacy of an Opera. New York: Columbia University Press. google scholar
  • Goessens, L. (2008). Don Giovanni: Van verleider tot druggebruiker - een kritische studie van literaire beschouwingen, musicologische analyses en hedendaagse ensceneringen. google scholar
  • (Yayınlanmamış Yüksek Lisans Tezi.) Faculteit Letteren en Wijsbegeerte Universiteit Gent. Erişim Adresi: https://lib.ugent.be/catalog/rug01: 001414311 google scholar
  • Gudesblatt, M. (2008). "Don Giovanni: A Rake for All Seasons," Nota Bene: Canadian Undergraduate Journal of Musicology. 1(3). 29-42. https://doi.org/10.5206/notabene.v1i1.6539 google scholar
  • Hermanson, A. (2009). Forsaken Justice: Thomas Shadwell’s “The Libertine” and the Earl of Rochester’s “Lucina’s Rape Or the Tragedyof Vallentinian”. Restoration: Studies in English Literary Culture, 1660-1700. 33 (1). 3-26. Erişim Adresi: http://www.jstor.org/stable/43293977 google scholar
  • Hunter, M. (1991). Some Representations of Opera Seria in Opera Buffa. Cambridge Opera Journal. 3 (2). 89-108. https://www.jstor.org/stable/ 823602 google scholar
  • Jçcz, J. (2018). Commander in Opera: Contexts. Kwartalnik Mlodych Muzykologow UJ. 39 (4). 21-39. https://doi.org/10.4467/ 23537094KMMUJ.18.042.9743 google scholar
  • Karaboğa, K. Ve Özçıtak, İ. (1994). Commedia dell’Arte. Mimesis Tiyatro Çeviri Araştırma Dergisi, (5), 227-258. Erişim Adresi: https://www.mimesis- dergi.org/pdf/Commedia.pdf google scholar
  • Lauer, A. (2008). AnneMcNaughton’s Don Juan: A Roguefor All Seasons. S. Garrfa, D. Larson, A. Lauer, A. McNaughton, B. Mujica, B. Gunter, C. Larson, C. Boyle, D. Matthews, D. Johnston, D. Smith, J. Parr, J. Thacker, M. Halberstam, S. Voros, S. Fischer & V. Dixon (Eds.), The Comedia in English: Translation and Performance (pp. 202-213). Suffolk: Boydell and Brewer. https://doi.org/10.1515/9781846156199-017 google scholar
  • Nutku, Ö. (1985). Dünya Tiyatrosu Tarihi Cilt: 1. İstanbul: Remzi Kitabevi Yayınları. google scholar
  • Pirrotta, N. (1955). “Commedia dell’Arte” and Opera. The Musical Quarterly, 41 (3), 305- 324. https://doi.org/10.1093/mq/XLI.3.305 google scholar
  • Pirrotta, N. (1980). The Traditions of Don Juan Plays and Comic Operas. Proceedings of the Royal Musical Association, 107, 60-70. https: //www.jstor.org/stable/766115 google scholar
  • Rosen, C. (1998). The Classical Style: Haydn, Mozart, Beethoven. (Genişletişmiş Basım). New York and London: W.W.Norton & Company. google scholar
  • Ross, H.D. (2009). Are You Serious? An Examination of the Role of the Tenor in Mozart’s Operas Don Giovanni and Cosı fan tutte. (Yayımlanmamış Doktora Tezi.) Greensboro: The University of North Carolina, The Faculty of The Gradaute School. Erişim Adresi: https://libres.uncg.edu/ir/uncg/f/Hinson_uncg_0154D_10297.pdf google scholar
  • Rumph, S. (2007). The Sense of Touch in ‘Don Giovanni’. Music & Letters, 48 (4). 561-588. https://doi.org/10.1093/ml/gcm035 google scholar
  • Russel, C.C. (1997). Confusion in the Act I Finale of Mozart and Da Ponte’s Don Giovanni. The Opera Quarterly, 14 (1). 25-44. https://doi.org/10.1093/oq/14.1.25 google scholar
  • Sheil, Â. (2006). Hanswurst. C.Eisen and S.P.Keefe (Eds.), The Cambridge Mozart Encyclopedia içinde, (s.209-210). New York: Cambridge University Press. google scholar
  • Sheinberg, E. (2017). Irony, Satire, Parody and the Grotesque in the Music of Shostakovich: A Theory of Musical Incongruities. London: Routledge. google scholar
  • Gigliucci, R. (2016). Don Giovanni, Faust and the Western Modernity. Academy for International Communication of Chinese Culture and Springer-Verlag Berlin Heidelberg. 3 (1). 87-93. https://doi.org/10.1007/s40636-016-0052-3 google scholar
  • Rudlin, J. (2000). Commedia dell’Arte Oyuncunun El Kitabı. (1.Bs.). (E.E.İpekli, Çev.). İstanbul: MitosBoyut Yayınları. google scholar
  • Schneider, M.T. (2022). The Original Portrayal of Mozart’s Don Giovanni. Routledge Taylor & Francis Group. New York. https://doi.org/10. 4324/9780429281709 google scholar
  • Sedwick, F. (1954). Mozart’s Sources for Don Giovanni. Hispania, 37 (3). 269-273. https://www.jstor.org/stable/335262 google scholar
  • Sedwick, F. (1955). El Burlador, Don Giovanni, and the Popular Concept of Don Juan. Hispania, 38 (2), 173-177. https://www.jstor.org/stable/ 335809 google scholar
  • Solomon, M. (2021). Mozart. (2.Bs.). (E. Kılıç, Çev.). İstanbul: Türkiye İş Bankası Kültür Yayınları. google scholar
  • Sözer, V. (2005). Müzik Ansiklopedik Sözlük. (5.Bs.). İstanbul: Remzi Kitabevi. google scholar
  • Steptoe, A. (1990). The Mozart-Da Ponte Operas: The Cultural and Musical Background to Le Nozze di Figaro, Don Giovanni, and Cosı fan tutte. Oxford: Clarendon Press. google scholar
  • Thomson, K. (2004). Mozart’ın Yapıtlarındaki Masonik Örgü. (2.Bs.). (M.H. Spatar, Çev.). İstanbul: Pencere Yayınları. google scholar
  • Tonelli, F. (1985). Moliere’s “Don Juan” and the Space of the Comedia dell’Arte. Theatre Journal. 37 (4). 440-464. https://wwwjstor.org/stable/ 3207519 google scholar
  • Trahan, C. (2012). Uniting Commedia dell’Arte Traditions with the Spieltenor Repertoire. (Yayınlanmamış Doktora Tezi.) University of North Texas. Erişim Adresi: https://digital.library.unt.edu/ark:/67531/metadc115173/m2/1/high_res_d/dissertation.pdf google scholar
  • Ungerer, G. (1990). Thomas Shadwell’s “The Libertine”: a forgotten Restoration Don Juan Play. SEDERI: yearbook of the Spanish and Portuguese Society for English Renaissance Studies, 1, 222-239. google scholar
  • Varona, A.E. (2018). “Don Juan Tenorio”, de Jose de Zorrilla. Edicion de Ismael Lopez Martm. Castilla Estudios de Literatura, (9). 22-25. https://doi.org/10.24197/cel.9.2018.XXII-XXV google scholar
  • Wilbourne, E. (2016). Seventeenth-Century Opera and the Sound of the Commedia dell’Arte. Chicago: The University of Chicago Press. google scholar
  • Waxman, S.M. (1908). The Don Juan Legend in Literature. The Journal of American Folklore, 21 (81), 184-204. https://doi.org/10.2307/534636 Yurtaydın E. (1994). Don Juan. (Yayımlanmamış Doktora Tezi.) Ankara: Ankara Üniversitesi, Sosyal Bilimler Enstitüsü. google scholar
  • Zvara, V. (2002). Commedia dell’Arte and the Evolution of Music Theatre in the First Third of the Twentieth Century. Musicologica Istropolitana, (1), 147-160. Erişim Adresi: https://www.academia.edu/33100366/Commedia_dell%CA%BEarte_and_the_evolution_of_music_theatre_ in_the_first_third_of_the_twentieth_century google scholar
  • Görsel 1. https://images.app.goo.gl/oQ3YTDUPhPj6RD3h6 (Erişim Tarihi: 11.9.2024) google scholar
  • Görsel 2. https://digital.library.mcgill.ca/featherbook/comedians.html (Erişim Tarihi: 11.9.2024) google scholar
  • Görsel 3. https://imslp.org/wiki/Special:IMSLPImageHandler/68957%2Fge06 (Erişim Tarihi: 11.9.2024) google scholar
  • Görsel 4. https://youtu.be/C93TXGAMFjE?si=14CRY0pcKi5ehS-A&t=6240 (Erişim Tarihi: 11.9.2024) google scholar
Toplam 53 adet kaynakça vardır.

Ayrıntılar

Birincil Dil Türkçe
Konular Müzik (Diğer)
Bölüm Araştırma Makalesi
Yazarlar

Furkan Aktakka 0000-0001-5315-6744

Yayımlanma Tarihi 25 Aralık 2024
Gönderilme Tarihi 3 Temmuz 2024
Kabul Tarihi 10 Eylül 2024
Yayımlandığı Sayı Yıl 2024 Cilt: 11 Sayı: 2

Kaynak Göster

APA Aktakka, F. (2024). Don Giovanni Operasında Commedia Dell’arte Etkileri. Konservatoryum, 11(2), 616-630. https://doi.org/10.26650/CONS2024-1509765