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BEYNİMİZİN MÜZİK FİZYOLOJİSİ

Yıl 2017, Cilt: 12 Sayı: 1, 35 - 44, 04.04.2017
https://doi.org/10.17517/ksutfd.296621

Öz




               Özet:




                Müzik, insanoğlu
var olduğundan bu yana kitle iletişimi için görsel ve işitsel bir medya görevi
görmüştür. Özellikle müzikle tedavinin binlerce yıllık bir geçmişi vardır ve
günümüzde dünyaca kabul görmüş ayrı bir uzmanlık alanı olarak karşımıza
çıkmaktadır.



                Son 20-25 yılda müziğin;
nörotransmitterler, hormonlar, sitokinler, lenfositler, vital bulgular ve
immünoglobülinler üzerindeki etkileri hakkında pek çok çalışma yapılmıştır ve özellikle
son on yıl içinde de hastalarda müziğin psikolojik ve nörolojik etkilerini
inceleyen ve müziğin sağlığa olan faydalarıyla ilgili artan bir çalışma vardır.
Şimdiye kadar yapılan araştırmalar, bağışıklık cevabı ile psikolojik ve
nörolojik hastalıklardaki müziğin etkisinin özellikle stres yolları üzerindeki
önemli etkisinden kaynaklandığını işaret etmektedir. Bununla birlikte, bu
araştırmaların karşılaştığı çeşitli zorlukları vardır: a) Müziğin nörolojik ve
immünolojik etkisinin tam olarak sağlanması için muhtemel mekanizmalar hakkında
çok az bilgi vardır; b) Çalışmalar, söz konusu biyolojik belirteçlerin vücudun
diğer fizyolojik veya metabolik aktiviteleri ile olan etkileşimini göz önüne almaksızın,
biyolojik belirteçleri izole etmeye ve bu da müziğin etkisinin belirsiz bir
şekilde anlaşılmasına yol açmaktadır; c) Müzikal geçişlerin hangi yönlerinin
biyolojik belirteçlerdeki değişikliklerden sorumlu olduğu belirlenmeksizin
geniş bir faaliyet yelpazesini kapsayan farklı stres türleri ve müzik arasında
yapılan ayrımlar açık bir şekilde yeterince tanımlanmamaktadır. Bu çerçevede,
araştırmalarda müzikal ve stresle ilgili değişkenlerin düzenli bir
taksonomisinin geliştirilmesi ve vücut üzerindeki etkisine karışan geniş
yolların izlenmesine yönelik bir çerçeve sağlayan, yeni bir modellemenin
oluşturulması kaçınılmazdır.



                Mevcut çalışmada
son yıllarda bu konuda yapılmış olan ve müziğin tedavi edici etkisi ile bazı
hastalıkları tetikleyici rolü ve bunların muhtemel mekanizmaları üzerinde
durulmuştur.




                Anahtar
Kelimeler:
Müzik, Fizyoloji, Beyin, Epilepsi, Terapi.




 




 



                Abstract:




                Music has been a
visual and audiovisual media for mass communication since mankind existed.
Therapy with music, in particular, has thousands of years of history, and today
comes as a distinctly accepted field of expertise.



                Music in the last
20-25 years; many studies have been carried out on neurotransmitters, hormones,
cytokines, lymphocytes, vital findings and immunoglobulins, and especially in
the past decade there has been an increasing study on psychological and
neurological effects of music in patients and the health benefits of music.
Studies up to now indicate that the effect of the immune response and the music
in psychological and neurological disorders are mainly due to the significant
effect on stress pathways. However, these investigations face several
difficulties: a) There is little information about possible mechanisms to
provide neurological and immunological effects of music completely; b) Studies
have attempted to isolate biological indicators, notwithstanding the
interaction of biological indicators with other physiological or metabolic
activities of the body, which leads to an unclear understanding of the effect
of music; c) The distinctions between different types of stress and music,
including a wide spectrum of activities, without determining which aspects of
musical passages are responsible for changes in biological markers, are not
clearly defined. In this context, it is inevitable to establish a new model
that will provide a framework for the development of a regular taxonomy of
musical and stress-related variables in research and for monitoring the broader
pathways involved in the influence on the body.



                The present study
focuses on the therapeutic effect of music and its role in triggering certain
diseases and their possible mechanisms in recent years.




    Key Words: Music, Physiology, Brain, Epilepsy, Therapy.




Kaynakça

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  • 3. Lök N ve Bademli K. Alzheimer hastalarında müzik terapinin etkinliği: Sistematik derleme. Psikiyatride Güncel Yaklaşımlar 2016; 8(3): 266-274
  • 4. Sezer F. Öfke ve psikolojik belirtiler üzerine müziğin etkisi. Uluslararası İnsan Bilimleri Dergisi, 2011; 8(1): 1472-1493.
  • 5. Erişim: https://www.ncbi.nlm.nih.gov/pubmed/
  • 6. Erişim: https://www.scopus.com/
  • 7. Karamızrak N. Ses ve Müziğin Organları İyileştirici Etkisi. Koşuyolu Heart Journal 2014; 17(1): 54-57.
  • 8. Covington H, Crosby C. Music therapy as a nursing intervention. J Psychosoc Nurs Ment Health Serv 1997; 35:34-7.
  • 9. White JM. State of the science of music interventions. Critical care and perioperative practice. Crit Care Nurs Clin North Am 2000; 12: 219-25.
  • 10. Covington H. Therapeutic music for patients with psychiatric disorders. Holist Nurs Pract 2001; 15:59-69.
  • 11. Selvendran S, Aggarwal N, Vassiliou V. Tuning the heart with music. J R Soc Med 2015; 108: 462-4.
  • 12. Mofredj A, Alaya S, Tassaioust K, Bahloul H, Mrabet A. Music therapy, a review of the potential therapeutic benefits for the critically ill. J Crit Care 2016; 35: 195-9.
  • 13. Ko YL and Lin PC. The effect of using a relaxation tape on pulse, respiration, blood pressure and anxiety levels of surgical patients, Journal of Clinical Nursing 2012; 21 (5-6): 689–697.
  • 14. Trappe HJ. The effects of music on the cardiovascular system and cardiovascular health. Heart 2010; 96: 1868-71.
  • 15. Uggla L, Bonde LO, Svahn B, Remberger M, Wrangsjö B, Gustafsson B. Music therapy can lower the heart rates of severely sick children. Acta Paediatr 2016; 105: 1225-30.
  • 16. Abedi B, Abbasi A, Goshvarpour A. Investigating the effect of traditional Persian music on ECG signals in young women using wavelet transform and neural networks. Anatol J Cardiol 2017; 17 (1). doi: 10.14744/AnatolJCardiol.2016.7436.
  • 17. Malik M and Camm AJ. Components of heart rate variability—what they really mean and what we reallymeasure. The American Journal of Cardiology1993; 72 (11): 821–822.
  • 18. Miura K, MatsumuraK, NakamuraY, Kurokawa H, Kajiyama M, Takata Y. Suppression of cardiac sympathetic nervous system during dental surgery in hypertensive patients. Hypertension Research 2000; 23(3): 207–212.
  • 19. Vanderlei LCM, Pastre CM, HoshiRA, de Carvalho TD, de Godoy MF. Basic notions of heart rate variability and its clinical applicability. Brazilian Journal of Cardiovascular Surgery 2009; 24 (2): 205–217.
  • 20. Valenti VE. The recent use of heart rate variability for research. Journal of Human Growth and Development 2015; 25(2): 137–140.
  • 21. Santana MDR, Martiniano EC, Monteiro LRL, Valenti VE, Garner DM, Sorpreso ICE, Abreu LC. Musical auditory stimulation ınfluences heart rate autonomic responses to endodontic treatment. Evidence-Based Complementary and Alternative Medicine 2017; 1-7 (https://doi.org/10.1155/2017/4847869).
  • 22. Zatorre RJ. Pitch perception of complex tones and human temporal-lobe function. J Acoust Soc Am 1988; 84(2): 566-72.
  • 23. Peretz I, Brain specialization for music. New evidence from congenital amusia. Ann NY Acad Sci 2001; 930(6):153-65.
  • 24. Tramo MJ, Cariani PA. Neurobiology of harmony perception. In: Peretz I, Zatorre RJ, eds. The Cognitive Neuroscience of Music. New York: Oxford University Press; 2003. p. 127–151.
  • 25. Wilson SJ, Pressing JL, Wales RJ. Modelling rhythmic function in a musician post-stroke. Neuropsychologia 2002; 40(8): 1494-505.
  • 26. Janata P, Grafton ST. Swinging in the brain: shared neural substrates for behaviors related to sequencing and music. Nature Neuroscience 2003; 6: 682 – 687.
  • 27. Tervaniemi M, Medvedev SV, Alho K, Pakhomov SV, Roudas MS, Van Zuijen TL, et al. Lateralized automatic auditory processing of phonetic versus musical information: a PET study. Hum Brain Mapp 2000; 10 (2): 74–79.
  • 28. Stewart, L, von Kriegstein K, Warren JD, Griffiths TD. Music and the brain: disorders of musical listening. Brain 2006; 129: 2533–2553.
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  • 31. Radvansky GA, Fleming KJ, Simmons JA. Timbre reliance in nonmusicians’ and musicians’ memory for melodies. Music Perception, 1995; 13: 127–140.
  • 32. Zatorre RJ, Halpern AR, Perry DW, Meyer E, Evans AC. Hearing in the Mind's Ear: A PET Investigation of Musical Imagery and Perception, Journal of Cognitive Neuroscience 1996; 8(1): 29-46.
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MUSIC PHYSIOLOGY OF OUR BRAIN

Yıl 2017, Cilt: 12 Sayı: 1, 35 - 44, 04.04.2017
https://doi.org/10.17517/ksutfd.296621

Öz

Music has been a visual
and audiovisual media for mass communication since mankind existed. Therapy
with music, in particular, has thousands of years of history, and today comes
as a distinctly accepted field of expertise.

Music in the last 20-25
years; many studies have been carried out on neurotransmitters, hormones,
cytokines, lymphocytes, vital findings and immunoglobulins, and especially in
the past decade there has been an increasing study on psychological and
neurological effects of music in patients and the health benefits of music.
Studies up to now indicate that the effect of the immune response and the music
in psychological and neurological disorders are mainly due to the significant
effect on stress pathways. However, these investigations face several
difficulties: a) There is little information about possible mechanisms to
provide neurological and immunological effects of music completely; b) Studies
have attempted to isolate biological indicators, notwithstanding the
interaction of biological indicators with other physiological or metabolic
activities of the body, which leads to an unclear understanding of the effect
of music; c) The distinctions between different types of stress and music,
including a wide spectrum of activities, without determining which aspects of
musical passages are responsible for changes in biological markers, are not
clearly defined. In this context, it is inevitable to establish a new model
that will provide a framework for the development of a regular taxonomy of
musical and stress-related variables in research and for monitoring the broader
pathways involved in the influence on the body.

The present study
focuses on the therapeutic effect of music and its role in triggering certain
diseases and their possible mechanisms in recent years.







 

Kaynakça

  • 1. Azizi SA. Brain to music to brain! Neuroscience Letters 2009; 459: 1–2.
  • 2. Ünal FS. Müziğin ses olarak insana fizyolojik etkisi. Kültür Evreni Dergisi 2014; 6(22):118-125, http://www.kulturevreni.com/22-118.pdf.
  • 3. Lök N ve Bademli K. Alzheimer hastalarında müzik terapinin etkinliği: Sistematik derleme. Psikiyatride Güncel Yaklaşımlar 2016; 8(3): 266-274
  • 4. Sezer F. Öfke ve psikolojik belirtiler üzerine müziğin etkisi. Uluslararası İnsan Bilimleri Dergisi, 2011; 8(1): 1472-1493.
  • 5. Erişim: https://www.ncbi.nlm.nih.gov/pubmed/
  • 6. Erişim: https://www.scopus.com/
  • 7. Karamızrak N. Ses ve Müziğin Organları İyileştirici Etkisi. Koşuyolu Heart Journal 2014; 17(1): 54-57.
  • 8. Covington H, Crosby C. Music therapy as a nursing intervention. J Psychosoc Nurs Ment Health Serv 1997; 35:34-7.
  • 9. White JM. State of the science of music interventions. Critical care and perioperative practice. Crit Care Nurs Clin North Am 2000; 12: 219-25.
  • 10. Covington H. Therapeutic music for patients with psychiatric disorders. Holist Nurs Pract 2001; 15:59-69.
  • 11. Selvendran S, Aggarwal N, Vassiliou V. Tuning the heart with music. J R Soc Med 2015; 108: 462-4.
  • 12. Mofredj A, Alaya S, Tassaioust K, Bahloul H, Mrabet A. Music therapy, a review of the potential therapeutic benefits for the critically ill. J Crit Care 2016; 35: 195-9.
  • 13. Ko YL and Lin PC. The effect of using a relaxation tape on pulse, respiration, blood pressure and anxiety levels of surgical patients, Journal of Clinical Nursing 2012; 21 (5-6): 689–697.
  • 14. Trappe HJ. The effects of music on the cardiovascular system and cardiovascular health. Heart 2010; 96: 1868-71.
  • 15. Uggla L, Bonde LO, Svahn B, Remberger M, Wrangsjö B, Gustafsson B. Music therapy can lower the heart rates of severely sick children. Acta Paediatr 2016; 105: 1225-30.
  • 16. Abedi B, Abbasi A, Goshvarpour A. Investigating the effect of traditional Persian music on ECG signals in young women using wavelet transform and neural networks. Anatol J Cardiol 2017; 17 (1). doi: 10.14744/AnatolJCardiol.2016.7436.
  • 17. Malik M and Camm AJ. Components of heart rate variability—what they really mean and what we reallymeasure. The American Journal of Cardiology1993; 72 (11): 821–822.
  • 18. Miura K, MatsumuraK, NakamuraY, Kurokawa H, Kajiyama M, Takata Y. Suppression of cardiac sympathetic nervous system during dental surgery in hypertensive patients. Hypertension Research 2000; 23(3): 207–212.
  • 19. Vanderlei LCM, Pastre CM, HoshiRA, de Carvalho TD, de Godoy MF. Basic notions of heart rate variability and its clinical applicability. Brazilian Journal of Cardiovascular Surgery 2009; 24 (2): 205–217.
  • 20. Valenti VE. The recent use of heart rate variability for research. Journal of Human Growth and Development 2015; 25(2): 137–140.
  • 21. Santana MDR, Martiniano EC, Monteiro LRL, Valenti VE, Garner DM, Sorpreso ICE, Abreu LC. Musical auditory stimulation ınfluences heart rate autonomic responses to endodontic treatment. Evidence-Based Complementary and Alternative Medicine 2017; 1-7 (https://doi.org/10.1155/2017/4847869).
  • 22. Zatorre RJ. Pitch perception of complex tones and human temporal-lobe function. J Acoust Soc Am 1988; 84(2): 566-72.
  • 23. Peretz I, Brain specialization for music. New evidence from congenital amusia. Ann NY Acad Sci 2001; 930(6):153-65.
  • 24. Tramo MJ, Cariani PA. Neurobiology of harmony perception. In: Peretz I, Zatorre RJ, eds. The Cognitive Neuroscience of Music. New York: Oxford University Press; 2003. p. 127–151.
  • 25. Wilson SJ, Pressing JL, Wales RJ. Modelling rhythmic function in a musician post-stroke. Neuropsychologia 2002; 40(8): 1494-505.
  • 26. Janata P, Grafton ST. Swinging in the brain: shared neural substrates for behaviors related to sequencing and music. Nature Neuroscience 2003; 6: 682 – 687.
  • 27. Tervaniemi M, Medvedev SV, Alho K, Pakhomov SV, Roudas MS, Van Zuijen TL, et al. Lateralized automatic auditory processing of phonetic versus musical information: a PET study. Hum Brain Mapp 2000; 10 (2): 74–79.
  • 28. Stewart, L, von Kriegstein K, Warren JD, Griffiths TD. Music and the brain: disorders of musical listening. Brain 2006; 129: 2533–2553.
  • 29. Zatorre RJ, Samson S. Role of the right temporal neocortex in retention of pitch in auditory short-term memory, Brain (A Journal of Neurology; Oxford University Press), 1991; 2403-2417.
  • 30. Griffiths TD, Johnsrude I, Dean JL, Green GGR. A common neural substrate for the analysis of pitch and duration pattern in segmented sound? NeuroReport 1999; 10: 3825-3830.
  • 31. Radvansky GA, Fleming KJ, Simmons JA. Timbre reliance in nonmusicians’ and musicians’ memory for melodies. Music Perception, 1995; 13: 127–140.
  • 32. Zatorre RJ, Halpern AR, Perry DW, Meyer E, Evans AC. Hearing in the Mind's Ear: A PET Investigation of Musical Imagery and Perception, Journal of Cognitive Neuroscience 1996; 8(1): 29-46.
  • 33. Blood AJ, Zatorre RJ. Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion. Proc Natl Acad Sci USA 2001; 98(20):11818-11823.
  • 34. Bigand E, Poulin-Charronnat B. Are we "experienced listeners"? A review of the musical capacities that do not depend on formal musical training. Cognition 2006; 100(1): 100-30.
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  • 85. Campbell D, Mozart Etkisi, Kuraldışı Yayıncılık, İstanbul; 2002; 156-343.
Toplam 85 adet kaynakça vardır.

Ayrıntılar

Konular Sağlık Kurumları Yönetimi
Bölüm Makaleler
Yazarlar

MEHMET Boşnak

AKİF HAKAN Kurt

SELMA Yaman Bu kişi benim

Yayımlanma Tarihi 4 Nisan 2017
Gönderilme Tarihi 7 Mart 2017
Kabul Tarihi 4 Nisan 2017
Yayımlandığı Sayı Yıl 2017 Cilt: 12 Sayı: 1

Kaynak Göster

AMA Boşnak M, Kurt AH, Yaman S. BEYNİMİZİN MÜZİK FİZYOLOJİSİ. KSÜ Tıp Fak Der. Nisan 2017;12(1):35-44. doi:10.17517/ksutfd.296621